A LSO BY M ICHAEL C ONNELLY

Fiction

The Black Echo

The Black Ice

The Concrete Blonde

The Last Coyote

The Poet

Trunk Music

Blood Work

Angels Flight

Void Moon

A Darkness More than Night

City of Bones

Chasing the Dime

Lost Light

The Narrows

The Closers

The Lincoln Lawyer

Echo Park

The Overlook

The Brass Verdict

The Scarecrow

Nine Dragons

Nonfiction

Crime Beat

Copyright

Copyright (c) 2010 by Hieronymus, Inc.

Al rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

Little, Brown and Company

Hachette Book Group

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Visit our website at www.HachetteBookGroup.com.

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First eBook Edition: October 2010

Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc.

The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

ISBN: 978-0-316-06946-5

To Shannon Byrne

with many thanks

Contents

Also by Michael Connel y

Copyright

PART ONE: The Perp Walk

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

Twelve

Thirteen

PART TWO: The Labyrinth

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Twenty-one

Twenty-two

Twenty-three

Twenty-four

PART THREE: To Seek a True and Just Verdict

Twenty-five

Twenty-six

Twenty-seven

Twenty-eight

Twenty-nine

Thirty

Thirty-one

Thirty-two

Thirty-three

Thirty-four

Thirty-five

Thirty-six

PART FOUR: The Silent Witness

Thirty-seven

Thirty-eight

Thirty-nine

Forty

Forty-one

PART FIVE: The Takedown

Forty-two

Forty-three

Forty-four

PART SIX: Al That Remains

Forty-five

Acknowledgments

About the Author

PART ONE

--The Perp Walk

One

Tuesday, February 9, 1:43 P.M.

The last time I'd eaten at the Water Gril I sat across the table from a client who had coldly and calculatedly murdered his wife and her lover, shooting both of them in the face. He had engaged my services to not only defend him at trial but ful y exonerate him and restore his good name in the public eye. This time I was sitting with someone with whom I needed to be even more careful. I was dining with Gabriel Wil iams, the district attorney of Los Angeles County.

It was a crisp afternoon in midwinter. I sat with Wil iams and his trusted chief of staff--read political advisor--Joe Ridel . The meal had been set for 1:30

P.M., when most courthouse lawyers would be safely back in the CCB, and the DA would not be advertising his dal iance with a member of the dark side.

Meaning me, Mickey Hal er, defender of the damned.

The Water Gril was a nice place for a downtown lunch. Good food and atmosphere, good separation between tables for private conversation, and a wine list hard to top in al of downtown. It was the kind of place where you kept your suit jacket on and the waiter put a black napkin across your lap so you needn't be bothered with doing it yourself. The prosecution team ordered martinis at the county taxpayers' expense and I stuck with the free water the restaurant was pouring. It took Wil iams two gulps of gin and one olive before he got to the reason we were hiding in plain sight.

"Mickey, I have a proposition for you."

I nodded. Ridel had already said as much when he had cal ed that morning to set up the lunch. I had agreed to the meet and then had gone to work on the phone myself, trying to gather any inside information I could on what the proposition would be. Not even my first ex-wife, who worked in the district attorney's employ, knew what was up.

"I'm al ears," I said. "It's not every day that the DA himself wants to give you a proposition. I know it can't be in regard to any of my clients--they wouldn't merit much attention from the guy at the top. And at the moment I'm only carrying a few cases anyway. Times are slow."

"Wel , you're right," Wil iams said. "This is not about any of your clients. I have a case I would like you to take on."

I nodded again. I understood now. They al hate the defense attorney until they need the defense attorney. I didn't know if Wil iams had any children but he would have known through due diligence that I didn't do juvy work. So I was guessing it had to be his wife. Probably a shoplifting grab or a DUI he was trying to keep under wraps.

"Who got popped?" I asked.

Wil iams looked at Ridel and they shared a smile.

"No, nothing like that," Wil iams said. "My proposition is this. I would like to hire you, Mickey. I want you to come work at the DA's office."

Of al the ideas that had been rattling around in my head since I had taken Ridel 's cal , being hired as a prosecutor wasn't one of them. I'd been a card-carrying member of the criminal defense bar for more than twenty years. During that time I'd grown a suspicion and distrust of prosecutors and police that might not have equaled that of the gangbangers down in Nickerson Gardens but was at least at a level that would seem to exclude me from ever joining their ranks. Plain and simple, they wouldn't want me and I wouldn't want them. Except for that ex-wife I mentioned and a half brother who was an LAPD

detective, I wouldn't turn my back on any of them. Especial y Wil iams. He was a politician first and a prosecutor second. That made him even more dangerous. Though briefly a prosecutor early in his legal career, he spent two decades as a civil rights attorney before running for the DA post as an outsider and riding into office on a tide of anti-police and -prosecutor sentiment. I was employing ful caution at the fancy lunch from the moment the napkin went across my lap.

"Work for you?" I asked. "Doing what exactly?"

"As a special prosecutor. A onetime deal. I want you to handle the Jason Jessup case."

I looked at him for a long moment. First I thought I would laugh out loud. This was some sort of cleverly orchestrated joke. But then I understood that couldn't be the case. They don't take you out to the Water Gril just to make a joke.

"You want me to prosecute Jessup? From what I hear there's nothing to prosecute. That case is a duck without wings. The only thing left to do is shoot it and eat it."

Wil iams shook his head in a manner that seemed intended to convince himself of something, not me.

"Next Tuesday is the anniversary of the murder," he said. "I'm going to announce that we intend to retry Jessup. And I would like you standing next to me at the press conference."

I leaned back in my seat and looked at them. I've spent a good part of my adult life looking across courtrooms and trying to read juries, judges, witnesses and prosecutors. I think I've gotten pretty good at it. But at that table I couldn't read Wil iams or his sidekick sitting three feet away from me.

Jason Jessup was a convicted child kil er who had spent nearly twenty-four years in prison until a month earlier, when the California Supreme Court reversed his conviction and sent the case back to Los Angeles County for either retrial or a dismissal of the charges. The reversal came after a two-decade-long legal battle staged primarily from Jessup's cel and with his own pen. Authoring appeals, motions, complaints and whatever legal chal enges he could research, the self-styled lawyer made no headway with state and federal courts but did final y win the attention of an organization of lawyers known as the Genetic Justice Project. They took over his cause and his case and eventual y won an order for genetic testing of semen found on the dress of the child Jessup had been convicted of strangling.

Jessup had been convicted before DNA analysis was used in criminal trials. The analysis performed these many years later determined that the semen found on the dress had not come from Jessup but from another unknown individual. Though the courts had repeatedly upheld Jessup's conviction, this new information tipped the scales in Jessup's favor. The state's supreme court cited the DNA findings and other inconsistencies in the evidence and trial record and reversed the case.

This was pretty much the extent of my knowledge of the Jessup case, and it was largely information gathered from newspaper stories and courthouse scuttlebutt. While I had not read the court's complete order, I had read parts of it in the Los Angeles Times and knew it was a blistering decision that echoed many of Jessup's long-held claims of innocence as wel as police and prosecutorial misconduct in the case. As a defense attorney, I can't say I wasn't pleased to see the DA's office raked over the media coals with the ruling. Cal it underdog schadenfreude. It didn't real y matter that it wasn't my case or that the current regime in the DA's office had nothing to do with the case back in 1986, there are so few victories from the defense side of the bar that there is always a sense of communal joy in the success of others and the defeat of the establishment.

The supreme court's ruling was announced the week before, starting a sixty-day clock during which the DA would have to retry or discharge Jessup. It seemed that not a day had gone by since the ruling that Jessup was not in the news. He gave multiple interviews by phone and in person at San Quentin, proclaiming his innocence and potshotting the police and prosecutors who put him there. In his plight, he had garnered the support of several Hol ywood celebrities and professional athletes and had already launched a civil claim against both the city and county, seeking mil ions of dol ars in damages for the many long years during which he was falsely incarcerated. In this day of nonstop media cycles, he had a never-ending forum and was using it to elevate himself to folk hero status. When he final y walked out of prison, he, too, would be a celebrity.

Knowing as little as I did about the case in the details, I was of the impression that he was an innocent man who had been subjected to a quarter century of torture and that he deserved whatever he could get for it. I did, however, know enough about the case to understand that with the DNA evidence cutting Jessup's way, the case was a loser and the idea of retrying Jessup seemed to be an exercise in political masochism unlikely to come from the brain trust of Wil iams and Ridel .

Unless...

"What do you know that I don't know?" I asked. "And that the Los Angeles Times doesn't know."

Wil iams smiled smugly and leaned forward across the table to deliver his answer.

"Al Jessup established with the help of the GJP is that his DNA was not on the victim's dress," he said. "As the petitioner, it was not up to him to establish who it did come from."

"So you ran it through the data banks."

Wil iams nodded.

"We did. And we got a hit."

He offered nothing else.

"Wel , who was it?"

"I'm not going to reveal that to you unless you come aboard on the case. Otherwise, I need to keep it confidential. But I wil say that I believe our findings lead to a trial tactic that could neutralize the DNA question, leaving the rest of the case--and the evidence--pretty much intact. DNA was not needed to convict him the first time. We won't need it now. As in nineteen eighty-six, we believe Jessup is guilty of this crime and I would be delinquent in my duties if I did not attempt to prosecute him, no matter the chances of conviction, the potential political fal out and the public perception of the case."

Spoken as if he were looking at the cameras and not at me.

"Then why don't you prosecute him?" I asked. "Why come to me? You have three hundred able lawyers working for you. I can think of one you've got stuck up in the Van Nuys office who would take this case in a heartbeat. Why come to me?"

"Because this prosecution can't come from within the DA's office. I am sure you have read or heard the al egations. There's a taint on this case and it doesn't matter that there isn't one goddamn lawyer working for me who was around back then. I stil need to bring in an outsider, an independent to take it to court. Somebody--"

"That's what the attorney general's office is for," I said. "You need an independent counsel, you go to him."

Now I was just poking him in the eye and everybody at the table knew it. There was no way Gabriel Wil iams was going to ask the state AG to come in on the case. That would cross the razor-wire line of politics. The AG post was an elected office in California and was seen by every political pundit in town as Wil iams's next stop on his way to the governor's mansion or some other lofty political plateau. The last thing Wil iams would be wil ing to do was hand a potential political rival a case that could be used against him, no matter how old it was. In politics, in the courtroom, in life, you don't give your opponent the club with which he can turn around and clobber you.

"We're not going to the AG with this one," Wil iams said in a matter-of-fact manner. "That's why I want you, Mickey. You're a wel -known and respected criminal defense attorney. I think the public wil trust you to be independent in this matter and wil therefore trust and accept the conviction you'l win in this case."

While I was staring at Wil iams a waiter came to the table to take our order. Without ever breaking eye contact with me, Wil iams told him to go away.

"I haven't been paying a lot of attention to this," I said. "Who's Jessup's defense attorney? I would find it difficult to go up against a col eague I know wel ."

"Right now al he's got is the GJP lawyer and his civil litigator. He hasn't hired defense counsel because quite frankly he's expecting us to drop this whole thing."

I nodded, another hurdle cleared for the moment.

"But he's got a surprise coming," Wil iams said. "We're going to bring him down here and retry him. He did it, Mickey, and that's al you real y need to know. There's a little girl who's stil dead, and that's al any prosecutor needs to know. Take the case. Do something for your community and for yourself.

Who knows, you might even like it and want to stay on. If so, we'l definitely entertain the possibility."

I dropped my eyes to the linen tablecloth and thought about his last words. For a moment, I involuntarily conjured the image of my daughter sitting in a courtroom and watching me stand for the People instead of the accused. Wil iams kept talking, unaware that I had already come to a decision.

"Obviously, I can't pay you your rate, but if you take this on, I don't think you'l be doing it for the money anyway. I can give you an office and a secretary.

And I can give you whatever science and forensics you need. The very best of every--"

"I don't want an office in the DA's office. I would need to be independent of that. I have to be completely autonomous. No more lunches. We make the announcement and then you leave me alone. I decide how to proceed with the case."

"Fine. Use your own office, just as long as you don't store evidence there. And, of course, you make your own decisions."

"And if I do this, I pick second chair and my own investigator out of the LAPD. People I can trust."

"In or outside my office for your second?"

"I would need someone inside."

"Then I assume we're talking about your ex-wife."

"That's right--if she'l take it. And if somehow we get a conviction out of this thing, you pul her out of Van Nuys and put her downtown in Major Crimes, where she belongs."

"That's easier said than--"

"That's the deal. Take it or leave it."

Wil iams glanced at Ridel and I saw the supposed sidekick give an almost imperceptible nod of approval.

"Al right," Wil iams said, turning back to me. "Then I guess I'l take it. You win and she's in. We have a deal."

He reached his hand across the table and I shook it. He smiled but I didn't.

"Mickey Hal er for the People," he said. "Has a nice ring to it."

For the People. It should have made me feel good. It should have made me feel like I was part of something that was noble and right. But al I had was the bad feeling that I had crossed some sort of line within myself.

"Wonderful," I said.

Two

Friday, February 12, 10:00 A.M.

Harry Bosch stepped up to the front counter of the District Attorney's Office on the eighteenth floor of the Criminal Courts Building. He gave his name and said he had a ten A.M. appointment with District Attorney Gabriel Wil iams.

"Actual y, your meeting is in conference room A," said the receptionist after checking a computer screen in front of her. "You go through the door, turn right and go to the end of the hal . Right again and CONFERENCE ROOM A is on the left. It's marked on the door. They're expecting you."

The door in the paneled-wood wal behind her buzzed free and Bosch went through, wondering about the fact that they were waiting for him. Since he had received the summons from the DA's secretary the afternoon before, Bosch had been unable to determine what it was about. Secrecy was expected from the DA's Office but usual y some information trickled out. He hadn't even known he would be meeting with more than one person until now.

Fol owing the prescribed trail, Bosch came to the door marked CONFERENCE ROOM A, knocked once and heard a female voice say, "Come in."

He entered and saw a woman seated by herself at an eight-chaired table, a spread of documents, files, photos and a laptop computer in front of her.

She looked vaguely familiar but he could not place her. She was attractive with dark, curling hair framing her face. She had sharp eyes that fol owed him as he entered, and a pleasant, almost curious smile. Like she knew something he didn't. She wore the standard female prosecutor's power suit in navy blue. Harry might not have been able to place her but he assumed she was a DDA.

"Detective Bosch?"

"That's me."

"Come in, have a seat."

Bosch pul ed out a chair and sat across from her. On the table he saw a crime scene photograph of a child's body in an open Dumpster. It was a girl and she was wearing a blue dress with long sleeves. Her feet were bare and she was lying on a pile of construction debris and other trash. The white edges of the photo were yel owed. It was an old print.

The woman moved a file over the picture and then offered her hand across the table.

"I don't think we've ever met," she said. "My name is Maggie McPherson."

Bosch recognized the name but he couldn't remember from where or what case.

"I'm a deputy district attorney," she continued, "and I'm going to be second chair on the Jason Jessup prosecution. First chair--"

"Jason Jessup?" Bosch asked. "You're going to take it to trial?"

"Yes, we are. We'l be announcing it next week and I need to ask you to keep it confidential until then. I am sorry that our first chair is late coming to our meet--"

The door opened and Bosch turned. Mickey Hal er stepped into the room. Bosch did a double take. Not because he didn't recognize Hal er. They were half brothers and he easily knew him on sight. But seeing Hal er in the DA's office was one of those images that didn't quite make sense. Hal er was a criminal defense attorney. He fit in at the DA's office about as wel as a cat did at the dog pound.

"I know," Hal er said. "You're thinking, What in the hel is this?"

Smiling, Hal er moved to McPherson's side of the table and started pul ing out a chair. Then Bosch remembered how he knew McPherson's name.

"You two...," Bosch said. "You were married, right?"

"That's right," Hal er said. "Eight wonderful years."

"And what, she's prosecuting Jessup and you're defending him? Isn't that a conflict of interest?"

Hal er's smile became a broad grin.

"It would only be a conflict if we were opposing each other, Harry. But we're not. We're prosecuting him. Together. I'm first chair. Maggie's second. And we want you to be our investigator."

Bosch was completely confused.

"Wait a minute. You're not a prosecutor. This doesn't--"

"I'm an appointed independent prosecutor, Harry. It's al legit. I wouldn't be sitting here if it weren't. We're going after Jessup and we want you to help us."

Bosch pul ed out a chair and slowly sat down.

"From what I heard, this case is beyond help. Unless you're tel ing me Jessup rigged the DNA test."

"No, we're not tel ing you that," McPherson said. "We did our own testing and matching. His results were correct. It wasn't his DNA on the victim's dress."

"But that doesn't mean we've lost the case," Hal er quickly added.

Bosch looked from McPherson to Hal er and then back again. He was clearly missing something.

"Then whose DNA was it?" he asked.

McPherson glanced sideways at Hal er before answering.

"Her stepfather's," she said. "He's dead now but we believe there is an explanation for why his semen was found on his stepdaughter's dress."

Hal er leaned urgently across the table.

"An explanation that stil leaves room to reconvict Jessup of the girl's murder."

Bosch thought for a moment and the image of his own daughter flashed in his mind. He knew there were certain kinds of evil in the world that had to be contained, no matter the hardship. A child kil er was at the top of that list.

"Okay," he said. "I'm in."

Three

Tuesday, February 16, 1:00 P.M.

The DA's Office had a press conference room that had not been updated since the days they'd used it to hold briefings on the Charles Manson case. Its faded wood-paneled wal s and drooping flags in the corner had been the backdrop of a thousand press briefings and they gave al proceedings there a threadbare appearance that belied the true power and might of the office. The state prosecutor was never the underdog in any undertaking, yet it appeared that the office did not have the money for even a fresh coat of paint.

The setting, however, served the announcement on the Jessup decision wel . For possibly the first time in these hal owed hal s of justice, the prosecution would indeed be the underdog. The decision to retry Jason Jessup was fraught with peril and the realistic likelihood of failure. As I stood at the front of the room next to Gabriel Wil iams and before a phalanx of video cameras, bright lights and reporters, it final y dawned on me what a terrible mistake I had made. My decision to take on the case in hopes of currying favor with my daughter, ex-wife and myself was going to be met with disastrous consequences. I was going to go down in flames.

It was a rare moment to witness firsthand. The media had gathered to report the end of the story. The DA's Office would assuredly announce that Jason Jessup would not be subjected to a retrial. The DA might not offer an apology but would at the very least say the evidence was not there. That there was no case against this man who had been incarcerated for so long. The case would be closed and in the eyes of the law as wel as the public Jessup would final y be a free and innocent man.

The media is rarely fooled in complete numbers and usual y doesn't react wel when it happens. But there was no doubt that Wil iams had punked them al . We had moved stealthily in the last week, putting together the team and reviewing the evidence that was stil available. Not a word had leaked, which must've been a first in the hal s of the CCB. While I could see the first inkling of suspicion creasing the brows of the reporters who recognized me as we entered, it was Wil iams who delivered the knockout punch when he wasted no time in stepping before a lectern festooned with microphones and digital recorders.

"On a Sunday morning twenty-four years ago today, twelve-year-old Melissa Landy was taken from her yard in Hancock Park and brutal y murdered. An investigation quickly led to a suspect named Jason Jessup. He was arrested, convicted at trial and sentenced to life in prison without parole. That conviction was reversed two weeks ago by the state supreme court and remanded to my office. I am here to announce that the Los Angeles County District Attorney's Office wil retry Jason Jessup in the death of Melissa Landy. The charges of abduction and murder stand. This office intends once again to prosecute Mr. Jessup to the ful est extent of the law."

He paused to add appropriate gravity to the announcement.

"As you know, the supreme court found that irregularities occurred during the first prosecution--which, of course, occurred more than two decades before the current administration. To avoid political conflicts and any future appearance of impropriety on the part of this office, I have appointed an independent special prosecutor to handle the case. Many of you know of the man standing here to my right. Michael Hal er has been a defense counselor of some note in Los Angeles for two decades. He is a fair-minded and respected member of the bar. He has accepted the appointment and has assumed responsibility for the case as of today. It has been the policy of this department not to try cases in the media. However, Mr. Hal er and I are wil ing to answer a few questions as long as they don't tread on the specifics and evidence of the case."

There was a booming chorus of voices cal ing questions out at us. Wil iams raised his hands for calm in the room.

"One at a time, people. Let's start with you."

He pointed to a woman sitting in the first row. I could not remember her name but I knew she worked for the Times. Wil iams knew his priorities.

"Kate Salters from the Times, " she said helpful y. "Can you tel us how you came to the decision to prosecute Jason Jessup again after DNA evidence cleared him of the crime?"

Before coming into the room, Wil iams had told me that he would handle the announcement and al questions unless specifical y addressed to me. He made it clear that this was going to be his show. But I decided to make it clear from the outset that it was going to be my case.

"I'l answer that," I said as I leaned toward the lectern and the microphones. "The DNA test conducted by the Genetic Justice Project only concluded that the bodily fluid found on the victim's clothing did not come from Jason Jessup. It did not clear him of involvement in the crime. There is a difference. The DNA test only provides additional information for a jury to consider."

I straightened back up and caught Wil iams giving me a don't-fuck-with-me stare.

"Whose DNA was it?" someone cal ed out.

Wil iams quickly leaned forward to answer.

"We're not answering questions about evidence at this time."

"Mickey, why are you taking the case?"

The question came from the back of the room, from behind the lights, and I could not see the owner of the voice. I moved back to the microphones, angling my body so Wil iams had to step back.

"Good question," I said. "It's certainly unusual for me to be on the other side of the aisle, so to speak. But I think this is the case to cross over for. I'm an officer of the court and a proud member of the California bar. We take an oath to seek justice and fairness while upholding the Constitution and laws of this nation and state. One of the duties of a lawyer is to take a just cause without personal consideration to himself. This is such a cause. Someone has to speak for Melissa Landy. I have reviewed the evidence in this case and I think I'm on the right side of this one. The measure is proof beyond a reasonable doubt. I think that such proof exists here."

Wil iams moved in and put a hand on my arm to gently move me off the microphone stand.

"We do not want to go any further than that in regard to the evidence," he said quickly.

"Jessup's already spent twenty-four years in prison," Salters said. "Anything less than a conviction for first-degree murder and he wil probably walk on time served. Mr. Wil iams, is it real y worth the expense and effort of retrying this man?"

Before she was finished asking the question, I knew she and Wil iams had a deal working. She lobbed softbal s and he hit them out of the park, looking good and righteous on the eleven o'clock news and in the morning paper. Her end of the deal would come with inside scoops on the evidence and trial strategy. I decided in that moment that it was my case, my trial, my deal .

"None of that matters," I said loudly from my position to the side.

Al eyes turned to me. Even Wil iams turned.

"Can you talk into the microphones, Mickey?"

It was the same voice from behind the line of lights. He knew to cal me Mickey. I once again moved to the microphones, boxing Wil iams out like a power forward going for the rebound.

"The murder of a child is a crime that must be prosecuted to the ful extent of the law, no matter what the possibilities or risks are. There is no guarantee of victory here. But that was not part of the decision. The measure is reasonable doubt and I believe we surpass that. We believe that the totality of evidence shows that this man committed this horrible crime and it doesn't matter how much time has gone by or how long he has been incarcerated. He must be prosecuted.

"I have a daughter only a little older than Melissa was.... You know, people forget that in the original trial, the state sought the death penalty but the jury recommended against it and the judge imposed a life sentence. That was then and this is now. We wil once again be seeking the death penalty on this case."

Wil iams put his hand on my shoulder and pul ed me away from the microphones.

"Uh, let's not get ahead of ourselves here," he said quickly. "My office has not yet made a determination in regard to whether we wil be seeking the death penalty. That wil come at a later time. But Mr. Hal er makes a very valid and sad point. There can be no worse crime in our society than the murder of a child. We must do al that is within our power and our reach to seek justice for Melissa Landy. Thank you for being here today."

"Wait a minute," cal ed a reporter from one of the middle seats. "What about Jessup? When wil he be brought here for trial?"

Wil iams put his hands on both sides of the lectern in a casual move designed to keep me from the microphones.

"Earlier this morning Mr. Jessup was taken into custody by the Los Angeles police and is being transported from San Quentin. He wil be booked into the downtown jail and the case wil proceed. His conviction was reversed but the charges against him remain in place. We have nothing further at this time."

Wil iams stepped back and signaled me toward the door. He waited until I started moving and was clear of the microphones. He then fol owed, coming up behind me and whispering into my ear as we went through the door.

"You do that again and I'l fire you on the spot."

I turned to look back at him while I walked.

"Do what? Answer one of your setup questions?"

We moved into the hal way. Ridel was waiting there with the office's media spokesman, a guy named Fernandez. But Wil iams turned me down the hal away from them. He was stil whispering when he spoke.

"You went off the script. Do it again and we're done."

I stopped and turned and Wil iams almost walked into me.

"Look, I'm not your puppet," I said. "I'm an independent contractor, remember? You treat me otherwise and you're going to be holding this hot potato without an oven mitt."

Wil iams just glared at me. I obviously wasn't getting through.

"And what was this shit about the death penalty?" he asked. "We haven't even gotten there and you didn't have the go-ahead to say it."

He was bigger than me, tal er. He had used his body to crowd my space and back me up against the wal .

"It wil get back to Jessup and keep him thinking," I said. "And if we're lucky, he comes in for a deal and this whole thing goes away, including the civil action. It'l save you al that money. That's real y what this is about, right? The money. We get a conviction and he's got no civil case. You and the city save a few mil ion bucks."

"That's got nothing to do with this. This is about justice and you stil should have told me what you were doing. You don't sandbag your own boss."

The physical intimidation got old real fast. I put my palm on his chest and backed him off me.

"Yeah, wel , you're not my boss. I don't have a boss."

"Is that right? Like I said, I could fire your ass right here right now."

I pointed down the hal to the door to the press conference room.

"Yeah, that'l look good. Firing the independent prosecutor you just hired. Didn't Nixon do that during the Watergate mess? Worked real wel for him.

Why don't we go back in and tel them? I'm sure there are stil a few cameras in there."

Wil iams hesitated, realizing his predicament. I had backed him against the wal without even moving. He would look like a complete and unelectable fool if he fired me, and he knew it. He leaned in closer and his whisper dropped lower as he used the oldest threat in the mano a mano handbook. I was ready for it.

"Do not fuck with me, Hal er."

"Then don't fuck with my case. This isn't a campaign stop and it's not about money. This is murder, boss. You want me to get a conviction, then get out of my way."

I threw him the bone of cal ing him boss. Wil iams pressed his mouth into a tight line and stared at me for a long moment.

"Just so we understand each other," he final y said.

I nodded.

"Yeah, I think we do."

"Before you talk to the media about this case, you get it approved by my office first. Understand?"

"Got it."

He turned and headed down the hal . His entourage fol owed. I remained in the hal way and watched them go. The truth was, there was nothing in the law that I objected to more than the death penalty. It was not that I had ever had a client executed or even tried such a case. It was simply a belief in the idea that an enlightened society did not kil its own.

But somehow that didn't stop me from using the threat of the death penalty as an edge in the case. As I stood there alone in the hal way, I thought that maybe that made me a better prosecutor than I had imagined I could be.

Four

Tuesday, February 16, 2:43 P.M.

It usualy was the best moment of a case. The drive downtown with a suspect handcuffed in the backseat. There was nothing better. Sure there was the eventual payoff of a conviction down the line. Being in the courtroom when the verdict is read--watching the reality shock and then deaden the eyes of the convicted. But the drive in was always better, more immediate and personal. It was always the moment Bosch savored. The chase was over and the case was about to morph from the relentless momentum of the investigation to the measured pace of the prosecution.

But this time was different. It had been a long two days and Bosch wasn't savoring anything. He and his partner, David Chu, had driven up to Corta Madera the day before, checking into a motel off the 101 and spending the night. In the morning they drove over to San Quentin, presented a court order that transferred custody of Jason Jessup to them, and then col ected their prisoner for the drive back to Los Angeles. Seven hours each way with a partner who talked too much. Seven hours on the return with a suspect who didn't talk enough.

They were now at the top of the San Fernando Val ey and an hour from the City Jail in downtown L.A. Bosch's back hurt from so many hours behind the wheel. His right calf muscle ached from applying pressure to the gas pedal. The city car did not have cruise control.

Chu had offered to drive but Bosch had said no. Chu religiously stuck to the speed limit, even on the freeway. Bosch would take the backache over an extra hour on the freeway and the anxiety it would create.

Al of this aside, he drove in uneasy silence, brooding about a case that seemed to be proceeding backwards. He had been on it for only a few days, hadn't had the opportunity to even become acquainted with al the facts, and here he was with the suspect hooked up and in the backseat. To Bosch it felt like the arrest was coming first and the investigation wouldn't real y start until after Jessup was booked.

He checked his watch and knew the scheduled press conference must be over by now. The plan was for him to meet with Hal er and McPherson at four to continue kicking around the case. But by the time Jessup was booked he would be late. He also needed to go by LAPD archives to pick up two boxes that were waiting for him.

"Harry, what's wrong?"

Bosch glanced at Chu.

"Nothing's wrong."

He wasn't going to talk in front of the suspect. Besides, he and Chu had been partnered for less than a year. It was a little soon for Chu to be making reads off of Bosch's demeanor. Harry didn't want him to know that he had accurately deduced that he was uncomfortable.

Jessup spoke from the backseat, his first words since asking for a bathroom break outside of Stockton.

"What's wrong is that he doesn't have a case. What's wrong is that he knows this whole thing is bul shit and he doesn't want to be part of it."

Bosch checked Jessup in the rearview mirror. He was slightly hunched forward because his hands were cuffed and locked to a chain that went to a set of shackles around his ankles. His head was shaved, a routine prison practice among men hoping to intimidate others. Bosch guessed that with Jessup it had probably worked.

"I thought you didn't want to talk, Jessup. You invoked."

"Yeah, that's right. I'l just shut the fuck up and wait for my lawyer."

"He's in San Francisco, I wouldn't hold my breath."

"He's cal ing somebody. The GJP's got people al over the country. We were ready for this."

"Real y? You were ready? You mean you packed your cel up because you thought you were being transferred? Or was it because you thought you were going home?"

Jessup didn't have an answer for that one.

Bosch merged onto the 101, which would take them through the Cahuenga Pass and into Hol ywood before they reached downtown.

"How'd you get hooked up with the Genetic Justice Project, Jessup?" he asked, trying once again to get something going. "You go to them or they come to you?"

"Website, man. I sent in my appeal and they saw the bul shit going on in my case. They took it over and here I am. You people are total y fucked if you think you're going to win this. I was railroaded by you motherfuckers once before. Ain't gonna happen again. In two months, this'l al be over. I've been in twenty-four years. What's two more months? Just makes my book rights more valuable. I guess I should be thanking you and the district attorney for that."

Bosch glanced at the mirror again. Normal y, he would love a talkative suspect. Most times they talked themselves right into prison. But Jessup was too smart and too cagey. He chose his words careful y, stayed away from talking about the crime itself, and wouldn't be making a mistake that Bosch could use.

In the mirror now, Bosch could see Jessup staring out the window. No tel ing what he was thinking about. His eyes looked dead. Bosch could see the top of a prison ink tattoo on his neck, just breaking the col ar line. It looked like part of a word but he couldn't tel for sure.

"Welcome to L.A., Jessup," Chu said without turning around. "Guess it's been a while, huh?"

"Fuck you, you chink motherfucker," Jessup retorted. "This'l al be over soon and then I'l be out and on the beach. I'm going to get a longboard and ride some tasty waves."

"Don't count on it, kil er," Chu said. "You're going down. We got you by the bal s."

Bosch knew Chu was trying to provoke a response, a slip of the tongue. But he was coming off as an amateur and Jessup was too wise for him.

Harry grew tired of the back-and-forth, even after six hours of almost complete silence. He turned on the car's radio and caught the tail end of a report on the DA's press conference. He turned it up so Jessup would hear, and Chu would keep quiet.

"Wil iams and Hal er refused to comment on the evidence but indicated they were not as impressed with the DNA analysis as the state's supreme court was. Hal er acknowledged that the DNA found on the victim's dress did not come from Jessup. But he said the findings did not clear him of involvement in the crime. Hal er is a wel -known defense attorney and wil be prosecuting a murder case for the first time. It did not sound this morning as though he has any hesitation. 'We wil once again be seeking the death penalty on this case.' "

Bosch flicked the volume down and checked the mirror. Jessup was stil looking out the window.

"How about that, Jessup? He's going for the Jesus juice."

Jessup responded tiredly.

"Asshole's posturing. Besides, they don't execute anybody in this state anymore. You know what death row means? It means you get a cel al to yourself and you control what's on the TV. It means better access to phone, food and visitors. Fuck it, I hope he does go for it, man. But it won't matter. This is bul shit. This whole thing is bul shit. It's al about the money."

The last line floated out there for a long moment before Bosch final y bit.

"What money?"

"My money. You watch, man, they'l come at me with a deal. My lawyer told me. They'l want me to take a deal and plead to time served so they don't have to pay me the money. That's al this fucking is and you two are just the deliverymen. Fuckin' FedEx."

Bosch was silent. He wondered if it could be true. Jessup was suing the city and county for mil ions. Could it be that the retrial was simply a political move designed to save money? Both government entities were self-insured. Juries loved hitting faceless corporations and bureaucracies with obscenely large judgments. A jury believing prosecutors and police had corruptly imprisoned an innocent man for twenty-four years would be beyond generous. A hit from an eight-figure judgment could be devastating to both city and county coffers, even if they were splitting the bil .

But if they jammed Jessup and maneuvered him into a deal in which he acknowledged guilt to gain his freedom, then the lawsuit would go away. So would al the book and movie money he was counting on.

"Makes a lot of sense, doesn't it?" Jessup said.

Bosch checked the mirror and realized that now Jessup was studying him. He turned his eyes back to the road. He felt his phone vibrate and pul ed it out of his jacket.

"You want me to take it, Harry?" Chu asked.

A reminder that it was il egal to talk on a phone while driving an automobile. Bosch ignored him and took the cal . It was Lieutenant Gandle.

"Harry, you close?"

"Getting off the one-oh-one."

"Good. I just wanted to give you a heads-up. They're lining up at intake. Comb your hair."

"Got it, but maybe I'l give my partner the airtime."

Bosch glanced over at Chu but didn't explain.

"Either way," Gandle said. "What's next?"

"He invoked so we just book him. Then I have to go back to the war room and meet with the prosecutors. I've got questions."

"Harry, do they have this guy or not?"

Bosch checked Jessup in the mirror. He was back to looking out the window.

"I don't know, Lieutenant. When I know, you'l know."

A few minutes later they pul ed into the rear lot of the jail. There were several television cameras and their operators lined up on a ramp leading to the intake door. Chu sat up straight.

"Perp walk, Harry."

"Yeah. You take him in."

"Let's both do it."

"Nah, I'l hang back."

"You sure?"

"I'm sure. Just don't forget my cuffs."

"Okay, Harry."

The lot was clogged with media vans with their transmitters cranked to ful height. But they had left the space in front of the ramp open. Bosch pul ed in and parked.

"Okay, you ready back there, Jessup?" Chu asked. "Time to sel tickets."

Jessup didn't respond. Chu opened the door and got out, then opened the rear door for Jessup.

Bosch watched the ensuing spectacle from the confines of the car.

Five

Tuesday, February 16, 4:14 P.M.

One of the very best things about having previously been married to Maggie McPherson was that I never had to face her in court. The marital split created a conflict of interest that saved me professional defeat and humiliation at her hands on more than one occasion. She was truly the best prosecutor I'd ever seen step into the wel and they didn't cal her Maggie McFierce for no reason.

Now, for the first time, we would be on the same team in court, sitting side by side at the same table. But what had seemed like such a good idea--not to mention such a positive potential payoff for Maggie--was already manifesting itself as something jagged and rusty. Maggie was having issues with being second chair. And for good reason. She was a professional prosecutor. From drug dealers and petty thieves to rapists and murderers, she had put dozens of criminals behind bars. I had appeared in dozens of trials myself but never as a prosecutor. Maggie would have to play backup to a novice and that realization wasn't sitting wel with her.

We sat in conference room A with the case files spread out before us on the big table. Though Wil iams had said I could run the case from my own independent office, the truth was, that wasn't practical at the moment. I didn't have an office outside my home. I primarily used the backseat of my Lincoln Town Car as my office and that wouldn't do for The People versus Jason Jessup. I had my case manager setting up a temporary office in downtown but we were at least a few days away from that. So temporarily there we sat, eyes down and tensions up.

"Maggie," I said, "when it comes to prosecuting bad guys, I wil readily admit that I couldn't carry your lunch. But the thing is, when it comes to politics and prosecuting bad guys, the powers that be have put me in the first chair. That's the way it is and we can either accept it or not. I took this job and asked for you. If you don't think we--"

"I just don't like the idea of carrying your briefcase through this whole thing," Maggie said.

"You won't be. Look, press conferences and outward appearances are one thing, but I ful y assume that we'l be working as a tag team. You'l be conducting just as much of the investigation as I wil be, probably more. The trial should be no different. We'l come up with a strategy and choreograph it together. But you have to give me a little credit. I know my way around a courtroom. I'l just be sitting at the other table this time."

"That's where you're wrong, Mickey. On the defense side you have a responsibility to one person. Your client. When you are a prosecutor, you represent the people and that is a lot more responsibility. That's why they cal it the burden of proof. "

"Whatever. If you're saying I shouldn't be doing this, then I'm not the guy you should be complaining to. Go down the hal and talk to your boss. But if he kicks me off the case, you get kicked as wel , and then you go back to Van Nuys for the rest of your career. Is that what you want?"

She didn't answer and that was an answer in itself.

"Okay, then," I said. "Let's just try to get through this without pul ing each other's hair out, okay? Remember, I'm not here to count convictions and advance my career. For me, it's one and done. So we both want the same thing. Yes, you wil have to help me. But you wil also be helping--"

My phone started vibrating. I had left it out on the table. I didn't recognize the number on the screen but took the cal , just to get away from the conversation with Maggie.

"Hal er."

"Hey, Mick, how'd I do?"

"Who is this?"

"Sticks."

Sticks was a freelance videographer who fed footage to the local news channels and sometimes even the bigs. I had known him so long I didn't even remember his real name.

"How'd you do at what, Sticks? I'm busy here."

"At the press conference. I set you up, man."

I realized that it had been Sticks behind the lights, throwing the questions to me.

"Oh, yeah, yeah, you did good. Thanks for that."

"Now you're going to take care of me on the case, right? Give me the heads-up if there's something for me, right? Something exclusive."

"Yeah, no need to worry, Sticks. I got you covered. But I gotta go."

I ended the cal and put the phone back on the table. Maggie was typing something into her laptop. It looked like the momentary discontent had passed and I was hesitant to touch it again.

"That was a guy who works for the news stations. He might be useful to us at some point."

"We don't want to do anything underhanded. The prosecution is held to a much higher standard of ethics than the defense."

I shook my head. I couldn't win.

"That's bul shit and I am not talking about doing anything un--"

The door opened and Harry Bosch stepped in, pushing the door with his back because he was carrying two large boxes in his hands.

"Sorry, I'm late," he said.

He put the boxes down on the table. I could tel the larger one was a carton from evidence archives. I guessed that the smal er one contained the police file on the original investigation.

"It took them three days to find the murder box. It was on the 'eighty-five aisle instead of 'eighty-six."

He looked at me and then at Maggie and then back at me.

"So what'd I miss? War break out in the war room?"

"We were talking about prosecutorial tactics and it turns out we have opposing views."

"Imagine that."

He took the chair at the end of the table. I could tel he was going to have more to say. He lifted the top off the murder box and pul ed out three accordion files and put them on the table. He then moved the box to the floor.

"You know, Mick, while we're airing out our differences... I think before you pul ed me into this little soap opera, you should've told me a few things up front."

"Like what, Harry?"

"Like that this whole goddamn thing is about money and not murder."

"What are you talking about? What money?"

Bosch just stared at me without responding.

"You're talking about Jessup's lawsuit?" I asked.

"That's right," he said. "I had an interesting discussion with Jessup today on the drive down. Got me thinking and it crossed my mind that if we jam this guy into a deal, the lawsuit against the city and county goes away because a guy who admits to murder isn't going to be able to sue and claim he was railroaded. So I guess what I want to know is what we're real y doing here. Are we trying to put a murder suspect on trial or are we just trying to save the city and county a few mil ion bucks?"

I noticed Maggie's posture straighten as she considered the same thing.

"You gotta be kidding me," she said. "If that--"

"Hold on, hold on," I interjected. "Let's be cool about this. I don't think that's the case here, okay? It's not that I haven't thought about it but Wil iams didn't say one word about going for a dispo on this case. He told me to take it to trial. In fact, he assumes it wil go to trial for the same reason you just mentioned. Jessup wil never take a dispo for time served or anything else because there is no pot of gold in that. No book, no movie, no payout from the city. If he wants the money, he's got to go to trial and win."

Maggie nodded slowly as if weighing a valid supposition. Bosch didn't seem appeased at al .

"But how would you know what Wil iams is up to?" he asked. "You're an outsider. They could've brought you in, wound you up and pointed you in the right direction and then sat back to watch you go."

"He's right," Maggie added. "Jessup doesn't even have a defense attorney. As soon as he does he'l start talking deal."

I raised my hands in a calming gesture.

"Look, at the press conference today. I threw out that we were going for the death penalty. I just did that to see how Wil iams would react. He didn't expect it and afterward he pressed me in the hal way. He told me that it wasn't a decision I got to make. I told him it was just strategy, that I wanted Jessup to start thinking about a deal. And it gave Wil iams pause. He didn't see it. If he was thinking of a deal just to blow up the civil action, I would have been able to read it. I'm good at reading people."

I could tel I stil hadn't quite won Bosch over.

"Remember last year, with the two men from Hong Kong who wanted your ass on the next plane to China? I read them right and I played them right."

In his eyes I saw Bosch relent. That China story was a reminder that he owed me one and I was col ecting.

"Okay," he said. "So what do we do?"

"We assume Jessup's going to go to trial. As soon as he lawyers up, we'l know for sure. But we start preparing for it now, because if I was going to represent him, I would refuse to waive speedy trial. I would try to jam the prosecution on time to prepare and make the people put up or shut up."

I checked the date on my watch.

"If I'm right, that gives us forty-eight days til trial. We've got a lot of work to do between now and then."

We looked at one another and sat in silence for a few moments before I threw the lead to Maggie.

"Maggie has spent the better part of the last week with the prosecution file on this. Harry, I know what you just brought in wil have a lot of overlap. But why don't we start here by having Mags go through the case as presented at trial in 'eighty-six? I think that wil give us a good starting point of looking at what we need to do this time out."

Bosch nodded his approval and I signaled for Maggie to begin. She pul ed her laptop over in front of her.

"Okay, a couple of basics first. Because it was a death penalty case, jury selection was the longest part of the trial. Almost three weeks. The trial itself lasted seven days and then there were three days of deliberation on the initial verdicts, then the death penalty phase went another two weeks. But seven days of testimony and arguments--that to me is fast for a capital murder case. It was pretty cut-and-dried. And the defense... wel , there wasn't much of a defense."

She looked at me as if I were responsible for the poor defense of the accused, even though I hadn't even gotten out of law school by 'eighty-six.

"Who was his lawyer?" I asked.

"Charles Barnard," she said. "I checked with the California bar. He won't be handling the retrial. He's listed as deceased as of 'ninety-four. The prosecutor, Gary Lintz, is also long gone."

"Don't remember either of them. Who was the judge?"

"Walter Sackvil e. He's long retired but I do remember him. He was tough."

"I had a few cases with him," Bosch added. "He wouldn't take any shit from either side."

"Go on," I said.

"Okay, so the prosecution's story was this. The Landy family--that was our victim, Melissa, who was twelve, her thirteen-year-old sister, Sarah, mother, Regina, and stepfather, Kensington--lived on Windsor Boulevard in Hancock Park. The home was about a block north of Wilshire and in the vicinity of the Trinity United Church of God, which on Sundays back then drew about six thousand people to its two morning services. People parked their cars al over Hancock Park to go to the church. That is, until the residents there got tired of their neighborhood being overrun every Sunday with traffic and parking issues and went to City Hal about it. They got the neighborhood turned into a residential parking zone during weekend hours. You had to have a sticker to park on the streets, including Windsor. This opened the door to city-contracted tow truck operators patrol ing the neighborhood like sharks on Sunday morning. Any cars without the proper resident sticker on the windshield were fair game. They got towed. Which final y brings us to Jason Jessup, our suspect."

"He drove a tow truck," I said.

"Exactly. He was a driver for a city contractor named Aardvark Towing. Cute name, got them to the front of the listings in the phone book back when people stil used phone books."

I glanced at Bosch and could tel by his reaction that he was somebody who stil used the phone book instead of the Internet. Maggie didn't notice and continued.

"On the morning in question Jessup was working the Hancock Park patrol. At the Landy house, the family happened to be putting a pool in the backyard. Kensington Landy was a musician who scored films and was doing quite wel at the time. So they were putting in a pool and there was a large open hole and giant piles of dirt in the backyard. The parents didn't want the girls playing back there. Thought it was dangerous, plus on this morning the girls were in their church dresses. The house has a large front yard. The stepfather told the girls to play outside for a few minutes before the family was planning to go off to church themselves. The older one, Sarah, was told to watch over Melissa."

"Did they go to Trinity United?" I asked.

"No, they went to Sacred Heart in Beverly Hil s. Anyway, the kids were only out there about fifteen minutes. Mother was stil upstairs getting ready and the stepfather, who was also supposed to be keeping an eye on the girls, was watching television inside. An overnight sports report on ESPN or whatever they had back then. He forgot about the girls."

Bosch shook his head, and I knew exactly how he felt. It was not in judgment of the father but in understanding of how it could have happened and in the dread of any parent who knows how a smal mistake could be so costly.

"At some point, he heard screaming," Maggie continued. "He ran out the front door and found the older girl, Sarah, in the yard. She was screaming that a man took Melissa. The stepfather ran up the street looking for her but there was no sign. Like that, she was gone."

My ex-wife stopped there for a moment to compose herself. Everyone in the room had a young daughter and could understand the shearing of life that happened at that moment for every person in the Landy family.

"Police were cal ed and the response was quick," she continued. "This was Hancock Park, after al . The first bul etins were out in a matter of minutes.

Detectives were dispatched right away."

"So this whole thing went down in broad daylight?" Bosch asked.

Maggie nodded.

"It happened about ten-forty. The Landys were going to an eleven o'clock service."

"And nobody else saw this?"

"You gotta remember, this was Hancock Park. A lot of tal hedges, a lot of wal s, a lot of privacy. People there are good at keeping the world out.

Nobody saw anything. Nobody heard anything until Sarah started screaming, and by then it was too late."

"Was there a wal or a hedge at the Landy house?"

"Six-foot hedges down the north and south property lines but not on the street side. It was theorized at the time that Jessup drove by in his tow truck and saw the girl alone in the yard. Then he acted impulsively."

We sat in silence for a few moments as we thought about the wrenching serendipity of fate. A tow truck goes by a house. The driver sees a girl, alone and vulnerable. Al in a moment he figures he can grab her and get away with it.

"So," Bosch final y said, "how did they get him?"

"The responding detectives were on the scene in less than an hour. The lead was named Doral Kloster and his partner was Chad Steiner. I checked.

Steiner is dead and Kloster is retired and has late-stage Alzheimer's. He's no use to us now."

"Damn," Bosch said.

"Anyway, they got there quickly and moved quickly. They interviewed Sarah and she described the abductor as being dressed like a garbage man.

Further questioning revealed this to mean that he was wearing dirty coveral s like the city garbage crews used. She said she heard the garbage truck in the street but couldn't see it through a bush where she had hidden from her sister during a game of hide-and-seek. Problem is that it was a Sunday. There was no garbage pickup on Sundays. But the stepfather hears this and puts it together, mentions the tow trucks that run up and down the street on Sunday mornings. That becomes their best lead. The detectives get the list of city contractors and they start visiting tow yards.

"There were three contractors who worked the Wilshire corridor. One of them is Aardvark, where they go and are told they have three trucks working in the field. The drivers are cal ed in and Jessup is one of them. The other two guys are named Derek Wilbern and Wil iam Clinton--real y. They're separated and questioned but nothing comes up suspicious. They run 'em through the box and Jessup and Clinton are clean but Wilbern has an arrest but no conviction on an attempted rape two years before. That would be good enough to get him a ride downtown for a lineup, but the girl is stil missing and there's no time for formalities, no time to put together a lineup."

"They probably took him back to the house," Bosch said. "They had no choice. They had to keep things moving."

"That's right. But Kloster knew he was on thin ice. He might get the girl to ID Wilbern but then he'd lose it in court for being unduly suggestive--you know,

'Is this the guy?' So he did the next best thing he could. He took al three drivers in their overal s back to the Landy house. Each was a white man in his twenties. They al wore the company overal s. Kloster broke procedure for the sake of speed, hoping to have a chance to find the girl alive. Sarah Landy's bedroom was on the second floor in the front of the house. Kloster takes the girl up to her room and has her look out the window to the street. Through the venetian blinds. He radios his partner, who has the three guys get out of two patrol cars and stand in the street. But Sarah doesn't ID Wilbern. She points to Jessup and says that's the guy."

Maggie looked through the documents in front of her and checked an investigative chronology before continuing.

"The ID is made at one o'clock. That is real y quick work. The girl's only been gone a little over two hours. They start sweating Jessup but he doesn't give up a thing. Denies it al . They are working on him and getting nowhere when the cal comes in. A girl's body has been found in a Dumpster behind the El Rey Theatre on Wilshire. That was about ten blocks from Windsor and the Landy house. Cause of death would later be determined to be manual strangulation. She was not raped and there was no semen in the mouth or throat."

Maggie stopped her summary there. She looked at Bosch and then me and solemnly nodded, giving the dead her moment.

Six

Tuesday, February 16, 4:48 P.M.

Bosch liked watching her and listening to the way she talked. He could tel the case was already under her skin. Maggie McFierce. Of course that was what they cal ed her. More important, it was what she thought about herself. He had been on the case with her for less than a week but he understood this within the first hour of meeting her. She knew the secret. That it wasn't about code and procedure. It wasn't about jurisprudence and strategy. It was about taking that dark thing that you knew was out there in the world and bringing it inside. Making it yours. Forging it over an internal fire into something sharp and strong that you could hold in your hands and fight back with.

Relentlessly.

"Jessup asked for a lawyer and gave no further statement," McPherson said, continuing her summary. "The case was initial y built around the older sister's identification and evidence found in Jessup's tow truck. Three strands of the victim's hair found in the seat crack. It was probably where he strangled her."

"There was nothing on the girl?" Bosch asked. "Nothing from Jessup or the truck?"

"Nothing usable in court. The DNA was found on her dress while it was being examined two days later. It was actual y the older girl's dress. The younger girl borrowed it that day. One smal deposit of semen was found on the front hem. It was typed but of course there was no DNA in criminal prosecutions back then. A blood type was determined and it was A-positive, the second-most popular type among humans, accounting for thirty-four percent of the population. Jessup matched but al it did was include him in the suspect pool. The prosecutor decided not to introduce it at trial because it would've just given the defense the ability to point out to the jury that the donor pool was more than a mil ion men in Los Angeles County alone."

Bosch saw her throw another look at her ex-husband. As if he were responsible for the courtroom obfuscations of al defense attorneys everywhere.

Harry was starting to get an idea about why their marriage didn't work out.

"It's amazing how far we've come," Hal er said. "Now they make and break cases on the DNA alone."

"Moving on," McPherson said. "The prosecution had the hair evidence and the eyewitness. It also had opportunity--Jessup knew the neighborhood and was working there the morning of the murder. As far as motivation went, their backgrounding of Jessup produced a history of physical abuse by his father and psychopathic behavior. A lot of this came out on the record during the death penalty phase, too. But--and I wil say this before you jump on it, Hal er--no criminal convictions."

"And you said no sexual assault?" Bosch asked.

"No evidence of penetration or sexual assault. But this was no doubt a sexual y motivated crime. The semen aside, it was a classic control crime. The perpetrator seizing momentary control in a world where he felt he control ed very little. He acted impulsively. At the time, the semen found on her dress was a piece of the same puzzle. It was theorized that he kil ed the girl and then masturbated, cleaning up after himself but leaving one smal deposit of semen on the dress by mistake. The stain had the appearance of a transfer deposit. It wasn't a drop. It was a smear."

"The hit we just got on the DNA helps explain that," Hal er said.

"Possibly," McPherson responded. "But let's discuss new evidence later. Right now, I'm talking about what they had and what they knew in nineteen eighty-six."

"Fine. Go on."

"That's it on the evidence but not on the prosecution's case. Two months before trial they get a cal from the guy who's in the cel next to Jessup at County. He--"

"Jailhouse snitches," Hal er said, interrupting. "Never met one who told the truth, never met a prosecutor who didn't use them anyway."

"Can I continue?" McPherson asked indignantly.

"Please do," Hal er responded.

"Felix Turner, a repeat drug offender who was in and out of County so often that they made him a jail orderly because he knew the day-to-day operations as wel as the deputies. He delivered meals to inmates in high-power lockdown. He tel s investigators that Jessup provided him with details that only the kil er would know. He was interviewed and he did indeed have details of the crime that were not made public. Like that the victim's shoes were removed, that she was not sexual y assaulted, that he had wiped himself off on her dress."

"And so they believed him and made him the star witness," Hal er said.

"They believed him and put him on the stand at trial. Not as a star witness. But his testimony was significant. Nevertheless, four years later, the Times comes out with a front-page expose on Felix 'The Burner' Turner, professional jailhouse snitch who had testified for the prosecution in sixteen different cases over a seven-year period, garnering significant reductions in charges and jail time, and other perks like private cel s, good jobs and large quantities of cigarettes."

Bosch remembered the scandal. It rocked the DA's office in the early nineties and resulted in changes in the use of jailhouse informants as trial witnesses. It was one of many black eyes local law enforcement suffered in the decade.

"Turner was discredited in the newspaper investigation. It said he used a private investigator on the outside to gather information on crimes and then to feed it to him. As you may remember, it changed how we used information that comes to us through the jails."

"Not enough," Hal er said. "It didn't end the entire use of jailhouse snitches and it should have."

"Can we just focus on our case here?" McPherson said, obviously tired of Hal er's posturing.

"Sure," Hal er said. "Let's focus."

"Okay, wel , by the time the Times came out with al of this, Jessup had long been convicted and was sitting in San Quentin. He of course launched an appeal citing police and prosecutorial misconduct. It went nowhere fast, with every appel ate panel agreeing that while the use of Turner as a witness was egregious, his impact on the jury was not enough to have changed the verdict. The rest of the evidence was more than enough to convict."

"And that was that," Hal er said. "They rubber-stamped it."

"An interesting note is that Felix Turner was found murdered in West Hol ywood a year after the Times expose," McPherson said. "The case was never solved."

"Had it coming as far as I'm concerned," Hal er added.

That brought a pause to the discussion. Bosch used it to steer the meeting back to the evidence and to step in with some questions he had been considering.

"Is the hair evidence stil available?"

It took McPherson a moment to drop Felix Turner and go back to the evidence.

"Yes, we stil have it," she said. "This case is twenty-four years old but it was always under chal enge. That's where Jessup and his jailhouse lawyering actual y helped us. He was constantly filing writs and appeals. So the trial evidence was never destroyed. Of course, that eventual y al owed him to get the DNA analysis off the swatch cut from the dress, but we stil have al trial evidence and wil be able to use it. He has claimed since day one that the hair in the truck was planted by the police."

"I don't think his defense at retrial wil be much different from what was presented at his first trial and in his appeals," Hal er said. "The girl made the wrong ID in a prejudicial setting, and from then on it was a rush to judgment. Facing a monumental lack of physical evidence, the police planted hair from the victim in his tow truck. It didn't play so wel before a jury in 'eighty-six, but that was before Rodney King and the riots in 'ninety-two, the O.J. Simpson case, the Rampart scandal and al the other controversies that have engulfed the police department since. It's probably going to play real y wel now."

"So then, what are our chances?" Bosch asked.

Hal er looked across the table at McPherson before answering.

"Based on what we know so far," he said, "I think I'd have a better chance if I were on the other side of the aisle on this one."

Bosch saw McPherson's eyes grow dark.

"Wel then, maybe you should cross back over."

Hal er shook his head.

"No, I made a deal. It may have been a bad deal but I'm sticking to it. Besides, it's not often I get to be on the side of might and right. I could get used to that--even in a losing cause."

He smiled at his ex-wife but she didn't return the sentiment.

"What about the sister?" Bosch asked.

McPherson swung her gaze toward him.

"The witness? That's our second problem. If she's alive, then she's thirty-seven now. Finding her is the problem. No help from the parents. Her real father died when she was seven. Her mother committed suicide on her sister's grave three years after the murder. And the stepfather drank himself into liver failure and died while waiting for a transplant six years ago. I had one of the investigators here do a quick rundown on her on the computer and Sarah Landy's trail drops off in San Francisco about the same time her stepfather died. That same year she also cleared a probation tail for a control ed substance conviction. Records show she's been married and divorced twice, arrested multiple times for drugs and petty crimes. And then, like I said, she dropped off the grid. She either died or cleaned up her act. Even if she changed names, her prints would have left a trail if she'd been popped again in the past six years. But there's nothing."

"I don't think we have much of a case if we don't have her," Hal er said. "We're going to need a real live person to point the finger across twenty-four years and say he did it."

"I agree," McPherson said. "She's key. The jury wil need to hear the woman tel them that as a girl she did not make a mistake. That she was sure then and she is sure now. If we can't find her and get her to do that, then we have the victim's hair to go with and that's about it. They'l have the DNA and that wil trump everything."

"And we wil go down in flames," Hal er said.

McPherson didn't respond, but she didn't have to.

"Don't worry," Bosch said. "I'l find her."

The two lawyers looked at him. It wasn't a time for empty rah-rah speeches. He meant it.

"If she's alive," he said, "I'l find her."

"Good," Hal er said. "That'l be your first priority."

Bosch took out his key chain and opened the smal penknife attached to it. He used it to cut the red seal on the evidence box. He had no idea what would be in the box. The evidence that had been introduced at trial twenty-four years earlier was stil in the possession of the DA's Office. This box would contain other evidence that was gathered but not presented at trial.

Bosch put on a set of latex gloves from his pocket and then opened the box. On top was a paper bag that contained the victim's dress. It was a surprise. He had assumed that the dress had been introduced at trial, if only for the sympathetic response it would get from the jurors.

Opening the bag brought a musty smel to the room. He lifted the dress out, holding it up by the shoulders. Al three of them were silent. Bosch was holding up a dress that a little girl had been wearing when she was murdered. It was blue with a darker blue bow in the front. A six-inch square had been cut out of the front hem, the location of the semen stain.

"Why is this here?" Bosch asked. "Wouldn't they have presented this at trial?"

Hal er said nothing. McPherson leaned forward and looked closely at the dress as she considered a response.

"I think... they didn't show it because of the cutout. Showing the dress would let the defense ask about the cutout. That would lead to the blood-typing.

The prosecution chose not to get into it during the presentation of the evidence. They probably relied on crime scene photos that showed the girl in the dress. They left it to the defense to introduce it and they never did."

Bosch folded the dress and put it down on the table. Also in the box was a pair of black patent leather shoes. They seemed very smal and sad to him.

There was a second paper bag, which contained the victim's underwear and socks. An accompanying lab report stated that the items had been checked for bodily fluids as wel as hair and fiber evidence but no such evidence had been found.

At the bottom of the box was a plastic bag containing a silver necklace with a charm on it. He looked at it through the plastic and identified the figure on the charm as Winnie the Pooh. There was also a bag containing a bracelet of aqua-blue beads on an elastic string.

"That's it," he said.

"We should have forensics take a fresh look at it al ," McPherson said. "You never know. Technology has advanced quite a bit in twenty-four years."

"I'l get it done," Bosch said.

"By the way," McPherson asked, "where were the shoes found? They're not on the victim's feet in the crime scene photos."

Bosch looked at the property report that was taped to the inside of the box's top.

"According to this they were found underneath the body. They must've come off in the truck, maybe when she was strangled. The kil er threw them into the Dumpster first, then dropped in her body."

The images conjured by the items in the box had brought a decidedly somber mood to the prosecution team. Bosch started to careful y return everything to the box. He put the envelope containing the necklace in last.

"How old was your daughter when she left Winnie the Pooh behind?" he asked.

Hal er and McPherson looked at each other. Hal er deferred.

"Five or six," McPherson said. "Why?"

"Mine, too, I think. But this twelve-year-old had it on her necklace. I wonder why."

"Maybe because of where it came from," Hal er said. "Hayley--our daughter--stil wears a bracelet I got for her about five years ago."

McPherson looked at him as if chal enging the assertion.

"Not al the time," Hal er said quickly. "But on occasion. Sometimes when I pick her up. Maybe the necklace came from her real father before he died."

A low chime came from McPherson's computer and she checked her e-mail. She studied the screen for a few moments before speaking.

"This is from John Rivas, who handles afternoon arraignments in Department one hundred. Jessup's now got a criminal defense attorney and John's working on getting Jessup on the docket for a bail hearing. He's coming over on the last bus from City Jail."

"Who's the lawyer?" Hal er asked.

"You'l love this. Clever Clive Royce is taking the case pro bono. It's a referral from the GJP."

Bosch knew the name. Royce was a high-profile guy who was a media darling who never missed a chance to stand in front of a camera and say al the things he wasn't al owed to say in court.

"Of course he's taking it pro bono," Hal er said. "He'l make it up on the back end. Sound bites and headlines, that's al Clive cares about."

"I've never gone up against him," McPherson said. "I can't wait."

"Is Jessup actual y on the docket?"

"Not yet. But Royce is talking to the clerk. Rivas wants to know if we want him to handle it. He'l oppose bail."

"No, we'l take it," Hal er said. "Let's go."

McPherson closed her computer at the same time Bosch put the top back on the evidence box.

"You want to come?" Hal er asked him. "Get a look at the enemy?"

"I just spent seven hours with him, remember?"

"I don't think he was talking about Jessup," McPherson said.

Bosch nodded.

"No, I'l pass," he said. "I'm going to take this stuff over to SID and get to work on tracking down our witness. I'l let you know when I find her."

Seven

Tuesday, February 16, 5:30 P.M.

Department 100 was the largest courtroom in the CCB and reserved for morning and evening arraignment court, the twin intake points of the local justice system. Al those charged with crimes had to be brought before a judge within twenty-four hours, and in the CCB this required a large courtroom with a large gal ery section where the families and friends of the accused could sit. The courtroom was used for first appearances after arrest, when the loved ones were stil naive about the lengthy, devastating and difficult journey the defendant was embarking upon. At arraignment, it was not unusual to have mom, dad, wife, sister-in-law, aunt, uncle and even a neighbor or two in the courtroom in a show of support for the defendant and outrage at his arrest. In another eighteen months, when the case would grind to a finale at sentencing, the defendant would be lucky to have even dear old mom stil in attendance.

The other side of the gate was usual y just as crowded, with lawyers of al stripes. Grizzled veterans, bored public defenders, slick cartel reps, wary prosecutors and media hounds al mingled in the wel or stood against the glass partition surrounding the prisoner pen and whispered to their clients.

Presiding over this anthil was Judge Malcolm Firestone, who sat with his head down and his sharp shoulders jutting up and closer to his ears with each passing year. His black robe gave them the appearance of folded wings and the overal image was one of Firestone as a vulture waiting impatiently to dine on the bloody detritus of the justice system.

Firestone handled the evening arraignment docket, which started at three P.M. and went as far into the night as the list of detainees required.

Consequently, he was a jurist who liked to keep things moving. You had to act fast in one hundred or risk being run over and left behind. In here, justice was an assembly line with a conveyor belt that never stopped turning. Firestone wanted to get home. The lawyers wanted to get home. Everybody wanted to get home.

I entered the courtroom with Maggie and immediately saw the cameras being set up in a six-foot corral to the left side, across the courtroom from the glass pen that housed defendants brought in six at a time. Without the glare of spotlights this time, I saw my friend Sticks setting the legs of the tool that provided his nickname, his tripod. He saw me and gave me a nod and I returned it.

Maggie tapped me on the arm and pointed toward a man seated at the prosecution table with three other lawyers.

"That's Rivas on the end."

"Okay. You go talk to him while I check in with the clerk."

"You don't have to check in, Hal er. You're a prosecutor, remember?"

"Oh, cool. I forgot."

We headed over to the prosecution table and Maggie introduced me to Rivas. The prosecutor was a baby lawyer, probably no more than a few years out of a top-ranked law school. My guess was that he was biding his time, playing office politics and waiting to make a move up the ladder and out of the hel hole of arraignment court. It didn't help that I had come from across the aisle to grab the golden ring of the office's current caseload. By his body language I registered his wariness. I was at the wrong table. I was the fox in the henhouse. And I knew that before the hearing was over, I was going to confirm his suspicions.

After the perfunctory handshake, I looked around for Clive Royce and found him seated against the railing, conferring with a young woman who was probably his associate. They were leaning toward each other, looking into an open folder with a thick sheaf of documents in it. I approached with my hand out.

"Clive 'The Barrister' Royce, how's it hanging, old chap?"

He looked up and a smile immediately creased his wel -tanned face. Like a perfect gentleman, he stood up before accepting my hand.

"Mickey, how are you? I'm sorry it looks like we're going to be opposing counsel on this one."

I knew he was sorry but not too sorry. Royce had built his career on picking winners. He would not risk going pro bono and stepping into a heavy media case if he didn't think it would amount to free advertising and another victory. He was in it to win it and behind the smile was a set of sharp teeth.

"Me, too. And I am sure you wil make me regret the day I crossed the aisle."

"Wel , I guess we're both fulfil ing our public duty, yes? You helping out the district attorney and me taking on Jessup on the cuff."

Royce stil carried an English accent even though he had lived more than half his fifty years in the United States. It gave him an aura of culture and distinction that belied his practice of defending people accused of heinous crimes. He wore a three-piece suit with a barely discernible chalk line in the gabardine. His bald pate was wel tanned and smooth, his beard dyed black and groomed to the very last hair.

"That's one way of looking at it," I said.

"Oh, where are my manners? Mickey, this is my associate Denise Graydon. She'l be assisting me in the defense of Mr. Jessup."

Graydon stood up and shook my hand firmly.

"Nice to meet you," I said.

I looked around to see if Maggie was standing nearby and could be introduced but she was huddled with Rivas at the prosecution table.

"Wel ," I said to Royce. "Did you get your client on the docket?"

"I did indeed. He'l be first in the group after this one. I've already gone back and visited and we'l be ready to make a motion for bail. I was wondering, though, since we have a few minutes, could we step out into the corridor for a word?"

"Sure, Clive. Let's do it now."

Royce told his associate to wait in the courtroom and retrieve us when the next group of defendants was brought into the glass cage. I fol owed Royce through the gate and down the aisle between the crowded rows of the gal ery. We went through the mantrap and into the hal way.

"You want to get a cup of tea?" Royce asked.

"I don't think there's time. What's up, Clive?"

Royce folded his arms and got serious.

"I must tel you, Mick, that I am not out to embarrass you. You are a friend and col eague in the defense bar. But you have gotten yourself into a no-win situation here, yes? What are we going to do about it?"

I smiled and glanced up and down the crowded hal way. Nobody was paying attention to us.

"Are you saying that your client wants to plead this out?"

"On the contrary. There wil be no plea negotiation on this matter. The district attorney has made the wrong choice and it's very clear what maneuver he is undertaking here and how he is using you as a pawn in the process. I must put you on notice that if you insist on taking Jason Jessup to trial, then you are going to embarrass yourself. As a professional courtesy, I just thought I needed to tel you this."

Before I could answer, Graydon came out of the courtroom and headed quickly toward us.

"Somebody in the first group is not ready, so Jessup's been moved up and was just brought out."

"We'l be in straightaway," Royce said.

She hesitated and then realized her boss wanted her to go back into the courtroom. She went back through the doors and Royce turned his attention back to me. I spoke before he could.

"I appreciate your courtesy and concern, Clive. But if your client wants a trial, he'l get a trial. We'l be ready and we'l see who gets embarrassed and who goes back to prison."

"Bril iant, then. I look forward to the contest."

I fol owed him back inside. Court was in session and on my way down the aisle I saw Lorna Taylor, my office manager and second ex-wife, sitting at the end of one of the crowded rows. I leaned over to whisper.

"Hey, what are you doing here?"

"I had to come see the big moment."

"How did you even know? I just found out fifteen minutes ago."

"I guess so did KNX. I was already down here to look at office space and heard it on the radio that Jessup was going to appear in court. So I came."

"Wel , thanks for being here, Lorna. How is the search going? I real y need to get out of this building. Soon."

"I have three more showings after this. That'l be enough. I'l let you know my final choices tomorrow, okay?"

"Yeah, that's--"

I heard Jessup's name cal ed by the clerk.

"Look, I gotta get in there. We'l talk later."

"Go get 'em, Mickey!"

I found an empty seat waiting for me next to Maggie at the prosecution table. Rivas had moved to the row of seats against the gate. Royce had moved to the glass cage, where he was whispering to his client. Jessup was wearing an orange jumpsuit--the jail uniform--and looked calm and subdued. He was nodding to everything Royce whispered in his ear. He somehow seemed younger than I had thought he would. I guess I expected al of those years in prison to have taken their tol . I knew he was forty-eight but he looked no older than forty. He didn't even have a jailhouse pal or. His skin was pale but it looked healthy, especial y next to the overtanned Royce.

"Where did you go?" Maggie whispered to me. "I thought I was going to have to handle this myself."

"I was just outside conferring with defense counsel. Do you have the charges handy? In case I have to read them into the record."

"You won't have to enter the charges. Al you have to do is stand up and say that you believe Jessup is a flight risk and a danger to the community. He--"

"But I don't believe he's a flight risk. His lawyer just told me they're ready to go and that they're not interested in a disposition. He wants the money and the only way he'l get it is to stick around and go to trial--and win."

"So?"

She seemed astonished and looked down at the files stacked in front of her.

"Mags, your philosophy is to argue everything and give no quarter. I don't think that's going to work here. I have a strategy and--"

She turned and leaned in closer to me.

"Then I'l just leave you and your strategy and your bald buddy from the defense bar to it."

She pushed back her chair and got up, grabbing her briefcase from the floor.

"Maggie..."

She charged through the gate and headed toward the rear door of the courtroom. I watched her go, knowing that while I didn't like the result, I had needed to set the lines of our prosecutorial relationship.

Jessup's name was cal ed and Royce identified himself for the record. I then stood and said the words I never expected I would say.

"Michael Hal er for the People."

Even Judge Firestone looked up from his perch, peering at me over a pair of reading glasses. Probably for the first time in weeks something out of the ordinary had occurred in his courtroom. A dyed-in-the-wool defense attorney had stood for the People.

"Wel , gentlemen, this is an arraignment court and I have a note here saying you want to talk about bail."

Jessup was charged twenty-four years ago with murder and abduction. When the supreme court reversed his conviction it did not throw out the charges. That had been left to the DA's Office. So he stil stood accused of the crimes and his not-guilty plea of twenty-four years ago remained in place.

The case now had to be assigned to a courtroom and a judge for trial. A motion to discuss bail would usual y be delayed until that point, except that Jessup, through Royce, was pushing the issue forward by coming to Firestone.

"Your Honor," Royce said, "my client was already arraigned twenty-four years ago. What we would like to do today is discuss a motion for bail and to move this case along to trial. Mr. Jessup has waited a long time for his freedom and for justice. He has no intention of waiving his right to a speedy trial."

I knew it was the move Royce would make, because it was the move I would have made. Every person accused of a crime is guaranteed a speedy trial.

Most often trials are delayed at the defense's request or acquiescence as both sides want time to prepare. As a pressure tactic, Royce was not going to suspend the speedy-trial statute. With a case and evidence twenty-four years old, not to mention a primary witness whose whereabouts were at the moment unknown, it was not only prudent but a no-brainer to put the prosecution on the clock. When the supreme court reversed the conviction, that clock started ticking. The People had sixty days from that point to bring Jessup to trial. Twelve of them had already gone by.

"I can move the case to the clerk for assignment," Firestone said. "And I would prefer that the assigned judge handle the question of bail."

Royce composed his thoughts for a moment before responding. In doing so he turned his body slightly so the cameras would have a better angle on him.

"Your Honor, my client has been falsely incarcerated for twenty-four years. And those aren't just my words, that's the opinion of the state supreme court.

Now they have pul ed him out of prison and brought him down here so he can face trial once again. This is al part of an ongoing scheme that has nothing to do with justice, and everything to do with money and politics. It's about avoiding responsibility for corruptly taking a man's freedom. To put this over until another hearing on another day would continue the travesty of justice that has beset Jason Jessup for more than two decades."

"Very wel ."

Firestone stil seemed put out and annoyed. The assembly line had thrown a gear. He had a docket that had probably started with more than seventy-five names on it and a desire to get through them in time to get home for dinner before eight. Royce was going to slow things down immeasurably with his request for a ful debate on whether Jessup should be al owed his release while awaiting trial. But Firestone, like Royce, was about to get the surprise of the day. If he didn't make it home in time for dinner, it wouldn't be because of me.

Royce asked the judge for an OR, meaning Jessup would have to put up no money as bail and simply be released on his own recognizance. This was just his opener. He ful y expected there to be a financial figure attached to Jessup's freedom, if he was successful at al . Murder suspects didn't get OR'ed.

In the rare instance when bail was granted in a murder case, it usual y came with a steep price tag. Whether Jessup could raise the money through his supporters or from the book and movie deals he was supposedly negotiating was not germane to the discussion.

Royce closed his request by arguing that Jessup should not be considered a flight risk for the very same reason I had outlined to Maggie. He had no interest in running. His only interest was in fighting to clear his name after twenty-four years of wrongful imprisonment.

"Mr. Jessup has no other purpose at this time than to stay put and prove once and for al that he is innocent and that he has paid a nightmarish price for the mistakes and misconduct of this District Attorney's Office."

The whole time Royce spoke I watched Jessup in the glass cage. He knew the cameras were on him and he maintained a pose of rightful indignation.

Despite his efforts, he could not disguise the anger and hate in his eyes. Twenty-four years in prison had made that permanent.

Firestone finished writing a note and then asked for my response. I stood and waited until the judge looked up at me.

"Go ahead, Mr. Hal er," he prompted.

"Judge, providing that Mr. Jessup can show documentation of residence, the state does not oppose bail at this time."

Firestone stared at me for a long moment as he computed that my response was diametrical y opposite to what he thought it would be. The hushed sounds of the courtroom seemed to get even lower as the impact of my response was understood by every lawyer in the room.

"Did I get that right, Mr. Hal er?" Firestone said. "You are not objecting to an OR release in a murder case?"

"That is correct, Your Honor. We are ful y expecting Mr. Jessup to show for trial. There's no money in it for him if he doesn't."

"Your Honor!" Royce cried. "I object to Mr. Hal er infecting the record with such prejudicial pap directed solely at the media in attendance. My client has no other purpose at this point than--"

"I understand, Mr. Royce," Firestone interjected. "But I think you did a fair amount of playing to the cameras yourself. Let's just leave it at that. Without objection from the prosecution, I am releasing Mr. Jessup on his own recognizance once he provides the clerk with documentation of residence. Mr.

Jessup is not to leave Los Angeles County without permission of the court to which his case is assigned."

Firestone then referred the case to the clerk of the court's office for reassignment to another department for trial. We were now final y out of Judge Firestone's orbit. He could restart the assembly line and get home for dinner. I picked up the files Maggie had left behind and left the table. Royce was back at the seat at the railing, dumping files into a leather briefcase. His young associate was helping him.

"How did it feel, Mick?" he asked me.

"What, being a prosecutor?"

"Yes, crossing the aisle."

"Not too much different, to tel you the truth. It was al procedure today."

"You wil be raked over the coals for letting my client walk out of here."

"Fuck 'em if they can't take a joke. Just make sure he stays clean, Clive. If he doesn't, then my ass real y wil be thrown on the fire. And so wil his."

"No problem there. We'l take care of him. He's the least of your worries, you know."

"How's that, Clive?"

"You don't have much in the way of evidence, can't find your main witness, and the DNA is a case kil er. You're captain of the Titanic, Mickey, and Gabriel Wil iams put you there. Makes me wonder what he's got on you."

Out of al that he said, I only wondered about one thing. How did he know about the missing witness? I, of course, didn't ask him or respond to his jab about what the DA might have on me. I played it like al the overconfident prosecutors I had ever gone up against.

"Tel your client to enjoy himself while he's out there, Clive. Because as soon as the verdict comes in, he's going back inside."

Royce smiled as he snapped his case closed. He changed the subject.

"When can we talk about discovery?"

"We can talk about it whenever you like. I'l start putting a file together in the morning."

"Good. Let's talk soon, Mick, yes?"

"Like I said, anytime, Clive."

He headed over to the court deputy's desk, most likely to see about his client's release. I pushed through the gate and connected with Lorna and we left the courtroom together. Waiting for me outside was a smal gathering of reporters and cameras. The reporters shouted questions about my not objecting to bail and I told them no comment and walked on by. They waited in place for Royce to come out next.

"I don't know, Mickey," Lorna confided. "How do you think the DA is going to respond to the no bail?"

Just as she asked it my phone started beeping in my pocket. I realized I had forgotten to turn it off in the courtroom. That was an error that could have proven costly, depending on Firestone's view of electronic interruptions while court was in session.

Looking at the screen, I said to Lorna, "I don't know but I think I'm about to find out."

I held up the phone so she could see that the cal er ID said LADA.

"You take it. I'm going to run. Be careful, Mickey."

She kissed me on the cheek and headed off to the elevator alcove. I connected to the cal . I had guessed right. It was Gabriel Wil iams.

"Hal er, what the hel are you doing?"

"What do you mean?"

"One of my people said you al owed Jessup to walk on an OR."

"That's right."

"Then I'l ask again, What the hel are you doing?"

"Look, I--"

"No, you look. I don't know if you were just giving one of your buddies in the defense bar what he wanted or you are just stupid, but you never let a murderer walk. You understand me? Now, I want you to go back in there and ask for a new hearing on bail."

"No, I'm not going to do that."

There was a hard silence for at least ten seconds before Wil iams came back.

"Did I just hear you right, Hal er?"

"I don't know what you heard, Wil iams, but I'm not going back for a rehearing. You have to understand something. You gave me a bag of shit for a case and I have to do the best I can with it. What evidence we do have is twenty-four years old. We have a big hole blown in the side of the case with the DNA and we have an eyewitness we can't find. So that tel s me I have to do whatever I can do to make this case."

"And what's that got to do with letting this man out of jail?"

"Don't you see, man? Jessup has been in prison for twenty-four years. It was no finishing school. Whatever he was when he went in? He's worse now. If he's on the outside, he'l fuck up. And if he fucks up, that only helps us."

"So in other words, you are putting the general public at risk while this guy is out there."

"No, because you are going to talk to the LAPD and get them to watch this guy. So nobody gets hurt and they are able to step in and grab him the minute he acts out."

Another silence fol owed but this time I could hear muffled voices and I figured that Wil iams was talking it over with his advisor, Joe Ridel . When his voice came back to me, it was stern but had lost the tone of outrage.

"Okay, this is what I want you to do. When you want to make a move like this, you come to me first. You understand?"

"That's not going to happen. You wanted an independent prosecutor. That's what you've got. Take it or leave it."

There was a pause and then he hung up without further word. I closed my phone and watched for a few moments as Clive Royce exited the courtroom and waded into the crowd of reporters and cameras. Like a seasoned expert, he waited a moment for everyone to get their positions set and their lenses focused. He then proceeded with the first of what would be many impromptu but careful y scripted press briefings.

"I think the District Attorney's Office is running scared," he began.

It was what I knew he would say. I didn't need to listen to the rest. I walked away.

Eight

Wednesday, February 17, 9:48 A.M.

Some people don't want to be found. They take measures. They drag the branch behind them to confuse the trail. Some people are just running and they don't care what they leave in their wake. What's important is that the past is behind them and that they keep moving away from it.

Once he back-checked the DA investigator's work, it took Bosch only two hours to find a current name and address for their missing witness, Melissa Landy's older sister, Sarah. She hadn't dragged a branch. She had used the things that were close and just kept moving. The DA's investigator who lost the trail in San Francisco had not looked backwards for clues. That was his mistake. He had looked forward and he'd found an empty trail.

Bosch had started as his predecessor had, typing the name Sarah Landy and birth date April 14, 1972, into the computer. The department's various search engines provided myriad points of impact with law enforcement and society.

First there were arrests on drug charges in 1989 and 1990--handled discreetly and sympathetical y by the Division of Children's Services. But she was beyond the reach and understanding of DYS for similar charges in late 1991 and two more times in 1992. There was probation and a period of rehabilitation and this was fol owed by a few years during which she left no digital fingerprints at al . Another search site provided Bosch with a series of addresses for her in Los Angeles in the early nineties. Harry recognized these as marginal neighborhoods where rents were probably low and drugs close by and easy to acquire. Sarah's il egal substance of choice was crystal meth, a drug that burned away brain cel s by the bil ions.

The trail on Sarah Landy, the girl who had hidden behind the bushes and watched her younger sister get taken by a kil er, ended there.

Bosch opened the first file he had retrieved from the murder box and looked at the witness information sheet for Sarah. He found her Social Security number and fed that along with the DOB into the search engine. This gave him two new names: Sarah Edwards, beginning in 1991, and Sarah Witten in 1997. With women changes of last names only were usual y an indicator of marriage, and the DA's investigator had reported finding records of two marriages.

Under the name Sarah Edwards, the arrests continued, including two pops for property crimes and a tag for soliciting for prostitution. But the arrests were spread far enough apart and perhaps her story was sad enough that once again she never saw any jail time.

Bosch clicked through the mug shots for these arrests. They showed a young woman with changing hairstyles and colors but the unwavering look of hurt and defiance in her eyes. One mug shot showed a deep purple bruise under her left eye and open sores along her jawline. The photos seemed to tel the story best. A downward spiral of drugs and crime. An internal wound that never healed, a guilt never assuaged.

Under the name Sarah Witten, the arrests didn't change, only the location. She had probably realized she was wearing thin on the prosecutors and judges who had repeatedly given her breaks--most likely after reading the summary of her life contained in the presentencing investigations. She moved north to San Francisco and once again had frequent encounters with the law. Drugs and petty crime, charges that often go hand in hand. Bosch checked the mug shots and saw a woman who looked old beyond her years. She looked like she was forty before she was yet thirty.

In 2003 she did her first significant jail time when she was sentenced to six months in San Mateo County Jail after pleading guilty to a possession charge. The records showed that she served four months in jail fol owed by a lockdown rehab program. It was the last marker on the system for her. No one with any of her names or Social Security number had been arrested since or applied for a driver's license in any of the fifty states.

Bosch tried a few other digital maneuvers he had learned while working in the Open-Unsolved Unit, where Internet tracing was raised to an art form, but could not pick up the trail. Sarah was gone.

Putting the computer aside, Bosch took up the files from the murder box. He started scanning the documents, looking for clues that might help him track her. He got more than a clue when he found a photocopy of Sarah's birth certificate. It was then that he remembered that she had been living with her mother and stepfather at the time of her sister's murder.

The birth name on the certificate was Sarah Ann Gleason. He entered it into the computer along with her birth date. He found no criminal history under the name but he did find a Washington State driver's license that had been established six years earlier and renewed just two months before. He pul ed up the photo and it was a match. But barely. Bosch studied it for a long time. He would have sworn that Sarah Ann Gleason was getting younger.

His guess was that she had left the hard life behind. She had found something that made her change. Maybe she had taken the cure. Maybe she had a child. But something had changed her life for the better.

Bosch next ran her name through another search engine and got utility and satel ite hookups under her name. The addresses matched the one on her driver's license. Bosch was sure he had found her. Port Townsend. He went onto Google and typed it in. Soon he was looking at a map of the Olympic Peninsula in the northwest corner of Washington. Sarah Landy had changed her name three times and had run to the farthest tip of the continental United States, but he had found her.

The phone rang as he was reaching for it. It was Lieutenant Stephen Wright, commander of the LAPD's Special Investigation Section.

"I just wanted you to know that as of fifteen minutes ago we're ful y deployed on Jessup. The ful unit's involved and we'l get you surveil ance logs each morning. If you need anything else or want to ride along at any point, you cal me."

"Thank you, Lieutenant. I wil ."

"Let's hope something happens."

"That would be nice."

Bosch disconnected. And made the cal to Maggie McPherson.

"Couple things. First, SIS is in place now on Jessup. You can let Gabriel Wil iams know."

He thought he heard a smal chuckle before she responded.

"Ironic, huh?"

"Yeah. Maybe they'l end up kil ing Jessup and we won't have to worry about a trial."

The Special Investigation Section was an elite surveil ance squad that had existed for more than forty years despite a kil rate higher than that of any other unit in the department, including SWAT. The SIS was used to clandestinely watch apex predators--individuals suspected in violent crimes who would not cease until caught in the act and stopped by the police. Masters of surveil ance, SIS officers waited to observe suspects committing new crimes before moving in to make arrests, often with fatal consequences.

The irony McPherson mentioned was that Gabriel Wil iams was a civil rights attorney before running for and winning the DA's post. He had sued the department over SIS shootings on multiple occasions, claiming that the unit's strategies were designed to draw suspects into deadly confrontations with police. He had gone so far as to cal the unit a "death squad" while announcing a lawsuit over an SIS shooting that had left four robbers dead outside a Tommy's fast-food franchise. That same death squad was now being used in a gambit that might help win the case against Jessup and further Wil iams's political rise.

"You'l be informed of his activities?" McPherson asked.

"Every morning I'l get the surveil ance log. And they'l cal me out if anything good happens."

"Perfect. Was there something else? I'm in a bit of a rush. I'm working on one of my preexisting cases and have a hearing about to start."

"Yeah, I found our witness."

"You're bril iant! Where is she?"

"Up in Washington on the northern tip of the Olympic Peninsula. A place cal ed Port Townsend. She's using her birth name, Sarah Ann Gleason, and it appears that she's been living clean up there for about six years."

"That's good for us."

"Maybe not."

"How so?"

"It looks to me like most of her life has been spent trying to get away from what happened that Sunday in Hancock Park. If she's final y gotten past it and is living the clean life up there in Port Townsend, she might not be interested in picking at old scabs, if you know what I mean."

"Not even for her sister?"

"Maybe not. We're talking about twenty-four years ago."

McPherson was quiet for a long moment and then final y responded.

"That's a cynical view of the world, Harry. When are you planning on going up there?"

"As soon as I can. But I have to make arrangements for my daughter. She stayed with a friend when I went up to get Jessup at San Quentin. It didn't turn out so good and now I have to hit the road again."

"Sorry to hear that. I want to go up with you."

"I think I can handle it."

"I know you can handle it. But it might be good to have a woman and a prosecutor with you. More and more, I think she's going to be the key to this whole thing and she's going to be my witness. Our approach to her wil be very important."

"I've been approaching witnesses for about thirty years. I think I--"

"Let me have the travel office here make the arrangements. That way we can go up together. Talk out the strategy."

Bosch paused. He knew he wasn't going to be able to change her mind.

"Whatever you say."

"Good. I'l tel Mickey and contact travel. We'l book a morning flight. I'm clear tomorrow. Is that too soon for you? I'd hate to wait on this til next week."

"I'l make it work."

Bosch had had a third reason to cal her but now decided to hold back. Her taking over the trip to Washington made him gun-shy about discussing his investigative moves.

They hung up and he was left drumming his fingers on the edge of his desk as he contemplated what he would say to Rachel Wal ing.

After a few moments he pul ed out his cel phone and used it to make the cal . He had Wal ing's number in its memory. To his surprise, she answered right away. He had envisioned her seeing his name on the ID and letting him go to the message. They'd had a relationship that was long over but stil left a trail of intense feelings.

"Hel o, Harry."

"Hel o, Rachel. How are you?"

"I'm fine. And you?"

"Pretty good. I'm cal ing about a case."

"Of course. Harry Bosch never goes through channels. He goes direct."

"There are no channels for this. And you know I cal you because I trust you and more than anything else respect your opinion. I go through channels and I get some profiler in Quantico who's just a voice on the phone. And not only that, he doesn't cal me back with anything for two months. What would you do if you were me?"

"Oh... probably the same thing."

"Besides that, I don't want the bureau's official involvement. I am just looking for your opinion and advice, Rachel."

"What's the case?"

"I think you're going to like it. It's a twenty-four-year-old murder of a twelve-year-old girl. A guy went down for it back then and now we have to retry him. I was thinking a profile of the crime might be helpful to the prosecutor."

"Is this that Jessup case that's in the news?"

"That's right."

He knew she would be interested. He could hear it in her voice.

"Al right, wel , bring by whatever you've got. How much time are you giving me? I've got my regular job, you know."

"No hurry this time. Not like with that Echo Park thing. I'l probably be out of town tomorrow. Maybe longer. I think you can have a few days with the file.

You stil in the same place above the Mil ion Dol ar Theater?"

"That's it."

"Okay, I'l drop the box by."

"I'l be here."

Nine

Wednesday, February 17, 3:18 P.M.

The holding cel next to Department 124 on the thirteenth floor of the CCB was empty except for my client Cassius Clay Montgomery. He sat morosely on the bench in the corner and didn't get up when he saw me come back.

"Sorry I'm late."

He didn't say anything. He didn't acknowledge my presence.

"Come on, Cash. It's not like you'd be going anywhere. What's it matter if you were waiting here or back in County?"

"They got TV in County, man," he said, looking up at me.

"Okay, so you missed Oprah. Can you come over here so I don't have to shout our business across the room?"

He got up and came over to the bars. I stood on the other side, beyond the red line marking the three-foot threshold.

"Doesn't matter if you shout our business. There ain't nobody left to hear it."

"I told you, I'm sorry. I've been having a busy day."

"Yeah, and I guess I'm just a no-count nigger when it comes to being on TV and turnin' into the man."

"What's that supposed to mean?"

"I saw you on the news, dog. Now you a prosecutor? What kinda shit is that?"

I nodded. Obviously, my client was more concerned with me being a turncoat than with waiting until the last hearing of the day.

"Look, al I can tel you is that I took the job reluctantly. I am not a prosecutor. I am a defense attorney. I'm your defense attorney. But every now and then they come to you and they want something. And it's hard to say no."

"So what happens to me?"

"Nothing happens to you. I'm stil your lawyer, Cash. And we have a big decision to make here. This hearing is going to be short and sweet. It's to set a trial date and that's it. But Mr. Hel man, the prosecutor, says the offer he made to you is good only until today. If we tel Judge Champagne we're ready to go to trial today, then the deal disappears and we go to trial. Have you thought about it some more?"

Montgomery leaned his head in between two bars and didn't speak. I realized he couldn't pul the trigger on a decision. He was forty-seven and had already spent nine years of his life in prison. He was charged with armed robbery and assault with great bodily injury and was looking at a big fal .

According to the police, Montgomery had posed as a buyer at a drive-through drug market in the Rodia Gardens projects. But instead of paying, he pul ed a gun and demanded the dealer's drugs and money rol . The dealer went for the gun and it went off. Now the dealer, a gang member named Darnel Hicks, was in a wheelchair for the rest of his life.

As is usual in the projects, no one cooperated with the investigation. Even the victim said he didn't remember what happened, choosing in his silence to trust that his fel ow Crips would handle justice in the matter. But investigators made a case anyway. Picking up my client's car on a video camera at the entrance to the projects, they found the car and matched blood on the door to the victim.

It wasn't a strong case but it was solid enough for us to entertain an offer from the prosecution. If Montgomery took the deal he'd be sentenced to three years in prison and would likely serve two and a half. If he gambled and took a conviction at the end of a trial, then he'd be looking at a mandatory minimum of fifteen years inside. The add-on of GBI and use of a firearm in the commission of a robbery were the kil ers. And I knew firsthand that Judge Judith Champagne wasn't soft on gun crimes.

I had recommended to my client that he take the deal. It was a no-brainer to me but then I wasn't the one who had to do the time. Montgomery couldn't decide. It wasn't so much about the prison time. It was the fact that the victim, Hicks, was a Crip and the street gang had a long reach into every prison in the state. Even taking the three-year sentence could be a death penalty. Montgomery wasn't sure he would make it.

"I don't know what to tel you," I said. "It's a good offer. The DA doesn't want to go to trial on this. He doesn't want to put a victim on the stand who doesn't want to be there and may hurt the case more than help it. So he's gone as low as he can go. But it's up to you. Your decision. You've had a couple weeks now and this is it. We have to go out there in a couple minutes."

Montgomery tried to shake his head but his forehead was pressed between the two bars.

"What's that mean?" I asked.

"It means shit. Can't we win this case, man? I mean, you a prosecutor now. Can't you get a good word in for me on this?"

"They're two different matters, Cash. I can't do anything like that. You got your choice. Take the three or we go to trial. And like I told you before, we can certainly do some stuff at trial. They've got no weapon and a victim who won't tel the story, but they stil got his blood on the door of your car and they got video of you driving it out of Rodia right after the shooting. We can try to play it the way you said it went down. Self-defense. You were there to buy a rock and he saw your rol and tried to rip you off. The jury might believe it, especial y if he won't testify. And they might believe it even if he does testify because I'l make him take the fifth so many times they'l think he's Al Capone before he gets off the stand."

"Who's Al Capone?"

"You're kidding me, right?"

"No, man, who is he?"

"Never mind, Cash. What do you want to do?"

"You're cool if we go to trial?"

"I'm cool with it. It's just that there is that gap, you know?"

"Gap?"

"There is a wide gap between what they're offering you right now and what you could get if we lose at trial. We're talking about a minimum twelve-year swing, Cash. That's a lot of time to gamble with."

Montgomery backed away from the bars. They had left twin impressions on both sides of his forehead. He now gripped the bars in his hands.

"The thing is, three years, fifteen years, I ain't going to make it either way. They got hit men in every prison. But in County, they got the system and ev'rybody is separated and locked up tight. I'm okay there."

I nodded. But the problem was that any sentence over a year had to be served in a state prison. The county system was a holding system for those awaiting trial or sentenced to short terms.

"Okay, then I guess we go to trial."

"I guess we do."

"Sit tight. They'l be coming back for you soon."

I knocked quietly on the courtroom door and the deputy opened it. Court was in session and Judge Champagne was holding a status conference on another case. I saw my prosecutor sitting against the rail and went over to confer. This was the first case I'd had with Philip Hel man and I had found him to be extremely reasonable. I decided to test the limits of that reason one last time.

"So, Mickey, I hear we are now col eagues," he said with a smile.

"Temporarily," I said. "I don't plan to make it a career."

"Good, I don't need the competition. So what are we going to do here?"

"I think we are going to put it over one more time."

"Mickey, come on, I've been very generous. I can't keep--"

"No, you're right. You've been completely generous, Phil, and I appreciate that. My client appreciates that. It's just that he can't take a deal because anything that puts him in a state prison is a death penalty. We both know that the Crips wil get him."

"First of al , I don't know that. And second of al , if that's what he thinks, then maybe he shouldn't have tried to rip off the Crips and shoot one of their guys."

I nodded in agreement.

"That's a good point but my client maintains it was self-defense. Your vic drew first. So I guess we go to trial and you've got to ask a jury for justice for a victim who doesn't want it. Who wil testify only if you force him to and wil then claim he doesn't remember shit."

"Maybe he doesn't. He did get shot, after al ."

"Yeah, and maybe the jury wil buy that, especial y when I bring out his pedigree. I'l ask him what he does for a living for starters. According to what Cisco, my investigator, has found out, he's been sel ing drugs since he was twelve years old and his mother put him on the street."

"Mickey, we've already been down this road. What do you want? I'm getting ready to just say fuck it, let's go to trial."

"What do I want? I want to make sure you don't fuck up the start of your bril iant career."

"What?"

"Look, man, you are a young prosecutor. Remember what you just said about not wanting the competition? Wel , another thing you don't want is to risk putting a loss on your ledger. Not this early in the game. You just want this to go away. So here's what I want. A year in County and restitution. You can name your price on restitution."

"Are you kidding me?"

He said it too loud and drew a look from the judge. He then spoke very quietly.

"Are you fucking kidding me?"

"Not real y. It's a good solution when you think about it, Phil. It works for everybody."

"Yeah, and what's Judge Judy going to say when I present this? The victim is in a wheelchair for life. She won't sign off on this."

"We ask to go back to chambers and we both sel it to her. We tel her that Montgomery wants to go to trial and claim self-defense and that the state has real reservations because of the victim's lack of cooperation and status as a high-ranking member of a criminal organization. She was a prosecutor before she was a judge. She'l understand this. And she'l probably have more sympathy for Montgomery than she does for your drug-dealing victim."

Hel man thought for a long moment. The hearing before Champagne ended and she instructed the courtroom deputy to bring Montgomery out. It was the last case of the day.

"Now or never, Phil," I prompted.

"Okay, let's do it," he final y said.

Hel man stood up and moved to the prosecution table.

"Your Honor," he intoned, "before we bring the defendant out, could counsel discuss this case in chambers?"

Champagne, a veteran judge who had seen everything at least three times, creased her brow.

"On the record, gentlemen?"

"That's probably not necessary," Hel man said. "We would like to discuss the terms of a disposition in the case."

"Then by al means. Let's go."

The judge stepped down from the bench and headed back toward her chambers. Hel man and I started to fol ow. As we got to the gate next to the clerk's pod, I leaned forward to whisper to the young prosecutor.

"Montgomery gets credit for time served, right?"

Hel man stopped in his tracks and turned back to me.

"You've got to be--"

"Just kidding," I quickly said.

I held my hands up in surrender. Hel man frowned and then turned back around and headed toward the judge's chambers. I had thought it was worth a try.

Ten

Thursday, February 18, 7:18 A.M.

It was a silent breakfast. Madeline Bosch poked at her cereal with her spoon but managed to put very little of it into her stomach. Bosch knew that his daughter wasn't upset because he was going away for the night. And she wasn't upset because she wasn't going. He believed she had come to enjoy the breaks his infrequent travels gave her. The reason she was upset was the arrangements he had made for her care while he was gone. She was fourteen going on twenty-four and her first choice would have been to simply be left alone to fend for herself. Her second choice would have been to stay with her best friend up the street, and her last choice would have been to have Mrs. Bambrough from the school stay at the house with her.

Bosch knew she was perfectly capable of fending for herself but he wasn't there yet. They had been living together for only a few months and it had been only those few months since she had lost her mother. He just wasn't ready to turn her loose, no matter how fervently she insisted she was ready.

He final y put down his spoon and spoke.

"Look, Maddie, it's a school night and last time when you stayed with Rory you both stayed up al night, slept through most of your classes and had your parents and al your teachers mad at both of you."

"I told you we wouldn't do that again."

"I just think we need to wait on that a little bit. I'l tel Mrs. Bambrough that it's al right if Rory comes over, just not til midnight. You guys can do your homework together or something."

"Like she's real y going to want to come here when I'm being watched by the assistant principal. Thanks for that, Dad."

Bosch had to concentrate on not laughing. This issue seemed so simple compared with what she had faced in October after coming to live with him.

She stil had regular therapy sessions and they seemed to go a long way toward helping her cope with her mother's death. Bosch would take a dispute over child care over those other deeper issues any day.

He checked his watch. It was time to go.

"If you're done playing with your food you can put your bowl in the sink. We have to get going."

" Finished, Dad. You should use the correct word."

"Sorry about that. Are you finished playing with your cereal?"

"Yes."

"Good. Let's go."

He got up from the table and went back to his room to grab his overnight bag off the bed. He was traveling light, expecting the trip to last one night at the most. If they got lucky, they might even catch a late flight home tonight.

When he came back out, Maddie was standing by the door, her backpack over one shoulder.

"Ready?"

"No, I'm just standing here for my health."

He walked up to her and kissed the top of her head before she could move away from him. She tried, though.

"Gotcha."

"Daaaad!"

He locked the door behind them and put his bag in the backseat of the Mustang.

"You have your key, right?"

"Yes!"

"Just making sure."

"Can we go? I don't want to be late."

They drove down the hil in silence after that. When they got to the school, he saw Sue Bambrough working the drop-off lane, getting the slow-moving kids out of the cars and into the school, keeping things moving.

"You know the routine, Mads. Cal me, text me, vid me, let me know you're doing okay."

"I'l get out here."

She opened the door early, before they got to where the assistant principal was stationed. Maddie got out and then reached back in to grab her bag.

Bosch waited for it, the sign that everything was real y okay.

"Be safe, Dad."

There it was.

"You, too, baby."

She closed the door. He lowered the window and drove down to Sue Bambrough. She leaned into the open window.

"Hey, Sue. She's a little upset but she'l get over it by the end of the day. I told her that Aurora Smith could come by but not to make it late. Who knows, maybe they'l do some homework."

"She'l be fine, Harry."

"I left the check on the kitchen counter and there's some cash there for anything you guys'l need."

"Thanks, Harry. Just let me know if you think it wil be more than one night. No problem on my end."

Bosch checked the rearview. He wanted to ask a question but didn't want to hold people up.

"What is it, Harry?"

"Uh, to say you're done doing something, is that wrong? You know, bad English?"

Sue tried to hide a smile.

"If she's correcting you, that's the natural course of things. Don't take it personal y. We dril it into them here. They go home and want to dril somebody else. It would be proper to say you finished doing something. But I know what you meant."

Bosch nodded. Somebody in the line behind him tapped the horn--Bosch assumed it was a man hurrying to make drop-off and then get to work. He waved his thanks to Sue and pul ed out.

Maggie McFierce had cal ed Bosch the night before and told him that there was nothing out of Burbank, so they were taking a direct flight out of LAX.

That meant it would be a brutal drive in morning traffic. Bosch lived on a hil side right above the Hol ywood Freeway but it was the one freeway that wouldn't help him get to the airport. Instead, he took Highland down into Hol ywood and then cut over to La Cienega. It bottlenecked through the oil fields near Baldwin Hil s and he lost his cushion of time. He took La Tijera from there and when he got to the airport he was forced to park in one of the expensive garages close in because he didn't have time to ride a shuttle bus in from an economy lot.

After fil ing out the Law Enforcement Officer forms at the counter and being walked through security by a TSA agent, he final y got to the gate while the plane was in the final stages of loading its passengers. He looked for McPherson but didn't see her and assumed she was already on the plane.

He boarded and went through the required meet-and-greet, stepping into the cockpit, showing his badge and shaking the hands of the flight crew. He then made his way toward the back of the plane. He and McPherson had exit-row seats across the aisle from each other. She was already in place, a tal Starbucks cup in hand. She had obviously arrived early for the flight.

"Thought you weren't going to make it," she said.

"It was close. How'd you get here so early? You have a daughter just like me."

"I dropped her with Mickey last night."

Bosch nodded.

"Exit row, nice. Who's your travel agent?"

"We've got a good one. That's why I wanted to handle it. We'l send LAPD the bil for you."

"Yeah, good luck with that."

Bosch had put his bag in an overhead compartment so he would have room to extend his legs. After he sat down and buckled in, he saw that McPherson had shoved two thick files into the seat pocket in front of her. He had nothing out to prep with. His files were in his bag but he didn't feel like getting them out. He pul ed his notebook out of his back pocket and was about to lean across the aisle to ask McPherson a question when a flight attendant came down the aisle and stooped down to whisper to him.

"You're the detective, right?"

"Uh, yes. Is there a--"

Before he could finish the Dirty Harry line, the flight attendant informed him that they were upgrading him to an unclaimed seat in the first-class section.

"Oh, that's nice of you and the captain, but I don't think I can do that."

"There's no charge. It's--"

"No, it's not that. See, I'm with this lady here and she's my boss and I--I mean we--need to talk and go over our investigation. She's a prosecutor, actual y."

The attendant took a moment to track his explanation and then nodded and said she'd go back to the front of the plane and inform the powers that be.

"And I thought chivalry was dead," McPherson said. "You gave up a first-class seat to sit with me."

"Actual y, I should've told her to give it to you. That would have been real chivalry."

"Uh-oh, here she comes back."

Bosch looked up the aisle. The same smiling attendant was headed back to them.

"We're moving some people around and we have room for you both. Come on up."

They got up and headed forward, Bosch grabbing his bag out of the overhead and fol owing McPherson. She looked back at him, smiled and said, "My tarnished knight."

"Right," Bosch said.

The seats were side by side in the first row. McPherson took the window. Soon after they were resituated, the plane took off for its three-hour flight to Seattle.

"So," McPherson said, "Mickey told me our daughter has never met your daughter."

Bosch nodded.

"Yeah, I guess we need to change that."

"Definitely. I hear they're the same age and you guys compared photos and they even look alike."

"Wel , her mother sort of looked like you. Same coloring."

And fire, Bosch thought. He pul ed out his phone and turned it on. He showed her a photo of Maddie.

"That's remarkable," McPherson said. "They could be sisters."

Bosch looked at his daughter's photo as he spoke.

"It's just been a tough year for her. She lost her mother and moved across an ocean. Left al her friends behind. I've been kind of letting her move at her own pace."

"Al the more reason she should know her family here."

Bosch just nodded. In the past year he had fended off numerous cal s from his half brother seeking to get their daughters together. He wasn't sure if his hesitation was about the potential relationship between the two cousins or the two half brothers.

Sensing that angle of conversation was at an end, McPherson unfolded her table and pul ed out her files. Bosch turned his phone off and put it away.

"So we're going to work?" he asked.

"A little. I want to be prepared."

"How much do you want to tel her up front? I was thinking we just talk about the ID. Confirm it and see if she's wil ing to testify again."

"And not bring up the DNA?"

"Right. That could turn a yes into a no."

"But shouldn't she know everything she's going to be getting into?"

"Eventual y, yes. It's been a long time. I did the trace. She hit some hard times and rough spots but it looks like she might've come out okay. I guess we'l see when we get up there."

"Let's play it by ear, then. I think if it feels right, we need to tel her everything."

"You make the cal ."

"The one thing that's good is that she'l only have to do it once. We don't have to go through a preliminary hearing or a grand jury. Jessup was held over for trial in 'eighty-six and that is not what the supreme court reversed. So we just go directly to trial. We'l need her one time and that wil be it."

"That's good. And you'l be handling her."

"Yes."

Bosch nodded. The assumption was that she was a better prosecutor than Hal er. After al , it was Hal er's first case. Harry was happy to hear she would be handling the most important witness at trial.

"What about me? Which one of you wil take me?"

"I don't think that's been decided. Mickey anticipates that Jessup wil actual y testify. I know he's waiting for that. But we haven't talked about who wil take you. My guess is that you'l be doing a lot of read-backs to the jury of sworn testimony from the first trial."

She closed the file and it looked like that was it for work.

They spent the rest of the flight smal -talking about their daughters and looking through the magazines in their seat pockets. The plane landed early at SeaTac and they picked up a rental car and started north. Bosch did the driving. The car came equipped with a GPS system but the DA travel assistant had also provided McPherson with a ful package of directions to Port Townsend. They drove up to Seattle and then took a ferry across Puget Sound.

They left the car and went up for coffee on the concessions deck, finding an open table next to a set of windows. Bosch was staring out the window when McPherson surprised him with an observation.

"You're not happy, are you, Harry?"

Bosch looked at her and shrugged.

"It's a weird case. Twenty-four years old and we start with the bad guy already in prison and we take him out. It doesn't make me unhappy, it's just kind of strange, you know?"

She had a half smile on her face.

"I wasn't talking about the case. I was talking about you. You're not a happy man."

Bosch looked down at the coffee he held on the table with two hands. Not because of the ferry's movement, but because he was cold and the coffee was warming him inside and out.

"Oh," he said.

A long silence opened up between them. He wasn't sure what he should reveal to this woman. He had known her for only a week and she was making observations about him.

"I don't real y have time to be happy right now," he final y said.

"Mickey told me what he felt he could about Hong Kong and what happened with your daughter."

Bosch nodded. But he knew Maggie didn't know the whole story. Nobody did except for Madeline and him.

"Yeah," he said. "She caught some bad breaks there. That's the thing, I guess. I think if I can make my daughter happy, then I'l be happy. But I am not sure when that wil be."

He brought his eyes up to hers and saw only sympathy. He smiled.

"Yeah, we should get the two cousins together," he said, moving on.

"Absolutely," she said.

Eleven

Thursday, February 18, 1:30 P.M.

The Los Angeles Times carried a lengthy story on Jason Jessup's first day of freedom in twenty-four years. The reporter and photographer met him at dawn on Venice Beach, where the forty-eight-year-old tried his hand at his boyhood pastime of surfing. On the first few sets, he was shaky on a borrowed longboard but soon he was up and riding the break. A photo of Jessup standing upright on the board and riding a curl with his arms outstretched, his face turned up to the sky, was the centerpiece photo on the newspaper's front page. The photo showed off what two decades of lifting prison iron wil do.

Jessup's body was roped with muscle. He looked lean and mean.

From the beach the next stop was an In-N-Out franchise in Westwood for hamburgers and French fries with al the catsup he wanted. After lunch Jessup went to Clive Royce's storefront office in downtown, where he attended a two-hour meeting with the battery of attorneys representing him in both criminal and civil matters. This meeting was not open to the Times.

Jessup rounded out the afternoon by watching a movie cal ed Shutter Island at the Chinese theater in Hol ywood. He bought a tub of buttered popcorn large enough to feed a family of four and ate every puffed kernel. He then returned to Venice, where he had a room in an apartment near the beach courtesy of a high-school surfing buddy. The day ended at a beach barbecue with a handful of supporters who had never wavered in their belief in his innocence.

I sat at my desk studying the color photos of Jessup that graced two inside pages of the A section. The paper was going al -out on the story, as it had al along, surely smel ing the journalistic honors to be gathered at the end of Jessup's journey to complete freedom. Springing an innocent man from prison was the ultimate newspaper story and the Times was desperately trying to take credit for Jessup's release.

The largest photo showed Jessup's unabashed delight at the red plastic tray sitting in front of him at a table at In-N-Out. The tray contained a ful y loaded double-double with fries smothered in catsup and melted cheese. The caption said

Why Is This Man Smiling? 12:05--Jessup eats his first Double-Double in 24 years. "I've been thinking about this forever!"

The other photos carried similarly lighthearted captions below shots of Jessup at the movies with his bucket of popcorn, hoisting a beer at the barbecue and hugging his high-school pal, walking through a glass door that said ROYCE AND ASSOCIATES, ATTORNEYS-AT-LAW. There was no indication in the tone of the article or photos that Jason Jessup was a man who happened to stil be accused of murdering a twelve-year-old girl.

The story was about Jessup relishing his freedom while being unable to plan his future until his "legal issues" were resolved. It was a nice turn of phrase, I thought, cal ing abduction and murder charges and a pending trial merely legal issues.

I had the paper spread wide on the desk Lorna had rented for me in my new office on Broadway. We were on the second floor of the Bradbury Building and only three blocks from the CCB.

"I think you need to put something up on the wal s."

I looked up. It was Clive Royce. He had walked through the reception room unannounced because I had sent Lorna over to Philippe's to get us lunch.

Royce gestured to the empty wal s of the temporary office. I flipped the newspaper closed and held up the front page.

"I just ordered a twenty-by-twenty shot of Jesus on the surfboard here. I'm going to hang him on the wal ."

Royce stepped up to the desk and took the paper, studying the photo on the front as if for the first time, which we both knew was not the case. Royce had been deeply involved in the generation of the story, the payoff being the photo of the office door with his firm's name on the glass.

"Yes, they did a good job with it, didn't they?"

He handed it back.

"I guess so, if you like your kil ers happy-go-lucky."

Royce didn't respond, so I continued.

"I know what you're doing, Clive, because I would do it, too. But as soon as we get a judge, I'm going to ask him to stop you. I'm not going to let you taint the jury pool."

Royce frowned as if I had suggested something completely untoward.

"It's a free press, Mick. You can't control the media. The man just got out of prison, and like it or not, it's a news story."

"Right, and you can give exclusives in exchange for display. Display that might plant a seed in a potential juror's mind. What do you have planned for today? Jessup co-hosting the morning show on Channel Five? Or is he judging the chili cook-off at the state fair?"

"As a matter of fact, NPR wanted to hang with him today but I showed restraint. I said no. Make sure you tel the judge that as wel ."

"Wow, you actual y said no to NPR? Was that because most people who listen to NPR are the kind of people who can get out of jury duty, or because you got something better lined up?"

Royce frowned again, looking as though I had impaled him with an integrity spear. He looked around, grabbed the chair from Maggie's desk and pul ed it over so he could sit in front of mine. Once he was seated with his legs crossed and had arranged his suit properly he spoke.

"Now, tel me, Mick, does your boss think that housing you in a separate building is real y going to make people think you are acting independently of his direction? You're having us on, right?"

I smiled at him. His effort to get under my skin was not going to work.

"Let me state once again for the record, Clive, that I have no boss in this matter. I am working independently of Gabriel Wil iams."

I gestured to the room.

"I'm here, not in the courthouse, and al decisions on this case wil be made from this desk. But at the moment my decisions aren't that important. It's you who has the decision, Clive."

"And what would that be? A disposition, Mick?"

"That's right. Today's special, good until five o'clock only. Your boy pleads guilty, I'l come down off the death penalty and we both rol the dice with the judge on sentencing. You never know, Jessup could walk away with time served."

Royce smiled cordial y and shook his head.

"I am sure that would make the powers that be in this town happy, but I'm afraid I must disappoint you, Mick. My client remains absolutely uninterested in a plea. And that is not going to change. I was actual y hoping that by now you would have seen the uselessness of going to trial and would simply drop the charges. You can't win this thing, Mick. The state has to bend over on this one and you unfortunately are the fool who volunteered to take it in the arse."

"Wel , I guess we'l see, won't we?"

"We wil indeed."

I opened the desk's center drawer and removed a green plastic case containing a computer disc. I slid it across the desk to him.

"I wasn't expecting you to come by for it yourself, Clive. Thought you'd send an investigator or a clerk. You gotta bunch of them working for you, don't you? Along with that ful -time publicist."

Royce slowly col ected the disc. The plastic case was marked DEFENSE DISCOVERY 1.

"Wel , aren't we snarky today? Seems that only two weeks ago you were one of us, Mick. A lowly member of the defense bar."

I nodded my contrition. He had nailed me there.

"Sorry, Clive. Perhaps the power of the office is getting to me."

"Apology accepted."

"And sorry to waste your time coming over here. As I told you on the phone, that's got everything we have up until this morning. Mostly the old files and reports. I won't play discovery games with you, Clive. I've been on the wrong end of that too many times to count. So when I get it, you get it. But right now that's al I've got."

Royce tapped the disc case on the edge of the desk.

"No witness list?"

"There is but as of now it's essential y the same list from the trial in 'eighty-six. I've added my investigator and subtracted a few names--the parents, other people no longer alive."

"No doubt Felix Turner has been redacted."

I smiled like the Cheshire cat.

"Thankful y you won't get the chance to bring him up at trial."

"Yes, a pity. I would have loved the opportunity to shove him up the state's ass."

I nodded, noting that Royce had come off the English col oquialisms and was hitting me with pure Americana now. It was a symptom of his frustration over Turner, and as a longtime counsel for the defense I certainly felt it. In the retrial, there would be no mention of any aspect of the first trial. The new jurors would have no knowledge of what had transpired before. And that meant the state's use of the fraudulent jailhouse informant--no matter how grievous a prosecutorial sin--would not hurt the current prosecution.

I decided to move on.

"I should have another disc for you by the end of the week."

"Yes, I can't wait to see what you come up with."

Sarcasm noted.

"Just remember one thing, Clive. Discovery is a two-way street. You go beyond thirty days and we'l go see the judge."

The rules of evidence required that each side complete its discovery exchange no later than thirty days before the start of trial. Missing this deadline could lead to sanctions and open the door to a trial delay as the judge would grant the offended party more time to prepare.

"Yes, wel , as you can imagine, we weren't expecting the turn of events that has transpired here," Royce said. "Consequently, our defense is in its infancy. But I won't play games with you either, Mick. A disc wil be along to you in short order--provided that we have any discovery to give."

I knew that as a practical matter the defense usual y had little in the way of discovery to give unless the plan was to mount an extensive defense. But I sounded the warning because I was leery of Royce. In a case this old, he might try to dig up an alibi witness or something else out of left field. I wanted to know about it before it came up in court.

"I appreciate that," I said.

Over his shoulder I saw Lorna enter the office. She was carrying two brown bags, one of which contained my French dip sandwich.

"Oh, I didn't realize..."

Royce turned around in his seat.

"Ah, the lovely Lorna. How are you, my darling?"

"Hel o, Clive. I see you got the disc."

"Indeed. Thank you, Lorna."

I had noticed that Royce's English accent and formal parlance became more pronounced at times, especial y in front of attractive women. I wondered if that was a conscious thing or not.

"I have two sandwiches here, Clive," Lorna said. "Would you like one?"

It was the wrong time for Lorna to be magnanimous.

"I think he was just about to leave," I said quickly.

"Yes, love, I must go. But thank you for the most gracious offer."

"I'l be out here if you need me, Mickey."

Lorna went back to the reception room, closing the door behind her. Royce turned back to me and spoke in a low voice.

"You know you should never have let that one go, Mick. She was the keeper. And now, joining forces with the first Mrs. Hal er to deprive an innocent man of his long-deserved freedom, there is something incestuous about the whole thing, isn't there?"

I just looked at him for a long moment.

"Is there anything else, Clive?"

He held up the disc.

"I think this should do it for today."

"Good. I have to get back to work."

I walked him out through reception and closed the door after him. I turned and looked at Lorna.

"Feels weird, doesn't it?" she said. "Being on this side of it--the prosecution side."

"It does."

She held up one of the sandwich bags.

"Can I ask you something?" I said. "Whose sandwich were you going to give him, yours or mine?"

She looked at me with a straight face, then a smile of guilt leaked out.

"I was being polite, okay? I thought you and I could share."

I shook my head.

"Don't be giving my French dip sandwich to anybody. Especial y a defense lawyer."

I snatched the bag from her hand.

"Thank you, love," I said in my best British accent.

She laughed and I headed back into my office to eat.

Twelve

Thursday, February 18, 3:31 P.M.

After driving off the ferry at Port Townsend, Bosch and McPherson folowed directions from the rental car's GPS to the address on Sarah Ann Gleason's driver's license. The trail led them through the smal Victorian sea vil age and then out into a more rural area of large and isolated properties. Gleason's house was a smal clapboard house that failed to keep the nearby town's Victorian theme. The detective and the prosecutor stood on the porch and knocked but got no response.

"Maybe she's at work or something," McPherson said.

"Could be."

"We could go back into town and get rooms, then come back after five."

Bosch checked his watch. He realized that school was just over and Maddie was probably heading home with Sue Bambrough. He guessed that his daughter was giving the assistant principal the silent treatment.

He stepped off the porch and started walking toward the corner of the house.

"Where are you going?"

"To check the back. Hold on."

But as soon as Bosch turned the corner he could see that a hundred yards beyond the house there was another structure. It was a windowless barn or garage. What stood out was that it had a chimney. He could see heat waves but no smoke rising from the two black pipes that extended over the roofline.

There were two cars and a van parked in front of the closed garage doors.

Bosch stood there watching for so long that McPherson final y came around the corner as wel .

"What's taking--?"

Bosch held up his hand to silence her, then pointed toward the outbuilding.

"What is it?" McPherson whispered.

Before Bosch could answer, one of the garage doors slid open a few feet and a figure stepped out. It looked like a young man or a teenager. He was wearing a ful -length black apron over his clothes. He took off heavy elbow-length gloves so he could light a cigarette.

"Shit," McPherson whispered, answering her own question.

Bosch stepped back to the corner of the house to use it as a blind. He pul ed McPherson with him.

"Al her arrests--her drug of choice was meth," he whispered.

"Great," McPherson whispered back. "Our main witness is a meth cook."

The young smoker turned when apparently cal ed from within the barn. He threw down his cigarette, stepped on it, and went back inside. He yanked the door closed behind him but it slid to a stop six inches before closing.

"Let's go," Bosch said.

He started to move but McPherson put her hand on his arm.

"Wait, what are you talking about? We need to cal Port Townsend police and get some backup, don't we?"

Bosch looked at her a moment without responding.

"I saw the police station when we went through town," McPherson said, as if to assure him that backup was waiting and wil ing.

"If we cal for backup they're not going to be very cooperative, since we didn't bother to check in when we got to town in the first place," Bosch said.

"They'l arrest her and then we have a main witness awaiting trial on drug charges. How do you think that wil work with Jessup's jury?"

She didn't answer.

"Tel you what," he said. "You hold back here and I'l go check it out. Three vehicles, probably three cooks. If I can't handle it, we cal backup."

"They're probably armed, Harry. You--"

"They're probably not armed. I'l check it out and if it looks like a situation we'l cal Port Townsend."

"I don't like this."

"It could work to our favor."

"What? How?"

"Think about it. Watch for my signal. If something goes wrong, get in the car and get out of here."

He held up the car keys and she reluctantly took them. He could tel she was thinking about what he had said. The advantage. If they caught their witness in a compromising situation, it could give them the leverage they needed to assure her cooperation and testimony.

Bosch left McPherson there and headed on foot down the crushed-shel drive to the barn. He didn't attempt to hide in case they had a lookout. He put his hands in his pocket to try to convey he was no threat, somebody just lost and looking for directions.

The crushed shel made it impossible for him to make a completely silent approach. But as he got closer he heard loud music coming from the barn. It was rock and rol but he could not identify it. Something heavy on the guitar and with a pounding beat. It had a retro feel to it, like he had heard the song a long time ago, maybe in Vietnam.

Bosch was twenty feet from the partial y opened door when it moved open another two feet and the same young man stepped out again. Seeing him closer, Bosch pegged his age at twenty-one or so. In the moment he stepped out Bosch realized he should have expected that he'd be back out to finish his interrupted smoke. Now it was too late and the smoker saw him.

But the young man didn't hesitate or sound an alarm of any sort. He looked at Bosch curiously as he started tapping a cigarette out of a soft pack. He was sweating profusely.

"You parked up at the house?" he asked.

Bosch stopped ten feet from him and took his hands out of his pockets. He didn't look back toward the house, choosing instead to keep his eyes on the kid.

"Uh, yes, is that a problem?" he asked.

"No, but most people just drive on down to the barn. Sarah usual y tel s them to."

"Oh, I didn't get that message. Is Sarah here?"

"Yeah, inside. Go on in."

"You sure?"

"Yeah, we're almost done for the day."

Bosch was getting the idea that he had walked into something that was not what he thought it was. He now glanced back and saw McPherson peering around the corner of the house. This wasn't the best way to do this but he turned and headed toward the open door.

The heat hit him the moment he entered. The inside of the barn was like an oven and for good reason. The first thing Bosch saw was the open door of a huge furnace that was glowing orange with flames.

Standing eight feet from the heat source was another young man and an older woman. They also wore ful -length aprons and heavy gloves. The man was using a pair of iron tongs to hold steady a large piece of molten glass attached to the end of an iron pipe. The woman was shaping it with a wooden block and a pair of pliers.

They were glassmakers, not drug cooks. The woman wore a welder's mask over her face as protection. Bosch could not identify her but he was pretty sure he was looking at Sarah Ann Gleason.

Bosch stepped back through the door and signaled to McPherson. He gave the okay sign but was unsure she would be able to identify it from the distance. He waved her in.

"What's going on, man?" the smoker asked.

"That's Sarah Gleason in there, you said?" Bosch responded.

"Yeah, that's her."

"I need to talk to her."

"You're going to have to wait until she's set the piece. She can't stop while it's soft. We've been working it for almost four hours."

"How much longer?"

"Maybe an hour. You can probably talk to her while she's working. You want a piece made?"

"That's okay, I think we can wait."

McPherson drove up in the rental car and got out. Bosch opened the door for her and explained quietly that they had read wrong what they had seen.

He told her the barn was a glassmaking studio. He told her how he wanted to play it until they could get Gleason into a private setting. McPherson shook her head and smiled.

"What if we had gone in there with backup?"

"I guess we would've broken some glass."

"And had one pissed-off witness."

She got out of the car and Bosch reached in for the file he had put on the dashboard. He put it inside his jacket and under his arm so he could carry it unseen.

They entered the studio and Gleason was waiting for them, with her gloves off and her mask folded up to reveal her face. She had obviously been told by the smoker that they were potential customers and Bosch initial y did nothing to dissuade her of that interpretation. He didn't want to reveal their true business until they were alone with her.

"I'm Harry and this is Maggie. Sorry to barge in like this."

"Oh, no problem. We like it when people get a chance to see what we do. In fact, we're right in the middle of a project right now and need to get back to it. You're welcome to stay and watch and I can tel you a little bit about what we're doing."

"That would be great."

"You just have to stay back. We're dealing with very hot material here."

"Not a problem."

"Where are you from? Seattle?"

"No, actual y we're al the way up from California. We're pretty far from home."

If the mention of her native state caused Gleason any concern, she didn't show it. She pul ed the mask back down over a smile, put her gloves on and went back to work. Over the next forty minutes Bosch and McPherson watched Gleason and her two assistants finish the glass piece. Gleason provided a steady narration as she worked, explaining that the three members of her team had different duties. One of the young men was a blower and the other was a blocker. Gleason was the gaffer, the one in charge. The piece they were sculpting was a four-foot-long grape leaf that would be part of a larger piece commissioned to hang in the lobby of a business in Seattle cal ed Rainier Wine.

Gleason also fil ed in some of her recent history. She said she started her own studio only two years ago after spending three years apprenticing with a glass artist in Seattle. It was useful information to Bosch. Both hearing her talk about herself and watching her work the soft glass. Gathering color, as she cal ed it. Using heavy tools to manipulate something beautiful and fragile and glowing with red-hot danger al at the same time.

The heat from the furnace was stifling and both Bosch and McPherson took off their jackets. Gleason said the oven burned at 2,300 degrees and Bosch marveled at how the artists could spend so many hours working so close to the source. The glory hole, the smal opening into which they repeatedly passed the sculpture to reheat and add layers, glowed like the gateway to Hel .

When the day's work was completed and the piece was placed in the finishing kiln, Gleason asked the assistants to clean up the studio before heading home. She then invited Bosch and McPherson to wait for her in the office while she got cleaned up herself.

The office doubled as a break room. It was sparely furnished with a table and four chairs, a filing cabinet, a storage locker and a smal kitchenette.

There was a binder on the table containing plastic sleeves with photos of glass pieces made previously in the studio. McPherson studied these and seemed taken with several. Bosch took out the file he had been carrying inside his jacket and put it down on the table ready to go.

"It must be nice to be able to make something out of nothing," McPherson said. "I wish I could."

Bosch tried to think of a response but before he could come up with anything the door opened and Sarah Gleason entered. The bulky mask, apron and gloves were gone and she was smal er than Bosch had expected. She barely crested five feet and he doubted there were more than ninety pounds on her tiny frame. He knew that childhood trauma sometimes stunted growth. So it was no wonder Sarah Gleason looked like a woman in a child's body.

Her auburn hair was down now instead of tied into a knot behind her head. It framed a weary face with dark blue eyes. She wore blue jeans, clogs and a black T-shirt that said Death Cab on it. She headed directly to the refrigerator.

"Can I get you something? Don't have any alcohol in here but if you need something cold..."

Bosch and McPherson passed. Harry noticed she had left the door to the office open. He could hear someone sweeping in the studio. He stepped over and closed it.

Gleason turned from the refrigerator with a bottle of water. She saw Bosch closing the door and a look of apprehension immediately crossed her face.

Bosch raised one hand in a calming gesture as he pul ed his badge with the other.

"Ms. Gleason, everything is okay. We're from Los Angeles and just need to speak privately with you."

He opened his badge wal et and held it up to her.

"What is this?"

"My name is Harry Bosch and this is Maggie McPherson. She is a prosecutor with the L.A. County District Attorney's Office."

"Why did you lie?" she said angrily. "You said you wanted a piece made."

"No, actual y we didn't. Your assistant, the blocker, just assumed that. We never said why we were here."

Her guard was clearly up and Bosch thought they had blown their approach and with that the opportunity to secure her as a witness. But then Gleason stepped forward and grabbed the badge wal et out of his hand. She studied it and the facing ID card. It was an unusual move, taking the badge from him.

No more than the fifth time that had ever happened to Bosch in his long career as a cop. He saw her eyes hold on the ID card and he knew she had noticed the discrepancy between what he had said his name was and what was on the ID.

"You said Harry Bosch?"

"Harry for short."

"Hieronymus Bosch. You're named after the artist?"

Bosch nodded.

"My mother liked the paintings."

"Wel , I like them, too. I think he knew something about inner demons. Is that why your mother liked him?"

"I think so, yeah."

She handed the badge wal et back to him and Bosch sensed a calmness come over her. The moment of anxiety and apprehension had passed, thanks to the painter whose name Bosch carried.

"What do you want with me? I haven't been to L.A. in more than ten years."

Bosch noted that if she was tel ing the truth, then she had not returned when her stepfather was il and dying.

"We just want to talk," he said. "Can we sit down?"

"Talk about what?"

"Your sister."

"My sister? I don't--look, you need to tel me what this is--"

"You don't know, do you?"

"Know what?"

"Sit down and we'l tel you."

Final y, she moved to the lunch table and took a seat. She pul ed a soft pack of cigarettes out of her pocket and lit one.

"Sorry," she said. "It's my one remaining addiction. And you two showing up like this--I need a smoke."

For the next ten minutes Bosch and McPherson traded off the story and walked her through the short version of Jason Jessup's journey to freedom.

Gleason showed almost no reaction to the news. No tears, no outrage. And she didn't ask questions about the DNA test that had sprung him from prison.

She only explained that she had no contact with anyone in California, owned no television and never read newspapers. She said they were distractions from work as wel as from her recovery from addiction.

"We're going to retry him, Sarah," McPherson said. "And we're here because we're going to need your help."

Bosch could see Sarah turn inward, to start to measure the impact of what they were tel ing her.

"It was so long ago," she final y responded. "Can't you just use what I said from the first trial?"

McPherson shook her head.

"We can't, Sarah. The new jury can't even know there was an earlier trial because that could influence how they weigh the evidence. It would prejudice them against the defendant and a guilty verdict wouldn't stand. So in situations where witnesses from the first trial are dead or mental y incompetent, we read their earlier testimony into the trial record without tel ing the jury where it's from. But where that's not the case, like with you, we need the person to come to court and testify."

It wasn't clear whether Gleason had even registered McPherson's response. She sat staring at something far away. Even as she spoke, her eyes didn't come off their distant focus.

"I've spent my whole life since then trying to forget about that day. I tried different things to make me forget. I used drugs to make a big bubble with me in the middle of it. I made... Never mind, the point is, I don't think I'm going to be much help to you."

Before McPherson could respond, Bosch stepped in.

"I'l tel you what," he said. "Let's just talk here for a few minutes about what you can remember, okay? And if it's not going to work, then it won't work. You were a victim, Sarah, and we don't want to victimize you al over again."

He waited a moment for Gleason to respond but she sat mute, staring at the water bottle in front of her on the table.

"Let's start with that day," Bosch said. "I don't need you at this point to go through the horrible moments of your sister's abduction, but do you remember making the identification of Jason Jessup for the police?"

She slowly nodded.

"I remember looking through the window. Upstairs. They opened the blinds a little bit so I could look out. They weren't supposed to be able to see me.

The men. He was the one with the hat. They made him take it off and that's when I saw it was him. I remember that."

Bosch was encouraged by the detail of the hat. He didn't recal seeing that in the case records or hearing it in McPherson's summary but the fact that Gleason remembered it was a good sign.

"What kind of hat was he wearing?" he asked.

"A basebal cap," Gleason said. "It was blue."

"A Dodgers cap?"

"I'm not sure. I don't think I knew back then either."

Bosch nodded and moved in.

"Do you think if I showed you a photo lineup, you would be able to identify the man who took your sister?"

"You mean the way he looks now? I doubt it."

"No, not now," McPherson said. "What we would need to do in trial is confirm the identification you made back then. We would show you photos from back then."

Gleason hesitated and then nodded.

"Sure. Through everything I've done to myself over the years, I've never been able to forget that man's face."

"Wel , let's see."

While Bosch opened the file on the table, Gleason lit a new cigarette off the end of her old one.

The file contained a lineup of six black-and-white booking photos of men of the same age, build and coloring. A 1986 photo of Jessup was included in the spread. Harry knew that this was the make-or-break moment of the case.

The photos were displayed in two rows of three. Jessup's shot was in the middle window on the bottom row. The five hole. It had always been the lucky spot for Bosch.

"Take your time," he said.

Gleason drank some water and then put the bottle to the side. She leaned over the table, bringing her face within twelve inches of the photos. It didn't take her long. She pointed to the photo of Jessup without hesitation.

"I wish I could forget him," she said. "But I can't. He's always there in the back of my mind. In the shadows."

"Do you have any doubt about the photo you have chosen?" Bosch asked.

Gleason leaned down and looked again, then shook her head.

"No. He was the man."

Bosch glanced at McPherson, who made a slight nod. It was a good ID and they had handled it right. The only thing that was missing was a show of emotion on Gleason's part. But maybe twenty-four years had drained her of everything. Harry took out a pen and handed it to Gleason.

"Would you put your initials and the date below the photo you chose, please?"

"Why?"

"It confirms your ID. It just helps make it more solid when it comes up in court."

Bosch noted that she had not asked if she had chosen the right photo. She didn't have to and that was a secondary confirmation of her recal . Another good sign. After she handed the pen back to Bosch he closed the file and slid it to the side. He glanced at McPherson again. Now came the hard part. By prior agreement, Maggie was going to make the cal here on whether to bring up the DNA now or to wait until Gleason was more firmly onboard as a witness.

McPherson decided not to wait.

"Sarah, there is a second issue to discuss now. We told you about the DNA that al owed this man to get this new trial and what we hope is only his temporary freedom."

"Yes."

"We took the DNA profile and checked it against the California data bank. We got a match. The semen on the dress your sister was wearing came from your stepfather."

Bosch watched Sarah closely. Not even a flicker of surprise showed on her face or in her eyes. This information was not news to her.

"In two thousand four the state started taking DNA swabs from al suspects in felony arrests. That same year your father was arrested for a felony hit-and-run with injuries. He ran a stop sign and hit--"

"Stepfather."

"Excuse me?"

"You said 'your father.' He wasn't my father. He was my stepfather."

"My mistake. I'm sorry. The bottom line is Kensington Landy's DNA was in the data bank and it's a match with the sample from the dress. What could not be determined is how long that sample was on the dress at the time of its discovery. It could have been deposited on the dress the day of the murder or the week before or maybe even a month before."

Sarah started flying on autopilot. She was there but not there. Her eyes were fixed on a distance that was far beyond the room they were in.

"We have a theory, Sarah. The autopsy that was conducted on your sister determined that she had not been sexual y abused by her kil er or anyone else prior to that day. We also know the dress she wore happened to be yours and Melissa was borrowing it that morning because she liked it."

McPherson paused but Sarah said nothing.

"When we get to trial we're going to have to explain the semen found on the dress. If we can't explain it, the assumption wil be that it came from the kil er and that kil er was your stepfather. We wil lose the case and Jessup, the real kil er, wil walk away free. I'm sure you don't want that, do you, Sarah?

There are some people out there who think twenty-four years in prison is enough time served for the murder of a twelve-year-old girl. They don't know why we're doing this. But I want you to know that I don't think that, Sarah. Not by a long shot."

Sarah Gleason didn't answer at first. Bosch expected tears but none came and he began to wonder if her emotions had been cauterized by the traumas and depravities of her life. Or maybe she simply had an internal toughness that her diminutive stature camouflaged. Either way, when she final y responded, it was in a flat, emotionless voice that belied the heartfelt words she spoke.

"You know what I always thought?" she said.

McPherson leaned forward.

"What, Sarah?"

"That that man kil ed three people that day. My sister, then my mother... and then me. None of us got away."

There was a long moment of silence. McPherson slowly reached out and put her hand on Gleason's arm, a gesture of comfort where no comfort could exist.

"I'm sorry, Sarah," McPherson whispered.

"Okay," Gleason said. "I'l tel you everything."

Thirteen

Thursday, February 18, 8:15 P.M.

My daughter was already missing her mother's cooking--and she'd only been gone one day. I was dropping her half-eaten sandwich into the garbage and wondering how the hel I could've messed up a gril ed cheese when my cel phone's ring interrupted. It was Maggie checking in from the road.

"Tel me something good," I said by way of greeting.

"You get to spend the evening with our beautiful daughter."

"Yes, that's something good. Except she doesn't like my cooking. Now tel me something else that's good."

"Our primary witness is good to go. She'l testify."

"She made the ID?"

"She did."

"She told you about the DNA and it fits with our theory?"

"She did and it does."

"And she'l come down here and testify to al of it at the trial?"

"She wil ."

I felt a twelve-volt charge go through my body.

"That's actual y a lot of good things, Maggie. Is there any downside?"

"Wel ..."

I felt the wind go out of the sails. I was about to learn that Sarah was stil a drug addict or there was some other issue that would prevent me from using her at trial.

"Wel , what?"

"Wel , there are going to be chal enges to her testimony, of course, but she's pretty solid. She's a survivor and it shows. There's real y only one thing missing: emotions. She's been through a lot in her life and she basical y seems to be a bit burned out--emotional y. No tears, no laughter, just straight down the middle."

"We can work on that. We can coach her."

"Yeah, wel , we just have to be careful with that. I am not saying she isn't fine the way she is. I'm just saying that she's sort of a flat line. Everything else is good. I think you're going to like her and I think she'l help us put Jessup back in prison."

"That's fantastic, Maggie. Real y. And you're stil al right handling her at trial, right?"

"I've got her."

"Royce wil attack her on the meth--memory loss and al of that. Her lifestyle... you'l have to be ready for anything and everything."

"I wil be. That leaves you with Bosch and Jessup. You stil think he'l testify?"

"Jessup? Yes, he's got to. Clive knows he can't do that to a jury, not after twenty-four years. So, yes, I've got him and I've got Bosch."

"At least with Harry you don't have to worry about any baggage."

"That Clive knows about yet."

"And what's that supposed to mean?"

"It means don't underestimate Clever Clive Royce. See, that's what you prosecutors always do. You get overconfident and it makes you vulnerable."

"Thank you, F. Lee Bailey. I'l keep that in mind."

"How was Bosch today?"

"He was Bosch. What happened on your end?"

I checked through the door of the kitchen. Hayley was sitting on the couch with her homework spread out on the coffee table.

"Wel , for one thing, we've got a judge. Breitman, Department one-twelve."

Maggie considered the case assignment for a moment before responding.

"I would cal that a no-win for either side. She's straight down the middle. Never a prosecutor, never a defense attorney. Just a good, solid civil trial lawyer. I think neither side gets an advantage with her."

"Wow, a judge who's going to be impartial and fair. Imagine that."

She didn't respond.

"She set the first status conference in chambers. Wednesday morning at eight before court starts. You read anything into that?"

This meant the judge wanted to meet the lawyers and discuss the case in chambers, starting things off informal y and away from the lens of the media.

"I think that's good. She's probably going to set the rules with media and procedure. It sounds to me like she's going to run a tight ship."

"That was what I was thinking. You're free Wednesday to be there?"

"I'l have to check my calendar but I think so. I'm trying to clear everything except for this."

"I gave Royce the first bit of discovery today. It was mostly composed of material from the first trial."

"You know you could have held off on that until the thirty-day marker."

"Yeah, but what's the point?"

"The point is strategy. The earlier you give it to him, the more time he has to be ready for it. He's trying to put the squeeze on us by not waiving speedy trial. You should put the squeeze right back on him by not showing our hand until we have to. Thirty days before trial."

"I'l remember that with the next round. But this was pretty basic stuff."

"Was Sarah Gleason on the witness list?"

"Yes, but under the name Sarah Landy--as it was in 'eighty-six. And I gave the office as the address. Clive doesn't know we found her."

"We need to keep it that way until we have to reveal it. I don't want her harassed or feeling threatened."

"What did you tel her about coming down for the trial?"

"I told her she would probably be needed for two days in trial. Plus the travel."

"And that's not going to be a problem?"

"Wel ... she runs her own business and has been at it only a couple years. She has one big, ongoing project but otherwise said that things are slow. My guess is we can get her down when we need her."

"Are you stil in Port Townsend?"

"Yes, we just got finished with her about an hour ago. We grabbed dinner and checked in at a hotel. It's been a long day."

"And you're coming back tomorrow?"

"We were planning on it. But our flight's not til two. We have to take a ferry--it's a journey just to the airport."

"Okay, cal me in the morning before you leave. Just in case I think of something involving the witness."

"Okay."

"Did either of you take notes?"

"No, we thought it might freeze her."

"Did you record it?"

"No, same reason."

"Good. I want to keep as much of this out of discovery as possible. Tel Bosch not to write anything up. We can copy Royce on the six-pack she made the ID off of, but that's it."

"Right. I'l tel Harry."

"When, tonight or tomorrow?"

"What's that supposed to mean?"

"Nothing, never mind. Anything else?"

"Yes."

I braced for it. My petty jealousy had slipped out for one smal moment.

"I would like to say good night to my daughter now."

"Oh," I said, relief bursting through my body. "I'l put her on."

I took the phone out to Hayley.

"It's your mother."

PART TWO

--The Labyrinth

Fourteen

Tuesday, February 23, 8:45 P.M.

Each of them worked in silence. Bosch at one end of the dining room table, his daughter at the other. He with the first batch of SIS surveilance logs, she with her homework, her school books and laptop computer spread out in front of her. They were close in proximity but not in much else. The Jessup case had become al -encompassing with Bosch tracing old witnesses and trying to find new ones. He had spent little time with her in recent days. Like her parents, Maddie was good at holding grudges and had not let go of the perceived slight of having been left for a night in the care of an assistant school principal. She was giving Harry the silent treatment and already at fourteen she was an expert at it.

The SIS logs were another frustration to Bosch. Not because of what they contained but because of their delay in reaching him. They had been sent through bureaucratic channels, from the SIS office to the RHD office and then to Bosch's supervisor, where they had sat in an in basket for three days before final y being dropped on Bosch's desk. The result was he had logs from the first three days of the surveil ance of Jason Jessup and he was looking at them three to six days after the fact. That process was too slow and Bosch was going to have to do something about it.

The logs were terse accounts of the surveil ance subject's movements by date, time and location. Most entries carried only a single line of description.

The logs came with an accompanying set of photos as wel , but most of the shots were taken at a significant distance so the fol owers could avoid detection. These were grainy images of Jessup as he moved about the city as a free man.

Bosch read through the reports and quickly surmised that Jessup was already leading separate public and private lives. By day his movements were in concert with the media as he very publicly reacquainted himself with life outside a prison cel . It was about learning to drive again, to choose off a menu, to go for a three-mile run without having to make a turn. But by night a different Jessup emerged. Unaware that he was stil being watched by eyes and cameras, he went out cruising alone in his borrowed car. He went to al corners of the city. He went to bars, strip clubs, a prostitute's trick pad.

Of al his activities, one was most curious to Bosch. On his fourth night of freedom, Jessup had driven up to Mulhol and Drive, the winding road atop the crest of the Santa Monica Mountains, which cut the city in half. Day or night, Mulhol and offered some of the best views of the city. It was no surprise that Jessup would go up there. There were overlooks that offered north and south views of the shimmering lights of the city. They could be invigorating and even majestic. Bosch had gone to these spots himself in the past.

But Jessup didn't go to any of the overlooks. He pul ed his car off the road near the entrance to Franklin Canyon Park. He got out and then entered the closed park, sneaking around a gate.

This caused a surveil ance issue for the SIS team because the park was empty and the watchers were at risk of being seen if they got too close. The report here was briefer than most entries in the log:

02/20/10--01:12. Subject entered Franklin Canyon Park. Observed at picnic table area, northeast corner, blind man trailhead.

02/20/10--02:34. Subject leaves park, proceeds west on Mulhol and to 405 freeway and then south.

After that, Jessup returned to the apartment where he was living in Venice and stayed in for the rest of the night.

There was a printout of an infrared photograph taken of Jessup in the park. It showed him sitting at a picnic table in the dark. Just sitting there.

Bosch put the photo print down on the table and looked at his daughter. She was left-handed like he was. It looked like she was writing out a math problem on a work sheet.

"What?"

She had her mother's radar.

"Uh, are you online there?"

"Yes, what do you need?"

"Can you pul up a map of Franklin Canyon Park? It's off of Mulhol and Drive."

"Let me finish this."

He waited patiently for her to complete her computations on a mathematical problem he knew would be light-years beyond his understanding. For the past four months he had lived in fear that his daughter would ask him for help with her homework. She had passed by his skil s and knowledge long ago.

He was useless in this area and had tried to concentrate on mentoring her in other areas, observation and self-protection chief among them.

"Okay."

She put her pencil down and pul ed her computer front and center. Bosch checked his watch. It was almost nine.

"Here."

Maddie slid the computer down the table, turning the screen toward him.

The park was larger than Bosch had thought, running south of Mulhol and and west of Coldwater Canyon Boulevard. A key in the corner of the map said it was 605 acres. Bosch hadn't realized that there was such a large public reserve in this prime section of the Hol ywood Hil s. He noticed that the map had several of the hiking trails and picnic areas marked. The picnic area in the northeast section was off of Blinderman Trail. He assumed it had been misspel ed in the SIS log as "blind man trailhead."

"What is it?"

Harry looked at his daughter. It was her first attempt at conversation in two days. He decided not to miss it.

"Wel , we've been watching this guy. The Special Investigations Section. They're the department's surveil ance experts and they're watching this guy who just got out of prison. He kil ed a little girl a long time ago. And for some reason he went to this park and just sat there at a picnic table."

"So? Isn't that what people do at parks?"

"Wel , this was in the middle of the night. The park was closed and he snuck in... and then he sort of just sat there."

"Did he grow up near the park? Maybe he's checking out the places where he grew up."

"I don't think so. We have him growing up out in Riverside County. He used to come to L.A. to surf but I haven't found any connection to Mulhol and."

Bosch studied the map once more and noticed there was an upper and lower entrance to the park. Jessup had gone in through the upper entrance.

This would have been out of his way unless that picnic area and Blinderman Trail were specific destinations for him.

He slid the computer back to his daughter. And checked his watch again.

"Are you almost done your work?"

" Finished, Dad. Are you almost finished? Or you could say 'done with.' "

"Sorry. Are you almost finished?"

"I have one more math problem."

"Good. I have to make a quick cal ."

Lieutenant Wright's cel number was on the surveil ance log. Bosch expected him to be home and annoyed with the intrusion but decided to make the cal anyway. He got up and walked into the living room so he would not disturb Maddie on her last problem. He punched the number into his cel .

"Wright, SIS."

"Lieutenant, it's Harry Bosch."

"What's up, Bosch?"

He didn't sound annoyed.

"Sorry to intrude on you at home. I just wanted--"

"I'm not at home, Bosch. I'm with your guy."

Bosch was surprised.

"Is something wrong?"

"No, the night shift is just more interesting."

"Where is he right now?"

"We're with him at a bar on Venice Beach cal ed the Townhouse. You know it?"

"I've been there. Is he alone?"

"Yes and no. He came alone but he got recognized. He can't buy a drink in there and probably has his pick of the skanks. Like I said, more interesting at night. Are you cal ing to check up on us?"

"Not real y. I just have a couple of things I need to ask. I'm looking at the logs and the first thing is, how can I get them sooner? I'm looking at stuff from three days ago or longer. The other thing is Franklin Canyon Park. What can you tel me about his stop there?"

"Which one?"

"He's been there twice?"

"Actual y, three times. He's gone there the last two nights after the first stop four days ago."

This information was very intriguing to Bosch, mostly because he had no idea what it meant.

"What did he do the last two times?"

Maddie got up from the dining room table and came into the living room. She sat on the couch and listened to Bosch's side of the conversation.

"The same thing he did the first night," Wright said. "He sneaks in there and goes to the same picnic area. He just sits there, like he's waiting for something."

"For what?"

"You tel me, Bosch."

"I wish I could. Did he go at the same time each night?"

"Give or take a half hour or so."

"Does he go in through the Mulhol and entrance each time?"

"That's right. He sneaks in and picks up the same trail that takes him to the picnic area."

"I wonder why he doesn't go in the other entrance. It would be easier for him to get to."

"Maybe he likes driving on Mulhol and and seeing the lights."

That was a good point and Bosch needed to consider it.

"Lieutenant, can you have your people cal me the next time he goes there? I don't care what time it is."

"I can have them cal you but you're not going to be able to get in there and get close. It's too risky. We don't want to expose the surveil ance."

"I understand, but have them cal me. I just want to know. Now, what about these logs? Is there a way for me to get them a little quicker?"

"You can come by SIS and pick one up every morning if you want. As you probably noticed, the logs run six P.M. to six P.M. Each daily log is posted by seven the fol owing morning."

"Okay, LT, I'l do that. Thanks for the info."

"Have a good one."

Bosch closed the phone, wondering about Jessup in Franklin Canyon and what he was doing on his visits there.

"What did he say?" Maddie asked.

Bosch hesitated, wondering for the hundredth time whether he should be tel ing her as much as he did about his cases.

"He said my guy's gone back to that park the last two nights. Each time, he just sits there and waits."

"For what?"

"Nobody knows."

"Maybe he just wants to be somewhere where he's completely by himself and away from everybody."

"Maybe."

But Bosch doubted it. He believed there was a plan to almost everything Jessup did. Bosch just had to figure out what it was.

"I'm finished with my homework," Maddie said. "You want to watch Lost?"

They had been slowly going through the DVDs of the television show, catching up on five years' worth of episodes. The show was about several people who survived a plane crash on an uncharted island in the South Pacific. Bosch had trouble keeping track of things from show to show but watched because his daughter had been completely taken in by the story.

He had no time to watch television right now.

"Okay, one episode," he said. "Then you have to go to bed and I have to get back to work."

She smiled. This made her happy and for the moment Bosch's grammatical and parental transgressions seemed forgotten.

"Set it up," Bosch said. "And be prepared to remind me what's happening."

Five hours later, Bosch was on a jet that was shaking with wild turbulence. His daughter was sitting across the aisle from him rather than in the open seat next to him. They reached across the aisle to each other to hold hands but the bouncing of the plane kept knocking them apart. He couldn't grab her hand.

Just as he turned in his seat to see the tail section break off and fal away, he was awakened by a buzzing sound. He reached to the bed table and grabbed his phone. He struggled to find his voice as he answered.

"This is Bosch."

"This is Shipley, SIS. I was told to cal ."

"Jessup's at the park?"

"He's in a park, yeah, but tonight it's a different one."

"Where?"

"Fryman Canyon off Mulhol and."

Bosch knew Fryman Canyon. It was about ten minutes away from Franklin Canyon.

"What's he doing?"

"He's just sort of walking on one of the trails. Just like at the other park. He walks the trail and then he sits down. He doesn't do anything after that. He just sits for a while and then leaves."

"Okay."

Bosch looked at the glowing numbers on the clock. It was two o'clock exactly.

"Are you coming out?" Shipley asked.

Bosch thought about his daughter asleep in her bedroom. He knew he could leave and be back before she woke up.

"Uh... no, I have my daughter here and I can't leave her."

"Suit yourself."

"When does your shift end?"

"About seven."

"Can you cal me then?"

"If you want."

"I'd like you to cal me every morning when you are getting off. To tel me where he's been."

"Uh... al right, I guess. Can I ask you something? This guy kil ed a girl, right?"

"That's right."

"And you're sure about that? I mean, no doubt, right?"

Bosch thought about the interview with Sarah Gleason.

"I have no doubt."

"Okay, wel , that's good to know."

Bosch understood what he was saying. He was looking for assurance. If circumstances dictated the use of deadly force against Jessup, it was good to know who and what they would be shooting at. Nothing else needed to be said about it.

"Thanks, Shipley," Bosch said. "I'l talk to you later."

Bosch disconnected and put his head back on the pil ow. He remembered the dream about the plane. About reaching out to his daughter but being unable to grab her hand.

Fifteen

Wednesday, February 24, 8:15 A.M.

Judge Diane Breitman welcomed us into her chambers and offered a pot of coffee and a plate of shortbread cookies, an unusual move for a criminal courts judge. In attendance were myself and my second chair, Maggie McPherson, and Clive Royce, who was without his second but not without his temerity. He asked the judge if he could have hot tea instead.

"Wel , this is nice," the judge said once we were al seated in front of her desk, cups and saucers in hand. "I have not had the opportunity to see any of you practice in my courtroom. So I thought it would be good for us to start out a bit informal y in chambers. We can always step out into the courtroom to go on the record if necessary."

She smiled and none of the rest of us responded.

"Let me start by saying that I have a deep respect for the decorum of the courtroom," Breitman continued. "And I insist that the lawyers who practice before me do as wel . I am expecting this trial to be a spirited contest of the evidence and facts of the case. But I won't stand for any acting out or crossing of the lines of courtesy and jurisprudence. I hope that is clearly understood."

"Yes, Your Honor," Maggie responded while Royce and I nodded.

"Good, now let's talk about media coverage. The media is going to be hovering over this case like the helicopters that fol owed O.J. down the freeway.

That is clearly a given. I have requests here from three local network affiliates, a documentary filmmaker and Dateline NBC. They al want to film the trial in its entirety. While I see no problem with that, as long as proper protections of the jury are put in place, my concern is in the extracurricular activity that is bound to occur outside the courtroom. Do any of you have any thoughts in this regard?"

I waited a beat and when no one spoke up, I did.

"Judge, I think because of the nature of this case--a retrial of a case twenty-four years old--there has already been too much media attention and we're going to have a difficult time seating twelve people and two alternates who aren't aware of the case through the filter of the media. I mean, we've had the accused surfing on the front page of the Times and sitting courtside at the Lakers. How are we going to get an impartial jury out of this? The media, with no lack of help from Mr. Royce, is presenting this guy as this poor, persecuted innocent man and they don't have the slightest idea what the evidence is against him."

"Your Honor, I object," Royce said.

"You can't object," I said. "This isn't a court hearing."

"You used to be a defense attorney, Mick. Whatever happened to innocent until proven guilty?"

"He already has been."

"In a trial the top court in this state termed a travesty. Is that what you want to stand on?"

"Listen, Clive, I'm an attorney and innocent until proven guilty is a measure you apply in court, not on Larry King Live. "

"We haven't been on Larry King Live--yet."

"See what I mean, Judge? He wants to--"

"Gentlemen, please!" Breitman said.

She waited a moment until she was certain our debate had subsided.

"This is a classic situation where we need to balance the public's right to know with safeguards that wil provide us an untainted jury, an unimpeded trial and a just result."

"But, Your Honor," Royce said quickly, "we can't forbid the media to examine this case. Freedom of the press is the cornerstone of American democracy. And, further, I draw your attention to the very ruling that granted this retrial. The court found serious deficiencies in the evidence and castigated the District Attorney's Office for the corrupt manner in which it has prosecuted my client. Now you are going to prohibit the media from looking at this?"

"Oh, please," Maggie said dismissively. "We're not talking about prohibiting the media from looking at anything, and your lofty defense of the freedom of the press aside, that's not what this is about. You are clearly trying to influence voir dire with your pretrial manipulation of the media."

"That is absolutely untrue!" Royce howled. "I have responded to media requests, yes. But I am not trying to influence anything. Your Honor, this is an--"

There was a sharp crack from the judge's desk. She had grabbed a gavel from a decorative pen set and brought it down hard on the wood surface.

"Let's cool down here," Breitman said. "And let's hold off on the personal attacks. As I indicated before, there has to be a happy medium. I am not inclined to muzzle the press, but I wil issue a gag order against the lawyers in my court if I believe they are not acting in a manner that is responsible to the case at hand. I am going to start off by leaving each of you to determine what is reasonable and responsible interaction with the media. But I wil warn you now that the consequences for a transgression in this area wil be swift and possibly detrimental to one's cause. No warnings. You cross the line and that's it."

She paused and waited for a comeback. No one said anything. She placed the gavel back in its special holder next to the gold pen. Her voice returned to its friendly tone.

"Good," she said. "I think that's understood, then."

She said she wanted to move on to other matters germane to the trial and her first stop was the trial date. She wanted to know if both sides would be ready to proceed to trial as scheduled, less than six weeks away. Royce said once again that his client would not waive the speedy trial statute.

"The defense wil be ready to go on April fifth, provided that the prosecution doesn't continue to play games with discovery."

I shook my head. I couldn't win with this guy. I had gone out of my way to get the discovery pipeline going, but he had decided to take a shot at making me look like a cheater in front of the judge.

"Games?" I said. "Judge, I've already turned over to Mr. Royce an initial discovery file. But as you know, it's a two-way street and the prosecution has received nothing in return from him."

"He turned over the discovery file from the first trial, Judge Breitman, complete with a nineteen eighty-six witness list. It completely subverts the spirit and the rules of discovery."

Breitman looked at me and I could see that Royce had successful y scored a hit.

"Is this true, Mr. Hal er?" she asked.

"Hardly, Your Honor, the witness list was both subtracted from and added to. Additional y, I turned over--"

"One name," Royce interjected. "He added one name and it was his own investigator. Big deal, like I didn't know his investigator might be a witness."

"Wel , that's the only new name I have at the moment."

Maggie jumped into the fray with both feet.

"Your Honor, the prosecution is duty-bound to turn over al discovery materials thirty days prior to trial. By my count we are stil forty days out. Mr. Royce is complaining about a good-faith effort on the part of the prosecution to provide him with discovery material before it even has to. It seems that no good deed goes unpunished with Mr. Royce."

The judge held up her hand to stop commentary while she looked at the calendar hanging on the wal to the left of her desk.

"I think Ms. McPherson makes a good point," she said. "Your complaint is premature, Mr. Royce. Al discovery materials are due to both sides by this Friday, March fifth. If you have a problem then, we wil take this up again."

"Yes, Your Honor," Royce said meekly.

I wanted to reach over, raise Maggie's hand in the air and shake it in victory but I didn't think that would be appropriate. Stil , it felt good to win at least one point against Royce.

After discussion of a few more routine pretrial issues, the meeting ended and we walked out through the judge's courtroom. I stopped there to talk smal talk with the judge's clerk. I didn't real y know her that wel but I didn't want to walk out of the courtroom with Royce. I was afraid I might lose my temper, which would be exactly what he'd want.

After he went through the double doors at the back of the courtroom I cut off the conversation and headed out with Maggie at my side.

"You kicked his ass, Maggie McFierce," I said to her. "Verbal y."

"Doesn't matter unless we kick it at trial."

"Don't worry, we wil . I want you to take over discovery fulfil ment. Go ahead and do what you prosecutors do. Haystack everything. Give him so much material he'l never see what and who's important."

She smiled as she turned and used her back to push through the door.

"Now you're getting it."

"I hope so."

"What about Sarah? He's got to figure we found her and if he's smart he won't wait for discovery. He probably has his own guy looking. She can be found. Harry proved that."

"There's not a whole lot we can do about it. Speaking of Harry, where is he this morning?"

"He cal ed me and said he had some things to check out. He'l be around later. You didn't real y answer my question about Sarah. What should--?"

"Tel her that she might have another visitor, somebody working for the defense, but that she doesn't have to talk to anybody unless she wants to."

We headed out into the hal way and then went left toward the elevator bank.

"If she doesn't talk to them, Royce wil complain to the judge. She's the key witness, Mickey."

"So? The judge won't be able to make her talk if she doesn't want to talk. Meantime, Royce loses prep time. He wants to play games like he did with the judge in there, then we'l play games, too. In fact, how about this? We put every convict Jessup ever shared a prison cel with on the witness list. That should keep his investigators out of the way for a while."

A broad smile broke across Maggie's face.

"You real y are getting it, aren't you?"

We squeezed onto the crowded elevator. Maggie and I were close enough to kiss. I looked down into her eyes as I spoke.

"That's because I don't want to lose."

Sixteen

Wednesday, February 24, 8:45 A.M.

After school drop-off Bosch turned his car around and headed back up Woodrow Wilson, past his house, and to what those in the neighborhood caled the upper crossing with Mulhol and Drive. Both Mulhol and and Woodrow Wilson were long and winding mountain roads. They intersected twice, at the bottom and top of the mountain, thus the local description of upper and lower crossings.

At the top of the mountain Bosch turned right onto Mulhol and and fol owed it until it crossed Laurel Canyon Boulevard. He then pul ed off the road to make a cal on his cel . He punched in the number Shipley had given him for the SIS dispatch sergeant. His name was Wil man and he would know the current status of any SIS surveil ance. At any given time, SIS could be working four or five unrelated cases. Each was given a code name in order to keep them in order and so that the real names of suspects did not ever go out over the radio. Bosch knew that the Jessup surveil ance had been termed Operation Retro because it involved an old case and a retrial.

"This is Bosch, RHD. I'm lead on the Retro case. I want to get a location on the suspect because I'm about to pul into one of his favorite haunts. I want to make sure I don't run into him."

"Hold one."

Bosch could hear the phone being put down, then a radio conversation in which the duty sergeant asked for Jessup's location. The response was garbled with static by the time it reached Bosch over the phone. He waited for the sergeant's official response.

"Retro is in pocket right now," he promptly reported to Bosch. "They think he's catching Zs."

In pocket meant he was at home.

"Then I'm clear," Bosch said. "Thank you, Sergeant."

"Any time."

Bosch closed the phone and pul ed the car back onto Mulhol and. A few curves later he reached Fryman Canyon Park and turned in. Bosch had talked to Shipley early that morning as he was passing surveil ance off to the day team. He reported that Jessup had once again visited both Franklin and Fryman canyons. Bosch was becoming consumed with curiosity about what Jessup was up to and this was only increased by the report that Jessup had also driven by the house on Windsor where the Landy family had once lived.

Fryman was a rugged, inclined park with steep trails and a flat-surface parking and observation area on top and just off Mulhol and. Bosch had been there before on cases and was familiar with its expanse. He pul ed to a stop with his car pointing north and the view of the San Fernando Val ey spread before him. The air was pretty clear and the vista stretched al the way across the val ey to the San Gabriel Mountains. The brutal week of storms that had ended January had cleared the skies out and the smog was only now climbing back into the val ey's bowl.

After a few minutes Bosch got out and walked over to the bench where Shipley had told him Jessup had sat for twenty minutes while looking out at the lights below. Bosch sat down and checked his watch. He had an eleven o'clock appointment with a witness. That gave him more than an hour.

Sitting where Jessup had sat brought no vibe or insight into what the suspect was doing on his frequent visits to the mountainside parks. Bosch decided to move on down Mulhol and to Franklin Canyon.

But Franklin Canyon Park offered him the same thing, a large natural respite in the midst of a teeming city. Bosch found the picnic area Shipley and the SIS reports had described but once again didn't understand the pul the park had for Jessup. He found the terminus of Blinderman Trail and walked it until his legs started to hurt because of the incline. He turned around and headed back to the parking and picnic area, stil puzzled by Jessup's activities.

On his return Bosch passed a large old sycamore that the trail had been routed around. He noticed a buildup of a grayish-white material at the base of the tree between two fingers of exposed roots. He looked closer and realized it was wax. Somebody had burned a candle.

There were signs al over the park warning against smoking or the use of matches, as fire was the park's greatest threat. But somebody had lit a candle at the base of the tree.

Bosch wanted to cal Shipley to ask if Jessup could have lit a candle while in the park the night before, but knew it was the wrong move. Shipley had just come off a night of surveil ance and was probably in his bed asleep. Harry would wait for the evening to make the cal .

He looked around the tree for any other signs that Jessup had possibly been in the area. It looked like an animal had burrowed recently in a few spots under the tree. But otherwise there was no sign of activity.

As he came off the trail and into the clearing where the picnic area was located, Bosch saw a city parks ranger looking into a trash can from which he had removed the top. Harry approached him.

"Officer?"

The man whipped around, stil holding the top of the trash can away from his body.

"Yes, sir!"

"Sorry, I didn't mean to sneak up on you. I was... I was walking up on that trail and there's a big tree there--I think a sycamore--and it looks like somebody burned a candle down at its base. I was wondering--"

"Where?"

"Up on Blinderman Trail."

"Show me."

"Actual y, I'm not going to go al the way back up there. I don't have the right shoes. It's the big tree in the middle of the trail. I'm sure you can find it."

"You can't light fires in the park!"

The ranger put the top back on the trash can, banging it loudly to underline his statement.

"I know. That's why I was reporting it. But I wanted to ask you, is there anything special about that tree that would make somebody do that?"

"Every tree is special here. The whole park is special."

"Yes, I get that. Can you just tel --"

"Can I see some ID, please?"

"Excuse me?"

"ID. I want to see some ID. A man in a shirt and tie walking the trails with 'the wrong shoes' is a little bit suspicious to me."

Bosch shook his head and pul ed out his badge wal et.

"Yeah, here's my ID."

He opened it and held it out and gave the ranger a few moments to study it. Bosch saw the nameplate on his uniform said Brorein.

"Okay?" Bosch said. "Can we get to my questions now, Officer Brorein?"

"I'm a city ranger, not an officer," Brorein said. "Is this part of an investigation?"

"No, it's part of a situation where you just answer my questions about the tree up on that trail."

Bosch pointed in the direction he had come from.

"You get it now?" he asked.

Brorein shook his head.

"I'm sorry but you're on my turf here and it's my obligation to--"

"No, pal, you're actual y on my turf. But thanks for al the help. I'l make a note of it in the report."

Bosch walked away from him and headed back toward the parking clearing. Brorein cal ed after him.

"As far as I know, there's nothing special about that tree. It's just a tree, Detective Borsh."

Bosch waved without looking back. He added poor reading skil s to the list of things he didn't like about Brorein.

Seventeen

Wednesday, February 24, 2:15 P.M.

My successes as a defense attorney invariably came when the prosecution was unprepared for and surprised by my moves. The entire government grinds along on routine. Prosecuting violators of the government's laws is no different. As a newly minted prosecutor I took this to heart and vowed not to succumb to the comfort and dangers of routine. I promised myself that I would be more than ready for clever Clive Royce's moves. I would anticipate them.

I would know them before Royce did. And I would be like a sniper in a tree, waiting to skil ful y pick them off from a distance, one by one.

This promise brought Maggie McFierce and me together in my new office for frequent strategy sessions. And on this afternoon the discussion was focused on what would be the centerpiece of our opponent's pretrial defense. We knew Royce would be filing a motion to dismiss the case. That was a given. What we were discussing were the grounds on which he would make the motion. I wanted to be ready for each one. It is said that in war the sniper ambushes an enemy patrol by first taking out the commander, the radioman and the medic. If he accomplishes this, the remaining members of the patrol panic and scatter. This was what I hoped to quickly do when Royce filed his motion. I wanted to move swiftly and thoroughly with demoralizing arguments and answers that would put the defendant on strong notice that he was in trouble. If I panicked Jessup, I might not even have to go to trial. I might get a disposition. A plea. And a plea was a conviction. That was as good as a win on this side of the aisle.

"I think one thing he's going to argue is that the charges are no longer valid without a preliminary hearing," Maggie said. "This wil give him two bites out of the apple. He'l first ask the judge to dismiss but at the very least to order a new prelim."

"But the verdict of the trial was what was reversed," I said. "It goes back to the trial and we have a new trial. The prelim is not what was chal enged."

"Wel , that's what we'l argue."

"Good, you get to handle that one. What else?"

"I'm not going to keep throwing out angles if you keep giving them back to me to be prepared for. That's the third one you've given me and by my scorecard you've only taken one."

"Okay, I'l take the next one sight unseen. What do you have?"

Maggie smiled and I realized I had just walked into my own ambush. But before she could pul the trigger, the office door opened and Bosch entered without knocking.

"Saved by the bel ," I said. "Harry, what's up?"

"I've got a witness I think you two should hear. I think he's going to be good for us and they didn't use him in the first trial."

"Who?" Maggie asked.

"Bil Clinton," Bosch said.

I didn't recognize the name as belonging to anyone associated with the case. But Maggie, with her command of case detail, brought it together.

"One of the tow truck drivers who worked with Jessup."

Bosch pointed at her.

"Right. He worked with Jessup back then at Aardvark Towing. Now he owns an auto repair shop on LaBrea near Olympic. It's cal ed Presidential Motors."

"Of course it is," I said. "What does he do for us as a witness?"

Bosch pointed toward the door.

"I got him sitting out there with Lorna. Why don't I bring him in and he can tel you himself?"

I looked at Maggie, and seeing no objection, I told Bosch to bring Clinton in. Before stepping out Bosch lowered his voice and reported that he had run Clinton through the crime databases and he had come up clean. He had no criminal record.

"Nothing," Bosch said. "Not even an unpaid parking ticket."

"Good," Maggie said. "Now let's see what he has to say."

Bosch went out to the reception room and came back with a short man in his midfifties who was wearing blue work pants and a shirt with an oval patch above the breast pocket. It said Bil . His hair was neatly combed and he didn't wear glasses. I saw grease under his fingernails but figured that could be remedied before he ever appeared in front of a jury.

Bosch pul ed a chair away from the wal and placed it in the middle of the room and facing my desk.

"Why don't you sit down here, Mr. Clinton, and we'l ask you some questions," he said.

Bosch then nodded to me, passing the lead.

"First of al , Mr. Clinton, thank you for agreeing to come in and talk to us today."

Clinton nodded.

"That's okay. Things are kind of slow at the shop right now."

"What kind of work do you do at the shop? Is there a specialty?"

"Yeah, we do restoration. Mostly British cars. Triumphs, MGs, Jags, col ectibles like that."

"I see. What's a Triumph TR Two-Fifty go for these days?"

Clinton looked up at me, surprised by my apparent knowledge of one of the cars he specialized in.

"Depends on the shape. I sold a beauty last year for twenty-five. I put almost twelve into the restoration. That and a lot of man-hours."

I nodded.

"I had one in high school. Wish I'd never sold it."

"They only made them for one year. 'Sixty-eight. Makes it one of the most col ectible."

I nodded. We had just covered everything I knew about the car. I just liked it because of its wooden dashboard and the drop top. I used to cruise up to Malibu in it on weekends, hang out on the surf beaches even though I didn't know how to surf.

"Wel , let's jump from 'sixty-eight to 'eighty-six, okay?"

Clinton shrugged.

"Fine by me."

"If you don't mind, Ms. McPherson is going to take notes."

Clinton shrugged again.

"So then, let's start. How wel do you remember the day that Melissa Landy was murdered?"

Clinton spread his hands.

"Wel , see, I remember it real wel because of what happened. That little girl getting kil ed and it turning out I was working with the guy who did it."

"Must've been pretty traumatic."

"Yeah, it was for a while there."

"And then you put it out of your mind?"

"No, not exactly... but I stopped thinking about it al the time. I started my business and everything."

I nodded. Clinton seemed genuine enough and honest. It was a start. I looked at Bosch. I knew he had pul ed some nugget from Clinton that he believed was gold. I wanted him to take over.

"Bil ," Bosch said. "Tel them a little about what was going on with Aardvark at the time. About how business was bad."

Clinton nodded.

"Yeah, wel , back then we weren't doing so hot. What happened was they passed a law that nobody could park on the side streets off of Wilshire without a resident sticker, you know? Anybody else, we got to tow. So we would go in the neighborhoods on a Sunday morning and hook up cars right and left on account of the church services. In the beginning. Mr. Korish was the owner and we were getting so many cars that he hired another driver and even started paying us for our overtime. It was fun because there were a couple other companies with the same contract, so we were al competing for tows. It was like keeping score and we were a team."

Clinton looked at Bosch to see if he was tel ing the right story. Harry nodded and told him to keep going.

"So then it al kind of went bad. The people started getting wise and they stopped parking over there. Somebody said the church was even making announcements: 'Don't park north of Wilshire.' So we went from having too much to do to not enough. So Mr. Korish said he had to cut back on costs and one of us was going to have to go, and maybe even two of us. He said he was going to watch our performance levels and make his decision based on that."

"When did he tel you this in relation to the day of the murder?" Bosch asked.

"It was right before. Because al three of us were stil there. See, he didn't fire anybody yet."

Taking over the questioning, I asked him what the new edict did to the competition among tow truck drivers.

"Wel , it made it rough, you know. We were al friends and then al of a sudden we didn't like each other because we wanted to keep our jobs."

"How was Jason Jessup to work with then?"

"Wel , Jason was real cutthroat."

"The pressure got to him?"

"Yeah, because he was in last place. Mr. Korish put up a tote board to keep track of the tows and he was last place."

"And he wasn't happy about it?"

"No, not happy. He became a real prick to work with, excuse my French."

"Do you remember how he acted on the day of the murder?"

"A little bit. Like I told Detective Bosch, he started claiming streets. Like saying Windsor was al his. And Las Palmas and Lucerne. Like that. And me and Derek--he was the other driver--we told him there were no rules like that. And he said, 'Fine, try hooking a car on one of those streets and see what happens.' "

"He threatened you."

"Yeah, you could say that. Definitely."

"Do you remember specifical y that Windsor was one of the streets he claimed was his?"

"Yes, I do. He claimed Windsor."

This was al good information. It would go to the state of mind of the defendant. It would be a chal enge getting it on the record if there wasn't additional corroboration from Wilbern or Korish, if either was stil alive and available.

"Did he ever act on that threat in any way?" Maggie asked.

"No," Clinton said. "But that was the same day as the girl. So he got arrested and that was that. I can't say I was too upset about seeing him go. Turned out Mr. Korish then laid off Derek 'cause he lied about not having a record. I was the last man standing. I worked there another four years--til I saved up the money to start my place."

A regular American success story. I waited to see if Maggie had a fol ow but she didn't. I did.

"Mr. Clinton, did you ever talk about any of this with the police or prosecutors twenty-four years ago?"

Clinton shook his head.

"Not real y. I mean I spoke to the detective who was in charge back then. He asked me questions. But I wasn't ever brought to court or anything like that."

Because they didn't need you back then, I thought. But I'm going to need you now.

"What makes you so sure that this threat from Jessup occurred on the day of the murder?"

"I just know it was that day. I remember that day because it's not every day that a guy you're working with gets arrested for murder."

He nodded as if to underscore the point.

I looked at Bosch to see if we had missed anything. Bosch took the cue and took back the lead.

"Bil , tel them what you told me about being in the police car with Jessup. On the way to Windsor."

Clinton nodded. He could be led easily and I took that as another good sign.

"Wel , what happened was they real y thought that Derek was the guy. The police did. He had a criminal record and lied about it and they found out. So that made him suspect numero uno. So they put Derek in the back of one patrol car and then me and Jason in another."

"Did they say where they were taking you?"

"They said they had additional questions, so we thought we were going to the police station. There were two officers in the car with us and we heard them talking about al of us being in a lineup. Jason asked them about it and they said it was no big thing, they just wanted guys in overal s because they wanted to see if a witness could pick out Derek."

Clinton stopped there and looked expectantly from Bosch to me and then to Maggie.

"So what happened?" I asked.

"Wel , first Jason told the two cops that they couldn't just take us and put us in a lineup like that. They just said that they were fol owing orders. So we go over to Windsor and pul up in front of a house. The cops got out and went and talked to the lead detective, who was standing there with some other detectives. Jason and I were watching out the windows but didn't see any witness or anything. Then the detective in charge goes inside the house and doesn't come back out. We don't know what's going on, and then Jason says to me he wants to borrow my hat."

"Your hat?" Maggie asked.

"Yeah, my Dodgers hat. I was wearing it like I always did and Jason said he needed to borrow it because he recognizes one of the other cops that was already standing there at the house when we pul ed up. He said that he got in a fight with the guy over a tow and if he sees him there's going to be trouble.

He goes on like that and says, let me have your hat."

"What did you do?" I asked.

"Wel , I didn't think it was a big deal on account of I didn't know what I knew later, you know what I mean? So I gave him my hat and he put it on. Then when the cops came back to get us out of the car, they didn't seem to notice that the hat was switched. They made us get out of the car and we had to go over and stand next to Derek. We were standing there and then one of the cops gets a cal on the radio--I remember that--and he turns and tel s Jason to take off the hat. He did and then a few minutes later they're al of a sudden surrounding Jason and putting the cuffs on him, and it wasn't Derek, it was him."

I looked from Clinton to Bosch and then to Maggie. I could see in her expression that the hat story was significant.

"You know the funny thing?" Clinton asked.

"No, what?" I said.

"I never got that hat back."

He smiled and I smiled back.

"Wel , we'l have to get you a new hat when this is al said and done. Now let me ask you the key question. What you have told us here, are you wil ing to testify to al of it at Jason Jessup's trial?"

Clinton seemed to think about it for a few seconds before nodding.

"Yeah, I could do that," he said.

I stood up and came around the desk, extending my hand.

"Then it looks like we've got ourselves a witness. Many thanks to you, Mr. Clinton."

We shook hands and then I gestured to Bosch.

"Harry, I should have asked you, did we cover everything?"

Bosch stood up as wel .

"I think so. For now. I'l take Mr. Clinton back to his shop."

"Excel ent. Thank you again, Mr. Clinton."

Clinton stood up.

"Please cal me Bil ."

"We wil , I promise. We'l cal you Bil and we'l cal you as a witness."

Everybody laughed in that phony way and then Bosch shepherded Clinton out of the office. I went back to my desk and sat down.

"So tel me about the hat," I said to Maggie.

"It's a good connection," she said. "When we interviewed Sarah she remembered that Kloster radioed from the bedroom down to the street and had them make Jessup take off his hat. That was when she made the ID. Harry then looked through the case file and found a property list from Jessup's arrest.

The Dodgers hat was on there. We're stil trying to track his property--hard to do after twenty-four years. But it might have gone up to San Quentin. Either way, if we don't have the hat, we have the list."

I nodded. This was good on a number of levels. It showed witnesses independently corroborating each other, put a crack in any sort of defense contention that memories cannot be trusted after so many years and, last but not least, showed state of mind of the defendant. Jessup knew he was somehow in danger of being identified. Someone had seen him abduct the girl.

"Al right, good," I said. "What do you think about the initial stuff, about how there was competition between them and somebody was going to get laid off? Maybe two of them."

"Again, it's good state-of-mind material. Jessup was under pressure and he acted out. Maybe this whole thing was about that. Maybe we should put a shrink on the witness list."

I nodded.

"Did you tel Bosch to find and interview Clinton?"

She shook her head.

"He did it on his own. He's good at this."

"I know. I just wish he'd tel me a little more about what he's up to."

Eighteen

Thursday, February 25, 11 A.M.

Rachel Waling wanted to meet at an office in one of the glass towers in downtown. Bosch went to the address and took the elevator up to the thirty-fourth floor. The door to the offices of Franco, Becerra & Itzuris, attorneys-at-law, was locked and he had to knock. Rachel answered promptly and invited him into a luxurious suite of offices that was empty of lawyers, clerks and anybody else. She led him to the firm's boardroom, where he saw the box and files he had given her the week before on a large oval table. They entered and he walked over to the floor-to-ceiling windows that looked out over downtown.

Bosch couldn't remember being up so high in downtown. He could see al the way to Dodger Stadium and beyond. He checked out the civic center and saw the glass-sided PAB sitting next to the Los Angeles Times building. His eyes then scanned toward Echo Park and he remembered a day there with Rachel Wal ing. They had been a team then, in more ways than one. But now that seemed so long ago.

"What is this place?" he said, stil staring out and with his back to her. "Where is everybody?"

"There isn't anybody. We just used this in a money-laundering sting. So it's been empty. Half of this building is empty. The economy. This was a real law office but it went out of business. So we just sort of borrowed it. The management was happy for the government subsidy."

"They were washing money from drugs? Guns?"

"You know I can't say, Harry. I am sure you'l read about it in a few months. You'l put it together then."

Bosch nodded as he remembered the firm's name on the door. Franco, Becerra & Itzuris: FBI. Clever.

"I wonder if management wil tel the next tenants that this place was used by the bureau to take down some bad people. Friends of those bad people could come looking."

She didn't respond to that. She just invited him to sit down at the table. He did, taking a good look at her as she sat across from him. Her hair was down, which was unusual. He had seen her that way before but not while she was on duty. The dark ringlets framed her face and helped direct attention to her dark eyes.

"The firm's refrigerator is empty or I'd offer you something to drink."

"I'm fine."

She opened the box and started taking out the files he had given her.

"Rachel, I real y appreciate this," Bosch said. "I hope it didn't disrupt your life too much."

"The work, no. I enjoyed it. But you, Harry, you coming back into my life was a disruption."

Bosch wasn't expecting that.

"What do you mean?"

"I'm in a relationship and I'd told him about you. About the single-bul et theory, al of that. So he wasn't happy that I've been spending my nights off working this up for you."

Bosch wasn't sure about how to respond. Rachel Wal ing always hid deeper messages in the things she said. He wasn't sure if there was more to be considered than what she had just said out loud.

"I'm sorry," he final y said. "Did you tel him it was only work, that I just wanted your professional opinion? That I went to you because I can trust you and you're the best at this?"

"He knows I'm the best at it, but it doesn't matter. Let's just do this."

She opened a file.

"My ex-wife is dead," he said. "She was kil ed last year in Hong Kong."

He wasn't sure why he'd blurted it out like that. She looked up at him sharply and he knew she hadn't known.

"Oh my God, I'm so sorry."

Bosch just nodded, deciding not to tel her the details.

"What about your daughter?"

"She lives with me now. She's doing okay but it's been pretty tough on her. It's only been four months."

She nodded and then seemed to lose her grounding as she took in what had just been said.

"What about you? I assume it's been rough for you, too."

He nodded but couldn't think of the right words. He had his daughter ful y in his life now, but at a terrible cost. He realized that he had brought the subject up but couldn't talk about it.

"Look," he said, "that was weird. I don't know why I just laid that on you. You mentioned the single bul et and I remember I told you about her. We can talk about it some other time. I mean, if you want. Let's just get to the case now. Is that okay?"

"Yes, sure. I was just thinking about your daughter. To lose her mother and then have to move so far from the place she knows. I mean, I know living with you wil be fine, but it's... quite an adjustment."

"Yeah, but they say kids are resilient because they actual y are. She's got a lot of friends already and is doing wel in school. It's been a major adjustment for both of us but I think she'l come out okay."

"And how wil you come out?"

Bosch held her eyes for a moment before answering.

"I've already come out ahead. I have my daughter with me and she's the best thing in my life."

"That's good, Harry."

"It is."

She broke eye contact and finished removing the files and photos from the box. Bosch could see the transformation. She was now al business, an FBI profiler ready to report her findings. He reached into his pocket and pul ed out his notebook. It was in a folding leather case with a detective shield embossed on the cover. He opened it and got ready to write.

"I want to start with the photos," she said.

"Fine."

She spread out four photos of Melissa Landy's body in the Dumpster, turning them to face him. She then added two photos from the autopsy in a row above these. Photos of a dead child were never easy to look at for Bosch. But these were particularly difficult. He stared for a long moment before coming to the realization that the clutch in his gut was due to the setting of the body in a Dumpster. For the girl to be disposed of like that seemed almost like a statement about the victim and an added insult to those who loved her.

"The Dumpster," he said. "You think that was chosen as a statement?"

Wal ing paused as if considering it for the first time.

"I'm actual y going at it from a different standpoint. I think that it was an almost spontaneous choice. That it wasn't part of a plan. He needed a place to dump the body where he wouldn't be seen and it wouldn't be immediately found. He knew about that Dumpster behind that theater and he used it. It was a convenience, not a statement."

Bosch nodded. He leaned forward and wrote a note on his pad to remind himself to go back to Clinton and ask about the Dumpster. The El Rey was in the Wilshire corridor the Aardvark drivers worked. It might have been familiar to them.

"Sorry, I didn't mean to start things off in the wrong direction," he said as he wrote.

"That's okay. The reason I wanted to start with the photos of the girl is that I believe that this crime may have been misunderstood from the very beginning."

"Misunderstood?"

"Wel , it appears that the original investigators took the crime scene at face value and looked at it as the result of the suspect's kil plan. In other words, Jessup grabbed this girl, and his plan was to strangle her and leave her in the Dumpster. This is evidenced by the profile that was drawn up of the crime and submitted to the FBI and the California Department of Justice for comparison to other crimes on record."

She opened a file and pul ed out the lengthy profile and submission forms prepared by Detective Kloster twenty-four years earlier.

"Detective Kloster was looking for similar crimes that he might be able to attach Jessup to. He got zero hits and that was the end of that."

Bosch had spent several days studying the original case file and knew everything that Wal ing was tel ing him. But he let her run with it without interruption because he had a feeling she would take him somewhere new. That was her beauty and art. It didn't matter that the FBI didn't recognize it and use her to the best of her abilities. He always would.

"I think what happened was that this case had a faulty profile from the beginning. Add to that the fact that back then the data banks were obviously not as sophisticated or as inclusive as they are now. This whole angle was misdirected and wrong and so no wonder they hit a dead end with it."

Bosch nodded and wrote a quick note.

"You tried to rebuild the profile?" he asked.

"As much as I could. And the starting point is right here. The photos. Take a look at her injuries."

Bosch leaned across the table and over the first row of photographs. He actual y didn't see injuries to the girl. She had been dropped haphazardly into the almost ful trash bin. There must have been stage building or a renovation project going on inside the theater, because the bin contained mostly construction refuse. Sawdust, paint buckets, smal pieces of cut and broken wood. There were smal cuts of wal board and torn plastic sheeting. Melissa Landy was faceup near one of the corners of the Dumpster. Bosch didn't see a drop of blood on her or her dress.

"What injuries are we talking about?" he asked.

Wal ing stood up in order to lean over. She used the point of a pen to outline the places she wanted Bosch to look on each of the photos. She circled discolorations on the victim's neck.

"Her neck injuries," she said. "If you look you see the oval-shaped bruising on the right side of the neck, and on the other side you have a larger corresponding bruise. This evidence makes it clear that she was choked to death with one hand."

She used the pen to il ustrate what she was saying.

"The thumb here on her right side and the four fingers on the left. One-handed. Now, why one-handed?"

She sat back down and Bosch leaned back away from the photos himself. The idea that Melissa had been strangled with one hand was not new to Bosch. It was in Kloster's original profile of the murder.

"Twenty-four years ago, it was suggested that Jessup strangled the girl with his right hand while he masturbated with his left. This theory was built on one thing--the semen col ected from the victim's dress. It was deposited by someone with the same blood type as Jessup and so it was assumed to have come from him. You fol ow al of this?"

"I'm with you."

"Okay, so the problem is, we now know that the semen didn't come from Jessup and so the basic profile or theory of the crime in nineteen eighty-six is wrong. It is further demonstrated as being wrong because Jessup is right-handed according to a sample of his writing in the files, and studies have shown that with right-handers masturbation is almost always carried out by the dominant hand."

"They've done studies on that?"

"You'd be surprised. I sure was when I went online to look for this."

"I knew there was something wrong with the Internet."

She smiled but was not a bit embarrassed by the subject matter of their discussion. It was al in a day's work.

"They've done studies on everything, including which hand people use to wipe their butts. I actual y found it to be fascinating reading. But the point here is that they had this wrong from the beginning. This murder did not occur during a sex act. Now let me show you a few other photos."

She reached across the table and slid al of the photos together in one stack and then put them to the side. She then spread out photos taken of the inside of the tow truck Jessup was driving on the day of the murder. The truck actual y had a name, which was stenciled on the dashboard.

"Okay, so on the day in question, Jessup was driving Matilda," Wal ing said.

Bosch studied the three photos she had spread out. The cab of the tow truck was in neat order. Thomas Brothers maps--no GPS back then--were neatly stacked on top of the dashboard and a smal stuffed animal that Bosch presumed was an aardvark hung from the rearview mirror. A cup holder on the center console held a Big Gulp from 7-Eleven and a sticker on the glove compartment door read Grass or Ass--Nobody Rides for Free .

With her trusty pen, Wal ing circled a spot on one of the photos. It was a police scanner mounted under the dashboard.

"Did anybody consider what this means?"

Bosch shrugged.

"Back then, I don't know. What's it mean now?"

"Okay, Jessup worked for Aardvark, which was a towing company licensed by the city. However, it wasn't the only one. There was competition among tow companies. The drivers listened to scanners, picking up police cal s about accidents and parking infractions. It gave them the jump on the competition, right? Except that every tow truck had a scanner and everybody was listening and trying to get the jump on everyone else."

"Right. So what's it mean?"

"Wel , let's look at the abduction first. It is pretty clear from the witness testimony and everything else that this was not a crime of great planning and patience. This was an impulse crime. That much they've had right from the beginning. We can talk about the motivating factors at length in a little while, but suffice it to say, something caused Jessup to act out in an almost uncontrol able way."

"I think I might have motivating factors covered," Bosch said.

"Good, I'm eager to hear about it. But for now, we wil assume that some sort of internal pressure led Jessup to act on an undeniable impulse and he grabbed the girl. He took her back to the truck and took off. He obviously didn't know about the sister hiding in the bushes and that she would sound the alarm. So he completes the abduction and drives away, but within minutes he hears the report about the abduction on the police scanner he has in the truck. That brings home to him the reality of what he's done and what his predicament is. He never imagined things would move so fast. He more or less comes to his senses. He realizes he must abandon his plan now and move into preservation mode. He needs to kil the girl to eliminate her as a witness and then hide her body in order to prevent his arrest."

Bosch nodded as he understood her theory.

"So what you're saying is, the crime that occurred was not the crime that he intended."

"Correct. He abandoned the true plan."

"So when Kloster went to the bureau looking for similars, he was looking for the wrong thing."

"Right again."

"But could there actual y have been a plan? You just said yourself that it was a crime of compulsion. He saw an opportunity and within a few seconds acted on it. What plan could there have been?"

"Actual y, it is more than likely that he had a complex and complete plan. Kil ers like these have a paraphilia--a set construct of the perfect psychosexual experience. They fantasize about it in great detail. And as you can expect, it often involves torture and murder. The paraphilia is part of their daily fantasy life and it builds to the point where the desire becomes the urge which eventual y becomes a compulsion to act out. When they do cross that line and act out, the abduction of the victim may be completely unplanned and improvisational, but the kil ing sequence is not. The victim is unfortunately dropped into a set construct that has played over and over in the kil er's mind."

Bosch looked at his notebook and realized he had stopped taking notes.

"Okay, but you're saying that didn't happen here," he said. "He abandoned the plan. He heard the abduction report on the scanner, and that took him from fantasy to reality. He realized that they could be closing in on him. He kil ed her and dumped her, hoping to avoid detection."

"Exactly. And therefore, as you just noted, when investigators attempted to compare elements of this murder to others', they were comparing apples and oranges. They found nothing that matched and believed that this was a onetime crime of opportunity and compulsion. I don't think it was."

Bosch looked up from the photos to Rachel's eyes.

"You think he did this before."

"I think the idea that he had acted out before in this way is compel ing. It would not surprise me if you were to find that he was involved in other abductions."

"You're talking about more than twenty-four years ago."

"I know. And since there was no linking of Jessup to known unsolved murders, we are probably talking about missing children and runaways. Cases where there was never a crime scene established. The girls were never found."

Bosch thought of Jessup's middle-of-the-night visits to the parks along Mulhol and Drive. He thought he might now know why Jessup would light a candle at the base of a tree.

Then a more stunning and scary thought pushed through.

"Do you think a guy like this would use those crimes from so long ago to feed his fantasy now?"

"Of course he would. He's been in prison, what other choice did he have?"

Bosch felt an urgency take hold inside. An urgency that came with the growing certainty that they weren't dealing with an isolated instance of murder. If Wal ing's theory was correct, and he had no reason to doubt it, Jessup was a repeater. And though he had been on ice for twenty-four years, he was now roaming the city freely. It would not be long now before he became vulnerable to the pressures and urges that had driven him to deadly action before.

Bosch came to a fast resolve. The next time Jessup was seized by the pressures of his life and overcome by the compulsion to kil , Bosch was going to be there to destroy him.

His eyes refocused and he realized Rachel was looking at him oddly.

"Thank you for al of this, Rachel," he said. "I think I need to go."

Nineteen

Thursday, March 4, 9 A.M.

It was only a hearing on pretrial motions but the courtroom was packed. Lots of courthouse gadflies and media, and a fair number of trial lawyers were sitting in as wel . I sat at the prosecution table with Maggie and we were going over our arguments once again. Al issues before Judge Breitman had already been argued and submitted on paper. This would be when the judge could ask further questions and then announce her rulings. I had a growing sense of anxiety. The motions submitted by Clive Royce were al pretty routine and Maggie and I had submitted solid responses. We were also ready with oral arguments to back them, but a hearing like this was also a time for the unexpected. On more than one occasion I had sandbagged the prosecution in a pretrial hearing. And sometimes the case is won or lost before the trial begins with a ruling in one of these hearings.

I leaned back and looked behind us and then took a quick glance around the courtroom. I gave a phony smile and nod to a lawyer I saw in the spectator section, then turned back to Maggie.

"Where's Bosch?" I asked.

"I don't think he's going to be here."

"Why not? He's completely disappeared in the last week."

"He's been working on something. He cal ed yesterday and asked if he had to be here for this and I said he didn't."

"He'd better be working on something related to Jessup."

"He tel s me it is and that he's going to bring it to us soon."

"That's nice of him. The trial starts in four weeks."

I wondered why Bosch had chosen to cal her instead of me, the lead prosecutor. I realized that this made me upset with Maggie as wel as Bosch.

"Listen, I don't know what happened between you two on your little trip to Port Townsend, but he should be cal ing me."

Maggie shook her head as if dealing with a petulant child.

"Look, you don't have to worry. He knows you're the lead prosecutor. He probably figures you are too busy for the day-to-day updates on what he's doing. And I'm going to forget what you said about Port Townsend. This one time. You make another insinuation like that and you and I are going to have a real problem."

"Okay, I'm sorry. It's just that--"

My attention was drawn across the aisle to Jessup, who was sitting at the defense table with Royce. He was staring at me with a smirk on his face and I realized he had been watching Maggie and me, maybe even listening.

"Excuse me a second," I said.

I got up and walked over to the defense table. I leaned over him.

"Can I help you with something, Jessup?"

Before Jessup could say a word his lawyer cut in.

"Don't talk to my client, Mick," Royce said. "If you want to ask him something, then you ask me."

Now Jessup smiled again, emboldened by his attorney's defensive move.

"Just go sit down," Jessup said. "I got nothing to say to you."

Royce held his hand up to quiet him.

"I'l handle this. You be quiet."

"He threatened me. You should complain to the judge."

"I said be quiet and that I would handle this."

Jessup folded his arms and leaned back in his chair.

"Mick, is there a problem here?" Royce asked.

"No, no problem. I just don't like him staring at me."

I walked back to the prosecution table, annoyed with myself for losing my calm. I sat down and looked at the pool camera set up in the jury box. Judge Breitman had approved the filming of the trial and the various hearings leading up to it, but only through the use of a pool camera, which would provide a universal feed that al channels and networks could use.

A few minutes later the judge took the bench and cal ed the hearing to order. One by one we went through the defense motions, and the rulings mostly fel our way without much further argument. The most important one was the routine motion to dismiss for lack of evidence, which the judge rejected with little comment. When Royce asked to be heard, she said that it wasn't necessary to discuss the issue further. It was a solid rebuke and I loved it even though outwardly I acted as though it were routine and boring.

The only ruling the judge wanted to discuss in detail was the oddbal request by Royce to al ow his client to use makeup during trial to cover the tattoos on his neck and fingers. Royce had argued in his motion that the tattoos were al prison tattoos applied while he was falsely incarcerated for twenty-four years. He said the tattoos could be prejudicial when noticed by jurors. His client intended to cover these with skin-tone makeup and he wanted to bar the prosecution from addressing it in front of the jury.

"I have to admit I have not had a motion like this come before me," the judge said. "I'm inclined to al ow it and hold the prosecution from drawing attention to it but I see the prosecution has objected to the motion, saying that it contains insufficient information about the content and history of these tattoos. Can you shed some light on the subject, Mr. Royce?"

Royce stood and addressed the court from his place at the defense table. I looked over and my eyes were drawn to Jessup's hands. I knew the tattoos across his knuckles were Royce's chief concern. The neck markings could largely be covered with a col ared shirt, which he would wear with a suit at trial.

But the hands were difficult to hide. Across the four digits of each hand he had inked the sentiment FUCK THIS and Royce knew that I would make sure it was seen by jurors. That sentiment was probably the chief impediment to having Jessup testify in his defense, because Royce knew I would find a way either casual y or specifical y to make sure the jury got his message.

"Your Honor, it is the defense's position that these tattoos were administered to Mr. Jessup's body while he was falsely imprisoned and are a product of that harrowing experience. Prison is a dangerous place, Judge, and inmates take measures to protect themselves. Sometimes it is through tattooing that is designed to be intimidating or to show an association the prisoner might not actual y have or believe in. It would certainly be prejudicial for the jury to see, and therefore we ask for relief. This, I might add, is merely a tactic by the prosecution to delay the trial, and the defense firmly stands by its decision to not delay justice in this case."

Maggie stood up quickly. She had handled this motion on paper and therefore it was hers to handle in court.

"Your Honor, may I be heard on the defense's accusation?"

"One moment, Ms. McPherson, I want to be heard myself. Mr. Royce, can you explain your last statement?"

Royce bowed politely.

"Yes, of course, Judge Breitman. The defendant has begun to go through a tattoo removal process. But this takes time and wil not be completed by trial. By objecting to our simple request to use makeup, the prosecution is trying to push the trial back until this removal process is completed. It's an effort to subvert the speedy trial statute which since day one the defense, to the prosecution's consternation, has refused to waive."

The judge turned her gaze to Maggie McFierce. It was her turn.

"Your Honor, this is simply a defense fabrication. The state has not once asked for a delay or opposed the defense's request for a speedy trial. In fact, the prosecution is ready for trial. So this statement is outlandish and objectionable. The true objection on the part of the prosecution to this motion is to the idea of the defendant being al owed to disguise himself. A trial is a search for truth, and al owing him to use makeup to cover up who he real y is would be an affront to the search for truth. Thank you, Your Honor."

"Judge, may I respond?" Royce, stil standing, said immediately.

Breitman paused for a moment while she wrote a few notes from Maggie's brief.

"That won't be necessary, Mr. Royce," she final y said. "I'm going to make a ruling on this and I wil al ow Mr. Jessup to cover his tattoos. If he chooses to testify on his behalf, the prosecution wil not address this issue with him in front of the jury."

"Thank you, Your Honor," Maggie said.

She sat down without showing any outward sign of disappointment. It was just one ruling among many others and most had gone the prosecution's way.

This loss was minor at worst.

"Okay," the judge said. "I think we have covered everything. Anything else from counsel at this time?"

"Yes, Your Honor," Royce said as he stood again. "Defense has a new motion we would like to submit."

He stepped away from the defense table and brought copies of the new motion first to the judge and then to us, giving Maggie and me individual copies of a one-page motion. Maggie was a fast reader, a skil she had genetical y passed on to our daughter, who was reading two books a week on top of her homework.

"This is bul shit," she whispered before I had even finished reading the title of the document.

But I caught up quickly. Royce was adding a new lawyer to the defense team and the motion was to disqualify Maggie from the prosecution because of a conflict of interest. The new lawyer's name was David Bel .

Maggie quickly turned around to scan the spectator seats. My eyes fol owed and there was David Bel , sitting at the end of the second row. I knew him on sight because I had seen him with Maggie in the months after our marriage had ended. One time I had come to her apartment to pick up my daughter and Bel had opened the door.

Maggie turned back and started to stand to address the court but I put my hand on her shoulder and held her in place.

"I'm taking this," I said.

"No, wait," she whispered urgently. "Ask for a ten-minute recess. We need to talk about this."

"Exactly what I was going to do."

I stood and addressed the judge.

"Your Honor, like you, we just got this. We can take it with us and submit but we would rather argue it right now. If the court could indulge us with a brief recess, I think we would be ready to respond."

"Fifteen minutes, Mr. Hal er? I have another matter holding. I could handle it and come back to you."

"Thank you, Your Honor."

This meant we had to leave the table while another prosecutor handled his business before the judge. We pushed our files and Maggie's laptop to the back of the table to make room, then got up and walked toward the back door of the courtroom. As we passed Bel he raised a hand to get Maggie's attention but she ignored him and walked by.

"You want to go upstairs?" Maggie asked as we came through the double doors. She was suggesting that we go up to the DA's office.

"There isn't time to wait for an elevator."

"We could take the stairs. It's only three flights."

We walked through the door into the building's enclosed stairwel but then I grabbed her arm.

"This is good enough right here," I said. "Tel me what we do about Bel ."

"That piece of shit. He's never defended a criminal case, let alone a murder, in his life."

"Yeah, you wouldn't have made the same mistake twice."

She looked pointedly at me.

"What's that supposed to mean?"

"Never mind, bad joke. Let's just stay on point."

She had her arms folded tightly against her chest.

"This is the most underhanded thing I've ever seen. Royce wants me off the case so he goes to Bel . And Bel ... I can't believe he would do something like this to me."

"Yeah, wel , he's probably in it for a dip into the pot of gold at the end of the rainbow. We probably should have seen something like this coming."

It was a defense tactic I had used myself before, but not with such obviousness. If you didn't like the judge or the prosecutor, one way of getting them off the case was to bring someone onto your team who has a conflict of interest with them. Since the defendant is constitutional y guaranteed the defense counsel of his choice, it is usual y the judge or prosecutor who must be disqualified from the trial. It was a shrewd move by Royce.

"You see what he's doing, right?" Maggie said. "He is trying to isolate you. He knows I'm the one person you would trust as second chair and he's trying to take that away from you. He knows that without me you are going to lose."

"Thanks for your confidence in me."

"You know what I mean. You've never prosecuted a case. I'm there to help you through it. If he gets me kicked off the table, then who are you going to have? Who would you trust?"

I nodded. She was right.

"Okay, give me the facts. How long were you with Bel ?"

"With him? I wasn't. We went out briefly seven years ago. No more than two months and if he says differently he's a liar."

"Is the conflict that you had the relationship or is there something else, something you did or said, something he has knowledge of that creates the conflict?"

"There's nothing. We went out and it just didn't take."

"Who dropped who?"

She paused and looked down at the floor.

"He did."

I nodded.

"Then there's the conflict. He can claim you carry a grudge."

"A woman scorned, is that it? This is such bul shit. You men are--"

"Hold on, Maggie. Hold on. I'm saying that is their argument. I am not agreeing. In fact, I want--"

The door to the stairwel opened and the prosecutor who took our places when we had gotten up for the recess entered and started up the steps. I checked my watch. Only eight minutes had gone by.

"She went back into chambers," he said as he passed. "You guys are fine."

"Thanks."

I waited until I heard his steps on the next landing before continuing in a quiet tone with Maggie.

"Okay, how do I fight this?"

"You tel the judge that this is an obvious attempt to sabotage the prosecution. They've hired an attorney for the sole reason that he had a relationship with me, not because of any skil he brings to the table."

I nodded.

"Okay. What else?"

"I don't know. I can't think... it was remote in time, no strong emotional attachment, no effect on professional judgment or conduct."

"Yeah, yeah, yeah... and what about Bel ? Does he have something or know something I have to watch out for?"

She looked at me like I was some sort of traitor.

"Maggie, I need to know so there's no surprise on top of the surprise, okay?"

"Fine, there's nothing. He must real y be hard up if he's taking a fee just to knock me off the case."

"Don't worry, two can play this game. Let's go."

We went back into the courtroom and as we went through the gate I nodded to the clerk so she could cal the judge back from chambers. Instead of going to the prosecution table, I diverted to the defense side where Royce was sitting next to his client. David Bel was now seated at the table on the other side of Jessup. I leaned over Royce's shoulder and whispered just loud enough that his client would hear.

"Clive, when the judge comes out, I'l give you the chance to withdraw this motion. If you don't, number one, I'm going to embarrass you in front of the camera and it wil be digital y preserved forever. And number two, the release-and-remuneration offer I made to your client last week is withdrawn.

Permanently."

I watched Jessup's eyebrows rise a few centimeters. He hadn't heard anything about an offer involving money and freedom. This was because I hadn't made one. But now it would be up to Royce to convince his client that he had not withheld anything from him. Good luck with that.

Royce smiled like he was pleased with my comeback. He leaned back casual y and tossed his pen on his legal pad. It was a Montblanc with gold trim and that was no way to treat it.

"This is real y going to get good, yes, Mick?" he said. "Wel , I'l tel you. I'm not withdrawing the motion and I think if you had made me an offer involving release and remuneration I would've remembered it."

So he had cal ed my bluff. He'd stil have to convince his client. I saw the judge step out from the door of her chambers and start up the three steps to the bench. I took one more whispered shot at Royce.

"Whatever you paid Bel you wasted."

I stepped over to the prosecution table and remained standing. The judge brought the courtroom to order.

"Okay, back on the record in California versus Jessup. Mr. Hal er, do you want to respond to the defendant's latest motion or take it on submission."

"Your Honor, the prosecution wishes to respond right now to... this motion."

"Go right ahead, then."

I tried to build a good tone of outrage into my voice.

"Judge, I am as cynical as the next guy but I have to say I am surprised by the defense's tactics here with this motion. In fact, this isn't a motion. This is very plainly an attempt to subvert the trial system by denying the People of Cal--"

"Your Honor," Royce interjected, jumping to his feet, "I strenuously object to the character assassination Mr. Hal er is putting on the record and before the media. This is nothing more than grand--"

"Mr. Royce, you wil have an opportunity to respond after Mr. Hal er responds to your motion. Please be seated."

"Yes, Your Honor."

Royce sat down and I tried to remember where I was.

"Go ahead, Mr. Hal er."

"Yes, Your Honor, as you know, the prosecution turned over al discovery materials to the defense on Tuesday. What you have before you now is a very disingenuous motion spawned by Mr. Royce's realization of what he wil be up against at trial. He thought the state was going to rol over on this case. He now knows that it is not going to do so."

"But what does this have to do with the motion at hand, Mr. Hal er?" the judge asked impatiently.

"Everything," I said. "You've heard of judge shopping? Wel , Mr. Royce is prosecutor shopping. He knows through his examination of discovery materials that Margaret McPherson is perhaps the most important part of the prosecution team. Rather than take on the evidence at trial, he is attempting to undercut the prosecution by splintering the team that has assembled that evidence. Here we are, just four weeks before trial and he makes a move against my second chair. He has hired an attorney with little to no experience in criminal defense, not to mention defending a murder case. Why would he do that, Judge, other than for the purpose of concocting this supposed conflict of interest?"

"Your Honor?"

Royce was on his feet again.

"Mr. Royce," the judge said, "I told you, you wil have your chance."

The warning was very clear in her voice.

"But, Your Honor, I can't--"

"Sit down."

Royce sat down and the judge put her attention back on me.

"Judge, this is a cynical move made by a desperate defense. I would hope that you would not al ow him to subvert the intentions of the Constitution."

Like two men on a seesaw, I went down and Royce immediately popped up.

"One moment, Mr. Royce," the judge said, holding up her hand and signaling him back down to his seat. "I want to talk to Mr. Bel ."

Now it was Bel 's turn to stand up. He was a wel -dressed man with sandy hair and a ruddy complexion, but I could see the apprehension in his eyes.

Whether he had come to Royce or Royce had come to him, it was clear that he had not anticipated having to stand in front of a judge and explain himself.

"Mr. Bel , I have not had the pleasure of seeing you practice in my courtroom. Do you handle criminal defense, sir?"

"Uh, no, ma'am, not ordinarily. I am a trial attorney and I have been lead counsel in more than thirty trials. I do know my way around a courtroom, Your Honor."

"Wel , good for you. How many of those trials were murder trials?"

I felt total exhilaration as I watched what I had set in motion take on its own momentum. Royce looked mortified as he watched his plan shatter like an expensive vase.

"None of them were murder trials per se. But several were wrongful death cases."

"Not the same thing. How many criminal trials do you have under your belt, Mr. Bel ?"

"Again, Judge, none were criminal cases."

"What do you bring to the defense of Mr. Jessup?"

"Your Honor, I bring a wealth of trial experience but I don't think that my resume is on point here. Mr. Jessup is entitled to counsel of his choice and--"

"What exactly is the conflict you have with Ms. McPherson?"

Bel looked perplexed.

"Did you understand the question?" the judge asked.

"Yes, Your Honor, the conflict is that we had an intimate relationship and now we would be opposing each other at trial."

"Were you married?"

"No, Your Honor."

"When was this intimate relationship and how long did it last?"

"It was seven years ago and it lasted about three months."

"Have you had contact with her since then?"

Bel raised his eyes to the ceiling as if looking for an answer. Maggie leaned over and whispered in my ear.

"No, Your Honor," Bel said.

I stood up.

"Your Honor, in the interest of ful disclosure, Mr. Bel has sent Ms. McPherson a Christmas card for the past seven years. She has not responded likewise."

There was a murmur of laughter in the courtroom. The judge ignored it and looked down at something in front of her. She looked like she had heard enough.

"Where is the conflict you are worried about, Mr. Bel ?"

"Uh, Judge, this is a bit difficult to speak of in open court but I was the one who ended the relationship with Ms. McPherson and my concern is that there could be some lingering animosity there. And that's the conflict."

The judge wasn't buying this and everyone in the courtroom knew it. It was becoming uncomfortable even to watch.

"Ms. McPherson," the judge said.

Maggie pushed back her chair and stood.

"Do you hold any lingering animosity toward Mr. Bel ?"

"No, Your Honor, at least not before today. I moved on to better things."

I could hear another low rumble from the seats behind me as Maggie's spear struck home.

"Thank you, Ms. McPherson," the judge said. "You can sit. And so can you, Mr. Bel ."

Bel thankful y dropped into his chair. The judge leaned forward and spoke matter-of-factly into the bench's microphone.

"The motion is denied."

Royce stood up immediately.

"Your Honor, I was not heard before the ruling."

"It was your motion, Mr. Royce."

"But I would like to respond to some of the things Mr. Hal er said about--"

"Mr. Royce, I've made my ruling on it. I don't see the need for further discussion. Do you?"

Royce realized his defeat could get even worse. He cut his losses.

"Thank you, Your Honor."

He sat down. The judge then ended the hearing and we packed up and headed toward the rear doors. But not as quickly as Royce. He and his client and supposed co-counsel split the courtroom like men who had to catch the last train on a Friday night. And this time Royce didn't bother stopping outside the courtroom to chat with the media.

"Thanks for sticking up for me," Maggie said when we got to the elevators.

I shrugged.

"You stuck up for yourself. Did you real y mean that, what you said about moving on from Bel to better things?"

"From him, yes. Definitely."

I looked at her but couldn't read her beyond the spoken line. The elevator doors opened, and there was Harry Bosch waiting to step off.

Twenty

Thursday, March 4, 10:40 A.M.

Bosch stepped off the elevator and almost walked right into Haler and McPherson.

"Is it over?" he asked.

"You missed it," Hal er said.

Bosch quickly turned and hit one of the bumpers on the elevator doors before it could close.

"Are you going down?"

"That's the plan," Hal er said in a tone that didn't hide his annoyance with Bosch. "I thought you weren't coming to the hearing."

"I wasn't. I was coming to get you two."

They rode the elevator down and Bosch convinced them to walk with him a block over to the Police Administration Building. He signed them in as visitors and they went up to the fifth floor, where Robbery-Homicide Division was located.

"This is the first time I've been here," McPherson said. "It's as quiet as an insurance office."

"Yeah, I guess we lost a lot of the charm when we moved," Bosch replied.

The PAB had been in operation for only six months. It had a quiet and sterile quality about it. Most of the building's denizens, including Bosch, missed the old headquarters, Parker Center, even though it was beyond decrepit.

"I've got a private room over here," he said, pointing to a door on the far side of the squad room.

He used a key to unlock the door and they walked into a large space with a boardroom-style table at center. One wal was glass that looked out on the squad room but Bosch had lowered and closed the blinds for privacy. On the opposite wal was a large whiteboard with a row of photos across the top margin and numerous notes written beneath each shot. The photos were of young girls.

"I've been working on this nonstop for a week," Bosch said. "You probably have been wondering where I disappeared to so I figured it was time to show you what I've got."

McPherson stopped just a few steps inside the door and stared, squinting her eyes and revealing to Bosch her vanity. She needed glasses but he'd never seen her wearing them.

Hal er stepped over to the table, where there were several archival case boxes gathered. He slowly pul ed out a chair to sit down.

"Maggie," Bosch prompted. "Why don't you sit down?"

McPherson final y broke from her stare and took the chair at the end of the table.

"Is this what I think it is?" she asked. "They al look like Melissa Landy."

"Wel ," Bosch said. "Let me just go over it and you'l draw your own conclusions."

Bosch stayed on his feet. He moved around the table to the whiteboard. With his back to the board he started to tel the story.

"Okay, I have a friend. She's a former profiler. I've never--"

"For whom?" Hal er asked.

"The FBI, but does it matter? What I'm saying is that I've never known anybody who was better at it. So, shortly after I came into this I asked her informal y to take a look at the case files and she did. Her conclusions were that back in 'eighty-six this case was read al wrong. And where the original investigators saw a crime of impulse and opportunity, she saw something different. To keep it short, she saw indications that the person who kil ed Melissa Landy may have kil ed before."

"Here we go," Hal er said.

"Look, man, I don't know why you're giving me the attitude," Bosch said. "You pul ed me in as investigator on this thing and I'm investigating. Why don't you just let me tel you what I know? Then you can do with it whatever you want. You think it's legit, then run with it. You don't, then shitcan it. I wil have done my job by bringing it to you."

"I'm not giving you any attitude, Harry. I'm just thinking out loud. Thinking about al the things that can complicate a trial. Complicate discovery. You realize that everything you are tel ing us has to be turned over to Royce now?"

"Only if you intend to use it."

"What?"

"I thought you'd know the rules of discovery better than me."

"I know the rules. Why did you bring us here for this dog and pony show if you don't think we should use it?"

"Why don't you just let him tel the story," McPherson said. "And then maybe we'l understand."

"Then, go ahead," Hal er said. "Anyway, al I said was 'Here we go,' which I think is a pretty common phrase indicating surprise and change of direction.

That's al . Continue, Harry. Please."

Bosch glanced back at the board for a moment and then turned back to his audience of two and continued.

"So my friend the profiler thinks Jason Jessup kil ed before he kil ed Melissa Landy, and most likely was successful in hiding his involvement in these previous crimes."

"So you went looking," McPherson said.

"I did. Now, remember our original investigator, Kloster, was no slouch. He went looking, too. Only problem was he was using the wrong profile. They had semen on the dress, strangulation and a body dump in an accessible location. That was the profile, so that is what he went looking for and he found no similars, or at least no cases that connected. End of story, end of search. They believed Jessup acted out this one time, was exceedingly disorganized and sloppy, and got caught."

Harry turned and gestured to the row of photographs on the whiteboard behind him.

"So I went a different way. I went looking for girls who were reported missing and never showed up again. Girls reported as runaways as wel as possible abductions. Jessup is from Riverside County so I expanded the search to include Riverside and L.A. counties. Since Jessup was twenty-four when he was arrested I went back to when he was eighteen, putting the search limits from nineteen eighty to 'eighty-six. As far as victim profile, I went Caucasian aged twelve to eighteen."

"Why did you go as old as eighteen?" McPherson asked. "Our victim was twelve."

"Rachel said--I mean, the profiler said that sometimes starting out, these people pick from their own peer group. They learn how to kil and then they start to define their targets according to their paraphilias. A paraphilia is--"

"I know what it is," McPherson said. "You did al of this work yourself? Or did this Rachel help you?"

"No, she just worked up the profile. I had some help from my partner pul ing al of this together. But it was tough because not al the records are complete, especial y on cases that never got above runaway status, and a lot was cleared out. Most of the runaway files from back then are gone."

"They didn't digitize?" McPherson asked.

Bosch shook his head.

"Not in L.A. County. They prioritized when they switched over to computerized records and went back and captured records for major crimes. No runaway cases unless there was the possibility of abduction involved. Riverside County was different. Fewer cases out there so they archived everything digital y. Anyway, for that time period in these two counties, we came up with twenty-nine cases over the six-year period we're looking at. Again, these were unresolved cases. In each the girl disappeared and never came home. We pul ed what records we could find and most didn't fit because of witness statements or other issues. But I couldn't rule out these eight."

Bosch turned to the board and looked at the photos of eight smiling girls. Al of them long gone over time.

"I'm not saying that Jessup had anything to do with any of these girls dropping off the face of the earth, but he could have. As Maggie already noticed, they al have a resemblance to one another and to Melissa Landy. And by the way, the resemblance extends to body type as wel . They're al within ten pounds and two inches of one another and our victim."

Bosch turned back to his audience and saw McPherson and Hal er transfixed by the photographs.

"Beneath each photo I've put the particulars," he said. "Physical descriptors, date and location of disappearance, the basic stuff."

"Did Jessup know any of them?" Hal er asked. "Is he connected in any way to any of them?"

That was the bottom line, Bosch knew.

"Nothing real y solid--I mean, not that I've found so far," he said. "The best connection that we have is this girl."

He turned and pointed to the first photo on the left.

"The first girl. Valerie Schlicter. She disappeared in nineteen eighty-one from the same neighborhood in Riverside that Jessup grew up in. He would've been nineteen and she was seventeen. They both went to Riverside High but because he dropped out early, it doesn't look like they were there at the same time. Anyway, she was counted as a runaway because there were problems in her home. It was a single-parent home. She lived with her mother and a brother and then one day about a month after graduating from high school, she split. The investigation never rose above a missing persons case, largely because of her age. She turned eighteen a month after she disappeared. In fact, I wouldn't even cal it an investigation. They more or less waited to see if she'd come home. She didn't."

"Nothing else?"

Bosch turned back and looked at Hal er.

"So far that's it."

"Then discovery is not an issue. There's nothing here. There's no connection between Jessup and any of these girls. The closest one you have is this Riverside girl and she was five years older than Melissa Landy. This whole thing seems like a stretch."

Bosch thought he detected a note of relief in Hal er's voice.

"Wel ," he said, "there's stil another part to al of this."

He stepped over to the case boxes at the end of the table and picked up a file. He walked it down and put it in front of McPherson.

"As you know, we've had Jessup under surveil ance since he was released."

McPherson opened the file and saw the stack of 8 x 10 surveil ance shots of Jessup.

"With Jessup they've learned that there is no routine schedule, so they stick with him twenty-four/seven. And what they're documenting is that he has two remarkably different lives. The public one, which is carried in the media as his so-cal ed journey to freedom. Everything from smiling for the cameras and eating hamburgers to surfing Venice Beach to the talk-show circuit."

"Yes, we're wel aware," Hal er said. "And most of it orchestrated by his attorney."

"And then there's the private side," Bosch said. "The bar crawls, the late-night cruising and the middle-of-the-night visits."

"Visits where?" McPherson asked.

Bosch went to his last visual aid, a map of the Santa Monica Mountains. He unfolded it on the table in front of them.

"Nine different times since his release Jessup has left the apartment where he stays in Venice and in the middle of the night driven up to Mulhol and on top of the mountains. From there he has visited one or two of the canyon parks up there per night. Franklin Canyon is his favorite. He's been there six times. But he also has hit Stone Canyon, Runyon Canyon and the overlook at Fryman Canyon a few times each."

"What's he doing at these places?" McPherson asked.

"Wel , first of al , these are public parks that are closed at dusk," Bosch replied. "So he's sneaking in. We're talking two, three o'clock in the morning. He goes in and he just sort of sits. He communes. He lit candles a couple times. Always the same spots in each of the parks. Usual y on a trail or by a tree.

We don't have photos because it's too dark and we can't risk getting in close. I've gone out with the SIS a couple times this week and watched. It looks like he just sort of meditates."

Bosch circled the four parks on the map. Each was off Mulhol and and close to the others.

"Have you talked to your profiler about al this?" Hal er asked.

"Yeah, I did, and she was thinking what I was thinking. That he's visiting graves. Communing with the dead... his victims."

"Oh, man...," Hal er said.

"Yeah," Bosch said.

There was a long pause as Hal er and McPherson considered the implications of Bosch's investigation.

"Harry, has anybody done any digging in any of these spots?" McPherson asked.

"No, not yet. We didn't want to go too crazy with the shovels, because he keeps coming back. He'd know something was up and we don't want that yet."

"Right. What about--"

"Cadaver dogs. Yeah, we brought them out there undercover yesterday. We--"

"How do you make a dog go undercover?" Hal er asked.

Bosch started to laugh and it eased some of the tension in the room.

"What I mean is, there were two dogs and they weren't brought out in official vehicles and handled by people in uniforms. We tried to make it look like somebody walking their dog, but even that was a problem because the park doesn't al ow dogs on these trails. Anyway, we did the best we could and got in and got out. I checked with SIS to make sure Jessup wasn't anywhere near Mulhol and when we went in. He was surfing."

"And?" McPherson asked impatiently.

"These dogs are the type that just lie down on the ground when they pick up the scent of human decay. Supposedly they can pick it up through the ground after even a hundred years. Anyway, at three of the four places Jessup's gone in these parks, the dogs didn't react. But at one spot one of the two dogs did."

Bosch watched McPherson swivel in her seat and look at Hal er. He looked back at her and there was some sort of silent communication there.

"It should also be noted that this particular dog has a history of being wrong--that is, giving a false positive--about a third of the time," Bosch said. "The other dog didn't react to the same spot."

"Great," Hal er said. "So what does that tel us?"

"Wel , that's why I invited you over," Bosch said. "We've reached the point where maybe we should start digging. At least in that one spot. But if we do, we run the risk that Jessup wil find out and he'l know we've been fol owing him. And if we dig and we find human remains, do we have enough here to charge Jessup?"

McPherson leaned forward while Hal er leaned back, clearly deferring to his second chair.

"Wel , I see no legal embargo on digging," she final y said. "It's public property and there is nothing that would stop you legal y. No need for a search warrant. But do you want to dig right now based on this one dog with what seems like a high false-positive rate, or do we wait until after the trial?"

"Or maybe even during the trial," Hal er said.

"The second question is the more difficult," McPherson said. "For the sake of argument, let's say there are remains buried in one or even al of those spots. Yes, Jessup's activities seem to form an awareness of what is below the earth in the places he visits in the middle of the night. But does that prove he's responsible? Hardly. We could charge him, yes, but he could mount a number of defenses based on what we know right now. You agree, Michael?"

Hal er leaned forward and nodded.

"Suppose you dig and you find the remains of one of these girls. Even if you can confirm the ID--and that's going to be a big if--you stil don't have any evidence connecting her death to Jessup. Al you have is his guilty knowledge of the burial spot. That is very significant but is it enough to go into court with? I don't know. I think I'd rather be defense counsel than prosecutor on that one. I think Maggie's right, there are any number of defenses that he could employ to explain his knowledge of the burial sites. He could invent a straw man--somebody else who did the kil ings and told him about them or forced him to take part in the burials. Jessup's spent twenty-four years in prison. How many other convicts has he been exposed to? Thousands? Tens of thousands? How many of them were murderers? He could lay this whole thing on one of them, say that he heard in prison about these burial spots and he decided to come and pray for the souls of the victims. He could make up anything."

He shook his head again.

"The bottom line is, there are a lot of ways to go with a defense like this. Without any sort of physical evidence connecting him or a witness, I think you would have a problem."

"Maybe there is physical evidence in the graves that connects him," Bosch offered.

"Maybe, but what if there isn't?" Hal er shot right back. "You never know, you could also pul a confession out of Jessup. But I doubt that, too."

McPherson took it from there.

"Michael mentioned the big if, the remains. Can they be IDed? Wil we be able to establish how long they were in the ground? Remember, Jessup has an ironclad alibi for the last twenty-four years. If you pul up a set of bones and we can't say for sure that they've been down there since at least 'eighty-six, then Jessup would walk."

Hal er got up and went to the whiteboard, grabbing a marker off the ledge. In a clear spot he drew two circles side by side.

"Here's what we've got so far. One is our case and one is this whole new thing you've come up with. They're separate. We have the case with the trial about to go and then we have your new investigation. When they're separate like this we're fine. Your investigation has no bearing on our trial, so we can keep the two circles separate. Understand?"

"Sure," Bosch said.

Hal er grabbed the eraser off the ledge and wiped the two circles off the board. He then drew two new circles, but this time they overlapped.

"Now if you go out there and start digging and you find bones? This is what happens. Our two circles become connected. And that's when your thing becomes our thing and we have to reveal this to the defense and the whole wide world."

McPherson nodded in agreement.

"So then, what do we do?" Bosch asked. "Drop it?"

"No, we don't drop it," Hal er said. "We just be careful and we keep them separate. You know what is universal y held as the best trial strategy? Keep it simple, stupid. So let's not complicate things. Let's keep our circles separate and go to trial and get this guy for kil ing Melissa Landy. And when we're done that, we go up to Mulhol and with shovels."

"Done with."

"What?"

"When we're done with that."

"Whatever, Professor."

Bosch's eyes moved from Hal er's connected circles on the board to the row of faces. Al his instincts told him that at least some of those girls did not get any older than they were in the photos. They were in the ground and had been buried there by Jason Jessup. He hated the idea of them spending another day in the dirt but knew that they would have to wait a little longer.

"Okay," he said. "I'l keep working it on the side. For now. But there's also one other thing from the profiler that you should know."

"The other shoe drops," McPherson said. "What?"

Hal er had returned to his seat. Bosch pul ed out a chair and sat down himself.

"She said a kil er like Jessup doesn't reform in prison. The dark matter inside doesn't go away. It stays. It waits. It's like a cancer. And it reacts to outside pressures."

"He'l kil again," McPherson said.

Bosch slowly nodded.

"He can visit the graves of his past victims for only so long before he'l feel the need for... fresh inspiration. And if he feels under pressure, the chances are good he'l move in that direction even sooner."

"Then we'd better be ready," Hal er said. "I'm the guy who let him out. If you have any doubts about him being covered, then I want to hear them."

"No doubts," Bosch said. "If Jessup makes a move, we'l be on him."

"When are you planning on going out with the SIS again?" McPherson asked.

"Whenever I can. But I've got my daughter, so it's whenever she's on a sleepover or I can get somebody to come in."

"I want to go once."

"Why?"

"I want to see the real Jessup. Not the one in the papers and on TV."

"Wel ..."

"What?"

"Wel , there are no women on the team and they're constantly moving with this guy. There won't be any bathroom breaks. They piss in bottles."

"Don't worry, Harry, I think I can handle it."

"Then I'l set it up."

Twenty-one

Friday, March 19, 10:50 A.M.

I checked my watch when I heard Maggie say helo to Lorna in the reception room. She entered the office and dropped her case on her desk. It was one of those slim and stylish Italian leather laptop totes that she never would have bought for herself. Too expensive and too red. I wanted to know who gave it to her like I wanted to know a lot of things she would never tel me.

But the origin of her red briefcase was the least of my worries. In thirteen days we would start picking jurors in the Jessup case and Clive Royce had final y landed his best pretrial punch. It was an inch thick and sat in front of me on my desk.

"Where have you been?" I said with a clear note of annoyance in my voice. "I cal ed your cel and got no answer."

She came over to my desk, dragging the extra chair with her.

"More like, where were you?"

I glanced at my calendar blotter and saw nothing in the day's square.

"What are you talking about?"

"My phone was turned off because I was at Hayley's honors assembly. They don't like cel phones ringing when they are cal ing the kids up to get their pins."

"Ah, shit!"

She had told me and copied me on the e-mail. I printed it out and put it on the refrigerator. But not on my desk blotter or into my phone's calendar. I blew it.

"You should've been there, Hal er. You would've been proud."

"I know, I know. I messed up."

"It's al right. You'l get other chances. To mess up or stand up."

That hurt. It would've been better if she had chewed my ass out like she used to. But the passive-aggressive approach always got deeper under the skin. And she probably knew that.

"I'l be at the next one," I said. "That's a promise."

She didn't sarcastical y say Sure, Haller, or I've heard that one before. And somehow that made it worse. Instead, she just got down to business.

"What is that?"

She nodded at the document in front of me.

"This is Clive Royce's last best stand. It's a motion to exclude the testimony of Sarah Ann Gleason."

"And of course he drops it off on a Friday afternoon three weeks before trial."

"More like seventeen days."

"My mistake. What's he say?"

I turned the document around and slid it across the desk to her. It was held together with a large black clip.

"He's been working on this one since the start because he knows the case comes down to her. She's our primary witness and without her none of the other evidence matters. Even the hair in the truck is circumstantial. If he takes out Sarah he takes out our case."

"I get that. But how's he trying to get rid of her?"

She started flipping through the pages.

"It was delivered at nine and is eighty-six pages long so I haven't had the time to completely digest it. But it's a two-pronged effort. He's attacking her original identification from when she was a kid. Says the setup was prejudicial. And he--"

"That was already argued, accepted by the trial court and it held up on appeal. He's wasting the court's time."

"He's got a new angle this time. Remember, Kloster's got Alzheimer's and is no good as a witness. He can't tel us about the investigation and he can't defend himself. So this time out Royce al eges that Kloster told Sarah which man to identify. He pointed Jessup out for her."

"And what is his backup? Supposedly only Sarah and Kloster were in the room."

"I don't know. There's no backup but my guess is he's riffing on the radio cal Kloster made tel ing them to make Jessup take off his hat."

"It doesn't matter. The lineup was put together to see if Sarah could identify Derek Wilbern, the other driver. Any argument that he then told her to put the finger on Jessup is ridiculous. That ID came quite unexpectedly but natural y and convincingly. This is nothing to get worked up about. Even without Kloster we'l tear this one up."

I knew she was right but the first attack wasn't real y what I was most worried about.

"That's just his opening salvo," I said. "That's nothing compared with part two. He also seeks to exclude her entire testimony based on unreliable memory. He's got her whole drug history laid out in the motion, seemingly down to every chip of meth she ever smoked. He's got arrest records, jail records, witnesses who detail her consumption of drugs, multiple-partner sex and what they term her belief in out-of-body experiences--I guess she forgot to mention that part up in Port Townsend. And to top it al off, he's got experts on memory loss and false memory creation as a by-product of meth addiction. So in al , you know what he's got? He's got us fucked coming and going."

Maggie didn't respond as she was scanning the summary pages at the end of Royce's motion.

"He's got investigators here and up in San Francisco," I added. "It's thorough and exhaustive, Mags. And you know what? It doesn't even look like he's gone up to Port Townsend to interview her yet. He says he doesn't have to because it doesn't matter what she says now. It can't be relied upon."

"He'l have his experts and we'l have ours on rebuttal," she said calmly. "We expected this part and I've already been lining ours up. At worst, we can turn this into a wash. You know that."

"The experts are only a smal part of it."

"We'l be fine," she insisted. "And look at these witnesses. Her ex-husbands and boyfriends. I see Royce conveniently didn't bother to include their own arrest records here. They're al tweakers themselves. We'l make them look like pimps and pedophiles with grudges against her because she left them in the dust when she got straight. She married the first one when she was eighteen and he was twenty-nine. She told us. I'd love to get him in the chair in front of the judge. I real y think you are overreacting to this, Hal er. We can argue this. We can make him put some of these so-cal ed witnesses in front of the judge and we can knock every one of them out of the box. You're right about one thing, though. This is Royce's last best stand. It's just not going to be good enough."

I shook my head. She was seeing only what was on paper and what could be blocked or parried with our own swords. Not what was not written.

"Look, this is about Sarah. He knows the judge is not going to want to chop our main witness. He knows we'l get by this. But he's putting the judge on notice that this is what he is going to put Sarah through if she takes the stand. Her whole life, every sordid detail, every pipe and dick she ever smoked, she's going to have to sit up there and take it. Then he'l trot out some PhD who'l put pictures of a melted brain on the screen and say this is what meth does. Do we want that for her? Is she strong enough to take it? Maybe we have to go to Royce, offer a deal for time served and some kind of payout from the city. Something everybody can live with."

Maggie flopped the motion onto the desk.

"Are you kidding me? You're running scared because of this?"

"I'm not running scared. I'm being realistic. I didn't go up to Washington. I have no feel for this woman. I don't know if she can stand up to this or not.

Besides, we can always take a second bite of the apple with those cases Bosch has been working."

Maggie leaned back in her chair.

"There's no guarantee that anything wil come out of those other cases. We have to put everything we have into this one, Hal er. I could go back up there and hold Sarah's hand a little bit. Tel her more about what to expect. Get her ready. She already understood it wasn't going to be pretty."

"To put it mildly."

"I think she's strong enough. I think in some weird way she might need it. You know, get it al out there, expiate her sins. It's about redemption with her, Michael. You know about that."

We held each other's eyes for a long moment.

"Anyway, I think she'l be more than strong and the jury wil see it," she said. "She's a survivor and everybody likes a survivor."

I nodded.

"You have a way of convincing people, Mags. It's a gift. We both know you should be lead on this, not me."

"Thank you for saying that."

"Al right, go up there and get her prepped for this. Next week, maybe. By then we should have a witness schedule and you can tel her when we'l be bringing her down."

"Okay," she said.

"Meantime, how's your weekend looking? We have to put together an answer to this."

I pointed at the defense motion on the desk.

"Wel , Harry final y got me a ride-along with the SIS tomorrow night. He's going, too--I think his daughter has a sleepover. Other than that, I'm around."

"Why are you going to spend al that time watching Jessup? The police have that covered."

"Like I said before, I want to see Jessup out there when he doesn't think anyone is watching. I would suggest that you come, too, but you've got Hayley."

"I wouldn't waste the time. But when you see Bosch, can you give him a copy of this motion? We're going to need him to run down some of these witnesses and statements. Not al of them were in Royce's discovery package."

"Yeah, he played it smart. He keeps them off his witness list until they show up here. If the judge shoots down the motion, saying Gleason's credibility is a jury question, he'l come back with an amended witness list, saying, okay, I need to put these people in front of the jury in regard to credibility."

"And she'l al ow it or she'l be contradicting her own ruling. Clever Clive. He knows what he's doing."

"Anyway, I'l get a copy to Harry, but I think he's stil chasing those old cases."

"Doesn't matter. The trial is the priority. We need complete backgrounds on these people. You want to deal with him or do you want me to?"

In our divvying up of pretrial duties I had given Maggie the responsibility of prepping for defense witnesses. Al except Jessup. If he testified, he was stil mine.

"I'l talk to him," she said.

She furrowed her brow. It was a habit I'd seen before.

"What?"

"Nothing. I'm just thinking about how to attack this. I think we throw in a motion in limine, seeking to limit Royce on the impeachable stuff. We argue that the events of her life in between are not relevant to credibility if her identification of Jessup now matches her identification back then."

I shook my head.

"I would argue that you're infringing on my client's sixth amendment right to cross-examine his accuser. The judge might limit some of this stuff if it's repetitive, but don't count on her disal owing it."

She pursed her lips as she recognized that I was right.

"It's stil worth a try," I said. "Everything is worth a try. In fact, I want to drown Royce in paper. Let's hit him back with a phonebook to wade through."

She looked at me and smiled.

"What?"

"I like it when you get al angry and righteous."

"You haven't seen anything yet."

She looked away before it went a step further.

"Where do you want to set up shop this weekend?" she asked. "Remember, you have Hayley. She's not going to like it if we work the entire weekend."

I had to think about that for a moment. Hayley loved museums. To the point that I was tired of going to the same museums over and over. She also loved movies. I would need to check and see if a new movie was out.

"Bring her to my house in the morning and be prepared to work on our response. We can maybe trade off. I'l take her to a movie or something in the afternoon and then you go on and do your thing with the SIS. We'l make it work."

"Okay, that's a deal."

"Or..."

"Or what?"

"You could bring her over tonight and we could have a little dinner celebrating our kid making second honors. And we might even get a little work on this done."

"And I stay over, is that what you mean?"

"Sure, if you want."

"You wish, Hal er."

"I do."

"By the way, it was first honors. You better have it right when you see her tonight."

I smiled.

"Tonight? You mean that?"

"I think so."

"Then don't worry. I'l have everything right."

Twenty-two

Saturday, March 20, 8:00 P.M.

Because Bosch had mentioned that a prosecutor wanted to join the SIS surveilance, Lieutenant Wright arranged his schedule to work Saturday night and be the driver of the car the visitors were assigned to. The pickup point was in Venice at a public parking lot six blocks off the beach. Bosch met McPherson there and then he put a radio cal in to Wright, saying they were ready and waiting. Fifteen minutes later a white SUV entered the lot and drove up to them. Bosch gave McPherson the front seat and he climbed into the back. He wasn't being chivalrous. The long bench seat would al ow him to stretch out during the long night of surveil ance.

"Steve Wright," the lieutenant said, offering McPherson his hand.

"Maggie McPherson. Thanks for letting me come along."

"No sweat. We always like it when the District Attorney's Office takes an interest. Let's hope tonight is worth your while."

"Where's Jessup now?"

"When I left he was at the Brig on Abbot Kinney. He likes crowded places, which works in our favor. I have a couple guys inside and a few more on the street. We're kind of used to his rhythm now. He hits a place, waits to be recognized and for people to start buying him drinks, then he moves on--quickly if he isn't recognized."

"I guess I'm more interested in his late-night travels than his drinking habits."

"It's good that he's out drinking," Bosch said from the backseat. "There's a causal relationship. The nights he takes in alcohol are usual y the nights he goes up to Mulhol and."

Wright nodded in agreement and headed the SUV out of the lot. He was a perfect surveil ance man because he didn't look like a cop. In his late fifties with glasses, a thinning hairline and always two or three pens in his shirt pocket, he looked more like an accountant. But he had been with the SIS for more than two decades and had been in on several of the squad's kil s. Every five years or so the Times did a story on the SIS, usual y analyzing its kil record. In the last expose Bosch remembered reading, the paper had labeled Wright "SIS's unlikely chief gunslinger." While the reporters and editors behind the story probably viewed that as an editorial putdown, Wright wore it like a badge of honor. He had the sobriquet printed below his name on his business card. In quotes, of course.

Wright drove down Abbot Kinney Boulevard and past the Brig, which was located in a two-story building on the east side of the street. He went two blocks down and made a U-turn. He came back up the street and pul ed to the curb in front of a fire hydrant a half block from the bar.

The lighted sign outside the Brig depicted a boxer in a ring, his red gloves up and ready. It was an image that seemed at odds with the name of the bar, but Bosch knew the story behind it. As a much younger man he had lived in the neighborhood. He knew the sign with the boxer was put up by a former owner who had bought out the original owners. The new man was a retired fighter and had decorated the interior with a boxing motif. He also put the sign up out front. There was stil a mural on the side of the building that depicted the fighter and his wife, but they were long gone now.

"This is Five," Wright said. "What's our status?"

He was talking to the microphone clipped to the sun visor over his head. Bosch knew there was a foot button on the floor that engaged it. The return speaker was under the dash. The radio setup in the cars al owed the surveil ance cops to keep their hands free while driving and, more important, helped them maintain their cover. Talking into a handheld rover was a dead giveaway. The SIS was too good for that.

"Three," a voice said over the radio. "Retro is stil in the location along with One and Two."

"Roger that," Wright said.

"Retro?" McPherson said.

"Our name for him," Wright said. "Our freqs are pretty far down the bandwidth and on the FCC registry they're listed as DWP channels, but you never know who might be listening. We don't use the names of people or locations on the air."

"Got it."

It wasn't even nine yet. Bosch wasn't expecting Jessup to leave anytime soon, especial y if people were buying him drinks. As they settled in, Wright seemed to like McPherson and liked informing her about procedures and the art of high-level surveil ance. She might have been bored with it but she never let on.

"See, once we establish a subject's rhythms and routines we can react much better. Take this place, for example. The Brig is one of three or four places Retro hits sort of regularly. We've assigned different guys to different bars so they can go in while he's in the location and be like regulars. The two guys I've got right now in the Brig are the same two guys that always go in there. And two other guys would go into Townhouse when he's there and two others have James Beach. It goes like that. If Retro notices them he'l think it's because he's seen them in there before and they're regulars in the place. Now if he saw the same guy at two different places, he'd start getting suspicious."

"I understand, Lieutenant. Sounds like the smart way to do it."

"Cal me Steve."

"Okay, Steve. Can your people inside communicate?"

"Yes, but they're deaf."

"Deaf?"

"We've al got body mikes. You know, like the Secret Service? But we don't put in the earpieces when we're in play inside a place like a bar. Too obvious. So they cal in their positions when possible but they don't hear anything coming back unless they pul the receiver up from under their col ar and put it in. Unfortunately, it's not like TV where they just put the bean in their ear and there's no wire."

"I see. And do your men actual y drink while in a bar on a surveil ance?"

"A guy in a place like that ordering a Coke or a glass of water is going to stand out as suspicious. So they order booze. But then they nurse it. Luckily, Retro likes to go to crowded places. Makes it easier to maintain cover."

While the smal talk continued in the front seat, Bosch pul ed his phone and started what some would consider a conversation of smal talk himself. He texted his daughter. Though he knew there were several sets of eyes on the Brig and even inside on Jessup, he looked up and checked the door of the bar every few seconds.

Howzit going? Having fun?

Madeline was staying overnight at her friend Aurora Smith's house. It was only a few blocks from home but Bosch would not be nearby if she needed him. It was several minutes before she grudgingly answered the text. But they had a deal. She must answer his cal s and texts, or her freedom--what she cal ed her leash--would be shortened.

Everything's fine. You don't have to check on me.

Yes I do. I'm your father. Don't stay up too late.

K.

And that was it. A child's shorthand in a shorthand relationship. Bosch knew he needed help. There was so much he didn't know. At times they seemed fine and everything appeared to be perfect. Other times he was sure she was going to sneak out the door and run away. Living with his daughter had resulted in his love for her growing more than he thought was possible. Thoughts of her safety as wel as hopes for her happy future invaded his mind at al times. His longing to make her life better and take her far past her own history had at times become a physical ache in his chest. Stil , he couldn't seem to reach across the aisle. The plane was bouncing and he kept missing.

He put his phone away and checked the front of the Brig again. There was a crowd of smokers standing outside. Just then a voice and the sharp crack of bil iard bal s col iding in the background came over the radio speaker.

"Coming out. Retro is coming out."

"This seems early," Wright said.

"Does he smoke?" McPherson asked. "Maybe he's just--"

"Not that we've seen."

Bosch kept his eyes on the door and soon it pushed open. A man he recognized even from a distance as Jessup stepped out and headed along the sidewalk. Abbot Kinney slashed in a northwesterly direction across Venice. He was heading that way.

"Where did he park?" Bosch asked.

"He didn't," Wright said. "He only lives a few blocks from here. He walked over."

They watched in silence after that. Jessup walked two blocks on Abbot Kinney, passing a variety of restaurants, coffee shops and gal eries. The sidewalk was busy. Almost every place was stil open for Saturday-night business. He stepped into a coffee shop cal ed Abbot's Habit. Wright got on the radio and assigned one of his men to enter it but before that could happen, Jessup stepped back out, coffee in hand, and proceeded on foot again.

Wright started the SUV and pul ed into traffic going the opposite direction. He made a U-turn when he was two blocks further down and away from Jessup's view, should he happen to turn around. Al the while he maintained constant radio contact with the other fol owers. Jessup had an invisible net around him. Even if he knew it was there he couldn't lose it.

"He's heading home," a radio voice reported. "Might be an early night."

Abbot Kinney, named for the man who built Venice more than a century earlier, became Brooks Avenue, which then intersected with Main Street.

Jessup crossed Main and headed down one of the walk streets where automobiles could not travel. Wright was ready for this and directed two of the tail cars over to Pacific Avenue so they could pick him up when he came through.

Wright pul ed to a stop at Brooks and Main and waited for the report that Jessup had passed through and was on Pacific. After two minutes he started to get anxious and went to the radio.

"Where is he, people?"

There was no response. No one had Jessup. Wright quickly sent somebody in.

"Two, you go in. Use the twenty-three."

"Got it."

McPherson looked over the seatback at Bosch and then at Wright.

"The twenty-three?"

"We have a variety of tactics we use. We don't describe them on the air."

He pointed through the windshield.

"That's the twenty-three."

Bosch saw a man wearing a red windbreaker and carrying an insulated pizza bag cut across Main and into the walk street named Breeze Avenue.

They waited and final y the radio burst to life.

"I'm not seeing him. I walked al the way through and he's not--"

The transmission cut off. Wright said nothing. They waited and then the same voice came back in a whisper.

"I almost walked into him. He came out between two houses. He was pul ing up his zipper."

"Okay, did he make you?" Wright asked.

"That's a negative. I asked for directions to Breeze Court and he said this was Breeze Avenue. We're cool. He should be coming through now."

"This is Four. We got him. He's heading toward San Juan."

The fourth car was one of the vehicles Wright had put on Pacific. Jessup was living in an apartment on San Juan Avenue between Speedway and the beach.

Bosch felt the momentary tension in his gut start to ease. Surveil ance work was sometimes tough to take. Jessup had ducked between two houses to take a leak and it had caused a near panic.

Wright redirected the teams to the area around San Juan Avenue between Pacific and Speedway. Jessup used a key to enter the second-floor apartment where he was staying and the teams quickly moved into place. It was time to wait again.

Bosch knew from past surveil ance gigs that the main attribute a good watcher needed was a comfort with silence. Some people are compel ed to fil the void. Harry never was and he doubted anyone in the SIS was. He was curious to see how McPherson would do, now that the surveil ance 101 lesson from Wright was over and there was nothing left but to wait and watch.

Bosch pul ed his phone to see if he had missed a text from his daughter but it was clear. He decided not to pester her with another check-in and put the phone away. The genius of his giving McPherson the front seat now came into play. He turned and put his legs up and across the seat, stretching himself into a lounging position with his back against the door. McPherson glanced back and smiled in the darkness of the car.

"I thought you were being a gentleman," she said. "You just wanted to stretch out."

Bosch smiled.

"You got me."

Everyone was silent after that. Bosch thought about what McPherson had said while they had waited in the parking lot to be picked up by Wright. First she handed him a copy of the latest defense motion, which he locked in the trunk of his car. She told him he needed to start vetting the witnesses and their statements, looking for ways to turn their threats to the case into advantages for the prosecution. She said she and Hal er had worked al day crafting a response to the attempt to disqualify Sarah Ann Gleason from testifying. The judge's ruling on the issue could decide the outcome of the trial.

It always bothered Bosch when he saw justice and the law being manipulated by smart lawyers. His part in the process was pure. He started at a crime scene and fol owed the evidence to a kil er. There were rules along the way but at least the route was clear most of the time. But once things moved into the courthouse, they took on a different shape. Lawyers argued over interpretations and theories and procedures. Nothing seemed to move in a straight line. Justice became a labyrinth.

How could it be, he wondered, that an eyewitness to a horrible crime would not be al owed to testify in court against the accused? He had been a cop more than thirty-five years and he stil could not explain how the system worked.

"This is Three. Retro's on the move."

Bosch was jarred out of his thoughts. A few seconds went by and the next report came from another voice.

"He's driving."

Wright took over.

"Okay, we get ready for an auto tail. One, get out to Main and Rose, Two, go down to Pacific and Venice. Everybody else, sit tight until we have his direction."

A few minutes later they had their answer.

"North on Main. Same as usual."

Wright redirected his units and the careful y orchestrated mobile surveil ance began moving with Jessup as he took Main Street to Pico and then made his way to the entrance of the 10 Freeway.

Jessup headed east and then merged onto the northbound 405, which was crowded with cars even at the late hour. As expected, he was heading toward the Santa Monica Mountains. The surveil ance vehicles ranged from Wright's SUV to a black Mercedes convertible to a Volvo station wagon with two bikes on a rear rack to a pair of generic Japanese sedans. The only thing missing for a surveil ance in the Hol ywood Hil s was a hybrid. The teams employed a surveil ance procedure cal ed the floating box. Two outriders on either side of the target car, another car up front and one behind, al moving in a choreographed rotation. Wright's SUV was the floater, running backup behind the box.

The whole way Jessup stayed at or below the speed limit. As the freeway rose to the crest of the mountains Bosch looked out his window and saw the Getty Museum rising in the mist at the top like a castle, the sky black behind it.

Anticipating that Jessup was heading to his usual destinations on Mulhol and Drive, Wright told two teams to break off from the box and move ahead.

He wanted them already up and on Mulhol and ahead of Jessup. He wanted a ground team with night vision goggles in Franklin Canyon Park before Jessup went in.

True to form, Jessup took the Mulhol and exit and was soon heading east on the winding, two-lane snake that runs the spine of the mountain chain.

Wright explained that this was when the surveil ance was most vulnerable to exposure.

"You need a bee to properly do this up here but that's not in the budget," he said.

"A bee?" McPherson asked.

"Part of our code. Means helicopter. We could sure use one."

The first surprise of the night came five minutes later when Jessup drove by Franklin Canyon Park without stopping. Wright quickly recal ed his ground team from the park as Jessup continued east.

Jessup passed Coldwater Canyon Boulevard without slowing and next drove by the overlook above Fryman Canyon. When he passed through the intersection of Mulhol and and Laurel Canyon Boulevard he was taking the surveil ance team into new territory.

"What are the chances he's made us?" Bosch asked.

"None," Wright said. "We're too good. He's got something new on his mind."

For the next ten minutes the fol ow continued east toward the Cahuenga Pass. The command car was wel behind the surveil ance, and Wright and his two passengers had to rely on radio reports to know what was happening.

One car was moving in front of Jessup while al the rest were behind. The rear cars fol owed a continual rotation of turning off and moving up so the headlight configurations would keep changing in Jessup's rearview. Final y, a radio report came in that made Bosch move forward in his seat, as if closer proximity to the source of the information would make things clearer.

"There's a stop sign up here and Retro turned north. It's too dark to see the street sign but I had to stay on Mulhol and. Too risky. Next up turn left at the stop."

"Roger that. We got the left."

"Wait!" Bosch said urgently. "Tel him to wait."

Wright checked him in the mirror.

"What do you have in mind?" he asked.

"There's only one stop on Mulhol and. Woodrow Wilson Drive. I know it. It winds down and reconnects with Mulhol and at the light down at Highland. The lead car can pick him up there. But Woodrow Wilson is too tight. If you send a car down there he may know he's being fol owed."

"You sure?"

"I'm sure. I live on Woodrow Wilson."

Wright thought for a moment and then went on the radio.

"Cancel that left. Where's the Volvo?"

"We're holding up until further command."

"Okay, go on up and make the left on the two wheelers. Watch for oncoming. And watch for our guy."

"Roger that."

Soon Wright's SUV got to the intersection. Bosch saw the Volvo pul ed off to the side. The bike rack was empty. Wright pul ed over to wait, checking the teams on the radio.

"One, are you in position?"

"That's a roger. We're at the light at the bottom. No sign of Retro yet."

"Three, you up?"

There was no response.

"Okay, everybody hold til we hear."

"What do you mean?" Bosch asked. "What about the bikes?"

"They must've gone down deaf. We'l hear when they--"

"This is Three," a voice said in a whisper. "We came up on him. He'd closed his eyes and went to sleep."

Wright translated for his passengers.

"He kil ed his lights and stopped moving."

Bosch felt his chest start to tighten.

"Are they sure he's in the car?"

Wright communicated the question over the radio.

"Yeah, we can see him. He's got a candle burning on the dashboard."

"Where exactly are you, Three?"

"About halfway down. We can hear the freeway."

Bosch leaned al the way forward between the two front seats.

"Ask him if he can pick a number off the curb," he said. "Get me an address."

Wright relayed the request and almost a minute went by before the whisper came back.

"It's too dark to see the curbs here without using a flash. But we got a light next to the door of the house he's parked in front of. It's one of those cantilever jobs hanging its ass out over the pass. From here it looks like seventy-two-oh-three."

Bosch slid back and leaned heavily against the seat. McPherson turned to look at him. Wright used the mirror to look back.

"You know that address?" Wright asked.

Bosch nodded in the darkness.

"Yeah," he said. "It's my house."

Twenty-three

Sunday, March 21, 6:40 A.M.

My daughter liked to sleep in on Sundays. Normaly I hated losing the time with her. I only had her every other weekend and Wednesdays. But this Sunday was different. I was happy to let her sleep while I got up early to go back to work on the motion to save my chief witness's testimony. I was in the kitchen pouring the first cup of coffee of the day when I heard knocking on my front door. It was stil dark out. I checked the peep before opening it and was relieved to see it was my ex-wife with Harry Bosch standing right behind her.

But that relief was short-lived. The moment I turned the knob they pushed in and I could immediately feel a bad energy enter with them.

"We've got a problem," Maggie said.

"What's wrong?" I asked.

"What's wrong is that Jessup camped outside my house this morning," Bosch said. "And I want to know how he found it and what the hel he's doing."

He came up too close to me when he said it. I didn't know which was worse, his breath or the accusatory tone of his words. I wasn't sure what he was thinking but I realized al the bad energy was coming from him.

I stepped back from him.

"Hayley's stil asleep. Let me just go close her bedroom door. There's fresh decaf in the kitchen and I can brew some ful y leaded if you need it."

I went down the hal and checked on my daughter. She was stil down. I closed the door and hoped the voices that were bound to get loud would not wake her.

My two visitors were stil standing when I got back to the living room. Neither had gone for coffee. Bosch was silhouetted by the big picture window that looked out upon the city--the view that made me buy the house. I could see streaks of light entering the sky behind his shoulders.

"No coffee?"

They just stared at me.

"Okay, let's sit down and talk about this."

I gestured toward the couch and chairs but Bosch seemed frozen in his stance.

"Come on, let's figure it out."

I walked past them and sat down in the chair by the window. Final y, Bosch started to move. He sat down on the couch next to Hayley's school backpack. Maggie took the other chair. She spoke first.

"I've been trying to convince Harry that we didn't put his home address on the witness list."

"Absolutely not. We gave no personal addresses in discovery. For you, I listed two addresses. Your office and mine. I even gave the general number for the PAB. Didn't even give a direct line."

"Then how did he find my house?" Bosch asked, the accusatory tone stil in his voice.

"Look, Harry, you're blaming me for something I had nothing to do with. I don't know how he found your house but it couldn't have been that hard. I mean, come on. Anybody can find anybody on the Internet. You own your house, right? You pay property taxes, have utility accounts, and I bet you're even registered to vote--Republican, I'm sure."

"Independent."

"Fine. The point is, people can find you if they want. Added to that, you have a singular name. Al anybody would have to do is punch in--"

"You gave them my ful name?"

"I had to. It's what's required and what's been given in discovery for every trial you've ever testified in. It doesn't matter. Al Jessup needed was access to the Internet and he could've--"

"Jessup's been in prison for twenty-four years. He knows less about the Internet than I do. He had to have help and I'm betting it came from Royce."

"Look, we don't know that."

Bosch looked pointedly at me, a darkness crossing his eyes.

"You're defending him now?"

"No, I'm not defending anybody. I'm just saying we shouldn't rush to any conclusions here. Jessup's got a roommate and is a minor celebrity. Celebrities get people to do things for them, okay? So why don't you calm down and let's back up a little bit. Tel me what happened at your house."

Bosch seemed to take it down a notch but he was stil anything but calm. I half expected him to get up and take a swing at a lamp or punch a hole in a wal . Thankful y, Maggie was the one who told the story.

"We were with the SIS, watching him. We thought he was going to go up to one of the parks he's been visiting. Instead, he drove right by them al and kept going on Mulhol and. When we got to Harry's street we had to hang back so he wouldn't see us. The SIS has a bike car. Two of them saddled up and rode down. They found Jessup sitting in his car in front of Harry's house."

"Goddamn it!" Bosch said. "I have my daughter living with me. If this prick is--"

"Harry, not so loud and watch what you say," I said. "My daughter's on the other side of that wal . Now, please, go back to the story. What did Jessup do?"

Bosch hesitated. Maggie didn't.

"He just sat there," Maggie said. "For about a half hour. And he lit a candle."

"A candle? In the car?"

"Yeah, on the dashboard."

"What the hel does that mean?"

"Who knows?"

Bosch couldn't remain sitting. He jumped up from the couch and started pacing.

"And after a half hour he drove off and went home," Maggie said. "That was it. We just came from Venice."

Now I stood up and started to pace, but in a pattern clear of Bosch's orbit.

"Okay, let's think about this. Let's think about what he was doing."

"No shit, Sherlock," Bosch said. "That's the question."

I nodded. I had that coming.

"Is there any reason to think that he knows or suspects he's being fol owed?" I asked.

"No, no way," Bosch said immediately.

"Wait a minute, not so fast on that," Maggie said. "I've been thinking about it. There was a near-miss earlier in the night. You remember, Harry? On Breeze Avenue?"

Bosch nodded. Maggie explained it to me.

"They thought they lost him on a walk street in Venice. The lieutenant sent a guy in with a pizza box. Jessup came out from between two houses after taking a leak. It was a close cal ."

I spread my hands.

"Wel , maybe that was it. Maybe that planted suspicion and he decided to see if he was being fol owed. You show up outside the lead investigator's house and it's a good way to draw out the flies if you've got them on you."

"You mean like a test?" Bosch asked.

"Exactly. Nobody approached him out there, right?"

"No, we left him alone," Maggie said. "If he had gotten out of his car I think it would've been a different story."

I nodded.

"Okay, so it was either a test or he's got something planned. In that case, it would've been a reconnaissance mission. He wanted to see where you live."

Bosch stopped and stared out the window. The sky was ful y lit now.

"But one thing you have to keep in mind is that what he did was not il egal," I said. "It's a public street and the OR put no restrictions on travel within Los Angeles County. So no matter what he was up to, it's a good thing you didn't stop him and reveal yourself."

Bosch stayed at the window, his back to us. I didn't know what he was thinking.

"Harry," I said. "I know your concerns and I agree with them. But we can't let this be a distraction. The trial is coming up quick and we have work to do. If we convict this guy, he goes away forever and it won't matter if he knows where you live."

"So what do I do til then, sit on my front porch every night with a shotgun?"

"The SIS is on him twenty-four/seven, right?" Maggie said. "Do you trust them?"

Bosch didn't answer for a long moment.

"They won't lose him," he final y said.

Maggie looked at me and I could see the concern in her eyes. Each of us had a daughter. It would be hard to put your trust in anybody else, even an elite surveil ance squad. I thought for a moment about something I had been considering since the conversation began.

"What about you moving in here? With your daughter. She can use Hayley's room because Hayley's going back to her mother's today. And you can use the office. It's got a sleeper sofa that I've spent more than a few nights on. It's actual y comfortable."

Bosch turned from the window and looked at me.

"What, stay here through the whole trial?"

"Why not? Our daughters wil final y get a chance to meet when Hayley comes over."

"It's a good idea," Maggie said.

I didn't know if she was referring to the daughters meeting or the idea of Bosch and child staying with me.

"And look, I'm here every night," I said. "If you have to go out with the SIS, I got you covered with your daughter, especial y when Hayley's here."

Bosch thought about it for a few moments but then shook his head.

"I can't do that," he said.

"Why not?" I asked.

"Because it's my house. My home. I'm not going to run from this guy. He's going to run from me."

"What about your daughter?" Maggie asked.

"I'l take care of my daughter."

"Harry, think about it," she said. "Think about your daughter. You don't want her in harm's way."

"Look, if Jessup has my address, then he probably has this address, too. Moving in here isn't the answer. It's just... just running from him. Maybe that's his test--to see what I do. So I'm not doing anything. I'm not moving. I've got the SIS, and if he comes back and so much as crosses the curb out front, I'l be waiting for him."

"I don't like this," Maggie said.

I thought about what Bosch had said about Jessup having my address.

"Neither do I," I said.

Twenty-four

Wednesday, March 31, 9:00 A.M.

Bosch didn't need to be in court. In fact, he wouldn't be needed until after jury selection and the actual trial began. But he wanted to get a close look at the man he had been shadowing from a distance with the SIS. He wanted to see if Jessup would show any reaction to seeing him in return. It had been a month and a half since they had spent the long day in the car driving down from San Quentin. Bosch felt the need to get closer than the surveil ance al owed him to. It would help him keep the fire burning.

It was bil ed as a status conference. The judge wanted to deal with al final motions and issues before beginning jury selection the next day and then moving seamlessly into the trial. There were scheduling and jury issues to discuss and each side's list of exhibits were to be handed in as wel .

The prosecution team was locked and loaded. In the last two weeks Hal er and McPherson had sharpened and streamlined the case, run through mock witness examinations and reconsidered every piece of evidence. They had careful y choreographed the ways in which they would bring the twenty-four-year-old evidence forward. They were ready. The bow had been pul ed taut and the arrow was ready to fly.

Even the decision on the death penalty had been made--or rather, announced. Hal er had official y withdrawn it, even though Bosch assumed al along that his use of it to threaten Jessup had merely been a pose. He was a defense attorney by nature, and there was no getting him across that line. A conviction on the charges would bring Jessup a sentence of life in prison without the possibility of parole, and that would have to be enough justice for Melissa Landy.

Bosch was ready as wel . He had diligently reinvestigated the case and located the witnesses who would be cal ed to testify. Al the while, he was stil out riding with the SIS as often as possible--nights that his daughter stayed at the homes of friends or with Sue Bambrough, the assistant principal. He was prepared for his part and had helped Hal er and McPherson get ready for theirs. Confidence was high and that was another reason for Bosch to be in the courtroom. He wanted to see this thing get started.

Judge Breitman entered and the courtroom was brought to order at a few minutes after nine. Bosch was in a chair against the railing directly behind the prosecution table where Hal er and McPherson sat side by side. They had told him to pul the chair up to the table but Harry wanted to hang back. He wanted to be able to watch Jessup from behind, and besides, there was too much anxiety coming from the two prosecutors. The judge was going to make a ruling on whether Sarah Ann Gleason would be al owed to testify against Jessup. As Hal er had said the night before, nothing else mattered. If they lost Sarah as a witness, they would surely lose the case.

"On the record with California versus Jessup again," the judge said upon taking the bench. "Good morning to al ."

After a chorus of good mornings fired back to her, the judge got right down to business.

"Tomorrow we begin jury selection in this case and then we proceed to trial. Therefore today is the day that we're going to clean out the garage, so to speak, so that we can final y bring the car in. Any last motions, any pending motions, anything anybody wants to talk about in regard to exhibits or evidence or anything else, now is the time. We have a number of motions pending and I wil get to them first. The prosecution's request to redress the issue of the defendant's use of makeup to cover certain body tattoos is dismissed. We argued that at length already and I do not see the need to go at it further."

Bosch checked Jessup. He was at a sharp angle to him, so he could not see the defendant's face. But he did see Jessup nod his head in approval of the judge's first ruling of the day.

Breitman then went through a housekeeping list of minor motions from both sides. She seemed to want to accommodate al so neither side emerged as a clear favorite. Bosch saw that McPherson was meticulously keeping notes on each decision on a yel ow legal pad.

It was al part of the buildup to the ruling of the day. Since Sarah was to be McPherson's witness to question during trial, she had handled the oral arguments on the defense motion two days earlier. Though Bosch had not attended that hearing, Hal er had told him that Maggie had held forth for nearly an hour in a wel -prepared response to the motion to disqualify. She had then backed it with an eighteen-page written response. The prosecution team was confident in the argument but neither member of the team knew Breitman wel enough to be confident in how she would rule.

"Now," the judge said, "we come to the defense motion to disqualify Sarah Ann Gleason as a witness for the prosecution. The question has been argued and submitted by both sides and the court is ready to make a ruling."

"Your Honor, could I be heard?" Royce said, standing up at the defense table.

"Mr. Royce," the judge said, "I don't see the need for further argument. You made the motion and I al owed you to respond to the prosecution's submission. What more needs to be said?"

"Yes, Your Honor."

Royce sat back down, leaving whatever he was going to add to his attack on Sarah Gleason a secret.

"The defense's motion is dismissed," the judge said immediately. "I wil be al owing the defense wide latitude in its examination of the prosecution's witness as wel as in the production of its own witnesses to address Ms. Gleason's credibility before the jury. But I believe that this witness's credibility and reliability is indeed something that jurors wil need to decide."

A momentary silence enveloped the courtroom, as if everyone col ectively had drawn in a breath. No response fol owed from either the prosecution or defense table. It was another down-the-middle ruling, Bosch knew, and both sides were probably pleased to have gotten something. Gleason would be al owed to testify, so the prosecution's case was secured, but the judge was going to let Royce go after her with al he had. It would come down to whether Sarah was strong enough to take it.

"Now, I would like to move on," the judge said. "Let's talk about jury selection and scheduling first, and then we'l get to the exhibits."

The judge proceeded to outline how she wanted voir dire to proceed. Though each side would be al owed to question prospective jurors, she said she would strictly limit the time for each side. She wanted to start a momentum that would carry into the trial. She also limited each side to only twelve peremptory chal enges--juror rejections without cause--and said she wanted to pick six alternates because it was her practice to be quick with the hook on jurors who misbehaved, were chronical y late or had the audacity to fal asleep during testimony.

"I like a good supply of alternates because we usual y need them," she said.

The low number of peremptory chal enges and the high number of alternates brought objections from both the prosecution and the defense. The judge grudgingly gave each side two more chal enges but warned that she would not al ow voir dire to get bogged down.

"I want jury selection completed by the end of the day Friday. If you slow me down, then I wil slow you down. I wil hold the panel and every lawyer in here until Friday night if I have to. I want opening statements first thing Monday. Any objection to that?"

Both sides seemed properly cowed by the judge. She was clearly exerting command of her own courtroom. She next outlined the trial schedule, stating that testimony would begin each morning at nine sharp and continue until five with a ninety-minute lunch and morning and afternoon breaks of fifteen minutes each.

"That leaves a solid six hours a day of testimony," she said. "Any more and I find the jurors start losing interest. So I keep it to six a day. It wil be up to you to be in here and ready to go each morning when I step through the door at nine. Any questions?"

There were none. Breitman then asked each side for estimates on how long their case would take to present. Hal er said he would need no more than four days, depending on the length of the cross-examinations of his witnesses. This was already a shot directed at Royce and his plans to attack Sarah Ann Gleason.

For his part, Royce said he needed only two days. The judge then did her own math, adding four and two and coming up with five.

"Wel , I'm thinking an hour each for opening statements on Monday morning. I think that means we'l finish Friday afternoon and go right to closing arguments the fol owing Monday."

Neither side objected to her math. The point was clear. Keep it moving. Find ways to cut time. Of course a trial was a fluid thing and there were many unknowns. Neither side would be held to what was said at this hearing, but each lawyer knew that there might be consequences from the judge if they didn't keep a continuous velocity to their presentations.

"Final y, we come to exhibits and electronics," Breitman said. "I trust that everyone has looked over each other's lists. Any objections to these?"

Both Hal er and Royce stood up. The judge nodded at Royce.

"You first, Mr. Royce."

"Yes, Judge, the defense has an objection to the prosecution's plans to project numerous images of Melissa Landy's body on the courtroom's overhead screens. This practice is not only barbaric but exploitative and prejudicial."

The judge swiveled in her seat and looked at Hal er, who was stil standing.

"Your Honor, it is the prosecution's duty to produce the body. To show the crime that brings us here. The last thing we want to do is be exploitative or prejudicial. I wil grant Mr. Royce that it is a fine line, but we do not plan to step across it."

Royce came back with one more shot.

"This case is twenty-four years old. In nineteen eighty-six there were no overhead screens, none of this Hol ywood stuff. I think it infringes on my client's right to a fair trial."

Hal er was ready with his own comeback.

"The age of the case has nothing to do with this issue, but the defense is perfectly wil ing to present these exhibits the way they would've--"

McPherson had grabbed his sleeve to interrupt him. He bent down and she whispered in his ear. He then quickly straightened up.

"Excuse me, Your Honor, I misspoke. The prosecution is more than wil ing to present these exhibits in the manner they would have been presented to the jury in nineteen eighty-six. We would be happy to hand out color photographs to the jurors. But in earlier conversation the court indicated that she did not like this practice."

"Yes, I find that handing these sorts of photos directly to the jurors to be possibly more exploitative and prejudicial," Breitman said. "Is that what you wish, Mr. Royce?"

Royce had walked himself into a jam.

"No, Judge, I would agree with the court on this point. The defense was simply trying to limit the scope and use of these photographs. Mr. Hal er lists more than thirty photographs that he wants to put on the big screen. It seems over-the-top. That is al ."

"Judge Breitman, these are photographs of the body in the place it was found as wel as during autopsy. Each one is--"

"Mr. Hal er," the judge intoned, "let me just stop you right there. Crime scene photographs are acceptable, as long as they come with appropriate foundation and testimony. But I see no need to show our jurors this poor girl's autopsy shots. We're not going to do that."

"Yes, Your Honor," Hal er said.

He remained standing while Royce sat down with his partial victory. Breitman spoke while writing something.

"And you have an objection to Mr. Royce's exhibit list, Mr. Hal er?"

"Yes, Your Honor, the defense has a variety of drug paraphernalia al eged to have once been owned by Ms. Gleason on its exhibit list. It also lists photos and videos of Ms. Gleason. The prosecution has not been given the opportunity to examine these materials but we believe they only go to the point that we wil be conceding at trial and eliciting in direct examination of this witness. That is that at one time in her life she used drugs on a regular basis.

We do not see the need to show photos of her using drugs or the pipes through which she ingested drugs. It's inflammatory and prejudicial. It is not needed based on the concessions of the prosecution."

Royce stood back up and was ready to go. The judge gave him the floor.

"Judge, these exhibits are vital y important to the defense case. The prosecution of Mr. Jessup hinges on the testimony of a longtime drug addict who cannot be relied upon to remember the truth, let alone tel it. These exhibits wil help the jury understand the depth and breadth of this witness's use of il egal substances over a lengthy period of time."

Royce was finished but the judge was silent as she studied the defense exhibit list.

"Al right," she final y said, putting the document aside. "You both make cogent arguments. So what we are going to do is take these exhibits one at a time. When the defense would like to proffer an exhibit, we wil discuss it first out of earshot of the jury. I'l make a decision then."

The lawyers sat down. Bosch almost shook his head but didn't want to draw the judge's attention. Stil , it burned him that she had not slapped the defense down on this one. Twenty-four years after seeing her little sister abducted from the front yard, Sarah Ann Gleason was wil ing to testify about the awful, nightmarish moment that had changed her life forever. And for her sacrifice and efforts, the judge was actual y going to entertain the defense's request to attack her with the glass pipes and accoutrements she had once used to escape what she had been through. It didn't seem fair to Bosch. It didn't seem like anything that approached justice.

The hearing ended soon after that and al parties packed their briefcases and moved through the doors of the courtroom en masse. Bosch hung back and then insinuated himself into the group right behind Jessup. He said nothing but Jessup soon enough felt the presence behind him and turned around.

He smirked when he saw it was Bosch.

"Wel , Detective Bosch, are you fol owing me?"

"Should I be?"

"Oh, you never know. How's your investigation going?"

"You'l find out soon enough."

"Yes, I can't--"

"Don't talk to him!"

It was Royce. He had turned and noticed.

"And don't you talk to him," he added, pointing a finger at Bosch. "If you continue to harass him, I'l complain to the judge."

Bosch held his hands out in a no-touching gesture.

"We're cool, Counselor. Just making smal talk."

"There is no such thing when it comes to the police."

He reached out and put his hand on Jessup's shoulder and shepherded him away from Bosch.

In the hal way outside they moved directly to the waiting huddle of reporters and cameras. Bosch moved past but looked back in time to see Jessup's face change. His eyes went from the steely glare of a predator to the wounded look of a victim.

The reporters quickly gathered around him.

PART THREE

--To Seek a True and Just Verdict

Twenty-five

Monday, April 5, 9:00 A.M.

I watched the jury file in and take their assigned seats in the box. I watched them closely, keying on their eyes mostly. Checking for how they looked at the defendant. You can learn a lot from that; a furtive glance or a strong judgmental stare.

Jury selection had gone as scheduled. We went through the first panel of ninety prospective jurors in a day but had sat only eleven after most were eliminated because of their media knowledge of the case. The second panel was just as difficult to choose from and it wasn't until Friday evening at five-forty that we had our final eighteen.

I had my jury chart in front of me, and my eyes were jumping between the faces in the box and the names on my Post-its, trying to memorize who was who. I already had a good handle on most of them but I wanted the names to become second nature to me. I wanted to be able to look at them and address them as if they were friends and neighbors.

The judge was on the bench and ready to go at nine sharp. She first asked the attorneys if there was any new or unfinished business to address. Upon learning there was not, she cal ed in the jurors.

"Okay, we are al here," she said. "I want to thank al of the jurors and other parties for being on time. We begin the trial with opening statements from the attorneys. These are not to be construed as evidence but merely--"

The judge stopped, her eyes fixed on the back row of the jury box. A woman had timidly raised her hand. The judge stared for a long moment and then checked her own seating chart before responding.

"Ms. Tucci? Do you have a question?"

I checked my chart. Number ten, Carla Tucci. She was one of the jurors I had not yet committed to memory. A mousy brunette from East Hol ywood. She was thirty-two years old, unmarried and she worked as a receptionist at a medical clinic. According to my color-coded chart, I had her down as a juror who could be swayed by stronger personalities on the panel. This was not a bad thing. It just depended on whether those personalities were for a guilty verdict or not.

"I think I saw something I wasn't supposed to see," she said in a frightened voice.

Judge Breitman hung her head for a moment and I knew why. She couldn't get the wheels out of the mud. We were ready to go and now the trial would be delayed before opening statements were even in the record.

"Okay, let's try to take care of this quickly. I want the jury to stay in place. Everyone else stay in place and Ms. Tucci and the attorneys and I wil go quickly back to chambers to find out what this is about."

As we got up I checked my jury chart. There were six alternates. I had three of them pegged as pro-prosecution, two in the middle and one siding with the defense. If Tucci was ejected for whatever misconduct she was about to reveal, her replacement would be chosen randomly from the alternates. This meant that I had a better-than-even chance of seeing her replaced with a juror who was partial to the prosecution and only a one in six chance of getting a juror who was pro-defense. As I fol owed the entourage into chambers I decided that I liked my chances and I would do what I could to have Tucci ejected from the panel.

In chambers, the judge didn't even go behind her desk, perhaps hoping this was only going to be a minor question and delay. We stood in a group in the middle of her office. Al except the court reporter, who sat on the edge of a side chair so she could type.

"Okay, on the record," the judge said. "Ms. Tucci, please tel us what you saw and what is bothering you."

The juror looked down at the ground and held her hands in front of her.

"I was riding on the Metro this morning and the man sitting across from me was reading the newspaper. He was holding it up and I saw the front page. I didn't mean to look but I saw a photo of the man on trial and I saw the headline."

The judge nodded.

"You are talking about Jason Jessup, correct?"

"Yes."

"What newspaper?"

"I think it was the Times."

"What did the headline say, Ms. Tucci?"

"New trial, old evidence for Jessup."

I hadn't seen the actual L.A. Times that morning but had read the story online. Citing an unnamed source close to the prosecution, the story said the case against Jason Jessup was expected to be comprised entirely of evidence from the first trial and leaning heavily on the identification provided by the victim's sister. Kate Salters had the byline on it.

"Did you read the story, Ms. Tucci?" Breitman asked.

"No, Judge, I just saw it for a second and when I saw his picture I looked away. You told us not to read anything about the case. It just kind of popped up in front of me."

The judge nodded thoughtful y.

"Okay, Ms. Tucci, can you step back into the hal way for a moment?"

The juror stepped out and the judge closed the door.

"The headline tel s the story, doesn't it?" she said.

She looked at Royce and then me, seeing if either of us was going to make a motion or a suggestion. Royce said nothing. My guess was that he had juror number ten pegged the same way that I did. But he might not have considered the leanings of the six alternates.

"I think the damage is done here, Judge," I said. "She knows there was a previous trial. Anybody with any basic knowledge of the court system knows they don't retry you if you get a not-guilty. So she'l know Jessup went down on a guilty before. As much as that prejudices things in the prosecution's favor, I think to be fair she has to go."

Breitman nodded.

"Mr. Royce?"

"I would agree with Mr. Hal er's assessment of the prejudice, not his so-cal ed desire to be fair. He simply wants her off the jury and one of those churchgoing alternates on it."

I smiled and shook my head.

"I won't dignify that with a response. You don't want to kick her off, that's fine with me."

"But it's not counsel's choice," the judge said.

She opened the door and invited the juror back in.

"Ms. Tucci, thank you for your honesty. You can go back to the jury room and gather your things. You are dismissed and can report back to the juror assembly room to check with them."

Tucci hesitated.

"Does that mean--?"

"Yes, unfortunately, you are dismissed. That headline gives you knowledge of the case you should not have. For you to know that Mr. Jessup was previously tried for these crimes is prejudicial. Therefore, I cannot keep you on the jury. You may go now."

"I'm sorry, Judge."

"Yes, so am I."

Tucci left the chambers with her shoulders slumped and with the hesitant walk of someone who has been accused of a crime. After the door closed, the judge looked at us.

"If nothing else, this wil send the right message to the rest of the jury. We're now down to five alternates and we haven't even started. But we now clearly see how the media can impact our trial. I have not read this story but I wil . And if I see anyone in this room quoted in it I am going to be very disappointed.

There are usual y consequences for those who disappoint me."

"Judge," Royce said. "I read the story this morning and no one here is quoted by name but it does attribute information to a source close to the prosecution. I was planning to bring this to your attention."

I shook my head.

"And that's the oldest defense trick in the book. Cut a deal with a reporter to hide behind the story. A source close to the prosecution? He's sitting four feet across the aisle from me. That was probably close enough for the reporter."

"Your Honor!" Royce blurted. "I had nothing to--"

"We're holding up the trial," Breitman said, cutting him off. "Let's get back to court."

We trudged back. As we went back into the courtroom I scanned the gal ery and saw Salters, the reporter, in the second row. I quickly looked away, hoping my brief eye contact had not revealed anything. I had been her source. My goal was to manipulate the story--the scene setter, as the reporter had cal ed it--into being something that gave the defense false confidence. I hadn't intended it as a means of changing the makeup of the jury.

Back on the bench, the judge wrote something on a pad and then turned and addressed the jury, once again warning the panelists about reading the newspaper or watching television news programs. She then turned to her clerk.

"Audrey, the candy bowl, please."

The clerk then took the bowl of individual y wrapped sourbal s off the counter in front of her desk, dumped the candy into a drawer, and took the bowl to the judge. The judge tore a page from her notebook, tore it again into six pieces and wrote on each piece.

"I have written the numbers one through six on pieces of paper and I wil now randomly select an alternate to take juror number ten's seat on the panel."

She folded the pieces of paper and dropped them into the bowl. She then swirled the bowl in her hand and raised it over her head. With her other hand she withdrew one piece of paper, unfolded it and read it out loud.

"Alternate number six," Breitman said. "Would you please move with any belongings you might have to seat number ten in the jury box. Thank you."

I could do nothing but sit and watch. The new juror number ten was a thirty-six-year-old film and television extra named Philip Kirns. Being an extra probably meant that he was an actor who had not yet been successful. He took jobs as a background extra to make ends meet. That meant that every day, he went to work and stood around and watched those who had made it. This put him on the bitter side of the gulf between the haves and have-nots.

And this would make him partial to the defense--the underdog facing off against the Man. I had him down as a red juror and now I was stuck with him.

Maggie whispered into my ear at the prosecution table as we watched Kirns take his new seat.

"I hope you didn't have anything to do with that story, Hal er. Because I think we just lost a vote."

I raised my hands in a not me gesture but it didn't look like she was buying it.

The judge turned her chair ful y toward the jury.

"Final y, I believe we are ready to start," she said. "We begin with the opening statements from the attorneys. These statements are not to be taken as evidence. These statements are merely an opportunity for the prosecution and defense to tel the jury what they expect the evidence wil show. It is an outline of what you can expect to see and hear during the trial. And it is incumbent upon counsel to then present evidence and testimony that you wil later weigh during deliberations. We start with the prosecution statement. Mr. Hal er?"

I stood up and went to the lectern that was positioned between the prosecution table and the jury box. I took no legal pad, 3 x 5 cards or anything else with me. I believed that it was important first to sel myself to the jury, then my case. To do that I could not look away from them. I needed to be direct, open and honest the whole time. Besides, my statement was going to be brief and to the point. I didn't need notes.

I started by introducing myself and then Maggie. I next pointed to Harry Bosch who was seated against the rail behind the prosecution table and introduced him as the case investigator. Then I got down to business.

"We are here today about one thing. To speak for someone who can no longer speak for herself. Twelve-year-old Melissa Landy was abducted from her front yard in nineteen eighty-six. Her body was found just a few hours later, discarded in a Dumpster like a bag of trash. She had been strangled. The man accused of this horrible crime sits there at the defense table."

I pointed the finger of accusation at Jessup, just as I had seen prosecutor after prosecutor point it at my clients over the years. It felt falsely righteous of me to point a finger at anyone, even a murderer. But that didn't stop me. Not only did I point at Jessup but I pointed again and again as I summarized the case, tel ing the jury of the witnesses I would cal and what they would say and show. I moved along quickly, making sure to mention the eyewitness who identified Melissa's abductor and the finding of the victim's hair in Jessup's tow truck. I then brought it around to a big finish.

"Jason Jessup took the life of Melissa Landy," I said. "He grabbed her in the front yard and took her away from her family and this world forever. He put his hand around this beautiful little girl's throat and choked the life out of her. He robbed her of her past and of her future. He robbed her of everything. And the state wil prove this to you beyond a reasonable doubt."

I nodded once to underline the promise and then returned to my seat. The judge had told us the day before to be brief in our openers, but even she seemed surprised by my brevity. It took her a moment to realize I was finished. She then told Royce he was up.

As I expected he would, Royce deferred to the second half, meaning he reserved his opening statement until the start of the defense's case. That put the judge's focus back on me.

"Very wel , then. Mr. Hal er, cal your first witness."

I went back to the lectern, this time carrying notes and printouts. I had spent most of the previous week before jury selection preparing the questions I would ask my witnesses. As a defense attorney I am used to cross-examining the state's witnesses and picking at the testimony brought forward by the prosecutor. It's a task quite different from direct examination and building the foundation for the introduction of evidence and exhibits. I ful y acknowledge that it is easier to knock something down than to build it in the first place. But in this case I would be the builder and I came prepared.

"The People cal Wil iam Johnson."

I turned to the back of the courtroom. As I had gone to the lectern Bosch had left the courtroom to retrieve Johnson from a witness waiting room. He now returned with the man in tow. Johnson was smal and thin with a dark mahogany complexion. He was fifty-nine but his pure white hair made him look older.

Bosch walked him through the gate and then pointed him in the direction of the witness stand. He was quickly sworn in by the court clerk.

I had to admit to myself that I was nervous. I felt what Maggie had tried to describe to me on more than one occasion when we were married. She always cal ed it the burden of proof . Not the legal burden. But the psychic burden of knowing that you stood as representative of al the people. I had always dismissed her explanations as self-serving. The prosecutor was always the overdog. The Man. There was no burden in that, at least nothing compared to the burden of the defense attorney, who stands al alone and holds someone's freedom in his hands. I never understood what she was trying to tel me.

Until now.

Now I got it. I felt it. I was about to question my first witness in front of the jury and I was as nervous as I had been at my first trial out of law school.

"Good morning, Mr. Johnson," I said. "How are you, sir?"

"I am good, yes."

"That's good. Can you tel me, sir, what you do for a living?"

"Yes, sir. I am head of operations for the El Rey Theatre on Wilshire Boulevard."

" 'Head of operations,' what does that mean?"

"I make sure everything works right and runs--from the stage lights to the toilets, it's al part of my job. Mind you, I have electricians work on the lights and plumbers work on the toilets."

His answer was greeted with polite smiles and modest laughter. He spoke with a slight Caribbean accent but his words were clear and understandable.

"How long have you worked at the El Rey, Mr. Johnson?"

"For going on thirty-six years now. I started in nineteen seventy-four."

"Wow, that's an achievement. Congratulations. Have you been head of operations for al that time?"

"No, I worked my way up. I started as a janitor."

"I would like to draw your attention back to nineteen eighty-six. You were working there then, correct?"

"Yes, sir. I was a janitor back then."

"Okay, and do you remember the date of February sixteenth of that year in particular?"

"Yes, I do."

"It was a Sunday."

"Yes, I remember."

"Can you tel the court why?"

"That was the day I found the body of a little girl in the trash bin out back of the El Rey. That was a terrible day."

I checked the jury. Al eyes were on my witness. So far so good.

"I can imagine that being a terrible day, Mr. Johnson. Now, can you tel us what it was that brought you to discover the body of the little girl?"

"We were working on a project in the theater. We were putting new drywal into the ladies' room on account of a leak. So I took a wheelbarrow ful of the stuff we had demoed--the old wal and some rotting wood and such--and wheeled it out to put in the Dumpster. I opened the top and there this poor little girl was."

"She was on top of the debris already in the trash bin?"

"That's right."

"Was she covered at al with any trash or debris?"

"No, sir, not at al ."

"As if whoever threw her in there had been in a hurry and didn't have time to cover--"

"Objection!"

Royce had jumped to his feet. I knew he would object. But I had almost gotten the whole sentence--and its suggestion--to the jury.

"Mr. Hal er is leading the witness and asking for conclusions for which he would have no expertise," Royce said.

I withdrew the question before the judge could sustain the objection. There was no sense in having the judge side with the defense in front of the jury.

"Mr. Johnson, was that the first trip you had made to the trash bin that day?"

"No, sir. I had been out there two times before."

"Before the trip during which you found the body, when had you last been to the trash bin?"

"About ninety minutes before."

"Did you see a body on top of the trash in the bin that time?"

"No, there was no body there."

"So it had to have been placed in that bin in the ninety minutes prior to you finding it, correct?"

"Yes, that's right."

"Okay, Mr. Johnson, if I could draw your attention to the screen."

The courtroom was equipped with two large flat-screen monitors mounted high on the wal opposite the jury box. One screen was slightly angled toward the gal ery to al ow courtroom observers to see the digital presentations as wel . Maggie control ed what appeared on the screens through a PowerPoint program on her laptop computer. She had constructed the presentation over the last two weeks and weekends as we choreographed the prosecution's case. Al of the old photos from the case files had been scanned and loaded into the program. She now put up the trial's first photo exhibit. A shot of the trash bin Melissa Landy's body had been found in.

"Does that look like the trash bin in which you found the little girl's body, Mr. Johnson?"

"That's it."

"What makes you so sure, sir?"

"The address--fifty-five fifteen--spray-painted on the side like that. I did that. That's the address. And I can tel that's the back of the El Rey. I've worked there a long time."

"Okay, and is this what you saw when you raised the top and looked inside?"

Maggie moved to the next photo. The courtroom was already quiet but it seemed to me that it grew absolutely silent when the photo of Melissa Landy's body in the trash bin went up on the screens. Under the existing rules of evidence as carved by a recent ruling by the Ninth District, I had to find ways of bringing old evidence and exhibits to the present jury. I could not rely on investigative records. I had to find people who were bridges to the past and Johnson was the first bridge.

Johnson didn't answer my question at first. He just stared like everyone else in the courtroom. Then, unexpectedly, a tear rol ed down his dark cheek. It was perfect. If I had been at the defense table I would have viewed it with cynicism. But I knew Johnson's response was heartfelt and it was why I had made him my first witness.

"That's her," he final y said. "That's what I saw."

I nodded as Johnson blessed himself.

"And what did you do when you saw her?"

"We didn't have no cel phones back then, you see. So I ran back inside and I cal ed nine-one-one on the stage phone."

"And the police came quickly?"

"They came real quick, like they were already looking for her."

"One final question, Mr. Johnson. Could you see that trash bin from Wilshire Boulevard?"

Johnson shook his head emphatical y.

"No, it was behind the theater and you could only see it if you drove back there and down the little al ey."

I hesitated here. I had more to bring out from this witness. Information not presented in the first trial but gathered by Bosch during his reinvestigation. It was information that Royce might not be aware of. I could just ask the question that would draw it out or I could rol the dice and see if the defense opened a door on cross-examination. The information would be the same either way, but it would have greater weight if the jury believed the defense had tried to hide it.

"Thank you, Mr. Johnson," I final y said. "I have no further questions."

The witness was turned over to Royce, who went to the lectern as I sat down.

"Just a few questions," he said. "Did you see who put the victim's body in the bin?"

"No, I did not," Johnson said.

"So when you cal ed nine-one-one you had no idea who did it, is that correct?"

"Correct."

"Before that day, had you ever seen the defendant before?"

"No, I don't think so."

"Thank you."

And that was it. Royce had performed a typical cross of a witness who had little value to the defense. Johnson couldn't identify the murderer, so Royce got that on the record. But he should have just let Johnson pass. By asking if Johnson had ever seen Jessup before the murder, he opened a door. I stood back up so I could go through it.

"Redirect, Mr. Hal er?" the judge asked.

"Briefly, Your Honor. Mr. Johnson, back during this period that we're talking about, did you often work on Sundays?"

"No, it was my day off usual y. But if we had some special projects I would be told to come in."

Royce objected on the grounds that I was opening up a line of questioning that was outside the scope of his cross-examination. I promised the judge that it was within the scope and that it would become apparent soon. She indulged me and overruled the objection. I went back to Mr. Johnson. I had hoped Royce would object because in a few moments it would look like he had been trying to stop me from getting to information damaging to Jessup.

"You mentioned that the trash bin where you found the body was at the end of an al ey. Is there no parking lot behind the El Rey Theatre?"

"There is a parking lot but it does not belong to the El Rey Theatre. We have the al ey that gives us access to the back doors and the bins."

"Who does the parking lot belong to?"

"A company that has lots al over the city. It's cal ed City Park."

"Is there a wal or a fence separating this parking lot from the al ey?"

Royce stood again.

"Your Honor, this is going on and on and it has nothing to do with what I asked Mr. Johnson."

"Your Honor," I said. "I wil get there in two more questions."

"You may answer, Mr. Johnson," Breitman said.

"There is a fence," Johnson said.

"So," I said, "from the El Rey's al ey and the location of its trash bin, you can see into the adjoining parking lot, and anyone in the adjoining parking lot could see the trash bin, correct?"

"Yes."

"And prior to the day you discovered the body, did you have occasion to be at work on a Sunday and to notice that the parking lot behind the theater was being used?"

"Yes, like a month previously, I came to work and in the back there were many cars and I saw tow trucks towing them in."

I couldn't help myself. I had to glance over at Royce and Jessup to see if they were squirming yet. I was about to draw the first blood of the trial. They thought Johnson was going to be a noncritical witness, meaning he would establish the murder and its location and nothing else.

They were wrong.

"Did you inquire as to what was going on?" I asked.

"Yes," Johnson said. "I asked what they were doing and one of the drivers said that they were towing cars from the neighborhood down the street and holding them there so people could come and pay and get their cars."

"So it was being used like a temporary holding lot, is that what you mean?"

"Yes."

"And did you know what the name of the towing company was?"

"It was on the trucks. It was cal ed Aardvark Towing."

"You said trucks. You saw more than one truck there?"

"Yeah, there were two or three trucks when I saw them."

"What did you tel them after you were informed what they were doing there?"

"I told my boss and he cal ed City Park to see if they knew about it. He thought there could be an insurance concern, especial y with people being mad about being towed and al . And it turned out Aardvark wasn't supposed to be there. It wasn't authorized."

"What happened?"

"They had to stop using the lot and my boss told me to keep an eye out if I worked on weekends to see if they kept using it."

"So they stopped using the lot behind the theater?"

"That's right."

"And this was the same lot from which you could see the trash bin in which you would later find the body of Melissa Landy?"

"Yes, sir."

"When Mr. Royce asked you if you had ever seen the defendant before the day of the murder, you answered that you didn't think so, correct?"

"Correct."

"You don't think so? Why are you not sure?"

"Because I think he could've been one of the Aardvark drivers I saw using that lot. So I can't be sure I didn't see him before."

"Thank you, Mr. Johnson. I have no further questions."

Twenty-six

Monday, April 5, 10:20 A.M.

For the first time since he had been brought into the case Bosch felt as though Melissa Landy was in good hands. He had just watched Mickey Haler score the first points of the trial. He had taken a smal piece of the puzzle Bosch had come up with and used it to land the first punch. It wasn't a knockout by any means but it had connected solidly. It was the first step down the path of proving Jason Jessup's familiarity with the parking lot and trash bin behind the El Rey Theatre. Before the trial would end, its importance would be made clear to the jury. But what was even more significant to Bosch at the moment was the way Hal er had used the information Harry had provided. He had hung it on the defense, made it look as though it had been their attempt to obfuscate the facts of the case that drew the information out. It was a smooth move and it gave Bosch a big boost in his confidence in Hal er as a prosecutor.

He met Johnson at the gate and walked him out of the courtroom to the hal way, where he shook his hand.

"You did real good in there, Mr. Johnson. We can't thank you enough."

"You already have. Convicting that man of kil ing that little girl."

"Wel , we're not quite there yet but that's the plan. Except most people who read the paper think we're going after an innocent man."

"No, you got the right man. I can tel ."

Bosch nodded and felt awkward.

"You take care, Mr. Johnson."

"Detective, your music is jazz, right?"

Bosch had already turned to go back to the courtroom. Now he looked back at Johnson.

"How'd you know that?"

"Just a guess. We got jazz acts that come through. New Orleans jazz. You ever want tickets to a show at the El Rey, you look me up."

"Yeah, I'l do that. Thanks."

Bosch pushed through the doors leading back into the courtroom. He was smiling, thinking about Johnson's guess about his music. If he was right about that, then maybe he would be right about the jury convicting Jessup. As he moved down the aisle, he heard the judge tel ing Hal er to cal his next witness.

"The state cal s Regina Landy."

Bosch knew he was on. This part had been choreographed a week earlier by the judge and over the objection of the defense. Regina Landy was unavailable to testify because she was dead, but she had testified in the first trial and the judge had ruled that her testimony could be read to the current jurors.

Breitman now turned to the jurors to offer the explanation, guarding against revealing any hint that there had been an earlier trial.

"Ladies and gentlemen, the state has cal ed a witness who is no longer available to testify. However, previously she gave sworn testimony that we wil read to you today. You are not to consider why this witness is unable to testify or where this previous sworn testimony is from. Your concern is the testimony itself. I should add that I have decided to al ow this over the objection of the defense. The U.S. Constitution holds that the accused is entitled to question his accusers. However, as you wil see, this witness was indeed questioned by an attorney who previously represented Mr. Jessup."

She turned back to the court.

"You may proceed, Mr. Hal er."

Hal er cal ed Bosch to the stand. He was sworn in and then took the seat, pul ing the microphone into position. He opened the blue binder he had carried with him and Hal er began.

"Detective Bosch, can you tel us a little bit about your experience as a law enforcement officer?"

Bosch turned toward the jury box and moved his eyes over the faces of the jurors as he answered. He did not leave the alternates out.

"I have been a sworn officer for thirty-six years. I have spent more than twenty-five of those years working homicides. I have been the lead investigator in more than two hundred murder investigations in that time."

"And you are the lead investigator on this case?"

"Yes, I am now. I did not take part in the original investigation, however. I came into this case in February of this year."

"Thank you, Detective. We wil be talking about your investigation later in the trial. Are you prepared to read the sworn testimony of Regina Landy taken on October seventh, nineteen eighty-six?"

"I am."

"Okay, I wil read the questions that were posed at the time by Deputy District Attorney Gary Lintz and defense counsel Charles Barnard and you wil read the responses from the witness. We start with direct examination from Mr. Lintz."

Hal er paused and studied the transcript in front of him. Bosch wondered if there would be any confusion from his reading the responses of a woman. In deciding to al ow the testimony the week before, the judge had disal owed any reference to emotions described as having been exhibited by Regina Landy. Bosch knew from the transcript that she was crying throughout her testimony. But he would not be able to communicate that to the present jurors.

"Here we go," Hal er said. " 'Mrs. Landy, can you please describe your relationship with the victim, Melissa Landy.' "

" 'I am her mother,' " Bosch read. " 'She was my daughter... until she was taken away from me.' "

Twenty-seven

Monday, April 5, 1:45 P.M.

The reading of Regina Landy's testimony from the first trial took us right up to lunch. The testimony was needed to establish who the victim was and who had identified her. But without the incumbent emotion of a parent's testimony, the reading by Bosch was largely procedural, and while the first witness of the day brought reason to be hopeful, the second witness was about as anticlimactic as a voice from the grave could possibly be. I imagined that Bosch's reading of Regina Landy's words was confusing to the jurors when they were not provided with any explanation for her absence from the trial of her daughter's al eged kil er.

The prosecution team had lunch at Duffy's, which was close enough to the CCB to be convenient but far enough away that we wouldn't have to worry about jurors finding the same place to eat. Nobody was ecstatic about the start of the trial but that was to be expected. I had planned the presentation of evidence like the unfolding of Scheherazade, the symphonic suite that starts slow and quiet and builds to an al -encompassing crescendo of sound and music and emotion.

The first day was about the proof of facts. I had to bring forward the body. I had to establish that there was a victim, that she had been taken from her home and later found dead and that she had been murdered. I had hit two of those facts with the first witnesses, and now the afternoon witness, the medical examiner, would complete the proof. The prosecution's case would then shift toward the accused and the evidence that tied him to the crime.

That would be when my case would real y come to life.

Only Bosch and I came back from lunch. Maggie had gone over to the Checkers Hotel to spend the afternoon with our star witness, Sarah Ann Gleason.

Bosch had gone up to Washington on Saturday and flown down with her Sunday morning. She wasn't scheduled to testify until Wednesday morning but I had wanted her close and I had wanted Maggie to spend as much time as possible prepping her for her part in the trial. Maggie had already been up to Washington twice to spend time with her but I believed that any time they could spend together would continue to promote the bond I wanted them to have and the jury to see.

Maggie left us reluctantly. She was concerned that I would make a misstep in court without her there watching over me as my second. I assured her that I could handle the direct examination of a medical examiner and would cal her if I ran into trouble. Little did I know how important this witness's testimony would come to be.

The afternoon session got off to a late start while we waited ten minutes for a juror who did not return from lunch on time. Once the panel was assembled and returned to court, Judge Breitman lectured the jurors again on timeliness and ordered them to eat as a group for the remainder of the trial.

She also ordered the courtroom deputy to escort them to lunch. This way no one would stray from the pack and no one would be late.

Finished with the lunch business, the judge gruffly ordered me to cal my next witness. I nodded to Bosch and he headed to the witness room to retrieve David Eisenbach.

The judge grew impatient as we waited but it took Eisenbach a few minutes longer than most witnesses to make his way into the courtroom and to the witness stand. Eisenbach was seventy-nine years old and walked with a cane. He also carried a pil ow with a handle on it, as if he were going to a USC

footbal game at the Coliseum. After being sworn in he placed the pil ow on the hard wood of the witness chair and then sat down.

"Dr. Eisenbach," I began, "can you tel the jury what you do for a living?"

"Currently I am semiretired and derive an income from being an autopsy consultant. A gun for hire, you lawyers like to cal it. I review autopsies for a living and then tel lawyers and juries what the medical examiner did right and did wrong."

"And before you were semiretired, what did you do?"

"I was assistant medical examiner for the county of Los Angeles. Had that job for thirty years."

"As such you conducted autopsies?"

"Yes, sir, I did. In thirty years I conducted over twenty thousand autopsies. That's a lot of dead people."

"That is a lot, Dr. Eisenbach. Do you remember them al ?"

"Of course not. I remember a handful off the top of my head. The rest of them I would need my notes to remember."

After receiving permission from the judge I approached the witness stand and put down a forty-page document.

"I draw your attention to the document I have placed before you. Can you identify it?"

"Yes, it's an autopsy protocol dated February eighteenth, nineteen eighty-six. The deceased is listed as Melissa Theresa Landy. My name is also on it.

It is one of mine."

"Meaning you conducted the autopsy?"

"Yes, that is what I said."

I fol owed this with a series of questions that established the autopsy procedures and the general health of the victim prior to death. Royce objected several times to what he termed leading questions. Few of these were sustained by the judge but that was not the point. Royce had adopted the tactic of attempting to get me out of rhythm by incessantly interrupting, whether such interruptions were valid or not.

Working around these interruptions, Eisenbach was able to testify that Melissa Landy was in perfect health until the moment of her violent death. He said she had not been sexual y attacked in any determinable way. He said there was no indication of prior sexual activity--she was a virgin. He said the cause of her death was asphyxiation. He said the evidence of crushed bones in her neck and throat indicated she had been choked by a powerful force--a man's single hand.

Using a laser pointer to mark locations on photographs of the body taken at autopsy, Eisenbach identified a bruise pattern on the victim's neck that was indicative of a one-handed choke hold. With the laser point he delineated a thumb mark on the right side of the girl's neck and the larger, four-finger mark on the left side.

"Doctor, did you make a determination of which hand the kil er used to choke the victim to death?"

"Yes, it was quite simple to determine the kil er had used the right hand to choke this girl to death."

"Just one hand?"

"That is correct."

"Was there any determination of how this was done? Had the girl been suspended while she was choked?"

"No, the injuries, particularly the crushed bones, indicated that the kil er put his hand on her neck and pressed her against a surface that offered resistance."

"Could that have been the seat of a vehicle?"

"Yes."

"How about a man's leg?"

Royce objected, saying the question cal ed for pure speculation. The judge agreed and told me to move on.

"Doctor, you mentioned twenty thousand autopsies. I assume that many of these were homicides involving asphyxiation. Was it unusual to come across a case where only one hand was used to choke a victim to death?"

Royce objected again, this time saying the question asked for an answer outside the witness's expertise. But the judge went my way.

"The man has conducted twenty thousand autopsies," she said. "I'm inclined to think that gives him a lot of expertise. I'm going to al ow the question."

"You can answer, Doctor," I said. "Was this unusual?"

"Not necessarily. Many homicides occur during struggles and other circumstances. I've seen it before. If one hand is otherwise occupied, the other must suffice. We are talking about a twelve-year-old girl who weighed ninety-one pounds. She could have been subdued with one hand if the kil er needed the left hand for something else."

"Would driving a vehicle fal into that category?"

"Objection," Royce said. "Same argument."

"And same ruling," Breitman said. "You may answer, Doctor."

"Yes," Eisenbach said. "If one hand was being used to maintain control of a vehicle the other hand could be used to choke the victim. That is one possibility."

At this point I believed I had gotten al that there was to get from Eisenbach. I ended direct examination and handed the witness over to Royce.

Unfortunately for me, Eisenbach was a witness who had something for everybody. And Royce went after it.

" 'One possibility,' is that what you cal ed it, Dr. Eisenbach?"

"Excuse me?"

"You said the scenario Mr. Hal er described--one hand on the wheel, one hand on the neck--was one possibility. Is that correct?"

"Yes, that is a possibility."

"But you weren't there, so you can't know for sure. Isn't that right, Doctor?"

"Yes, that is right."

"You said one possibility. What are some of the other possibilities?"

"Wel ... I wouldn't know. I was responding to the question from the prosecutor."

"How about a cigarette?"

"What?"

"Could the kil er have been holding a cigarette in his left hand while he choked the girl with his right?"

"Yes, I suppose so. Yes."

"And how about his penis?"

"His..."

"His penis, Doctor. Could the kil er have choked this girl with his right hand while holding his penis with his left?"

"I would have to... yes, that is a possibility, too."

"He could have been masturbating with one hand while he choked her with the other, correct, Doctor?"

"Anything is possible but there is no indication in the autopsy report that supports this."

"What about what is not in the file, Doctor?"

"I'm not aware of anything."

"Is this what you meant about being a hired gun, Doctor? You take the prosecution's side no matter what the facts are?"

"I don't always work for prosecutors."

"I'm happy for you."

I stood up.

"Your Honor, he's badgering the witness with--"

"Mr. Royce," the judge said. "Please keep it civil. And on point."

"Yes, Your Honor. Doctor, of the twenty thousand autopsies you have performed, how many of them were on victims of sexual y motivated violence?"

Eisenbach looked across the floor to me, but there was nothing I could do for him. Bosch had taken Maggie's place at the prosecution table. He leaned over to me and whispered.

"What's he doing? Trying to make our case?"

I held up my hand so I would not be distracted from the back-and-forth between Royce and Eisenbach.

"No, he's making their case," I whispered back.

Eisenbach stil hadn't answered.

"Doctor," the judge said, "please answer the question."

"I don't have a count but many of them were sexual y motivated crimes."

"Was this one?"

"Based on the autopsy findings I could not make that conclusion. But whenever you have a young child, particularly a female, and there is a stranger abduction, then you are almost always--"

"Move to strike the answer as nonresponsive," Royce said, cutting the witness off. "The witness is assuming facts not in evidence."

The judge considered the objection. I stood up, ready to respond but said nothing.

"Doctor, please answer only the question you are asked," the judge said.

"I thought I was," Eisenbach said.

"Then let me be more specific," Royce said. "You found no indications of sexual assault or abuse on the body of Melissa Landy, is that correct, Doctor?

"

"That is correct."

"What about on the victim's clothing?"

"The body is my jurisdiction. The clothing is analyzed by forensics."

"Of course."

Royce hesitated and looked down at his notes. I could tel he was trying to decide how far to take something. It was a case of "so far, so good--do I risk going further?"

Final y, he decided.

"Now, Doctor, a moment ago when I objected to your answer, you cal ed this a stranger abduction. What evidence from the autopsy supported that claim?"

Eisenbach thought for a long moment and even looked down at the autopsy report in front of him.

"Doctor?"

"Uh, there is nothing I recal from the autopsy alone that supports this."

"Actual y, the autopsy supports a conclusion quite the opposite, doesn't it?"

Eisenbach looked genuinely confused.

"I am not sure what you mean."

"Can I draw your attention to page eight of the autopsy protocol? The preliminary examination of the body."

Royce waited a moment until Eisenbach turned to the page. I did as wel but didn't need to. I knew where Royce was going and couldn't stop him. I just needed to be ready to object at the right moment.

"Doctor, the report states that scrapings of the victim's fingernails were negative for blood and tissue. Do you see that on page eight?"

"Yes, I scraped her nails but they were clean."

"This indicates she did not scratch her attacker, her kil er. Correct?"

"That would be the indication, yes."

"And this would also indicate that she knew her attack--"

"Objection!"

I was on my feet but not quick enough. Royce had gotten the suggestion out and to the jury.

"Assumes facts not in evidence," I said. "Your Honor, defense counsel is clearly attempting to plant seeds with the jury that do not exist."

"Sustained. Mr. Royce, a warning."

"Yes, Your Honor. The defense has no further questions for this prosecution witness."

Twenty-eight

Monday, April 5, 4:45 P.M.

Bosch knocked on the door of room 804 and looked directly at the peephole. The door was quickly opened by McPherson, who was checking her watch as she stood back to let him enter.

"Why aren't you in court with Mickey?" she asked.

Bosch entered. The room was a suite with a decent view of Grand Avenue and the back of the Biltmore. There was a couch and two chairs, one of them occupied by Sarah Ann Gleason. Bosch nodded his hel o.

"Because he doesn't need me there. I'm needed here."

"What's going on?"

"Royce tipped his hand on the defense's case. I need to talk to Sarah about it."

He started toward the couch but McPherson put her hand on his arm and stopped him.

"Wait a minute. Before you talk to Sarah you talk to me. What's going on?"

Bosch nodded. She was right. He looked around but there was no place for private conversation in the suite.

"Let's take a walk."

McPherson went to the coffee table and grabbed a key card.

"We'l be right back, Sarah. Do you need anything?"

"No, I'm fine. I'l be here."

She held up a sketchpad. It would keep her company.

Bosch and McPherson left the room and took the elevator down to the lobby. There was a bar crowded with pre-happy hour drinkers but they found a private spot in a sitting area by the front door.

"Okay, how did Royce tip his hand?" McPherson asked.

"When he was cross-examining Eisenbach, he riffed off of Mickey's question about the kil er using only his right hand to choke her."

"Right, while he was driving. He panicked when he heard the cal on the police radio and kil ed her."

"Right, that's the prosecution theory. Wel , Royce is already setting up a defense theory. On cross he asked whether it was possible that the kil er was choking her with one hand while masturbating with the other."

She was silent as she computed this.

"This is the old prosecution theory," she said. "From the first trial. That it was murder in the commission of a sex act. Mickey and I sort of figured that once Royce got al the discovery material and learned that the DNA came from the stepfather, the defense would play it this way. They're setting up the stepfather as the straw man. They'l say he kil ed her and the DNA proves it."

McPherson folded her arms as she worked it out further.

"It's good but there are two things wrong with it. Sarah and the hair evidence. So we're missing something. Royce has got to have something or someone who discredits Sarah's ID."

"That's why I'm here. I brought Royce's witness list. These people have been playing hide-and-seek with me and I haven't run them al down. Sarah's got to look at this list and tel me which one I need to focus on."

"How the hel wil she know?"

"She's got to. These are her people. Boyfriends, husbands, fel ow tweakers. Al of them have records. They're the people she hung out with before she got straight. Every address is a last-known and worthless. Royce has got to be hiding them."

McPherson nodded.

"That's why they cal him Clever Clive. Okay, let's talk to her. Let me try first, okay?"

She stood up.

"Wait a minute," Bosch said.

She looked at him.

"What is it?"

"What if the defense theory is the right one?"

"Are you kidding me?"

He didn't answer and she didn't wait long. She headed back toward the elevator. He got up and fol owed.

They went back to the room. Bosch noticed that Gleason had sketched a tulip on her pad while they had been gone. He sat down on the couch across from her, and McPherson took the chair right next to her.

"Sarah," McPherson said. "We need to talk. We think that somebody you used to know during those lost years we were talking about is going to try to help the defense. We need to figure out who it is and what they are going to say."

"I don't understand," Sarah said. "But I was thirteen years old when this happened to us. What does it matter who my friends were after?"

"It matters because they can testify about things you might have done. Or said."

"What things?"

McPherson shook her head.

"That's what is so frustrating. We don't real y know. We only know that today in court the defense made it clear that they are going to try to put the blame for your sister's death on your stepfather."

Sarah raised her hands as if warding off a blow.

"That's crazy. I was there. I saw that man take her!"

"We know that, Sarah. But it's a matter of what is conveyed to the jury and what and who the jurors believe. Now, Detective Bosch has a list of the defense's witnesses. I want you to take a look at it and tel us what the names mean to you."

Bosch pul ed the list from his briefcase. He handed it to McPherson, who handed it to Sarah.

"Sorry, al those notes are things I added," Bosch said, "when I was trying to track them down. Just look at the names."

Bosch watched her lips move slightly as she started to read. Then they stopped moving and she just stared at the paper. He saw tears in her eyes.

"Sarah?" McPherson prompted.

"These people," Gleason said in a whisper. "I thought I'd never see them again."

"You may never see them again," McPherson said. "Just because they're on that list, it doesn't mean they'l be cal ed. They pul names out of the records and load up the list to confuse us, Sarah. It's cal ed haystacking. They hide the real witnesses, and our investigator--Detective Bosch--wastes his time checking out the wrong people. But there's got to be at least one name on there that counts. Who is it, Sarah? Help us."

She stared at the list without responding.

"Someone who wil be able to say you two were close. Who you spent time with and told secrets to."

"I thought a husband couldn't testify against a wife."

"One spouse can't be forced to testify against the other. But what are you talking about, Sarah?"

"This one."

She pointed to a name on the list. Bosch leaned over to read it. Edward Roman. Bosch had traced him to a lockdown rehab center in North Hol ywood where Sarah had spent nine months after her last incarceration. The only thing Bosch had guessed was that they'd had contact in group therapy. The last known address provided by Royce was a motel in Van Nuys but Roman was long gone from there. Bosch had gotten no further with it and had dismissed the name as part of Royce's haystack.

"Roman," he said. "You were with him in rehab, right?"

"Yes," Gleason said. "Then we got married."

"When?" McPherson said. "We have no record of that marriage."

"After we got out. He knew a minister. We got married on the beach. But it didn't last very long."

"Did you get divorced?" McPherson asked.

"No... I never real y cared. Then when I got straight I just didn't want to go back there. It was one of those things you block out. Like it didn't happen."

McPherson looked at Bosch.

"It might not have been a legal marriage," he said. "There's nothing in the county records."

"Doesn't matter if it was a legal marriage or not," she said. "He is obviously a volunteer witness, so he can testify against her. What matters is what his testimony is going to be. What's he going to say, Sarah?"

Sarah slowly shook her head.

"I don't know."

"Wel , what did you tel him about your sister and your stepfather?"

"I don't know. Those years... I can hardly remember anything from back then."

There was a silence and then McPherson asked Sarah to look at the rest of the names on the list. She did and shook her head.

"I don't know who some of these people are. Some people in the life, I just knew them by street names."

"But Edward Roman you know?"

"Yes. We were together."

"How long?"

Gleason shook her head in embarrassment.

"Not long. Inside rehab we thought we were made for each other. Once we were out, it didn't work. It lasted maybe three months. I got arrested again and when I got out of jail, he was gone."

"Is it possible that it wasn't a legitimate marriage?"

Gleason thought for a moment and halfheartedly shrugged.

"Anything is possible, I guess."

"Okay, Sarah, I'm going to step out with Detective Bosch again for a few minutes. I want you to think about Edward Roman. Anything you can remember wil be helpful. I'l be right back."

McPherson took the witness list from her and handed it back to Bosch. They left the room but just took a few paces down the hal way before stopping and talking in whispers.

"I guess you'd better find him," she said.

"It won't matter," Bosch said. "If he's Royce's star witness he won't talk to me."

"Then find out everything you can about him. So when the time comes we can destroy him."

"Got it."

Bosch turned and headed down the hal toward the elevators. McPherson cal ed after him. He stopped and looked back.

"Did you mean it?" McPherson asked.

"Mean what?"

"What you said down in the lobby. What you asked. You think twenty-four years ago she made it al up?"

Bosch looked at her for a long moment, then shrugged.

"I don't know."

"Wel , what about the hair in the truck? Doesn't that tie her story in?"

Bosch held a hand up empty.

"It's circumstantial. And I wasn't there when they found it."

"What's that supposed to mean?"

"It means sometimes things happen when the victim is a child. And that I wasn't there when they found it."

"Boy, maybe you should be working for the defense."

Bosch dropped his hand to his side.

"I'm sure they've thought of al of this already."

He turned back toward the elevators and headed down the hal way.

Twenty-nine

Tuesday, April 6, 9:00 A.M.

Sometimes the wheels of justice rol smoothly. The second day of trial started exactly as scheduled. The ful jury was in the box, the judge was on the bench and Jason Jessup and his attorney were seated at the defense table. I stood and cal ed my first witness of what I hoped would be a productive day for the prosecution. Harry Bosch even had Izzy Gordon in the courtroom ready to go. By five minutes after the hour, she was sworn in and seated. She was a smal woman with black-framed glasses that magnified her eyes. My records said she was fifty years old but she looked older.

"Ms. Gordon, can you tel the jury what you do for a living?"

"Yes. I am a forensic technician and crime scene supervisor for the Los Angeles Police Department. I have been so employed in the forensics unit since nineteen eighty-six."

"Were you so employed on February sixteenth of that year?"

"Yes, I was. It was my first day of work."

"And what was your assignment on that day?"

"My job was to learn. I was assigned to a crime scene supervisor and I was to get on-the-job training."

Izzy Gordon was a major find for the prosecution. Two technicians and a supervisor had worked the three separate crime scenes relating to the Melissa Landy case--the home on Windsor, the trash bin behind the El Rey and the tow truck driven by Jessup. Gordon had been assigned to be at the supervisor's side and therefore had been in attendance at al three crime scenes. The supervisor was long since dead and the other techs were retired and unable to offer testimony about al three locations. Finding Gordon al owed me to streamline the introduction of crime scene evidence.

"Who was that supervisor?"

"That was Art Donovan."

"And you got a cal out with him that day?"

"Yes, we did. An abduction that turned into a homicide. We ended up going from scene to scene to scene that day. Three related locations."

"Okay, let's take those scenes one at a time."

Over the next ninety minutes I walked Gordon through her Sunday tour of crime scenes on February 16, 1986. Using her as the conduit, I could deliver crime scene photographs, videos and evidence reports. Royce continued his tack of objecting at wil in an effort to prevent the unimpeded flow of information to the jury. But he was scoreless and getting under the judge's skin. I could tel , and so I did not complain. I wanted that annoyance to fester. It might come in handy later.

Gordon's testimony was fairly pedestrian as she first discussed the unsuccessful efforts to find shoe prints and other trace evidence on the front lawn of the Landy's house. It turned more dramatic when she recal ed being urgently cal ed to a new crime scene--the trash bin behind the El Rey.

"We were cal ed when they found the body. It was handled in whispers because the family was there in the house and we did not want to upset them until it was confirmed that there was a body and that it was the little girl."

"You and Donovan went to the El Rey Theatre?"

"Yes, along with Detective Kloster. We met the assistant medical examiner there. We now had a homicide, so more technicians were cal ed in, too."

The El Rey portion of Gordon's testimony was largely an opportunity for me to show more video footage and photographs of the victim on the overhead screens. If nothing else, I wanted every juror in the box to be incensed by what they saw. I wanted to light the fire of one of the basic instincts. Vengeance.

I counted on Royce to object and he did, but by then he had exhausted his welcome with the judge, and his argument that the images were graphic and cumulatively excessive fel on deaf ears. They were al owed.

Final y, Izzy Gordon brought us to the last crime scene--the tow truck--and she described how she had spotted three long hairs caught in the crack that split the bench seat and pointed them out to Donovan for col ection.

"What happened to those hairs?" I asked.

"They were individual y bagged and tagged and then taken to the Scientific Investigation Division for comparison and analysis."

Gordon's testimony was smooth and efficient. When I turned her over to the defense, Royce did the best he could. He did not bother to assail the col ection of evidence but merely attempted once again to gain a foothold for the defense theory. In doing so he skipped the first two crime scenes and zeroed in on the tow truck.

"Ms. Gordon, when you got to the Aardvark towing yard, were there police officers already there?"

"Yes, of course."

"How many?"

"I didn't count but there were several."

"What about detectives?"

"Yes, there were detectives conducting a search of the whole business under the authority of a search warrant."

"And were these detectives you had seen earlier at the previous crime scenes?"

"I think so, yes. I would assume so but I do not remember specifical y."

"But you seem to remember other things specifical y. Why don't you remember which detectives you were working with?"

"There were several people working this case. Detective Kloster was the lead investigator but he was dealing with three different locations as wel as the girl who was the witness. I don't remember if he was at the tow yard when I first arrived but he was there at some point. I think that if you refer to the crime scene attendance logs, you wil be able to determine who was at what scene and when."

"Ah, then we shal do just that."

Royce approached the witness stand and gave Gordon three documents and a pencil. He then returned to the lectern.

"What are those three documents, Ms. Gordon?"

"These are crime scene attendance logs."

"And which scenes are they from?"

"The three I worked in regard to the Landy case."

"Can you please take a moment to study those logs and use the pencil I have given you to circle any name that appears on al three lists."

It took Gordon less than a minute to complete the task.

"Finished?" Royce asked.

"Yes, there are four names."

"Can you tel us?"

"Yes, myself and my supervisor, Art Donovan, and then Detective Kloster and his partner, Chad Steiner."

"You were the only four who were at al three crime scenes that day, correct?"

"That is correct."

Maggie leaned into me and whispered.

"Cross-scene contamination."

I shook my head slightly and whispered back.

"That suggests accidental contamination. I think he's going for intentional planting of evidence."

Maggie nodded and leaned away. Royce asked his next question.

"Being one of only four who were at al four scenes, you had a keen understanding of this crime and what it meant, isn't that correct?"

"I'm not sure what you mean."

"Among police personnel, were emotions high at these crime scenes?"

"Wel , everyone was very professional."

"You mean nobody cared that this was a twelve-year-old girl?"

"No, we cared and you could say things were at least tense at the first two scenes. We had the family at one and the dead little girl at the other. I don't real y remember things being emotional at the tow yard."

Wrong answer, I thought. She had opened a door for the defense.

"Okay," Royce said, "but you are saying that at the first two scenes the emotions were high, correct?"

I stood up, just to give Royce a dose of his own medicine.

"Objection. Asked and answered already, Your Honor."

"Sustained."

Royce was undaunted.

"Then how did these emotions display themselves?" he asked.

"Wel , we talked. Art Donovan told me to keep professional detachment. He said we had to do our best work because this had been just a little girl."

"What about detectives Kloster and Steiner?"

"They said the same thing. That we couldn't leave any stone unturned, that we had to do it for Melissa."

"He cal ed the victim by her name?"

"Yes, I remember that."

"How angry and upset would you say Detective Kloster was?"

I stood and objected.

"Assumes facts not in evidence or testimony."

The judge sustained it and told Royce to move on.

"Ms. Gordon, can you refer to the crime scene attendance logs stil in front of you and tel us if the arrival and departure of law enforcement personnel is kept by time?"

"Yes, it is. There are arrival and departure times listed after each name."

"You have previously stated that detectives Kloster and Steiner were the only two investigators besides yourself and your supervisor to appear at al three scenes."

"Yes, they were the lead investigators on the case."

"Did they arrive at each of the scenes before you and Mr. Donovan?"

It took Gordon a moment to confirm the information on the lists.

"Yes, they did."

"So they would have had access to the victim's body before you ever arrived at the El Rey Theatre, correct?"

"I don't know what you mean by 'access' but, yes, they were on scene first."

"And so they would have also had access to the tow truck before you got there and saw the three strands of hair conveniently caught in the seat crack, correct?"

I objected, saying the question required the witness to speculate on things she would not have witnessed and was argumentative because of the use of the word "conveniently." Royce was obviously playing to the jury. The judge told Royce to rephrase the question without taking editorial license.

"The detectives would have had access to the tow truck before you got there and before you were the first to see the three strands of hair lodged in the seat crack, correct?"

Gordon took the hint from my objection and answered the way I wanted her to.

"I don't know because I wasn't there."

Stil , Royce had gotten his point across to the jury. He had also gotten the point of his case across to me. It was now fair to assume that the defense would put forth the theory that the police--in the person of Kloster and/or his partner, Steiner--had planted the hair evidence to secure a conviction of Jessup after he had been identified by the thirteen-year-old Sarah. Further to this, the defense would posit that Sarah's wrongful identification of Jessup was intentional and part of the Landy family's effort to hide the fact that Melissa had died either accidental y or intentional y at the hands of her stepfather.

It would be a tough road to take. To be successful it would take at least one person on the jury buying into what amounted to two conspiracies working independently of one another and yet in concert. But I could think of only two defense attorneys in town who could pul it off, and Royce was one of them. I had to be prepared.

"What happened after you noticed the hair on the tow truck's seat, do you remember?" Royce asked the witness.

"I pointed it out to Art because he was doing the actual col ection of evidence. I was just there to observe and gather experience."

"Were detectives Kloster and Steiner cal ed over to take a look?"

"Yes, I believe so."

"Do you recal what if anything they did then?"

"I don't recal them doing anything in relation to the hair evidence. It was their case and so they were notified of the evidence find and that was it."

"Were you happy with yourself?"

"I don't think I understand."

"It was your first day on the job--your first case. Were you pleased with yourself after spotting the hair evidence? Were you proud?"

Gordon hesitated before answering, as if trying to figure out if the question was a trap.

"I was pleased that I had contributed, yes."

"And did you ever wonder why you, the rookie, spotted the hair in the seat crack before your supervisor or the two lead investigators?"

Gordon hesitated again and then said no. Royce said he had no further questions. It had been an excel ent cross, planting multiple seeds that could later bloom into something larger in the defense case.

I did what I could on redirect, asking Gordon to recite the names of the six uniformed police officers and two other detectives who were listed as arriving ahead of Kloster and Steiner on the crime scene attendance log kept at the location where Melissa Landy's body was found.

"So, hypothetical y, if Detective Kloster or Steiner had wanted to take hair from the victim to plant elsewhere, they would have had to do it under the noses of eight other officers or enlist them in al owing them to do it. Is that correct?"

"Yes, it would seem so."

I thanked the witness and sat down. Royce then went back to the lectern for recross.

"Also hypothetical y, if Kloster or Steiner wanted to plant hair from the victim at the third crime scene, it would not have been necessary to take it directly from the victim's head if there were other sources for it, correct?"

"I guess not if there were other sources."

"For example, a hairbrush in the victim's home could have provided hair to them, correct?"

"I guess so."

"They were in the victim's home, weren't they?"

"Yes, that was one of the locations where they signed in."

"Nothing further."

Royce had nailed me and I decided not to pursue this any further. Royce would have a comeback no matter what I brought forward from the witness.

Gordon was dismissed and the judge broke for lunch. I told Bosch that he would be on the stand after the break, reading Kloster's testimony into the record. I asked if he wanted to grab lunch together to talk about the defense's theory but he said he couldn't, that he had something to do.

Maggie was heading over to the hotel to have lunch with Sarah Ann Gleason, so that left me on my own.

Or so I thought.

As I headed down the center aisle to the rear door of the courtroom, an attractive woman stepped out of the back row in front of me. She smiled and stepped up to me.

"Mr. Hal er, I'm Rachel Wal ing with the FBI."

At first it didn't compute but then the name caught on a memory prompt somewhere inside.

"Yes, the profiler. You distracted my investigator with your theory that Jason Jessup is a serial kil er."

"Wel , I hope it was more help than distraction."

"I guess that remains to be seen. What can I do for you, Agent Wal ing?"

"I was going to ask if you might have time for lunch. But since you consider me a distraction, then maybe I should just..."

"Guess what, Agent Wal ing. You're in luck. I'm free. Let's have lunch."

I pointed to the door and we headed out.

Thirty

Tuesday, April 6, 1:15 P.M.

This time it was the judge who was late returning to court. The prosecution and defense teams were seated at the appointed time and ready to go but there was no sign of Breitman. And there had been no indication from the clerk as to whether the delay was because of personal business or some sort of trial issue. Bosch got up from his seat at the railing and approached Hal er, tapping him on the back.

"Harry, we're about to start. You ready?"

"I'm ready, but we need to talk."

"What's wrong?"

Bosch turned his body so his back was to the defense table and lowered his voice into a barely audible whisper.

"I went to see the SIS guys at lunch. They showed me some stuff you need to know about."

He was being overly cryptic. But the photos Lieutenant Wright had showed him from the surveil ance the night before were troubling. Jessup was up to something and whatever it might be, it was going to go down soon.

Before Hal er could respond, the background hubbub of the courtroom ceased as the judge took the bench.

"After court," Hal er whispered.

He then turned back to the front of the courtroom and Bosch returned to his seat at the railing. The judge told the deputy to seat the jury and soon everyone was in place.

"I want to apologize," Breitman said. "This delay was my responsibility. I had a personal matter come up and it took far longer than I expected it would.

Mr. Hal er, please cal your next witness."

Hal er stood and cal ed for Doral Kloster. Bosch stood and headed for the witness stand while the judge once again explained to the jury that the witness cal ed by the prosecution was unavailable and that prior sworn testimony would be read by Bosch and Hal er. Though al of this had been worked out in a pretrial hearing and over the objection of the defense, Royce stood once again and objected.

"Mr. Royce, we've already argued this issue," the judge responded.

"I would ask that the court reconsider its ruling as this form of testimony entirely undercuts Mr. Jessup's Constitutional right to confront his accusers.

Detective Kloster was not asked the questions I would want to ask him based on the defense's current view of the case."

"Again, Mr. Royce, this issue has been settled and I do not wish to rehash it in front of the jury."

"But, Your Honor, I am being inhibited from presenting a ful defense."

"Mr. Royce, I have been very generous in al owing you to posture in front of the jury. My patience is now growing thin. You may sit down."

Royce stared the judge down. Bosch knew what he was doing. Playing to the jury. He wanted them to see him and Jessup as the underdogs. He wanted them to understand that it was not just the prosecution against Jessup but the judge as wel . When he had drawn out the stare as long as he dared, he spoke again.

"Judge, I cannot sit down when my client's freedom is at stake. This is an egregious--"

Breitman angrily slammed her hand down, making a sound as loud as a shot.

"We're not going to do this in front of the jury, Mr. Royce. Wil the jurors please return to the assembly room."

Wide-eyed and alert to the tension that had engulfed the courtroom, the jurors filed out, to a person glancing back over their shoulders to check the action behind them. The whole time, Royce held his glare on the judge. And Bosch knew it was mostly an act. This was exactly what Royce wanted, for the jury to see him being persecuted and prevented from bringing his case forward. It didn't matter that they would be sequestered in the jury room. They al knew that Royce was about to get slapped down hard by the judge.

Once the door to the jury assembly room was closed, the judge turned back to Royce. In the thirty seconds it had taken the jury to leave the courtroom, she had obviously calmed down.

"Mr. Royce, at the end of the trial we wil be holding a contempt hearing during which your actions today wil be examined and penalized. Until then, if I ever order you to sit down and you refuse that order, I wil have the courtroom deputy forcibly place you in your seat. And it wil not matter to me if the jury is present or not. Do you understand?"

"Yes, Your Honor. And I would like to apologize for al owing the emotions of the moment to get the best of me."

"Very wel , Mr. Royce. You wil now sit down and we'l bring the jury back in."

They held each other's eyes for a long moment until Royce final y and slowly sat down. The judge then told the courtroom deputy to retrieve the jury.

Bosch glanced at the jurors as they returned. They al had their eyes on Royce, and Harry could see the defense attorney's gambit had worked. He saw sympathy in their eyes, as if they al knew that at any moment they might cross the judge and be similarly rebuked. They didn't know what happened while they were behind the closed door, but Royce was like the kid who had been sent to the principal's office and had returned to tel everyone about it at recess.

The judge addressed the jury before continuing the trial.

"I want the members of the jury to understand that in a trial of this nature emotions sometimes run high. Mr. Royce and I have discussed the issue and it is resolved. You are to pay it no mind. So, let's proceed with the reading of prior sworn testimony. Mr. Hal er?"

"Yes, Your Honor."

Hal er stood and went to the lectern with his printout of Doral Kloster's testimony.

"Detective Bosch, you are stil under oath. Do you have the transcript of sworn testimony provided by Detective Doral Kloster on October eighth, nineteen eighty-six?"

"Yes, I do."

Bosch placed the transcript on the stand and took a pair of reading glasses out of his jacket's inside pocket.

"Okay, then once again I wil read the questions that were posed to Detective Kloster under oath by Deputy District Attorney Gary Lintz, and you wil read the responses from the witness."

After a series of questions used to elicit basic information about Kloster, the testimony moved quickly into the investigation of the murder of Melissa Landy.

" 'Now, Detective, you are assigned to the detective squad at Wilshire Division, correct?' "

" 'Yes, I am on the Homicide and Major Crimes table.' "

" 'And this case did not start out as a homicide.' "

" 'No, it did not. My partner and I were cal ed in from home after patrol units were dispatched to the Landy house and a preliminary investigation determined that it appeared to be a stranger abduction. That made it a major crime and we were cal ed out.' "

" 'What happened when you got to the Landy house?' "

" 'We initial y separated the individuals there--the mother, father and Sarah, the sister--and conducted interviews. We then brought the family together and conducted a joint interview. It often works best that way and it did this time. In the joint interview we found our investigative direction.' "

" 'Tel us about that. How did you find this direction?' "

" 'In the individual interview, Sarah revealed that the girls had been playing a hide-and-seek game and that she was hiding behind some bushes at the front corner of her house. These bushes blocked her view of the street. She said she heard a trash truck and saw a trashman cross the yard and grab her sister. These events occurred on a Sunday, so we knew there was no city trash pickup. But when I had Sarah recount this story in front of her parents, her father quickly said that on Sunday mornings several tow trucks patrol the neighborhood and that the drivers wear overal s like the city sanitation workers do. And that became our first lead.' "

" 'And how did you fol ow that lead?' "

" 'We were able to obtain a list of city-licensed tow truck companies that operated in the Wilshire District. By this time I had cal ed in more detectives and we split the list up. There were only three companies that were operating on that day. Each pair of detectives took one. My partner and I went to a tow yard on La Brea Boulevard that was operated by a business cal ed Aardvark Towing.' "

" 'And what happened when you got there?' "

" 'We found that they were about to shut down for the day because they essential y worked no-parking zones around churches. By noon they were done.

There were three drivers and they were securing things and about to head out when we got there. They al voluntarily agreed to identify themselves and answer our questions. While my partner asked preliminary questions I went back to our car and cal ed their names into central dispatch so they could check them for criminal records.' "

" 'Who were these men, Detective Kloster?' "

" 'Their names were Wil iam Clinton, Jason Jessup and Derek Wilbern.' "

" 'And what was the result of your records search?' "

" 'Only Wilbern had an arrest record. It was an attempted rape with no conviction. The case, as I recal , was four years old.' "

" 'Did this make him a suspect in the Melissa Landy abduction?' "

" 'Yes, it did. He general y fit the description we had gotten from Sarah. He drove a large truck and wore overal s. And he had an arrest record involving a sex crime. That made him a strong suspect in my mind.' "

" 'What did you do next?' "

" 'I returned to my partner and he was stil interviewing the men in a group setting. I knew that time was of the essence. This little girl was stil missing.

She was stil out there somewhere and usual y in a case like this, the longer the individual is missing, the less chance you have of a good ending.' "

" 'So you made some decisions, didn't you?' "

" 'Yes, I decided that Sarah Landy ought to see Derek Wilbern to see if she could identify him as the abductor.' "

" 'So did you set up a lineup for her to view?' "

" 'No, I didn't.' "

" 'No?' "

" 'No. I didn't feel there was time. I had to keep things moving. We had to try to find that girl. So what I did was ask if the three men would agree to go to a separate location where we could continue the interview. They each said yes.' "

" 'No hesitation?' "

" 'No, none. They agreed.' "

" 'By the way, what happened when the other detectives visited the other towing companies that worked in the Wilshire District?' "

" 'They did not find or interview anyone who rose to the level of suspect.' "

" 'You mean no one with a criminal record?' "

" 'No criminal records and no flags came up during interviews.' "

" 'So you were concentrating on Derek Wilbern?' "

" 'That's right.' "

" 'So when Wilbern and the other two men agreed to be interviewed at another location, what did you do?' "

" 'We cal ed for a couple of patrol cruisers and we put Jessup and Clinton in the back of one car and Wilbern in the back of the other. We then closed and locked the Aardvark tow yard and drove ahead in our car.' "

" 'So you got back to the Landy house first?' "

" 'By design. We had told the patrol officers to take a circuitous route to the Landy house on Windsor so we could get there first. When we arrived back at the house I took Sarah upstairs to her bedroom, which was located at the front and was overlooking the front yard and street. I closed the blinds and had her look through just a crack so she would not be visibly exposed to the tow truck drivers.' "

" 'What happened next?' "

" 'My partner had stayed out front. When the patrol cruisers arrived, I had him take the three men out of the cars and have them stand together on the sidewalk. I asked Sarah if she recognized any of them.' "

" 'Did she?' "

" 'Not at first. But one of the men--Jessup--was wearing a basebal hat and he was looking down, using the brim to guard his face.' "

Bosch flipped over two pages of the testimony at this point. The pages had been X-ed out. They contained several questions about Jessup's demeanor and attempt to use his hat to hide his face. These questions were objected to by Jessup's then-defense counsel, sustained by the trial judge, then resculpted and reasked, and objected to again. In the pretrial hearing, Breitman had agreed with Royce's contention that the current jury should not even hear them. It was one of the only points Royce had won.

Hal er picked up the reading at the point the skirmish had ended.

" 'Okay, Detective, why don't you tel the jury what happened next?' "

" 'Sarah asked me if I could ask the man with the hat to remove it. I radioed my partner and he told Jessup to take off the hat. Almost immediately, Sarah said it was him.' "

" 'The man who abducted her sister?' "

" 'Yes.' "

" 'Wait a minute. You said Derek Wilbern was your suspect.' "

" 'Yes, based on his having a record of a prior arrest for a sex crime, I thought he was the most likely suspect.' "

" 'Was Sarah sure of her identification?' "

" 'I asked her several times to confirm the identification. She did.' "

" 'What did you do next?' "

" 'I left Sarah in her room and went back downstairs. When I got outside I placed Jason Jessup under arrest, handcuffed him and put him in the back of a patrol car. I told other officers to put Wilbern and Clinton in another car and take them down to Wilshire Division for questioning.' "

" 'Did you question Jason Jessup at this point?' "

" 'Yes, I did. Again, time was of the essence. I didn't feel that I had the time to take him to Wilshire Division and set up a formal interview. Instead, I got in the car with him, read him the Miranda warning and asked if he would talk to me. He said yes.' "

" 'Did you record this?' "

" 'No, I did not. Frankly, I forgot. Things were moving so quickly and al I could think about was finding that little girl. I had a recorder in my pocket but I forgot to record this conversation.' "

" 'Okay, so you questioned Jessup anyway?' "

" 'I asked questions but he gave very few answers. He denied any involvement in the abduction. He acknowledged that he had been on tow patrol in the neighborhood that morning and could have driven by the Landy house but that he did not remember specifical y driving on Windsor. I asked him if he remembered seeing the Hol ywood sign, because if you are on Windsor you have a straight view of it up the street and on top of the hil . He said he didn't remember seeing the Hol ywood sign.' "

" 'How long did this questioning go on?' "

" 'Not long. Maybe five minutes. We were interrupted.' "

" 'By what, Detective?' "

" 'My partner knocked on the car's window and I could tel by his face that whatever he had was important. I got out of the car and that's when he told me.

They had found her. A girl's body had been found in a Dumpster down on Wilshire.' "

" 'That changed everything?' "

" 'Yes, everything. I had Jessup transported downtown and booked while I proceeded to the location of the body.' "

" 'What did you discover when you got there?' "

" 'There was a body of a girl approximately twelve or thirteen years old discarded in the Dumpster. She was unidentified at that time but she appeared to be Melissa Landy. I had her photograph. I was pretty sure it was her.' "

" 'And you moved the focus of your investigation to this location?' "

" 'Absolutely. My partner and I started conducting interviews while the crime scene people and coroner's people dealt with the body. We soon learned that the parking lot adjacent to the rear yard of the theater had previously been used as a temporary auto storage point by a towing company. We learned that company was Aardvark Towing.' "

" 'What did that mean to you?' "

" 'To me it meant there was now a second connection between the murder of this girl and Aardvark. We had the lone witness, Sarah Landy, identifying one of the Aardvark drivers as the abductor, and now we had the victim found in a Dumpster next to a parking lot used by Aardvark drivers. To me the case was coming together.' "

" 'What was your next step?' "

" 'At that point my partner and I split up. He stayed with the crime scene and I went back to Wilshire Division to work on search warrants.' "

" 'Search warrants for what?' "

" 'One for the entire premises at Aardvark Towing. One for the tow truck Jessup was driving that day. And two more for Jessup's home and personal car.' "

" 'And did you receive these search warrants?' "

" 'Yes, I did. Judge Richard Pittman was on cal and he happened to be playing golf at Wilshire Country Club. I brought him the warrants and he signed them on the ninth hole. We then began the searches, starting at Aardvark.' "

" 'Were you present at this search?' "

" 'Yes, I was. My partner and I were in charge of it.' "

" 'And at some point did you become aware of any particular evidence being found that you deemed important to the case?' "

" 'Yes. At one point the forensics team leader, a man named Art Donovan, informed me that they had recovered three hairs that were brown in color and over a foot in length each from the tow truck that Jason Jessup was driving that day.' "

" 'Did Donovan tel you specifical y where in the truck these hair specimens were found?' "

" 'Yes, he said they were caught in the crack between the lower and upper parts of the truck's bench seat.' "

Bosch closed the transcript there. Kloster's testimony continued but they had reached the point where Hal er had said he would stop because he would have al he needed on the record.

The judge then asked Royce if he wished to have any of the defense's cross-examination read into the record. Royce stood to respond, holding two paper-clipped documents in his hand.

"For the record, I am reluctant to participate in a procedure I object to but since the court is cal ing the game, I shal play along. I have two brief read-backs of Detective Kloster's cross-examination. May I give a highlighted printout to Detective Bosch? I think it wil make this much easier."

"Very wel ," the judge said.

The courtroom deputy took one of the documents from Royce and delivered it to Bosch, who quickly scanned it. It was only two pages of testimony transcriptions. Two exchanges were highlighted in yel ow. As Bosch read them over, the judge explained to the jury that Royce would read questions posed by Jessup's previous defense attorney, Charles Barnard, while Bosch would continue to read the responses of Detective Doral Kloster.

"You may proceed, Mr. Royce."

"Thank you, Your Honor. Now reading from the transcript, 'Detective, how long was it from when you closed and locked Aardvark Towing and took the three drivers over to Windsor, and returned with the search warrant?' "

" 'May I refer to the case chronology?' "

" 'You may.' "

" 'It was about two hours and thirty-five minutes.' "

" 'And when you left Aardvark Towing, how did you secure those premises?' "

" 'We closed the garages, and one of the drivers--I believe, Mr. Clinton--had a key to the door. I borrowed it to lock the door.' "

" 'Did you return the key to him after?' "

" 'No, I asked if I could keep it for the time being and he said that was okay.' "

" 'So when you went back with the signed search warrant, you had the key and you simply unlocked the door to enter.' "

" 'That is correct.' "

Royce flipped the page on his copy and told Bosch to do likewise.

"Okay, now reading from another point in the cross-examination. 'Detective Kloster, what did you conclude when you were told about the hair specimens found in the tow truck Mr. Jessup had been driving that day?' "

" 'Nothing. The specimens had not been identified yet.' "

" 'At what later point were they identified?' "

" 'Two days later I got a cal from SID. A hair-and-fiber tech told me that the hairs had been examined and that they closely matched samples taken from the victim. She said that she could not exclude the victim as a source.' "

" 'So then what did that tel you?' "

" 'That it was likely that Melissa Landy had been in that tow truck.' "

" 'What other evidence in that truck linked the victim to it or Mr. Jessup to the victim?' "

" 'There was no other evidence.' "

" 'No blood or other bodily fluids?' "

" 'No.' "

" 'No fibers from the victim's dress?' "

" 'No.' "

" 'Nothing else?' "

" 'Nothing.' "

" 'With the lack of other corroborating evidence in the truck, did you ever consider that the hair evidence was planted in the truck?' "

" 'Wel , I considered it in the way I considered al aspects of the case. But I dismissed it because the witness to the abduction had identified Jessup, and that was the truck he was driving. I didn't think the evidence was planted. I mean, by who? No one was trying to set him up. He was identified by the victim's sister.' "

That ended the read-back. Bosch glanced over at the jury box and saw that it appeared that everyone had remained attentive during what was most likely the most boring stage of the trial.

"Anything further, Mr. Royce?" the judge asked.

"Nothing further, Judge," Royce responded.

"Very wel ," Breitman said. "I think this brings us to our afternoon break. I wil see everyone back in place--and I wil admonish myself to be on time--in fifteen minutes."

The courtroom started to clear and Bosch stepped down from the witness stand. He went directly to Hal er, who was huddled with McPherson. Bosch butted into their whispered conversation.

"Atwater, right?"

Hal er looked up at him.

"Yes, right. Have her ready in fifteen minutes."

"And you have time to talk after court?"

"I'l make time. I had an interesting conversation at lunch, as wel . I need to tel you."

Bosch left them and headed out to the hal . He knew the line at the coffee urn in the little concession stand near the elevators would be long and ful of jurors from the case. He decided he would hit the stairwel and find coffee on another floor. But first he ducked into the restroom.

As he entered he saw Jessup at one of the sinks. He was leaning over and washing his hands. His eyes were below the mirror line and he didn't realize Bosch was behind him.

Bosch stood stil and waited for the moment, thinking about what he would say when he and Jessup locked eyes.

But just as Jessup raised his head and saw Bosch in the mirror, the door to a stal to the left opened and juror number ten stepped out. It was an awkward moment as al three men said nothing.

Final y, Jessup grabbed a paper towel out of the dispenser, dried his hands and tossed it into the wastebasket. He headed to the door while the juror took his place at the sink. Bosch moved silently to a urinal but looked back at Jessup as he was pushing through the door.

Bosch shot him in the back with his finger. Jessup never saw it coming.

Thirty-one

Tuesday, April 6, 3:05 P.M.

During the break I checked on my next witness and made sure she was good to go. I had a few spare minutes, so I tracked Bosch down in the line at the coffee concession one floor down. Juror number six was two spots in front of him. I took Bosch by the elbow and led him away.

"You can get your coffee later. There's no time to drink it anyway. I wanted you to know that I had lunch with your girlfriend from the bureau."

"What? Who?"

"Agent Wal ing."

"She's not my girlfriend. Why did she have lunch with you?"

I led him to the stairwel and we headed back upstairs as we talked.

"Wel , I think she wanted to have lunch with you but you split out of here too fast so she settled for me. She wanted to give us a warning. She said she's been watching and reading the reports on the trial and she thinks if Jessup is going to blow, it's going to be soon. She said he reacts to pressure and he's probably never been under more than he is right now."

Bosch nodded.

"That's sort of what I wanted to talk to you about before."

He looked around to make sure that no one was in earshot.

"The SIS says Jessup's nighttime activities have increased since the start of the trial. He's going out every night now."

"Has he gone down your street?"

"No, he hasn't been back there or to any of the other spots off Mulhol and in a week. But over the last two nights he's done things that are new."

"Like what, Harry?"

"Like on Sunday they fol owed him down the beach from Venice and he went into the old storage area under the Santa Monica Pier."

"What storage area? What's this mean?"

"It's an old city storage facility but it got flooded by high tides so many times it's locked up and abandoned. Jessup dug underneath one of the old wood sidings and crawled in."

"Why?"

"Who knows? They couldn't go in or they would risk exposing the surveil ance. But that's not the real news. The real news is, last night he met with a couple of guys at the Townhouse in Venice and then went out to a car in one of the beach lots. One of the guys took something wrapped in a towel out of the trunk and gave it to him."

"A gun?"

Bosch shrugged.

"Whatever it was, they never saw, but through the car's plates they IDed one of the two guys. Marshal Daniels. He was in San Quentin in the nineties--same time as Jessup."

I was now catching some of the tension and urgency that was coming off Bosch.

"They could've known each other. What was Daniels up there for?"

"Drugs and weapons."

I checked my watch. I needed to be back in court.

"Then we have to assume Jessup has a weapon. We could violate his OR right now for associating with a convicted felon. Do they have pictures of Jessup and Daniels together?"

"They have photos but I am not sure we want to do that."

"If he's got a gun... Do you trust the SIS to stop him before he makes a move or does some damage?"

"I do, but it would help if we knew what the move was."

We stepped out into the hal way and saw no sign of any jurors or anyone else from the trial. Everybody was back in court but me.

"We'l talk about this later. I have to get back into court or the judge wil jump on my ass next. I'm not like Royce. I can't afford a contempt hearing just to make a point with the jury. Go get Atwater and bring her in."

I hurried back to Department 112 and rudely pushed around a couple of the courthouse gadflies who were moving slowly through the door. Judge Breitman had not waited for me. I saw everyone but me in place and the jury was being seated. I moved up the aisle and through the gate and slipped into the seat next to Maggie.

"That was close," she whispered. "I think the judge was hoping to even things up by holding you in contempt."

"Yeah, wel , she may stil ."

The judge turned away from the jurors and noticed me at the prosecution table.

"Wel , thank you for joining us this afternoon, Mr. Hal er. Did you have a nice excursion?"

I stood.

"My apologies, Your Honor. I had a personal matter come up and it took far longer than I expected it would."

She opened her mouth to deliver a rebuke but then paused as she realized I had thrown her words from the morning's delay--her delay--right back at her.

"Just cal your next witness, Counselor," she said curtly.

I cal ed Lisa Atwater to the stand and glanced to the back of the courtroom to see Bosch leading the DNA lab technician down the aisle to the gate. I checked the clock up on the rear wal . My goal was to use up the rest of the day with Atwater's testimony, bringing her to the nuts and bolts just before we recessed for the day. That might give Royce a whole night to prepare his cross-examination, but I would happily trade that for what I would get out of the deal--every juror going home with knowledge of the unimpeachable evidence that linked Jason Jessup to the murder of Melissa Landy.

As I had asked her to, Atwater had kept her lab coat on when she walked over from the LAPD lab. The light blue jacket gave her a look of competence and professionalism that the rest of her didn't convey. Atwater was very young--only thirty-one--and had blond hair with a pink stripe down one side, modeling her look after a supercool lab tech on one of the TV crime shows. After meeting her for the first time, I tried to get her to think about losing the pink, but she told me she wouldn't give up her individuality. The jurors, she said, would have to accept her for who and what she was.

At least the lab coat wasn't pink.

Atwater identified herself and was sworn in. After she took the witness seat I started asking questions about her educational pedigree and work experience. I spent at least ten more minutes on this than I normal y would have, but I kept seeing that ribbon of pink hair and thought I had to do al I could to turn it into a badge of professionalism and accomplishment.

Final y, I got to the crux of her testimony. With me careful y asking the questions, she testified that she had conducted DNA typing and comparison on two completely different evidence samples from the Landy case. I went with the more problematic analysis first.

"Ms. Atwater, can you describe the first DNA assignment you received on the Landy case?"

"Yes, on February fourth I was given a swatch of fabric that had been cut from the dress that the victim had been wearing at the time of her murder."

"Where did you receive this from?"

"It came from the LAPD's Property Division, where it had been kept in control ed evidence storage."

Her answers were careful y rehearsed. She could give no indication that there had been a previous trial in the case or that Jessup had been in prison for the past twenty-four years. To do so would create prejudice against Jessup and trigger a mistrial.

"Why were you sent this swatch of fabric?"

"There was a stain on the fabric that twenty-four years ago had been identified by the LAPD forensics unit as semen. My assignment was to extract DNA and identify it if possible."

"When you examined this swatch, was there any degradation of the genetic material on it?"

"No, sir. It had been properly preserved."

"Okay, so you got this swatch of material from Melissa Landy's dress and you extracted DNA from it. Do I have that right so far?"

"That's right."

"What did you do next?"

"I turned the DNA profile into a code and entered it into the CODIS database."

"What is CODIS?"

"It's the FBI's Combined DNA Index System. Think of it as a national clearinghouse of DNA records. Al DNA signatures gathered by law enforcement end up here and are available for comparison."

"So you entered the DNA signature obtained from semen on the dress Melissa Landy wore on the day she was murdered, correct?"

"Correct."

"Did you get a hit?"

"I did. The profile belonged to her stepfather, Kensington Landy."

A courtroom is a big space. There is always a low-level current of sound and energy. You can feel it even if you can't real y hear it. People whisper in the gal ery, the clerk and deputy handle phone cal s, the court reporter touches the keys on her steno machine. But the sound and air went completely out of Department 112 after Lisa Atwater said what she said. I let it ride for a few moments. I knew this would be the lowest point of the case. With that one answer I had, in fact, revealed Jason Jessup's case. But from this point on, it would al be my case. And Melissa Landy's case. I wouldn't forget about her.

"Why was Kensington Landy's DNA in the CODIS database?" I asked.

"Because California has a law that requires al felony arrest suspects to submit a DNA sample. In two thousand four Mr. Landy was arrested for a hit-and-run accident causing injury. Though he eventual y pleaded to lesser charges, it was original y charged as a felony, thus triggering the DNA law upon his booking. His DNA was entered into the system."

"Okay. Now getting back to the victim's dress and the semen that was on it. How did you determine that the semen was deposited on the day that Melissa Landy was murdered?"

Atwater seemed confused by the question at first. It was a skil ed act.

"I didn't," she said. "It is impossible to know exactly when that deposit was made."

"You mean it could have been on the dress for a week before her death?"

"Yes. There's no way of knowing."

"What about a month?"

"It's possible because there is--"

"What about a year?"

"Again, it is--"

"Objection!"

Royce stood. About time, I thought.

"Your Honor, how long does this have to go on past the point?"

"Withdrawn, Judge. Mr. Royce is right. We're wel past the point."

I paused for a moment to underline that Atwater and I would now be moving in a new direction.

"Ms. Atwater, you recently handled a second DNA analysis in regard to the Melissa Landy case, correct?"

"Yes, I did."

"Can you describe what that entailed?"

Before answering she secured the pink band of hair behind her ear.

"Yes, it was a DNA extraction and comparison of hair specimens. Hair from the victim, Melissa Landy, which was contained in a kit taken at the time of her autopsy and hair recovered from a tow truck operated by the defendant, Jason Jessup."

"How many hair specimens are we talking about?"

"Ultimately, one of each. Our objective was to extract nuclear DNA, which is available only in the root of a hair sample. Of the specimens we had, there was only one suitable extraction from the hairs recovered from the tow truck. So we compared DNA from the root of that hair to DNA from a hair sample taken from the autopsy kit."

I walked her through the process, trying to keep the explanations as simple as possible. Just enough to get by, like on TV. I kept one eye on my witness and one on the jury box, making sure everybody was staying plugged in and happy.

Final y, we came out the other end of the techno-genetic tunnel and arrived at Lisa Atwater's conclusions. She put several color-coded charts and graphs up on the screens and thoroughly explained them. But the bottom line was always the same thing; to feel it, jurors had to hear it. The most important thing a witness brings into a courtroom is her word. After al the charts were displayed, it came down to Atwater's words.

I turned and looked back at the clock. I was right on schedule. In less than twenty minutes the judge would recess for the evening. I turned back and moved in for the kil .

"Ms. Atwater, do you have any hesitation or doubt at al about the genetic match you have just testified about?"

"No, none whatsoever."

"Do you believe beyond a doubt that the hair from Melissa Landy is a unique match to the hair specimen obtained from the tow truck the defendant was operating on February sixteenth, nineteen eighty-six?"

"Yes, I do."

"Is there a quantifiable way of il ustrating this match?"

"Yes, as I il ustrated earlier, we matched nine out of the thirteen genetic markers in the CODIS protocol. The combination of these nine particular genetic markers occurs in one in one-point-six tril ion individuals."

"Are you saying it is a one-in-one-point-six-tril ion chance that the hair found in the tow truck operated by the defendant belonged to someone other than Melissa Landy?"

"You could say it that way, yes."

"Ms. Atwater, do you happen to know the current population of the world?"

"It's approaching seven bil ion."

"Thank you, Ms. Atwater. I have no further questions at this time."

I moved to my seat and sat down. Immediately I started stacking files and documents, getting it al ready for the briefcase and the ride home. This day was in the books and I had a long night ahead of me preparing for the next one. The judge didn't seem to begrudge me finishing ten minutes early. She was shutting down herself and sending the jury home.

"We wil continue with the cross-examination of this witness tomorrow. I would like to thank al of you for paying such close attention to today's testimony.

We wil be adjourned until nine o'clock sharp tomorrow morning and I once again admonish you not to watch any news program or--"

"Your Honor?"

I looked up from the files. Royce was on his feet.

"Yes, Mr. Royce?"

"My apologies, Judge Breitman, for interrupting. But by my watch, it is only four-fifty and I know that you prefer to get as much testimony as possible in each day. I would like to cross-examine this witness now."

The judge looked at Atwater, who was stil on the witness stand, and then back to Royce.

"Mr. Royce, I would rather you begin your cross tomorrow morning rather than start and then interrupt it after only ten minutes. We don't go past five o'clock with the jury. That is a rule I wil not break."

"I understand, Judge. But I am not planning to interrupt it. I wil be finished with this witness by five o'clock and then she wil not be required to return tomorrow."

The judge stared at Royce for a long moment, a disbelieving look on her face.

"Mr. Royce, Ms. Atwater is one of the prosecution's key witnesses. Are you tel ing me you only need five minutes for cross-examination?"

"Wel , of course it depends on the length of her answers, but I have only a few questions, Your Honor."

"Very wel , then. You may proceed. Ms. Atwater, you remain under oath."

Royce moved to the lectern and I was as confused as the judge about the defense's maneuver. I had expected Royce to take most of the next morning on cross. This had to be a trick. He had a DNA expert on his own witness list but I would never give up a shot at the prosecution's witness.

"Ms. Atwater," Royce said, "did al of the testing and typing and extracting you conducted on the hair specimen from the tow truck tel you how the specimen got inside that truck?"

To buy time Atwater asked Royce to repeat the question. But even upon hearing it a second time, she did not answer until the judge intervened.

"Ms. Atwater, can you answer the question?" Breitman asked.

"Uh, yes, I'm sorry. My answer is no, the lab work I conducted had nothing to do with determining how the hair specimen found its way into the tow truck.

That was not my responsibility."

"Thank you," Royce said. "So to make it crystal clear, you cannot tel the jury how that hair--which you have capably identified as belonging to the victim-

-got inside the truck or who put it there, isn't that right?"

I stood.

"Objection. Assumes facts not in evidence."

"Sustained. Would you like to rephrase, Mr. Royce?"

"Thank you, Your Honor. Ms. Atwater, you have no idea--other than what you were perhaps told--how the hair you tested found its way into the tow truck, correct?"

"That would be correct, yes."

"So you can identify the hair as Melissa Landy's but you cannot testify with the same sureness as to how it ended up in the tow truck, correct?"

I stood up again.

"Objection," I said. "Asked and answered."

"I think I wil let the witness answer," Breitman said. "Ms. Atwater?"

"Yes, that is correct," Atwater said. "I cannot testify about anything regarding how the hair happened to end up in the truck."

"Then I have no further questions. Thank you."

I turned back and looked at the clock. I had two minutes. If I wanted to get the jury back on track I had to think of something quick.

"Any redirect, Mr. Hal er?" the judge asked.

"One moment, Your Honor."

I turned and leaned toward Maggie to whisper.

"What do I do?"

"Nothing," she whispered back. "Let it go or you might make it worse. You made your points. He made his. Yours are more important--you put Melissa inside his truck. Leave it there."

Something told me not to leave it as is but my mind was a blank. I couldn't think of a question derived from Royce's cross that would get the jury off his point and back onto mine.

"Mr. Hal er?" the judge said impatiently.

I gave it up.

"No further questions at this time, Your Honor."

"Very wel , then, we wil adjourn for the day. Court wil reconvene at nine A.M. tomorrow and I admonish the jurors not to read newspaper accounts about this trial or view television reports or talk to family or friends about the case. I hope everyone has a good night."

With that the jury stood and began to file out of the box. I casual y glanced over at the defense table and saw Royce being congratulated by Jessup.

They were al smiles. I felt a hol ow in my stomach the size of a basebal . It was as though I had played it to near perfection al day long--for almost six hours of testimony--and then in the last five minutes managed to let the last out in the ninth go right between my legs.

I sat stil and waited until Royce and Jessup and everybody else had left the courtroom.

"You coming?" Maggie said from behind me.

"In a minute. How about I meet you back at the office?"

"Let's walk back together."

"I'm not good company, Mags."

"Hal er, get over it. You had a great day. We had a great day. He was good for five minutes and the jury knows that."

"Okay. I'l meet you there in a little bit."

She gave up and I heard her leave. After a few minutes I reached over to the top file on the stack in front of me and opened it up halfway. A school photo of Melissa Landy was clipped inside the folder. Smiling at the camera. She looked nothing like my daughter but she made me think of Hayley.

I made a silent vow not to let Royce outsmart me again.

A few moments later, someone turned out the lights.

Thirty-two

Tuesday, April 6, 10:15 P.M.

Bosch stood by the swing set planted in the sand a quarter mile south of the Santa Monica Pier. The black water of the Pacific to his left was alive with the dancing reflection of light and color from the Ferris wheel at the end of the boardwalk. The amusement park had closed fifteen minutes earlier but the light show would go on through the night, an electronic display of ever-changing patterns on the big wheel that was mesmerizing in the cold darkness.

Harry raised his phone and cal ed the SIS dispatcher. He had checked in earlier and set things up.

"It's Bosch again. How's our boy?"

"He appears to be tucked in for the night. You must've worn him out in court today, Bosch. On the way home from the CCB he went to Ralphs to pick up some groceries and then straight home, where he's been ever since. First night in five he hasn't been out and about at this time."

"Yeah, wel , don't count on it staying that way. They've got the back door covered, right?"

"And the windows and the car and the bicycle. We got him, Detective. Don't worry."

"Then I won't. You've got my number. Cal me if he moves."

"Wil do."

Bosch put the phone away and headed toward the pier. The wind was strong off the water and a fine mist of sand stung his face and eyes as he approached the huge structure. The pier was like a beached aircraft carrier. It was long and wide. It had a large parking lot and an assortment of restaurants and souvenir shops on top. At its midpoint it had a ful amusement park with a rol er coaster and the signature Ferris wheel. And at its furthest extension into the sea it was a traditional fishing pier with a bait shop, management office and yet another restaurant. Al of it was supported on a thick forest of wood pilings that started landside and carried seven hundred feet out beyond the wave break and to the cold depths.

Landside, the pilings were enclosed with a wooden siding that created a semi-secure storage facility for the city of Santa Monica. Only semi-secure for two reasons: The storage area was vulnerable to extreme high tides, which came on rare occasion during offshore earthquakes. Also, the pier spanned a hundred yards of beach, which entailed anchoring the wood siding in moist sand. The wood was always in the process of rotting and was easily compromised. The result was that the storage facility had become an unofficial homeless shelter that had to be periodical y cleared out by the city.

The SIS observers had reported that Jason Jessup had slipped underneath the south wal the night before and had spent thirty-one minutes inside the storage area.

Bosch reached the pier and started walking its length, looking for the spot in the wood siding where Jessup had crawled under. He carried a mini Maglite and quickly found a depression where the sand had been dug out at the wal 's base and partial y fil ed back in. He crouched down, put the light into the hole and determined that it was too smal for him to fit through. He put the light down to the side, reached down and started digging like a dog trying to escape the yard.

Soon the hole seemed big enough and he crawled through. He was dressed for the effort. Old black jeans and work boots, and a long-sleeved T-shirt beneath a plastic raid jacket he wore inside out to hide the luminescent yel ow LAPD across the front and back.

He came up inside to a dark, cavernous space with slashes of light filtering down between the planks of the parking lot above. He stood up and brushed the sand off his clothes, then swept the area with the flashlight. It had been made for close-in work, so its beam did little to il uminate the far reaches of the space.

There was a damp smel and the sound of waves crashing through the pilings only twenty-five yards away echoed loudly in the enclosed space. Bosch pointed the light up and saw fungus caked on the pier's crossbeams. He moved forward into the gloom and quickly came upon a boat covered by a tarp.

He lifted up a loose end and saw that it was an old lifeguard boat. He moved on and came upon stacks of buoys and then stacks of traffic barricades and mobile barriers, al of them stenciled with CITY OF SANTA MONICA.

He next came to three stacks of scaffolding used for paint and repair projects on the pier. They looked long untouched and were slowly sinking in the sand.

Across the rear was a line of enclosed storage rooms, but the wood sidings had cracked and split over time, making storage in them porous at best.

The doors were unlocked and Bosch went down the line, finding each one empty until the second to the last. Here the door was secured with a shiny new padlock. He put the beam of his light into one of the cracks between the planks of the siding and tried to look in. He saw what appeared to be the edge of a blanket but that was al .

Bosch moved back to the door and knelt down in front of the lock. He held the light with his mouth and extracted two lock picks from his wal et. He went to work on the padlock and quickly determined that it had only four tumblers. He got it open in less than five minutes.

He entered the storage corral and found it largely empty. There was a folded blanket on the ground with a pil ow on top of it. Nothing else. The SIS

surveil ance report had said that the night before, Jessup had walked down the beach carrying a blanket. It did not say that he had left it behind under the pier, and there had been nothing in the report about a pil ow.

Harry wasn't even sure he was in the same spot that Jessup had come to. He moved the light over the wal and then up to the underside of the pier, where he held it. He could clearly see the outline of a door. A trapdoor. It was locked from underneath with another new padlock.

Bosch was pretty sure that he was standing beneath the pier's parking lot. He had occasional y heard the sound of vehicles up above as the pier crowd went home. He guessed that the trapdoor had been used as some sort of loading door for materials to be stored. He knew he could grab one of the scaffolds and climb up to examine the second lock but decided not to bother. He retreated from the corral.

As he was relocking the door with the padlock he felt his phone begin to vibrate in his pocket. He quickly pul ed it out, expecting to learn from SIS

dispatch that Jessup was on the move. But the cal er ID told him the cal was from his daughter. He opened the phone.

"Hey, Maddie."

"Dad? Are you there?"

Her voice was low and the sound of crashing waves was loud. Bosch yel ed.

"I'm here. What's wrong?"

"Wel , when are you coming home?"

"Soon, baby. I've got a little bit more work to do."

She dropped her voice even lower and Bosch had to clamp a hand over his other ear to hear her. In the background he could hear the freeway on her end. He knew she was on the rear deck.

"Dad, she's making me do homework that isn't even due until next week."

Bosch had once again left her with Sue Bambrough, the assistant principal.

"So next week you'l be thanking her when everybody else is doing it and you'l be al done."

"Dad, I've been doing homework al night!"

"You want me to tel her to let you take a break?"

His daughter didn't respond and Bosch understood. She had cal ed because she wanted him to know the misery she was suffering. But she didn't want him to do anything about it.

"I'l tel you what," he said. "When I get back I wil remind Mrs. Bambrough that you are not in school when you are at home and you don't need to be working the whole time. Okay?"

"I guess. Why can't I just stay at Rory's? This isn't fair."

"Maybe next time. I need to get back to work, Mads. Can we talk about it tomorrow? I want you in bed by the time I get home."

"Whatever."

"Good night, Madeline. Make sure al the doors are locked, including on the deck, and I'l see you tomorrow."

"Good night."

The disapproval in her voice was hard to miss. She disconnected the cal ahead of Bosch. He closed his phone and just as he slid it into his pocket he heard a noise, like a banging of metal parts, coming from the direction of the hole he had slid through into the storage area. He immediately kil ed his flashlight and moved toward the tarp that covered the boat.

Crouching behind the boat, he saw a human figure stand up by the wal and start moving in the darkness without a flashlight. The figure moved without hesitation toward the storage corral with the new lock on it.

There were streetlights over the parking lot above. They sent slivers of il umination down through the cracks formed by retreating planks in the boardwalk. As the figure moved through these, Bosch saw that it was Jessup.

Harry dropped lower and instinctively reached his hand to his belt just to make sure his gun was there. With his other hand he pul ed his phone and hit the mute button. He didn't want the SIS dispatcher to suddenly remember to cal him to alert him that Jessup was moving.

Bosch noticed that Jessup was carrying a bag that appeared to be heavily weighted. He went directly to the locked storage room and soon swung the door open. He obviously had a key to the padlock.

Jessup stepped back and Bosch saw a slash of light cross his face as he turned and scanned the entire storage area, making sure he was alone. He then went inside the room.

For several seconds, there was no sound or movement, then Jessup reappeared in the doorway. He stepped out and closed the door, relocking it. He then stepped back into the light and did a 180-degree scan of the larger storage area. Bosch lowered his body even further. He guessed that Jessup was suspicious because he had found the hole under the wal freshly dug out.

"Who's there?" he cal ed out.

Bosch didn't move. He didn't even breathe.

"Show yourself !"

Bosch snaked his hand under the raid jacket and closed his hand on his gun's grips. He knew the indications were that Jessup had obtained a weapon.

If he made even a feint in Bosch's direction, Harry was going to pul his own weapon and be ready to fire first.

But it never happened. Jessup started moving quickly back to the entrance hole and soon he disappeared in the darkness. Bosch listened but al he could hear was the crashing of the waves. He waited another thirty seconds and then started moving toward the opening in the wal . He didn't turn on the light. He wasn't sure Jessup had actual y left.

As he moved around the stack of scaffolding frames, he banged his shin hard on a metal pipe that was extending out from the pile. It sent a sudden burst of pain up his left leg and shifted the balance of metal frames. The top two loudly slid off stack, clattering to the sand. Bosch threw himself to the sand next to the pile and waited.

But Jessup didn't appear. He was gone.

Bosch slowly got up. He was in pain and he was angry. He pul ed his phone and cal ed SIS dispatch.

"You were supposed to cal me when Jessup moved!" he whispered angrily.

"I know that," said the dispatcher. "He hasn't moved."

"What? Are you--patch me through to whoever's in charge out there."

"I'm sorry, Detective, but that's not how--"

"Look, shithead, Jessup is not tucked in for the night. I just saw him. And it almost turned bad. Now let me talk to somebody out there or my next cal is to Lieutenant Wright at home."

While he waited Bosch moved to the sidewal so he could get out of the storage area. His leg hurt badly and he was walking with a limp.

In the darkness he couldn't find the spot where he could slip under the wal . Final y, he put the light on, holding it low to the ground. He found the spot but saw that Jessup had pushed sand into the hole, just as he had the night before.

A voice final y came to him over the phone.

"Bosch? This is Jacquez. You claim you just saw our subject?"

"I don't claim I saw him. I did see him. Where are your people?"

"We're sitting on his zero, man. He hasn't left."

Zero was a surveil ance subject's home location.

"Bul shit, I just saw him under the Santa Monica pier. Get your people up here. Now."

"We got his zero down tight, Bosch. There's no--"

"Listen, Jackass, Jessup is my case. I know him and he almost just crawled up my ass. Now cal your men and find out which one went off post because--"

"I'l get back to you," Jacquez said curtly and the line went dead.

Bosch turned the phone's ringer back on and put it in his pocket. Once again he dropped to his knees and quickly dug out the hole, using his hands as a scoop. He then pushed his body through, half expecting Jessup to be waiting for him when he came up on the other side.

But there was no sign of him. Bosch got up, gazed south down the beach in the direction of Venice and saw no one in the light from the Ferris wheel. He then turned and looked up toward the hotels and apartment buildings that ran along the beach. Several people were on the beach walk that fronted the buildings but he didn't recognize any of the figures as Jessup.

Twenty-five yards up the pier was a set of stairs leading topside and directly to the pier's parking lot. Bosch headed that way, stil limping badly. He was halfway up the stairs when his phone rang. It was Jacquez.

"Al right, where is he? We're on our way."

"That's the thing. I lost him. I had to hide and I thought you people were on him. I'm going to the top of the pier now. What the hel happened, Jacquez?"

"We had a guy step out to drop a deuce. Said his stomach was giving him trouble. I don't think he'l be in the unit after tonight."

"Jesus Christ!"

Bosch got to the top of the steps and walked out onto the empty parking lot. There was no sign of Jessup.

"Okay, I'm up on the pier. I don't see him. He's in the wind."

"Okay, Bosch, we're two minutes out. We're going to spread. We'l find him. He didn't take the car or the bike, so he's on foot."

"He could've grabbed a cab at any one of the hotels over here. The bottom line is we don't know where--"

Bosch suddenly realized something.

"I gotta go. Cal me as soon as you have him, Jacquez. You got that?"

"Got it."

Bosch ended the cal and then immediately cal ed his home on the speed dial. He checked his watch and expected Sue Bambrough to answer, since it was after eleven.

But his daughter picked up the cal .

"Dad?"

"Hey, baby, why are you stil up?"

"Because I had to do al that homework. I wanted a little break before I went to sleep."

"That's fine. Listen, can you put Mrs. Bambrough on the line?"

"Dad, I'm in my bedroom and I'm in my pajamas."

"That's okay. Just go to the door and tel her to pick up the phone in the kitchen. I need to talk to her. And meantime, you have to get dressed. You're leaving the house."

"What? Dad, I have--"

"Madeline, listen to me. This is important. I am going to tel Mrs. Bambrough to take you to her house until I can get there. I want you out of the house."

"Why?"

"You don't need to know that. You just need to do what I ask. Now, please, get Mrs. Bambrough on the phone."

She didn't respond but he heard the door of her room open. Then he heard his daughter say, "It's for you."

A few moments later the extension was picked up in the kitchen.

"Hel o?"

"Sue, it's Harry. I need you to do something. I need you to take Maddie to your house. Right now. I wil be there in less than an hour to get her."

"I don't understand."

"Sue, listen, we've been watching a guy tonight who knows where I live. And we lost him. Now, there is no reason to panic or to believe he is heading that way but I want to take al precautions. So I want you to take Maddie and get out of the house. Right now. Go to your place and I wil see you there. Can you do this, Sue?"

"We're leaving right now."

He liked the strength in her voice and realized it probably came with the territory of being a teacher and assistant principal in the public school system.

"Okay, I'm on my way. Cal me back as soon as you get to your place."

But Bosch wasn't real y on his way. After the cal , he put the phone away and went back down the steps to the beach. He returned to the hole he had dug under the storage area wal . He crawled back under and this time used his flashlight to find his way to the locked storage room. He used his picks again on the padlock and the whole time he worked he was distracted by thoughts of Jessup's escape from the surveil ance. Had it just been a coincidence that he had left his apartment at the same time the SIS watcher had left his post, or was he aware of the surveil ance and did he break free when he saw the opportunity?

At the moment, there was no way to know.

Final y, he got the lock open, taking longer than he had the first time. He entered the storage room and moved the light to the blanket and pil ow on the ground. The bag Jessup had carried was there. It said Ralphs on its side. Bosch dropped to his knees and was about to open it when his phone buzzed.

It was Jacquez.

"We got him. He's on Nielson at Ocean Park. It looks like he's walking home."

"Then try not to lose him this time, Jacquez. I gotta go."

He disconnected before Jacquez could reply. He quickly cal ed his daughter's cel . She was in the car with Sue Bambrough. Bosch told her they could turn around and go back home. This news was not received with a thankful release of tension. His daughter was left upset and angry over the scare.

Bosch couldn't blame her but he couldn't stay on the line.

"I'l be home in less than an hour. We can talk about it then if you're stil awake. I'l see you soon."

He disconnected the cal and focused on the bag. He opened it without moving it from its spot next to the blanket.

The bag contained a dozen single-serving-size cans of fruit. There were diced peaches in heavy syrup, chopped pineapple and something cal ed fruit medley. Also in the bag was a package of plastic spoons. Bosch stared at the contents for a long moment and then his eyes moved up the wal to the crossbeams and the locked trapdoor above.

"Who are you bringing here, Jessup?" he whispered.

Thirty-three

Wednesday, April 7, 1:05 P.M.

Al eyes were on the back of the courtroom. It was time for the main event, and while I had ringside seats, I was stil going to be just a spectator like everybody else. That didn't sit very wel with me but it was a choice I could live with and trust. The door opened and Harry Bosch led our main witness into the courtroom. Sarah Ann Gleason told us she didn't own any dresses and didn't want to buy one to testify in. She wore black jeans and a purple silk blouse. She looked pretty and she looked confident. We didn't need a dress.

Bosch stayed on her right side and when opening the gate for her positioned his body between her and Jessup, who sat at the defense table, turned like everybody else toward his main accuser's entrance.

Bosch let her go the rest of the way by herself. Maggie McFierce was already at the lectern and she smiled warmly at her witness as she went by. This was Maggie's moment, too, and I read her smile as one of hope for both women.

We'd had a good morning, with testimony from Bil Clinton, the former tow truck driver, and then Bosch taking the case through to lunch. Clinton told his story about the day of the murder and Jessup borrowing his Dodgers cap just before they became part of the impromptu lineup outside the house on Windsor Boulevard. He also testified to the Aardvark drivers' frequent use of and familiarity with the parking lot behind the El Rey Theatre, and Jessup's claim to Windsor Boulevard on the morning of the murder. These were good, solid points for the prosecution, and Clinton gave no quarter to Royce on cross.

Then Bosch took the stand for a third time in the trial. Rather than read previous testimony, this time he testified about his own recent investigation of the case and produced the Dodgers cap--with the initials BC under the brim--from property that had been seized from Jessup during his arrest twenty-four years earlier. We were forced to dance around the fact that the hat as wel as Jessup's other belongings had been in the property room at San Quentin for the past twenty-four years. To bring that information out would be to reveal that Jessup had previously been convicted of Melissa Landy's murder.

And now Sarah Gleason would be the prosecution's final witness. Through her the case would come together in the emotional crescendo I was counting on. One sister standing for a long-lost sister. I leaned back in my seat to watch my ex-wife--the best prosecutor I had ever encountered--take us home.

Gleason was sworn in and then took her seat on the stand. She was smal and required the microphone to be lowered by the courtroom deputy. Maggie cleared her voice and began.

"Good morning, Ms. Gleason. How are you today?"

"I'm doing pretty good."

"Can you please tel the jury a little bit about yourself?"

"Um, I'm thirty-seven years old. Not married. I live in Port Townsend, Washington, and I've been there about seven years now."

"What do you do for a living?"

"I'm a glass artist."

"And what was your relationship to Melissa Landy?"

"She was my younger sister."

"How much younger was she than you?"

"Thirteen months."

Maggie put a photograph of the two sisters up on the overhead screen as a prosecution exhibit. It showed two smiling girls standing in front of a Christmas tree.

"Can you identify this photo?"

"That was me and Melissa at the last Christmas. Right before she was taken."

"So that would be Christmas nineteen eighty-five?"

"Yes."

"I notice that she and you are about the same size."

"Yes, she wasn't real y my little sister anymore. She had caught up to me."

"Did you share the same clothes?"

"We shared some things but we also had our favorite things that we didn't share. That could cause a fight."

She smiled and Maggie nodded that she understood.

"Now, you said she was taken. Were you referring to February sixteenth of the fol owing year, the date of your sister's abduction and murder?"

"Yes, I was."

"Okay, Sarah, I know it wil be difficult for you but I would like you to tel the jury what you saw and did on that day."

Gleason nodded as if steeling herself for what was ahead. I checked the jury and saw every eye holding on her. I then turned and glanced at the defense table and locked eyes with Jessup. I did not look away. I held his defiant stare and tried to send back my own message. That two women--one asking the questions, the other answering them--were going to take him down.

Final y, it was Jessup who looked away.

"Wel , it was a Sunday," Gleason said. "We were going to go to church. My whole family. Melissa and I were in our dresses so my mother told us to go out front."

"Why couldn't you use the backyard?"

"My stepfather was building a pool and there was a lot of mud in the back and a big hole. My mother was worried we might fal down and get our dresses dirty."

"So you went out to the front yard."

"Yes."

"And where were your parents at this time, Sarah?"

"My mother was stil upstairs getting ready and my stepfather was in the TV room. He was watching sports."

"Where was the TV room in the house?"

"In the back next to the kitchen."

"Okay, Sarah, I am going to show you a photo cal ed 'People's prosecution exhibit eleven.' Is this the front of the house where you lived on Windsor Boulevard?"

Al eyes went to the overhead screen. The yel ow-brick house spread across the screen. It was a long shot from the street, showing a deep front yard with ten-foot hedges running down both sides. There was a front porch that ran the width of the house and that was largely hidden behind ornamental vegetation. There was a paved walkway extending from the sidewalk, across the lawn and to the steps of the front porch. I had reviewed our photo exhibits several times in preparation for the trial. But for the first time, I noticed that the walkway had a crack running down the center of its entire length from sidewalk to front steps. It somehow seemed appropriate, considering what had happened at the home.

"Yes, that was our house."

"Tel us what happened that day in the front yard, Sarah."

"Wel , we decided to play hide-and-seek while we waited for our parents. I was It first and I found Melissa hiding behind that bush on the right side of the porch."

She pointed to the exhibit photo that was stil on the screen. I realized we had forgotten to give Gleason the laser pointer we had prepared her testimony with. I quickly opened Maggie's briefcase and found it. I stood and handed it to her. With the judge's permission, she gave it to the witness.

"Okay, Sarah, could you use the laser to show us?" Maggie asked.

Gleason moved the red laser dot in a circle around a thick bush at the north corner of the front porch.

"So she hid there and you found her?"

"Yes, and then when it was her turn to be It, I decided to hide in the same spot because I didn't think she would look there at first. When she was finished counting she came down the steps and stood in the middle of the yard."

"You could see her from your hiding place?"

"Yes, through the bush I could see her. She was sort of turning in a half circle, looking for me."

"Then what happened?"

"Wel , first I heard a truck go by and--"

"Let me just stop you right there, Sarah. You say you heard a truck. You didn't see it?"

"No, not from where I was hiding."

"How do you know that it was a truck?"

"It was very loud and heavy. I could feel it in the ground, like a little earthquake."

"Okay, what happened after you heard the truck?"

"Suddenly I saw a man in the yard... and he went right up to my sister and grabbed her by her wrist."

Gleason cast her eyes down and held her hands together on the dais in front of her seat.

"Sarah, did you know this man?"

"No, I did not."

"Had you ever seen him before?"

"No, I had not."

"Did he say anything?"

"Yes, I heard him say, 'You have to come with me.' And my sister said... she said, 'Are you sure?' And that was it. I think he said something else but I didn't hear it. He led her away. To the street."

"And you stayed in hiding?"

"Yes, I couldn't... for some reason I couldn't move. I couldn't cal for help, I couldn't do anything. I was very scared."

It was one of those solemn moments in the courtroom when there was absolute silence except for the voices of the prosecutor and the witness.

"Did you see or hear anything else, Sarah?"

"I heard a door close and then I heard the truck drive away."

I saw the tears on Sarah Gleason's cheeks. I thought the courtroom deputy had noticed as wel because he took a box of tissues from a drawer in his desk and crossed the courtroom with them. But instead of taking them to Sarah he handed the box to juror number two, who had tears on her cheeks as wel . This was okay with me. I wanted the tears to stay on Sarah's face.

"Sarah, how long was it before you came out from behind the bush where you were hiding and told your parents that your sister had been taken?"

"I think it was less than a minute but it was too late. She was gone."

The silence that fol owed that statement was the kind of void that lives can disappear into. Forever.

Maggie spent the next half hour walking Gleason through her memory of what came after. Her stepfather's desperate 9-1-1 cal to the police, the interview she gave to the detectives, and then the lineup she viewed from her bedroom window and her identifying Jason Jessup as the man she saw lead her sister away.

Maggie had to be very careful here. We had used sworn testimony of witnesses from the first trial. The record of that entire trial was available to Royce as wel , and I knew without a doubt that he had his assistant counsel, who was sitting on the other side of Jessup, comparing everything Sarah Gleason was saying now with the testimony she gave at the first trial. If she changed one nuance of her story, Royce would be al over her on it during his cross-examination, using the discrepancy to try to cast her as a liar.

To me the testimony came off as fresh and not rehearsed. This was a testament to the prep work of the two women. Maggie smoothly and efficiently brought her witness to the vital moment when Sarah reconfirmed her identification of Jessup.

"Was there any doubt at al in your mind when you identified Jason Jessup in nineteen eighty-six as the man who took your sister?"

"No, none at al ."

"It has been a long time, Sarah, but I ask you to look around the courtroom and tel the jury whether you see the man who abducted your sister on February sixteenth, nineteen eighty-six?"

"Yes, him."

She spoke without hesitation and pointed her finger at Jessup.

"Would you tel us where he is seated and describe an article of clothing he is wearing?"

"He's sitting next to Mr. Royce and he has a dark blue tie and a light blue shirt."

I paused and looked at Judge Breitman.

"Let the record show that the witness has identified the defendant," she said.

I went right back to Sarah.

"After al these years, do you have any doubt that he is the man who took your sister?"

"None at al ."

Maggie turned and looked at the judge.

"Your Honor, it may be a bit early but I think now would be a good time to take the afternoon break. I am going to go in a different direction with this witness at this point."

"Very wel ," Breitman said. "We wil adjourn for fifteen minutes and I wil expect to see everyone back here at two-thirty-five. Thank you."

Sarah said she wanted to use the restroom and left the courtroom with Bosch running interference and making sure she would not cross paths with Jessup in the hal way. Maggie sat down at the defense table and we huddled.

"You have 'em, Maggie. This is what they've been waiting al week to hear and it's better than they thought it was going to be."

She knew I was talking about the jury. She didn't need my approval or encouragement but I had to give it.

"Now comes the hard part," she said. "I hope she holds up."

"She's doing great. And I'm sure Harry's tel ing her that right now."

Maggie didn't respond. She started flipping through the legal pad that had her notes and the rough script of the examination. Soon she was immersed in the next hour's work.

Thirty-four

Wednesday, April 7, 2:30 P.M.

Bosch had to shoo away the reporters when Sarah Gleason came out of the restroom. Using his body as a shield against the cameras he walked her back to the courtroom.

"Sarah, you're doing real y wel ," he said. "You keep it up and this guy's going right back to where he belongs."

"Thanks, but that was the easy part. It's going to get hard now."

"Don't kid yourself, Sarah. There is no easy part. Just keep thinking about your sister, Melissa. Somebody has to stand up for her. And right now that's you."

As they got to the courtroom door, he realized that she had smoked a cigarette in the restroom. He could smel it on her.

Inside, he walked her down the center aisle and delivered her to Maggie McFierce, who was waiting at the gate. Bosch gave the prosecutor the nod.

She was doing real y wel herself.

"Finish the job," he said.

"We wil ," Maggie said.

After passing the witness off, Bosch doubled back up the center aisle to the sixth row. He had spotted Rachel Wal ing sitting in the middle of the row. He now squeezed around several reporters and observers to get to her. The space next to her was open and he sat down.

"Harry."

"Rachel."

"I think the man who was in that space was planning on coming back."

"That's okay. Once court starts, I have to move back up. You should've told me you were coming. Mickey said you were here the other day."

"When I have some time I like to come by. It's a fascinating case so far."

"Wel , let's hope the jury thinks it's more than fascinating. I want this guy back in San Quentin so bad I can taste it."

"Mickey told me Jessup was moonlighting. Is that stil --"

She lowered her voice to a whisper when she saw Jessup walking down the aisle and back to his seat at the defense table.

"--happening?"

Bosch matched her whisper.

"Yeah, and last night it almost went completely south on us. The SIS lost him."

"Oh, no."

The judge's door opened and she stepped out and headed up to the bench. Everyone stood. Bosch knew he had to get back to the prosecution table in case he was needed.

"But I found him," he whispered. "I have to go, but are you sticking around this afternoon?"

"No, I have to go back to the office. I'm just on a break right now."

"Okay, Rachel, thanks for coming by. I'l talk to you."

As people started sitting back down he worked his way out of the row and then quickly went back down the aisle and through the gate to take a seat in the row of chairs directly behind the prosecution table.

McPherson continued her direct examination of Sarah Ann Gleason. Bosch thought that both prosecutor and witness had been doing an exceptional job so far, but he also knew that they were moving into new territory now and soon everything said before wouldn't matter if what was said now wasn't delivered in a believable and unassailable fashion.

"Sarah," McPherson began, "when did your mother marry Kensington Landy?"

"When I was six."

"Did you like Ken Landy?"

"No, not real y. At first things were okay but then everything changed."

"You, in fact, attempted to run away from home just a few months before your sister's death, isn't that right?"

"Yes."

"I show you People's exhibit twelve, a police report dated November thirtieth, nineteen eighty-five. Can you tel the jury what that is?"

McPherson delivered copies of the report to the witness, the judge and the defense table. Bosch had found the report during his record search on the case. It had been a lucky break.

"It's a missing persons report," Gleason said. "My mother reported me missing."

"And did the police find you?"

"No, I just came home. I didn't have anyplace to go."

"Why did you run away, Sarah?"

"Because my stepfather... was having sex with me."

McPherson nodded and let the answer hang out there in the courtroom for a long moment. Three days ago Bosch would have expected Royce to jump al over this part of the testimony but now he knew that this played to the defense's case as wel . Kensington Landy was the straw man and any testimony that supported that would be welcomed.

"When did this start?" McPherson final y asked.

"The summer before I ran away," Gleason responded. "The summer before Melissa got taken."

"Sarah, I am sorry to put you through these bad memories. You testified earlier that you and Melissa shared some of each other's clothes, correct?"

"Yes."

"The dress she wore on the day she was taken, that was your dress, wasn't it?"

"Yes."

McPherson then introduced the dress as the state's next exhibit and Bosch set it up for display to the jury on a headless manikin he placed in front of the jury box.

"Is this the dress, Sarah?"

"Yes, it is."

"Now, you notice that there is a square of material removed from the bottom front hem of the dress. You see that, Sarah?"

"Yes."

"Do you know why that was removed?"

"Yes, because they found semen on the dress there."

"You mean forensic investigators?"

"Yes."

"Now, is this something you knew back at the time of your sister's death?"

"I know it now. I wasn't told about it back then."

"Do you know who the semen was genetical y identified as belonging to?"

"Yes, I was told it came from my stepfather."

"Did that surprise you?"

"No, unfortunately."

"Do you have any explanation for how it could have gotten on your dress?"

Now Royce objected, saying that the question cal ed for speculation. It also cal ed for the witness to diverge from the defense theory, but he didn't mention that. Breitman sustained the objection and McPherson had to find another way of getting there.

"Sarah, prior to your sister borrowing your dress on the morning she was abducted, when was the last time you wore it?"

Royce stood and objected again.

"Same objection. We're speculating about events twenty-four years old and when this witness was only thirteen years old."

"Your Honor," McPherson rejoined, "Mr. Royce was fine with this so-cal ed speculation when it fit with the defense's scheme of things. But now he objects as we get to the heart of the matter. This is not speculation. Ms. Gleason is testifying truthful y about the darkest, saddest days of her life and I don't think--"

"Objection overruled," Breitman said. "The witness may answer."

"Thank you, Your Honor."

As McPherson repeated the question Bosch studied the jury. He wanted to see if they saw what he saw--a defense attorney attempting to stop the forward progression of truth. Bosch had found Sarah Gleason's testimony to be ful y convincing up to this point. He wanted to hear what she had to say and his hope was that the jury was in the same boat and would look unkindly upon defense efforts to stop her.

"I wore it two nights before," Gleason said.

"That would have been Friday night, the fourteenth. Valentine's Day."

"Yes."

"Why did you wear the dress?"

"My mother was making a nice dinner for Valentine's Day and my stepfather said we should get dressed up for it."

Gleason was looking down again, losing al eye contact with the jurors.

"Did your stepfather engage in a sexual act with you on that night?"

"Yes."

"Were you wearing the dress at the time?"

"Yes."

"Sarah, do you know if your father ejac--"

"He wasn't my father!"

She yel ed it and her voice echoed in the courtroom, reverberating around a hundred people who now knew her darkest secret. Bosch looked at McPherson and saw her checking out the jury's reaction. It was then Bosch knew that the mistake had been intentional.

"I am sorry, Sarah. I meant your stepfather. Do you know, did he ejaculate in the course of this moment with you?"

"Yes, and some of it got on my dress."

McPherson studied her notes, flipping over several pages of her yel ow pad. She wanted that last answer to hang out there as long as possible.

"Sarah, who did the laundry at your house?"

"A lady came. Her name was Abby."

"After that Valentine's Day, did you put your dress in the laundry?"

"No, I didn't."

"Why not?"

"Because I was afraid Abby would find it and know what happened. I thought she might tel my mother or cal the police."

"Why would that have been a bad thing, Sarah?"

"I... my mother was happy and I didn't want to ruin things for her."

"So what did you do with the dress that night?"

"I cleaned off the spot and hung it in my closet. I didn't know my sister was going to wear it."

"So two days later when she wanted to put it on, what did you say?"

"She already had it on when I saw her. I told her that I wanted to wear it but she said it was too late because it wasn't on my list of clothes I didn't share with her."

"Could you see the stain on the dress?"

"No, I looked and because it was down at the hem I didn't see any stain."

McPherson paused again. Bosch knew from the prep work that she had covered al the points she wanted to in this line of questioning. She had sufficiently explained the DNA that was the cause of everyone's being here. She now had to take Gleason further down the road of her dark journey.

Because if she didn't, Royce certainly would.

"Sarah, did your relationship with your stepfather change after your sister's death?"

"Yes."

"How so?"

"He never touched me again."

"Do you know why? Did you talk to him about it?"

"I don't know why. I never talked to him about it. It just never happened again and he tried to act like it had never happened in the first place."

"But for you, al of this--your stepfather, your sister's death--it took a tol , didn't it?"

"Yes."

"In what way, Sarah?"

"Uh, wel , I started getting into drugs and I ran away again. I ran away a lot, actual y. I didn't care about sex. It was something I used to get what I needed."

"And were you ever arrested?"

"Yes, a bunch of times."

"For what?"

"Drugs mostly. I got arrested once for soliciting an undercover, too. And for stealing."

"You were arrested six times as a juvenile and five more times as an adult, is that correct?"

"I didn't keep count."

"What drugs were you taking?"

"Crystal meth mostly. But if there was something else available, I would probably take it. That was the way I was."

"Did you ever receive counseling and rehabilitation?"

"A lot of times. It didn't work at first and then it did. I got clean."

"When was that?"

"About seven years ago. When I was thirty."

"You've been clean for seven years?"

"Yes, total y. My life is different now."

"I want to show you People's exhibit thirteen, which is an intake and evaluation form from a private rehab center in Los Angeles cal ed the Pines. Do you remember going there?"

"Yes, my mother sent me there when I was sixteen."

"Was that when you first started getting into trouble?"

"Yes."

McPherson distributed copies of the evaluation form to the judge, clerk and defense table.

"Okay, Sarah, I want to draw your attention to the paragraph I have outlined in yel ow in the evaluation section of the intake form. Can you please read it out loud to the jury?"

"Candidate reports PTSD in regard to the murder of her younger sister three years ago. Suffers unresolved guilt associated with murder and also evinces behavior typical of sexual abuse. Ful psych and physical evaluation is recommended."

"Thank you, Sarah. Do you know what PTSD means?"

"Posttraumatic stress disorder."

"Did you undergo these recommended evaluations at the Pines?"

"Yes."

"Did discussion of your stepfather's sexual abuse come up?"

"No, because I lied."

"How so?"

"By then I'd had sex with other men, so I never mentioned my stepfather."

"Before revealing what you have today in court, did you ever talk about your stepfather and his having sex with you with anyone?"

"Just you and Detective Bosch. Nobody else."

"Have you been married?"

"Yes."

"More than once?"

"Yes."

"And you didn't even tel your husbands about this?"

"No. It's not the kind of thing you want to tel anybody. You keep it to yourself."

"Thank you, Sarah. I have no further questions."

McPherson took her pad and returned to her seat, where she was greeted with a squeeze on the arm by Hal er. It was a gesture designed for the jury to see but by then al eyes were on Royce. It was his turn and Bosch's measure of the room was that Sarah Gleason had everybody riding with her. Any effort by Royce to destroy her ran the strong risk of backfiring against his client.

Royce did the smart thing. He decided to let emotions cool for a night. He stood and told the judge that he reserved the right to recal Gleason as a witness during the defense phase of the trial. In effect he put off her cross-examination. He then retook his seat.

Bosch checked his watch. It was four-fifteen. The judge told Hal er to cal his next witness but Bosch knew there were no more witnesses. Hal er looked at McPherson and in unison they nodded. Hal er then stood up.

"Your Honor," he said. "The People rest."

Thirty-five

Wednesday, April 7, 7:20 P.M.

The prosecution team convened for dinner at Casa Haler. I made a thick Bolognese using a store-bought sauce for a base and boiled a box of bow tie pasta. Maggie chipped in with her own recipe for Caesar salad that I had always loved when we were married but hadn't had in years. Bosch and his daughter were the last to arrive, as Harry first took Sarah Ann Gleason back to her hotel room fol owing court and made sure she was secure for the night.

Our daughters were shy upon meeting and embarrassed by how obvious their parents were about watching the long-awaited moment. They instinctively knew to move away from us and convened in the back office, ostensibly to do their homework. Pretty soon after, we started to hear laughter from down the hal .

I put the pasta and sauce into a big bowl and mixed it al together. I then cal ed the girls out first to serve themselves and take their dishes back to the office.

"How's it going back there, anyway?" I asked them while they were making their plates. "Any homework getting done?"

"Dad," Hayley said dismissively, as if my question were a great invasion of privacy.

So I tried the cousin.

"Maddie?"

"Um, I'm almost finished with mine."

Both girls looked at each other and laughed, as if either the question or its answer were cause for great glee. They scurried out of the kitchen then and back to the office.

I put everything out on the table, where the adults were sitting. The last thing I did was make sure the door to the office was closed so the girls would not hear our conversation and we would not hear theirs.

"Wel ," I said as I passed the pasta to Bosch. "We're finished with our part. Now comes the hard part."

"The defense," Maggie said. "What do we think they have in store for Sarah?"

I thought for a moment before answering and tried my first bow tie. It was good. I was proud of my dish.

"We know they'l throw everything they can at her," I final y said. "She's the case."

Bosch reached inside his jacket and brought out a folded piece of paper. He opened it on the table. I could see that it was the defense's witness list.

"At the end of court today Royce told the judge he would complete the defense's case in one day," he said. "He said he's cal ing only four witnesses but he's got twenty-three listed on here."

"Wel , we knew al along that most of that list was subterfuge," Maggie said. "He was hiding his case."

"Okay, so we have Sarah coming back," I said, holding up one finger. "Then we have Jessup himself. My guess is that Royce knows he has to put him on. That's two. Who else?"

Maggie waited until she finished a mouthful of food before speaking.

"Hey, this is good, Hal er. When did you learn to make this?"

"It's a little thing I like to cal Newman's Own."

"No, you added to it. You made it better. How come you never cooked like this when we were married?"

"I guess it came out of necessity. Being a single father. What about you, Harry? What do you cook?"

Bosch looked at us both like we were crazy.

"I can fry an egg," he said. "That's about it."

"Let's get back to the trial," Maggie said. "I think Royce has got Jessup and Sarah. Then I think he's got the secret witness we haven't found. The guy from the last rehab center."

"Edward Roman," Bosch said.

"Right. Roman. That makes three and the fourth one could be his investigator or maybe his meth expert but is probably just bul shit. There is no fourth.

So much of what Royce does is misdirection. He doesn't want anybody's eyes on the prize. Wants them looking anywhere but right at the truth."

"What about Roman?" I said. "We haven't found him, but have we figured out his testimony?"

"Not by a long shot," Maggie said. "I've gone over and over this with Sarah and she has no idea what he's going to say. She couldn't remember ever talking about her sister with him."

"The summary Royce provided in discovery says he wil testify about Sarah's 'revelations' about her childhood," Bosch said. "Nothing more specific than that and, of course, Royce claims he didn't take any notes during the interview."

"Look," I said, "we have his record and we know exactly what kind of guy we're dealing with here. He's going to say whatever Royce wants him to say.

It's that simple. Whatever works for the defense. So we should be less concerned by what he says--because we know it wil be lies--and more concerned with knocking him out of the box. What do we have that can help us there?"

Maggie and I both looked at Bosch and he was ready for us.

"I think I might have something. I'm going to go see somebody tonight. If it pans out we'l have it in the morning. I'l tel you then."

My frustrations with Bosch's methods of investigation and communication boiled over at that point.

"Harry, come on. We're part of a team here. This secret agent stuff doesn't real y work when we're in that courtroom every day with our asses on the line."

Bosch looked down at his plate and I saw the slow burn. His face grew as dark as the sauce.

" Your asses on the line?" he said. "I didn't see anywhere in the surveil ance reports that Jessup was hanging around outside your house, Hal er, so don't tel me about your ass being on the line. Your job is in that courtroom. It's nice and safe and sometimes you win and sometimes you lose. But no matter what happens, you're back in court the next day. You want your ass on the line, try working out there."

He pointed out the window toward the view of the city.

"Hey, guys, let's just calm down here," Maggie said quickly. "Harry, what's the matter? Has Jessup gone back to Woodrow Wilson? Maybe we should just revoke this guy and put him back in lockup."

Bosch shook his head.

"Not to my street. He hasn't been back there since that first night and he hasn't been up to Mulhol and in more than a week."

"Then what is it?"

Bosch put his fork down and pushed his plate back.

"We already know there's a good chance that Jessup has a gun from that meeting the SIS saw him have with a convicted gun dealer. They didn't see what he got from the guy, but since it came wrapped in a towel, it doesn't take a lot to figure it out. And then, you want to know what happened last night?

Some bright guy on the surveil ance decides to leave his post to use the john without tel ing anybody and Jessup walked right out of the net."

"They lost him?" Maggie asked.

"Yeah, until I found him right before he found me, which might not have turned out so wel . And you know what he's up to? He's building a dungeon for somebody and for al I know--"

He leaned forward over the table and finished in an urgent whisper.

"--might be for my kid!"

"Whoa, wait, Harry," Maggie said. "Back up. He's building a dungeon? Where?"

"Under the pier. There's like a storage room. He put a lock on the door and dropped canned food off there last night. Like he's getting it ready for somebody."

"Okay, that's scary," Maggie said. "But your daughter? We don't know that. You said he went by your place only the one time. What makes you think--?"

"Because I can't afford not to think it. You understand?"

She nodded.

"Yes, I do. Then I come back to what I just said. We violate him for associating with a known criminal--the gun dealer--and pul his OR release. There's only a few days left in the trial and he obviously didn't act out or make the mistake we thought he would. Let's be safe and put him back inside until this is over."

"And what if we don't get the conviction?" Bosch said. "What happens then? This guy walks and that'l also be the end of the surveil ance. He'l be out there without any eyes on him."

That brought a silence to the table. I stared at Bosch and understood the pressure he was under. The case, the threat to his daughter, and no wife or ex-wife to help him out at home.

Bosch final y broke the uneasy silence.

"Maggie, are you taking Hayley home with you tonight?"

Maggie nodded.

"Yes, when we're finished here."

"Can Maddie stay with you two tonight? She brought a change of clothes in her backpack. I'd come by in the morning in time to take her to school."

The request seemed to take Maggie by surprise, especial y since the girls had just met. Bosch pressed her.

"I need to meet somebody tonight and I don't know where it wil take me," Bosch said. "It might even lead to Roman. I need to be able to move without worrying about Maddie."

She nodded.

"Okay, that's fine. It sounds like they're becoming fast friends. I just hope they don't stay up al night."

"Thank you, Maggie."

About thirty seconds of silence went by before I spoke.

"Tel us about this dungeon, Harry."

"I was standing in it last night."

"Why the Santa Monica pier?"

"My guess is that it's because of the proximity to what's on top of the pier."

"Prey."

Bosch nodded.

"But what about noise? You're saying this place is directly below the pier?"

"There are ways of control ing human sound. And last night the sound of waves crashing against the pilings under there was so loud you could've screamed al night and nobody would've heard you. You probably wouldn't even hear a gunshot from down there."

Bosch spoke with a certain authority of the dark places of the world and the evil they held. I lost my appetite then and pushed my plate away. I felt dread come inside me.

Dread for Melissa Landy and al the other victims in the world.

Thirty-six

Wednesday, April 7, 11:00 P.M.

Gilbert and Sulivan were waiting for him in a car parked on Lankershim Boulevard near its northern terminus at San Fernando Road. It was a blighted area populated primarily with used-car lots and repair shops. In the midst of al of this low-rent industry was a run-down motel advertising rooms for fifty dol ars a week. The motel had no name on display. Just the lighted sign that said MOTEL.

Gilbert and Sul ivan were Gilberto Reyes and John Sul ivan, a pair of narcs assigned to the Val ey Enforcement Team, a street-level drug unit. When Bosch was looking for Edward Roman he put the word out in al such units in the department. His assumption from Roman's record was that he had never gotten away from the life as Sarah Gleason had. There had to be somebody in the department's narco units with a line on him.

It paid off with a cal from Reyes. He and his partner didn't have a bead on Roman but they knew him from past interactions on the street and knew where his current trick partner was holed up and apparently awaiting his return. Long-term drug addicts often partnered with a prostitute, offering her protection in exchange for a share of the drugs her earnings bought.

Bosch pul ed his car up behind the narcs' UC car and parked. He got out and moved up to their car, getting in the back after checking the seat to make sure it was clean of vomit and any other detritus from the people they had transported lately.

"Detective Bosch, I presume?" said the driver, whom Bosch guessed was Reyes.

"Yeah, how are you guys?"

He offered his fist over the seat and they both gave him a bump while identifying themselves. Bosch had it wrong. The one who looked to be of Latin origin was Sul ivan and the one who looked like a bag of white bread was Reyes.

"Gilbert and Sul ivan, huh?"

"That's what they cal ed us when we got partnered," Sul ivan said. "Kind of stuck."

Bosch nodded. That was enough for the meet-and-greet. Everybody had a nickname and a story to go with it. These guys together didn't add up to how old Bosch was and they probably had no clue who Gilbert and Sul ivan were, anyway.

"So you know Eddie Roman?"

"We've had the pleasure," Reyes said. "Just another piece of human shit that floats around out here."

"But like I told you on the phone, we ain't seen him in a month or so," Sul ivan added. "So we got you his next best thing. His onion. She's over there in room three."

"What's her name?"

Sul ivan laughed and Bosch didn't get it.

"Her name is Sonia Reyes," said Reyes. "No relation."

"That he knows of," Sul ivan added.

He burst into laughter, which Bosch ignored.

"Spel it for me," he said.

He took out his notebook and wrote it down.

"And you're sure she's in the room?"

"We're sure," Reyes said.

"Okay, anything else I should know before I go in?"

"No," Reyes said, "but we were planning on goin' in with you. She might get squirrel y with you."

Bosch reached forward and clapped him on the shoulder.

"No, I got this. I don't want a crowd in the room."

Reyes nodded. Message delivered. Bosch did not want any witnesses to what he might need to do here.

"But thanks for the help. It wil be noted."

"An important case, huh?" Sul ivan said.

Bosch opened the door and got out.

"They al are," he said.

He closed the door, slapped the roof twice and walked away.

The hotel had an eight-foot security fence around it. Bosch had to press a buzzer and hold his badge up to a camera. He was buzzed into the compound but walked right by the office and down a breezeway leading to the rooms.

"Hey!" a voice cal ed from behind.

Bosch turned and saw a man with an unbuttoned shirt leaning out the door of the motel's office.

"Where the fuck you goin', dude?"

"Go back inside and shut the door. This is police business."

"Don't matter, man. I let you in but this is private property. You can't just come through the--"

Bosch started quickly moving back up the breezeway toward the man. The man took his measure and backed down without Bosch saying a word.

"Never mind, man. You're good."

He quickly stepped back inside and closed the door. Bosch turned back and found room three without a further problem. He leaned close to the jamb to see if he could pick up any sound. He heard nothing.

There was a peephole. He put his finger over it and knocked. He waited and then knocked again.

"Sonia, open up. Eddie sent me."

"Who are you?"

The voice was female, ragged and suspicious. Bosch used the universal pass code.

"Doesn't matter. Eddie sent me with somethin' to hold you over til he's done."

No response.

"Okay, Sonia, I'l tel him you weren't interested. I've got someone else who wants it."

He took his finger off the peep and started walking away. Almost immediately the door opened behind him.

"Wait."

Bosch turned back. The door was open six inches. He saw a set of hol ow eyes looking out at him, a dim light behind them.

"Let me see."

Bosch looked around.

"What, out here?" he said. "They got cameras al over the place."

"Eddie tol' me not to open the door for strangers. You look like a cop to me."

"Wel , maybe I am, but that doesn't change that Eddie sent me."

Bosch started to turn again.

"Like I said, I'l tel him I tried. Have a nice night."

"Okay, okay. You can come in but only to make the drop. Nothing else."

Bosch walked back toward the door. She moved behind it and opened it. He entered and turned to her and saw the gun. It was an old revolver and he saw no bul ets in the exposed chambers. Bosch raised his hands chest high. He could tel she was hurting. She'd been waiting too long for somebody, putting blind junkie trust in something that wouldn't pay off.

"That's not necessary, Sonia. Besides, I don't think Eddie left you with any bul ets."

"I got one left. You want to try it?"

Probably the one she was saving for herself. She was skin and bones and close to the end of the line. No junkie went the distance.

"Give it to me," she ordered. "Now."

"Okay, take it easy. I have it right here."

He reached his right hand into his coat pocket and pul ed out a bal ed piece of aluminum foil he had taken from a rol in Mickey Hal er's kitchen. He held it out to the right of his body and he knew her desperate eyes would fol ow it. He shot his left hand out and snatched the gun out of her hand. He then stepped forward and roughly shoved her onto the bed.

"Shut up and don't move," he commanded.

"What is--?"

"I said shut up!"

He popped the gun's barrel out and checked it. She had been right. There was one bul et left. He slid it out into his palm and then put it in his pocket. He hooked the gun into his belt. Then he pul ed his badge wal et and opened it for her to see.

"You had that right," he said.

"What do you want?"

"We'l get to that."

Bosch moved around the bed, looking about the threadbare room. It smel ed like cigarettes and body odor. There were several plastic grocery bags on the floor containing her belongings. Shoes in one, clothing in a few others. On the bed's lone side table was an overloaded ashtray and a glass pipe.

"What are you hurting for, Sonia. Crack? Heroin? Or is it meth?"

She didn't answer.

"I can help you better if I know what you need."

"I don't want your help."

Bosch turned and looked at her. So far things were going exactly as he predicted they would.

"Real y?" he said. "Don't need my help? You think Eddie Roman is going to come back for you?"

"He's coming back."

"I got news for you. He's already gone. I'm guessing they got him cleaned up nice and neat and he won't be coming back up here once he does what they want him to do. He'l take the paycheck and when that runs out he'l just find himself a new trick partner."

He paused and looked at her.

"Somebody who stil has something somebody would want to buy."

Her eyes took on the distant look of someone who knows the truth when she hears it.

"Leave me alone," she said in a hoarse whisper.

"I know I'm not tel ing you anything you don't already know. You've been waiting for Eddie longer than you thought you would, huh? How many days you have left on the room?"

He read the answer in her eyes.

"Already past, huh? Probably giving the guy in the office blowjobs to let you stay. How long's that going to last? Pretty soon he'l just want the money."

"I said go away."

"I wil . But you come with me, Sonia. Right now."

"What do you want?"

"I want to know everything you know about Eddie Roman."

PART FOUR

--The Silent Witness

Thirty-seven

Thursday, April 8, 9:01 A.M.

Before the judge caled for the jury, Clive Royce stood and asked the court for a directed verdict of acquittal. He argued that the state had failed to live up to its duty in carrying the burden of proof. He said that the evidence presented by the prosecutors failed to cross the threshold of guilt beyond a reasonable doubt. I was ready to stand to argue the state's side, but the judge held up her hand to signal me to stay in place. She then quickly dispensed with Royce's motion.

"Motion denied," Breitman said. "The court holds that the evidence presented by the prosecution is sufficient for the jury to consider. Mr. Royce, are you ready to proceed with the defense?"

"I am, Your Honor."

"Okay, sir, then we wil recal the jury now. Wil you have an opening statement?"

"A brief one, Your Honor."

"Very wel , I am going to hold you to that."

The jurors filed in and took their assigned places. On many of them I saw expressions of anticipation. I took this as a good sign, as if they were wondering how in the hel the defense would be able to dig its way out of al the evidence the state had dumped on it. It was probably al wishful thinking on my part, but I had been studying juries for most of my adult life and I liked what I saw.

After welcoming the jury back, the judge turned the courtroom over to Royce, reminded the jurors that this was an opening statement, not a listing of facts unless backed up later with testimony and evidence. Royce strode with ful confidence to the lectern without a note or file in his hand. I knew he had the same philosophy as I did when it came to making opening statements. Look them in the eyes and don't flinch and don't back down from your theory, no matter how far-fetched or unbelievable. Sel it. If they don't think you believe it, they never wil .

His strategy of deferring his opener until the start of the defense's case would now pay dividends. He would begin the day and his case by delivering to the jury a statement that didn't have to be true, that could be as outlandish as anything ever heard in the courtroom. As long as he kept the jury riding along, nothing else real y mattered.

"Ladies and gentlemen of the jury, good morning. Today begins a new phase of the trial. The defense phase. This is when we start to tel you our side of the story, and believe me, we have another side to almost everything the prosecution has offered you over the past three days.

"I am not going to take a lot of your time here because I am very eager, and Jason Jessup is very eager, to get to the evidence that the prosecution has either failed to find or chosen not to present to you. It doesn't matter which, at this point; the only things that matter are that you hear it and that it al ows you to see the ful picture of what transpired on Windsor Boulevard on February sixteenth, nineteen eighty-six. I urge you to listen closely, to watch closely. If you do that, you wil see the truth emerge."

I looked over at the legal pad on which Maggie had been doodling while Royce spoke. In large letters she had written WINDBAG! I thought, She hasn't seen anything yet.

"This case," Royce continued, "is about one thing. A family's darkest secrets. You got only a glimpse of them during the prosecution's presentation. You got the tip of the iceberg from the prosecution, but today you wil get the whole iceberg. Today you wil get the cold hard truth. That being that Jason Jessup is the true victim here today. The victim of a family's desire to hide their darkest secret."

Maggie leaned toward me and whispered, "Brace yourself."

I nodded. I knew exactly where we were going.

"This trial is about a monster who kil ed a child. A monster who defiled one young girl and was going to move on to the next when something went wrong and he kil ed that child. This trial is about the family that was so fearful of that monster that they went along with the plan to cover up the crime and point the finger elsewhere. At an innocent man."

Royce pointed righteously at Jessup as he said this last line. Maggie shook her head in disgust, a calculated move for the jury.

"Jason, would you please stand up?" Royce said.

His client did as instructed and turned ful y to the jury, his eyes boldly scanning from face to face, not flinching or looking away.

"Jason Jessup is an innocent man," Royce said with the requisite outrage in his voice. "He was the fal guy. An innocent man caught in an impromptu plan to cover up the worst kind of crime, the taking of a child's life."

Jessup sat down and Royce paused so his words would burn into every juror's conscience. It was highly theatrical and planned that way.

"There are two victims here," he final y said. "Melissa Landy is a victim. She lost her life. Jason Jessup is also a victim because they are trying to take his life. The family conspired against him and then the police fol owed their lead. They ignored the evidence and planted their own. And now after twenty-four years, after witnesses are gone and memories have dimmed, they've come cal ing for him..."

Royce cast his head down as if tremendously burdened by the truth. I knew he would now wrap things up.

"Ladies and gentlemen of the jury, we are here for only one reason. To seek the truth. Before the end of this day, you wil know the truth about Windsor Boulevard. You wil know that Jason Jessup is an innocent man."

Royce paused again, then thanked the jury and moved back to his seat. In what I was sure was a wel -rehearsed moment, Jessup put his arm around his lawyer's shoulders, gave him a squeeze and thanked him.

But the judge gave Royce little time to savor the moment or the slick delivery of his opening statement. She told him to cal his first witness. I turned in my seat and saw Bosch standing in the back of the courtroom. He gave me the nod. I had sent him to get Sarah Ann Gleason from the hotel as soon as Royce had informed me upon arriving at court that she would be his first witness.

"The defense cal s Sarah Ann Gleason to the stand," Royce said, putting the accent on defense in a way that suggested that this was an unexpected turnabout.

Bosch stepped out of the courtroom and quickly returned with Gleason. He walked her down the aisle and through the gate. She went the rest of the way on her own. She again was dressed for court informal y, wearing a white peasant blouse and a pair of jeans.

Gleason was reminded by the judge that she was stil under oath and turned over to Royce. This time when he went to the lectern he carried a thick file and a legal pad. Probably most of it--the file, at least--was just an attempt to intimidate Gleason, to make her think he had a big fat file on everything she had ever done wrong in life.

"Good morning, Ms. Gleason."

"Good morning."

"Now, you testified yesterday that you were the victim of sexual abuse at the hands of your stepfather, Kensington Landy, is that correct?"

"Yes."

With the first word of her testimony I detected trepidation. She hadn't been al owed to hear Royce's opening statement but we had prepared Gleason for the way we thought the defense case would go. She was exhibiting fear already and this never played wel with the jury. There was little Maggie and I could do. Sarah was up there on her own.

"At what point in your life did this abuse start?"

"When I was twelve."

"And it ended when?"

"When I was thirteen. Right after my sister's death."

"I notice you didn't cal it your sister's murder. You cal ed it her death. Is there a reason for that?"

"I'm not sure what you mean."

"Wel , your sister was murdered, correct? It wasn't an accident, was it?"

"No, it was murder."

"Then why did you refer to it as her death just a moment ago?"

"I'm not sure."

"Are you confused about what happened to your sister?"

Maggie was on her feet objecting before Gleason could answer.

"Counsel is badgering the witness," she said. "He's more interested in eliciting an emotional response than an answer."

"Your Honor, I simply am trying to learn how and why this witness views this crime the way she does. It goes to state of mind of the witness. I am not interested in eliciting anything other than an answer to the question I asked."

The judge weighed things for a moment before ruling.

"I'm going to al ow it. The witness may answer the question."

"I'l repeat it," Royce said. "Ms. Gleason, are you confused about what happened to your sister?"

During the exchange between lawyers and the judge, Gleason had found some resolve. She answered forceful y while hitting Royce with a hard stare of defiance.

"No, I'm not confused about what happened. I was there. She was kidnapped by your client and after that I never saw her again. There is no confusion about that at al ."

I wanted to stand and clap. Instead, I just nodded to myself. It was a fine, fine answer. But Royce moved on, acting as though he had not been hit with the tomato.

"There have been times in your life when you were confused, however, correct?"

"About my sister and what happened and who took her? Never."

"I'm talking about times you were incarcerated in mental health facilities and the psych wards of jails and prisons."

Gleason lowered her head in ful realization that she would not escape this trial without a ful airing of the lost years of her life. I just had to hope she would respond in the way Maggie had told her to.

"After the murder of my sister, many things went wrong in my life," she said.

She then looked up directly at Royce as she continued.

"Yes, I spent some time in those kinds of places. I think, and my counselors agreed, that it was because of what happened to Melissa."

Good answer, I thought. She was fighting.

"We'l get back into that later on," Royce said. "But getting back to your sister, she was twelve at the time of her murder, correct?"

"That's right."

"This would have been the same age you were when your stepfather began to sexual y abuse you. Am I right?"

"About the same, yes."

"Did you warn your sister about him?"

There was a long pause as Gleason considered her answer. This was because there was no good answer.

"Ms. Gleason?" the judge prompted. "Please answer the question."

"No, I didn't warn her. I was afraid to."

"Afraid of what?" Royce asked.

"Him. As you've already pointed out, I've been through a lot of therapy in my life. I know that it is not unusual for a child to be unable to tel anyone. You get trapped in the behavior. Trapped by fear. I've been told that many times."

"In other words, you go along to get along."

"Sort of. But that is a simplification. It was more--"

"But you did live with a lot of fear in your life back then?"

"Yes, I--"

"Did your stepfather tel you not to tel anyone about what he was doing to you?"

"Yes, he said--"

"Did he threaten you?"

"He said that if I told anyone I would be taken away from my mother and sister. He said he would make sure that the state would think my mother knew about it and they would consider her unfit. They would take Melissa and me away. Then we would get split up because foster homes couldn't always take two at a time."

"Did you believe him?"

"Yes, I was twelve. I believed him."

"And it scared you, didn't it?"

"Yes. I wanted to stay with my fam--"

"Wasn't it that same fear and control that your stepfather had over you that made you go along to get along after he kil ed your sister?"

Again Maggie jumped up to object, stating that the question was leading and assumed facts not in evidence. The judge agreed and sustained the objection.

Undeterred, Royce went at Gleason relentlessly.

"Isn't it true that you and your mother did and said exactly what your stepfather told you to in the cover-up of Melissa's murder?"

"No, that's not--"

"He told you to say it was a tow truck driver and that you were to pick one of the men the police brought to the house."

"No! He didn't--"

"Objection!"

"There was no hide-and-seek game outside the house, was there? Your sister was murdered inside the house by Kensington Landy. Isn't that true!"

"Your Honor!"

Maggie was now shouting.

"Counsel is badgering the witness with these leading questions. He doesn't want her answers. He just wants to deliver his lies to the jury!"

The judge looked from Maggie to Royce.

"Al right, everyone just calm down. The objection is sustained. Mr. Royce, ask the witness one question at a time and al ow her the time to answer. And you wil not ask leading questions. Need I remind you, you cal ed her as a witness. If you wanted to lead her you should've conducted a cross-examination when you had the opportunity."

Royce put on his best look of contrition. It must've been difficult.

"I apologize for getting carried away, Your Honor," he said. "It won't happen again."

It didn't matter if it happened again. Royce had already gotten his point across. His purpose was not to get an admission from Gleason. In fact, he expected none. His purpose was to get his alternate theory to the jury. In that, he was being very successful.

"Okay, let's move on," Royce said. "You mentioned earlier that you spent a considerable part of your adult life in counseling and drug rehab, not to mention incarceration. Is that correct?"

"To a point," Gleason said. "I have been clean and sober and a--"

"Just answer the question that was asked," Royce quickly interjected.

"Objection," Maggie said. "She is trying to answer the question he asked, but Mr. Royce doesn't like the ful answer and is trying to cut her off."

"Let her answer the question, Mr. Royce," Breitman said tiredly. "Go ahead, Ms. Gleason."

"I was just saying that I have been clean for seven years and a productive member of society."

"Thank you, Ms. Gleason."

Royce then led her through a tragic and sordid history, literal y going arrest by arrest and revealing al the details of the depravity Sarah wal owed in for so long. Maggie objected often, arguing that it had little to do with Sarah's identification of Jessup, but Breitman al owed most of the questioning to continue.

Final y, Royce wrapped up his examination by setting up his next witness.

"Getting back to the rehabilitation center in North Hol ywood, you were there for five months in nineteen ninety-nine, correct?"

"I don't remember exactly when or for how long. You obviously have the records there."

"But you do remember meeting another client, named Edward Roman, known as Eddie?"

"Yes, I do."

"And you got to know him wel ?"

"Yes."

"How did you meet him?"

"We were in group counseling together."

"How would you describe the relationship you had with Eddie Roman back then?"

"Wel , in counseling we sort of realized that we knew some of the same people and liked doing the same things--meaning drugs. So we started hanging out and it continued after we were both released."

"Was this a romantic relationship?"

Gleason laughed in a way that was not supposed to impart humor.

"What passed for romance between two drug addicts," she said. "I think the term is enablers. By being together we were enabling each other. But romance is not a word I would use. We had sex on occasion--when he was able to. But there was no romance, Mr. Royce."

"But didn't you in fact believe at one point that you two were married?"

"Eddie set something up on the beach with a man he said was a minister. But it wasn't real. It wasn't legal."

"But at the time you thought it was, didn't you?"

"Yes."

"So were you in love with him?"

"No, I wasn't in love with him. I just thought he could protect me."

"So you were married, or at least thought you were. Did you live together?"

"Yes."

"Where?"

"In different motels in the Val ey."

"Al this time you were together, you must've confided in Eddie, yes?"

"About some things, yes."

"Did you ever confide in him about your sister's murder?"

"I am sure I did. I didn't keep it a secret. I would have talked about it in group therapy in North Hol ywood and he was sitting right there."

"Did you ever tel him that your stepfather kil ed your sister?"

"No, because that didn't happen."

"So if Eddie Roman were to come to this courtroom and testify that you did indeed tel him that, then he would be lying."

"Yes."

"But you have already testified yesterday and today that you have lied to counselors and police. You have stolen and committed many crimes in your life. But you're not lying here. Is that what we are to believe?"

"I'm not lying. You are talking about a period of my life when I did those things. I don't deny that. I was human trash, okay? But I am past that now and have been past it for a long time. I'm not lying now."

"Okay, Ms. Gleason, no further questions."

As Royce returned to his seat, Maggie and I put our heads together and whispered.

"She held up real y wel ," Maggie said. "I think we should let it stand and I'l just hit a couple high notes."

"Sounds good."

"Ms. McPherson?" the judge prompted.

Maggie stood.

"Yes, Your Honor. Just a few questions."

She went to the lectern with her trusty legal pad. She skipped the buildup and got right to the matters she wanted to cover.

"Sarah, this man Eddie Roman and the phony marriage--whose idea was it to get married?"

"Eddie asked me to get married. He said we would work together as a team and share everything, that he would protect me and that we could never be forced to testify against each other if we got arrested."

"And what did working together as a team mean in that circumstance?"

"Wel , I... he wanted me to sel myself so we would have money to buy drugs and to have a motel room."

"Did you do that for Eddie?"

"For a little bit of time. And then I got arrested."

"Did Eddie bail you out?"

"No."

"Did he come to court?"

"No."

"Your record shows you pleaded guilty to soliciting and were sentenced to time served, is that correct?"

"Yes."

"How long was that?"

"I think it was thirteen days."

"And was Eddie there waiting when you got out of jail?"

"No."

"Did you ever see him again?"

"No, I didn't."

Maggie checked her notes, flipped up a couple pages and found what she was looking for.

"Okay, Sarah, you mentioned several times during your testimony earlier today that you did not remember specific dates and occurrences that Mr.

Royce asked you about during the time you were a drug user. Is that a fair characterization?"

"Yes, that's true."

"During al of those years of drug abuse and counseling and incarceration, were you ever able to forget what happened to your sister, Melissa?"

"No, never. I thought about it every day. I stil do."

"Were you ever able to forget about the man who crossed your front yard and grabbed your sister while you watched from the bushes?"

"No, never. I thought about him every day and stil do."

"Have you ever had a moment of doubt about the man you identified as your sister's abductor?"

"No."

Maggie turned and pointedly looked at Jessup, who was looking down at a legal pad and writing what were probably meaningless notes. Her eyes held on him and she waited. Just as Jessup looked up to see what was holding up the testimony she asked her last question.

"Never a single doubt, Sarah?"

"No, never."

"Thank you, Sarah. No further questions."

Thirty-eight

Thursday, April 8, 10:35 A.M.

The judge folowed Sarah Gleason's testimony by announcing the midmorning break. Bosch waited in his seat at the railing until Royce and Jessup got up and started to file out. He then stood and moved against the grain to get to his witness. As he passed by Jessup he clapped him hard on the arm.

"I think your makeup's starting to run, Jason."

He said it with a smile as he went by.

Jessup stopped and turned and was about to respond to the taunt when Royce grabbed him by the other arm and kept him going.

Bosch moved forward to col ect Gleason from the witness stand. After parts of two days on the stand, she looked like she was both emotional y and physical y drained. Like she might need help just getting up from the chair.

"Sarah, you did great," he told her.

"Thank you. I couldn't tel if anybody believed me."

"They al did, Sarah. They al did."

He walked her back to the prosecution table, where Hal er and McPherson had similar reviews of her testimony. McPherson got up out of her seat and hugged her.

"You stood up to Jessup and you stood up for your sister," she said. "You can be proud of that for the rest of your life."

Gleason suddenly burst into tears and held her hand over her eyes. McPherson quickly pul ed her back into the hug.

"I know, I know. You've held it together and stayed strong. It's okay to let it go now."

Bosch walked over to the jury box and grabbed the box of tissues. He brought them to Gleason and she wiped away her tears.

"You're almost done," Hal er said to her. "You've total y finished testifying so now al we want you to do is sit in court and observe the trial. We want you to sit up here in the front row when Eddie Roman testifies. After that, we can put you on a plane home this afternoon."

"Okay, but why?"

"Because he's going to tel lies about you. And if he is going to do that, then he's going to have to tel them to your face."

"I don't think he's going to have a problem with that. He never did."

"Wel , then, the jury wil want to see how you react. And how he'l react. And don't worry, we've got something else cooking that'l make Eddie feel some heat."

At that, Hal er turned to Bosch.

"You ready with this?"

"Just give me the sign."

"Can I ask something?" Gleason said.

"Sure," Hal er said.

"What if I don't want to get on a plane today? What if I want to be here for the verdict? For my sister."

"We would love that, Sarah," Maggie said. "You are welcome and can stay as long as you like."

Bosch stood in the hal way outside the courtroom. He had his phone out and was slowly typing a text to his daughter with one finger. His efforts were interrupted when he received a text. It was from Hal er and was only one word.

NOW

He put his phone away and walked to the witness waiting room. Sonia Reyes was slumped in a chair with her head down, two empty coffee cups on the table in front of her.

"Okay, Sonia, rise and shine. We're going to go do this. You okay? You ready?"

She looked up at him with tired eyes.

"That's too many questions, po-liceman."

"Okay, I'l settle for one. How're you feeling?"

"About how I look. You got any more of that stuff they gave me at the clinic?"

"That was it. But I'm going to have someone take you right back there as soon as we're finished here."

"Whatever you say, po-liceman. I don't think I've been up this early since the last time I was in county lockup."

"Yeah, wel , it's not that early. Let's go."

He helped her up and they headed toward Department 112. Reyes was what they cal ed a silent witness. She wouldn't be testifying in the trial. She was in no condition to. But by walking her down the aisle and putting her in the front row, Bosch would make sure she would be noticed by Edward Roman. The hope was that she'd knock Roman off his game, maybe even make him change it up. They were banking on his not knowing the rules of evidence and therefore not understanding that her appearance in the gal ery precluded her from testifying at the trial and exposing his lies.

Harry hit the door with a fist as he pushed it open because he knew it would draw attention inside the court. He then ushered Reyes in and walked her down the aisle. Edward Roman was already on the stand, sworn in and testifying. He wore an il -fitting suit borrowed from Royce's client closet and was clean-shaven with short, neat hair. He stumbled verbal y when he saw Sonia in the courtroom.

"We had group counseling twice..."

"Only twice?" Royce asked, unaware of the distraction in the aisle behind him.

"What?"

"You said you only had group counseling with Sarah Gleason twice?"

"Nah, man, I meant twice a day."

Bosch escorted Reyes to a seat with a reserved sign on it. He then sat down next to her.

"And approximately how long did this last?" Royce asked.

"Each one was fifty minutes, I think," Roman answered, his eyes holding on Reyes in the audience.

"I mean how long were you both in counseling? A month, a year, how long?"

"Oh, it was for five months."

"And did you become lovers while you were in the center?"

Roman lowered his eyes.

"Uh... yeah, that's right."

"How did you manage that? I assume there are rules against that."

"Wel , if there's a wil , there's always a way, you know? We found time. We found places."

"Did this relationship continue after you two were released from the center?"

"Yes. She got out a couple weeks ahead of me. Then I got out and we hooked up."

"Did you live together?"

"Uh-huh."

"Is that a yes?"

"Yes. Can I ask a question?"

Royce paused. He hadn't expected this.

"No, Mr. Roman," the judge said. "You can't ask a question. You are a witness in these proceedings."

"But how can they bring her in here like that?"

"Who, Mr. Roman?"

Roman pointed out to the gal ery and right at Reyes.

"Her."

The judge looked at Reyes and then at Bosch sitting next to her. A look of deep suspicion crossed her face.

"I'm going to ask the jury to step back into the jury room for a few moments. This should not take long."

The jurors filed back into the jury room. The moment the last one in closed the door, the judge zeroed in on Bosch.

"Detective Bosch."

Harry stood up.

"Who is the woman sitting to your left?"

"Your Honor," Hal er said. "Can I answer that question?"

"Please do."

"Detective Bosch is sitting with Sonia Reyes, who has agreed to help the prosecution as a witness consultant."

The judge looked from Hal er to Reyes and back to Hal er.

"You want to run that by me again, Mr. Hal er?"

"Judge, Ms. Reyes is acquainted with the witness. Because the defense did not make Mr. Roman available to us prior to his testimony here, we have asked Ms. Reyes to give us advice on how to proceed with our cross-examination."

Hal er's explanation had done nothing to change the look of suspicion on Breitman's face.

"Are you paying her for this advice?"

"We have agreed to help her get into a clinic."

"I should hope so."

"Your Honor," Royce said. "May I be heard?"

"Go ahead, Mr. Royce."

"I think it is quite obvious that the prosecution is attempting to intimidate Mr. Roman. This is a gangster move, Judge. Not something I would expect to see from the District Attorney's Office."

"Wel , I strongly object to that characterization," Hal er said. "It is perfectly acceptable within the canon of courtroom procedure and ethics to hire and use consultants. Mr. Royce employed a jury consultant last week and that was perfectly acceptable. But now that the prosecution has a consultant that he knows wil help expose his witness as a liar and someone who preys on women, he objects. With al due respect, I would cal that the gangster move."

"Okay, we're not going to debate this now," Breitman said. "I find that the prosecution is certainly within bounds in using Ms. Reyes as a consultant.

Let's bring the jury back."

"Thank you, Judge," Hal er said as he sat down.

As the jurors filed back into the box, Hal er turned and looked back at Bosch. He gave a slight nod and Bosch knew that he was happy. The exchange with the judge could not have worked better in delivering a message to Roman. The message being that we know your game, and come our turn to ask the questions, so wil the jury. Roman now had a choice. He could stick with the defense or start playing for the prosecution.

Testimony continued once the jury was back in place. Royce quickly established through Roman that he and Sarah Gleason had a relationship that lasted nearly a year and involved the sharing of personal stories as wel as drugs. But when it came to revealing those personal stories, Roman did a cut and run, leaving Royce hanging in the wind.

"Now, did there come a time when she spoke about her sister's murder?"

"A time? There were lots of times. She talked about it a lot, man."

"And did she ever tel you in detail what she cal ed the 'real story'?"

"Yes, she did."

"Can you tel the court what she told you?"

Roman hesitated and scratched his chin before answering. Bosch knew this was the moment that his work either paid off or went for naught.

"She told me that they were playing hide-and-seek in the yard and a guy came and grabbed her sister and that she saw the whole thing."

Bosch's eyes made a circuit of the room. First he checked the jurors and it seemed that even they had been expecting Roman to say something else.

Then the prosecution table. He saw that McPherson had grabbed Hal er by the back of his arm and was squeezing it. And lastly Royce, who was now the one hesitating. He stood at the lectern looking down at his notes, one armed cocked with his fist on his hip like a frustrated teacher who could not draw the correct answer from a student.

"That is the story you heard Sarah Gleason tel in group counseling at the rehabilitation center, correct?" he final y asked.

"That's right."

"But isn't it true that she told you a different version of events--what she cal ed the 'real story'--when you were in more private settings?"

"Uh, no. She pretty much stuck to the same story al the time."

Bosch saw McPherson squeeze Hal er's arm again. This was the whole case right here.

Royce was like a man left behind in the water by a dive boat. He was treading water but he was in the open sea and it was only a matter of time before he went down. He tried to do what he could.

"Now, Mr. Roman, on March second of this year, did you not contact my office and offer your services as a witness for the defense?"

"I don't know about the date but I cal ed there, yeah."

"And did you speak to my investigator, Karen Revel e?"

"I spoke to a woman but I can't remember her name."

"And didn't you tel her a story that is quite different from the one you just recounted?"

"But I wasn't under oath or nothin' then."

"That's right, sir, but you did tel Karen a different story, true?"

"I might've. I can't remember."

"Didn't you tel Karen at that time that Ms. Gleason had told you that her stepfather had kil ed her sister?"

Hal er was up with the objection, arguing that not only was Royce leading the witness but that there was no foundation for the question and that counsel was trying to get testimony to the jury that the witness was not wil ing to give. The judge sustained the objection.

"Your Honor," Royce said, "the defense would like to request a short break to confer with its witness."

Before Hal er could object the judge denied the request.

"By this witness's own testimony this morning, you have had since March second to prepare for this moment. We go to lunch in thirty-five minutes. You can confer with him then, Mr. Royce. Ask your next question."

"Thank you, Your Honor."

Royce looked down at his legal pad. From Bosch's angle he could tel he was looking at a blank page.

"Mr. Royce?" the judge prompted.

"Yes, Your Honor, just rechecking a date. Mr. Roman, why did you cal my office on March second?"

"Wel , I seen something about the case on the TV. In fact, it was you. I seen you talking about it. And I knew something about it from knowing Sarah like I did. So I cal ed up to see if I was needed."

"And then you came to my offices, correct?"

"Yeah, that's right. You sent that lady to pick me up."

"And when you came to my office, you told me a different story than you are tel ing the jury now, isn't that right?"

"Like I said, I don't remember exactly what I said then. I'm a drug addict, sir. I say a lot of things I don't remember and don't real y mean. Al I remember is that the woman who came said she'd put me up in a nicer hotel and I had no money for a place at that time. So I sort of said what she told me to say."

Bosch made a fist and bounced it once on his thigh. This was an unmitigated disaster for the defense. He looked over at Jessup to see if he realized how bad things had just turned for him. And Jessup seemed to sense it. He turned and looked back at Bosch, his eyes dark with growing anger and realization. Bosch leaned forward and slowly raised a finger. He dragged it across his throat.

Jessup turned away.

Thirty-nine

Thursday, April 8, 11:30 A.M.

I have had many good moments in court. I've stood next to men at the moment they knew that they were going free because of my good work. I have stood in the wel in front of a jury and felt the tingle of truth and righteousness rol down my spine. And I have destroyed liars without mercy on the witness stand. These are the moments I live for in my professional life. But few of them measured up to the moment I watched Jason Jessup's defense unravel with the testimony of Edward Roman.

As Roman crashed and burned on the stand, my ex-wife and prosecution partner squeezed my arm to the point of pain. She couldn't help it. She knew it, too. This was not something Royce was going to recover from. A key part of what was already going to be a fragile defense was crumbling before his eyes. It wasn't so much that his witness had pul ed a one-eighty on him. It was the jury seeing a defense that was now obviously built upon a liar. The jury would not forgive this. It was over and I believed everyone in the courtroom--from the judge to the gadflies in the back row of the gal ery--knew it. Jessup was going down.

I turned and looked back to share the moment with Bosch. After al , the silent witness maneuver had been his idea. And I caught him giving Jessup the throat slash--the international y recognized sign that it was over.

I looked back to the front of the court.

"Mr. Royce," the judge said. "Are you continuing with this witness?"

"A moment, Your Honor," Royce said.

It was a valid question. Royce had few ways with which to go with Roman at this point. He could cut his losses and simply end the questioning. Or he could ask the judge to declare Roman to be a hostile witness--a move that was always professional y embarrassing when the hostile witness is one you cal ed to the stand. But it was a move that would al ow Royce more latitude in asking leading questions that explored what Roman had initial y said to the defense investigator and why he was dissembling now. But this was fraught with danger, especial y since this initial interview had not been recorded or documented in an effort to hide Roman during the discovery process.

"Mr. Royce!" the judge barked. "I consider the court's time quite valuable. Please ask your next question or I wil turn the witness over to Mr. Hal er for cross-examination."

Royce nodded to himself as he came to a decision.

"I'm sorry, Your Honor. But no further questions at this time."

Royce walked dejectedly back to his seat and a waiting client who was visibly upset with the turnabout. I stood up and started moving to the lectern even before the judge turned the witness over to me.

"Mr. Roman," I said, "your testimony has been somewhat confusing to me. So let me get this straight. Are you tel ing this jury that Sarah Ann Gleason did or did not tel you that her stepfather murdered her sister?"

"She didn't. That's just what they wanted me to say."

"Who is 'they,' sir?"

"The defense. The lady investigator and Royce."

"Besides a hotel room, were you to receive anything else if you testified to such a story today?"

"They just said they'd take care of me. That a lot of money was at--"

"Objection!" Royce yel ed.

He jumped to his feet.

"Your Honor, the witness is clearly hostile and acting out a vindictive fantasy."

"He's your witness, Mr. Royce. He can answer the question. Go ahead, sir."

"They said there was a lot of money at stake and they would take care of me," Roman said.

It just kept getting better for me and worse for Jessup. But I had to make sure I didn't come off to the jury as gleeful or vindictive myself. I recalibrated and focused on what was important.

"What was the story that Sarah told you al those years ago, Mr. Roman?"

"Like I said, that she was in the yard and she was hiding and she saw the guy who grabbed her sister."

"Did she ever tel you she identified the wrong man?"

"No."

"Did she ever tel you that the police told her who to identify?"

"No."

"Did she ever once tel you that the wrong man was charged with her sister's murder?"

"No."

"No further questions."

I checked the clock as I returned to my seat. We stil had twenty minutes before the lunch break. Rather than break early, the judge asked Royce to cal his next witness. He cal ed his investigator, Karen Revel e. I knew what he was doing and I was going to be ready.

Revel e was a mannish-looking woman who wore slacks and a sport jacket. She had ex-cop written al over her dour expression. After she was sworn in, Royce got right to the point, probably hoping to stem the flow of blood from his case before the jurors went to lunch.

"What do you do for a living, Ms. Revel e?"

"I am an investigator for the law firm of Royce and Associates."

"You work for me, correct?"

"That is correct."

"On March second of this year, did you conduct a telephone interview with an individual named Edward Roman?"

"I did."

"What did he tel you in that cal ?"

I stood and objected. I asked the judge if I could discuss my objection at a sidebar conference.

"Come on up," she said.

Maggie and I fol owed Royce to the side of the bench. The judge told me to state my objection.

"My first objection is that anything this witness states about a conversation with Roman is clearly hearsay and not al owed. But the larger objection is to Mr. Royce trying to impeach his own witness. He's going to use Revel e to impeach Roman, and you can't do that, Judge. It's damn near suborning perjury on Mr. Royce's part, because one of these two people is lying under oath and he cal ed them both!"

"I strongly object to Mr. Hal er's last characterization," Royce said, leaning over the sidebar and moving in closer to the judge. "Suborning perjury? I have been practicing law for more than--"

"First of al , back up, Mr. Royce, you're in my space," Breitman said sternly. "And second, you can save your self-serving objection for some other time.

Mr. Hal er is correct on al counts. If I al ow this witness to continue her testimony, you are not only going to go into hearsay but we wil have a situation where one of your witnesses has lied under oath. You can't have it both ways and you can't put a liar on the stand. So this is what we're going to do. You are going to get your investigator off the stand, Mr. Hal er is going to make a motion to strike what little testimony she has already given and I wil agree to that motion. Then we're going to lunch. During that time, you and your client can get together and decide what to do next. But it's looking to me like your options got real y limited in the last half hour. That's al ."

She didn't wait for any of us to respond. She simply rol ed her chair away from the sidebar.

Royce fol owed the judge's advice and ended his questioning of Revel e. I moved to strike and that was that. A half hour later I was sitting with Maggie and Sarah Gleason at a table at the Water Gril , the place where the case had started for me. We had decided to go high-end because we were celebrating what appeared to be the beginning of the end for Jason Jessup's case, and because the Water Gril was just across the street from Sarah's hotel. The only one missing at the table was Bosch, and he was on his way after dropping our silent witness, Sonia Reyes, at the drug rehab facility at County-USC Medical Center.

"Wow," I said after the three of us were seated. "I don't think I've ever seen anything like that before in a courtroom."

"Me, neither," Maggie said.

"Wel , I've been in a few courtrooms but I don't know enough to know what it al means," said Gleason.

"It means the end is near," Maggie said.

"It means the entire defense imploded," I added. "See, the defense's case was sort of simple. Stepfather kil ed the girl and the family concocted a cover-up. They came up with the story about hide-and-seek and the man on the lawn to throw the authorities off of stepdad. Then sister--that's you--made a false identification of Jessup. Just sort of randomly set him up for a murder he did not commit."

"But what about Melissa's hair in the tow truck?" Gleason asked.

"The defense claims it was planted," I said. "Either in conspiracy or independent of the family's cover-up. The police realized they didn't have much of a case. They had a thirteen-year-old girl's ID of a suspect and almost nothing else. So they took hair from the body or a hairbrush and planted it in the tow truck. After lunch--if Royce is foolish enough to continue this--he wil present investigative chronology reports and time logs that wil show Detective Kloster had enough access and time to make the plant in the tow truck before a search warrant was obtained and forensics opened the truck."

"But that's crazy," Gleason said.

"Maybe so," Maggie said, "but that was their case and Eddie Roman was the linchpin because he was supposed to testify that you told him your stepfather did it. He was supposed to plant the seed of doubt. That's al it takes, Sarah. One little doubt. Only he took one look at who was in the audience--namely Sonia Reyes--and thought he was in trouble. You see Eddie did the same thing with Sonia as he did with you. Met her, got close and turned her out to keep him in meth. When he saw her in court, he knew he was in trouble. Because he knew if Sonia got on the stand and told the same story about him as you did, then the jury would know what he was--a liar and predator--and wouldn't trust a single thing he said. He also had no idea what Sonia might have told us about crimes they committed together. So he decided up there that his best out was the truth. To screw the defense and make the prosecution happy. He changed his story."

Gleason nodded as she began to understand.

"Do you think Mr. Royce real y told him what to say and was going to pay him off for his lies?"

"Of course," Maggie said.

"I don't know," I said quickly. "I've known Clive a long time. I don't think that's how he operates."

"What?" Maggie said. "You think Eddie Roman just made it al up on his own?"

"No, but he spoke to the investigator before he ever got to Clive."

"Plausible denial. You're just being charitable, Hal er. They don't cal him Clever Clive for no reason."

Sarah seemed to sense that she had pushed us into a zone of contention that had existed long before this trial. She tried to move us on.

"Do you real y think it's over?" she asked.

I thought for a moment about it and then nodded.

"I think if I was Clever Clive I'd be thinking of what's best for my client and that would be not to let this go to a verdict. I'd start thinking about a deal.

Maybe he'l even cal during lunch."

I pul ed my phone out and put it down on the table, as if being ready for Royce's cal would make it happen. Just as I did so, Bosch showed up and took the seat next to Maggie. I grabbed my water glass and raised it to him.

"Cheers, Harry. Smooth move today. I think Jessup's house of cards is fal ing down."

Bosch raised a water glass and clinked it off mine.

"Royce was right, you know," he said. "It was a gangster move. Saw it in one of the Godfather movies way back."

He then held his water glass up to the two women.

"Anyway, cheers," he said. "You two are the real stars. Great work yesterday and today."

We al clinked glasses but Sarah hesitated.

"What's wrong, Sarah?" I asked. "Don't tel me you're afraid of clinking glass."

I smiled, proud of my own humor.

"It's nothing," she said. "I think it's supposed to be bad luck to toast with water."

"Wel ," I said, quickly recovering, "it's going to take more than bad luck to change things now."

Bosch switched subjects.

"What happens next?" he asked.

"I was just tel ing Sarah that I don't think this wil go to a jury. Clive has to be thinking disposition. They real y don't have any other choice."

Bosch turned serious.

"I know there's money on the line and your boss probably thinks that's the priority," he said, "but this guy has got to go back to prison."

"Absolutely," Maggie said.

"Of course," I added. "And after what happened this morning, we have al the leverage. Jessup has to take what we offer or we--"

My phone started to buzz. The ID screen said UNKNOWN.

"Speak of the devil," Maggie said.

I looked at Sarah.

"You might be on that plane home tonight after al ."

I opened the phone and said my name.

"Mickey, District Attorney Wil iams here. How are you?"

I shook my head at the others. It wasn't Royce.

"I'm doing fine, Gabe. How are you?"

My informality didn't seem to faze him.

"I'm hearing good things out of court this morning."

His statement confirmed what I had thought al along. While Wil iams had never once showed his face in the courtroom, he had a plant in the gal ery watching.

"Wel , I hope so. I think we'l know more about which way this wil go after lunch."

"Are you considering a disposition?"

"Wel , not yet. I haven't heard from opposing counsel, but I assume that we may soon enter into discussions. He's probably talking to his client about it right now. I would be if I were him."

"Wel , keep me in the loop on that before you sign off on anything."

I paused as I weighed this last statement. I saw Bosch put his hand inside his jacket and pul out his own phone to take a cal .

"Tel you what, Gabe. As independent counsel I prefer to stay independent. I'l inform you of a disposition if and when I have an agreement."

"I want to be part of that conversation," Wil iams insisted.

I saw some sort of darkness move into Bosch's eyes. Instinctively, I knew it was time to get off my cal .

"I'l get back to you on that, Mr. District Attorney. I've got another cal coming in here. It could be Clive Royce."

I closed the phone just as Bosch closed his and started to stand up.

"What is it?" Maggie asked.

Bosch's face looked ashen.

"There's been a shooting over at Royce's office. There's four on the floor over there."

"Is Jessup one of them?" I asked.

"No... Jessup's gone."

Forty

Thursday, April 8, 1:05 P.M.

Bosch drove and McPherson insisted on riding with him. Haler had split off with Gleason to head back to court. Bosch puled a card out of his walet and got Lieutenant Stephen Wright's number off it. He handed the card and his phone to McPherson and told her to punch in the number.

"It's ringing," she said.

He took the phone and got it to his ear just as Wright answered.

"It's Bosch. Tel me your people are on Jessup."

"I wish."

"Damn it! What the hel happened? Why wasn't SIS on him?"

"Hold your horses, Bosch. We were on him. That's one of my people on the floor in Royce's office."

That hit like a punch. Bosch hadn't realized a cop was one of the victims.

"Where are you?" he asked Wright.

"On my way there. I'm three minutes out."

"What do you know so far?"

"Not a hel of a lot. We had a light tail on him during court hours. You knew that. One team during court and ful coverage before and after. Today they fol owed him from the courthouse to Royce's office at lunchtime. Jessup and Royce's team walked over. After they were in there a few minutes my guys heard gunshots. They cal ed it in and then went in. One was knocked down, the other pinned down. Jessup went out the back and my guy stayed to try CPR on his partner. He had to let Jessup go."

Bosch shook his head. The thought of his daughter pushed through everything. She was at school for the next ninety minutes. He felt that she would be safe. For now.

"Who else was hit?" he asked.

"As far as I know," Wright said, "it was Royce and his investigator and then another lawyer. A female. They were lucky it was lunchtime. Everybody else in the office was gone."

Bosch didn't see much that was lucky about a quadruple murder and Jessup out there somewhere with a gun. Wright kept talking.

"I'm not going to shed a tear over a couple of defense lawyers but my guy on the floor in there's got two little kids at home, Bosch. This is not a good goddamn thing at al ."

Bosch turned onto First, and up ahead he could see the flashing lights. Royce's office was in a storefront on a dead-end street that ran behind the Kyoto Grand Hotel on the edge of Japantown. Easy walking distance to the courthouse.

"Did you get Jessup's car out on a broadcast?"

"Yes, everybody has it. Somebody wil see it."

"Where's the rest of your crew?"

"Everybody's heading to the scene."

"No, send them out looking for Jessup. At al the places he's been. The parks, everywhere, even my house. There's no use for them at the scene."

"We'l meet there and I'l send them out."

"You're wasting time, Lieutenant."

"You think I can stop them from coming to the scene first?"

Bosch understood the impossibility of Wright's situation.

"I'm pul ing up now," he said. "I'l see you when you get here."

"Two minutes."

Bosch closed the phone. McPherson asked him what Wright had said and he quickly fil ed her in as he pul ed the car to a stop behind a patrol car.

Bosch badged his way under the yel ow tape and McPherson did the same. Because the shooting had occurred only twenty-five minutes earlier, the crime scene was largely inhabited by uniformed officers--the first responders--and was chaotic. Bosch found a patrol sergeant issuing orders regarding crime scene protection and went to him.

"Sergeant, Harry Bosch, RHD. Who is taking this investigation?"

"Isn't it you?"

"No, I'm on a related case. But this one won't be mine."

"Then I don't know, Bosch. I was told RHD wil handle."

"Okay, then they're stil on their way. Who's inside?"

"Couple guys from Central Division. Roche and Stout."

Babysitters, Bosch thought. As soon as RHD moved in, they would be moved out. He pul ed his phone and cal ed his lieutenant.

"Gandle."

"Lieutenant, who's taking the four on the floor by the Kyoto?"

"Bosch? Where are you?"

"At the scene. It was my guy from the trial. Jessup."

"Shit, what went wrong?"

"I don't know. Who are you sending and where the hel are they?"

"I'm sending four. Penzler, Kirshbaum, Krikorian and Russel . But they were al at lunch up at Birds. I'm coming over, too, but you don't have to be there, Harry."

"I know. I'm not staying long."

Bosch closed the phone and looked around for McPherson. He had lost her in the confusion of the crime scene. He spotted her crouching down next to a man sitting on the sidewalk curb in front of the bail-bonds shop next door to Royce's office. Bosch recognized him from the night he and McPherson rode on the surveil ance of Jessup. There was blood on his hands and shirt from his efforts to save his partner. Bosch went to them.

"... he went to his car when they got back here. For just a minute. Got in and then got out. He then went into the office. Right away we heard shots. We moved and Manny got hit as soon as we opened the door. I got off a couple rounds but I had to try to help Manny..."

"So Jessup must've gotten the gun from his car, right?"

"Must've. They've got the metal detectors at the courthouse. He didn't have it in court today."

"But you never saw it?"

"No, never saw the weapon. If we had seen it, we would've done something."

Bosch left them there and went to the door of Royce and Associates. He got there just as Lieutenant Wright did. Together they entered.

"Oh, my God," Wright said when he saw his man on the floor just inside the front door.

"What was his name?" Bosch asked.

"Manuel Branson. He's got two kids and I have to go tel his wife."

Branson was on his back. He had bul et entry wounds on the left side of his neck and upper left cheek. There had been a lot of blood. The neck shot appeared to have sliced through the carotid artery.

Bosch left Wright there and moved past a reception desk and down a hal way on the right side. There was a wal of glass that looked into a boardroom with doors on both ends. The rest of the victims were in here, along with two detectives who wore gloves and booties and were taking notes on clipboards. Roche and Stout. Bosch stood in the first doorway of the room but did not enter. The two detectives looked at him.

"Who are you?" one asked.

"Bosch, RHD."

"You taking this?"

"Not exactly. I'm on something related. The others are coming."

"Christ, we're only two blocks from the PAB."

"They weren't there. They were at lunch up in Hol ywood. But don't worry, they'l get here. It's not like these people are going anywhere."

Bosch looked at the bodies. Clive Royce sat dead in a chair at the head of a long board table. His head was snapped back as if he were looking at the ceiling. There was a bloodless bul et hole in the center of his forehead. Blood from the exit wound at the back of his head had poured down the back of his jacket and chair.

The investigator, Karen Revel e, was on the floor on the other side of the room near the other door. It appeared that she had tried to make a run for it before being hit by gunfire. She was facedown and Bosch could not see where or how many times she had been hit.

Royce's pretty associate counsel, whose name Bosch could not remember, was no longer pretty. Her body was in a seat diagonal to Royce, her upper body down on the table, an entry wound at the back of her head. The bul et had exited below her right eye and destroyed her face. There was always more damage coming out than going in.

"What do you think?" asked one of the Central guys.

"Looks like he came in shooting. Hit these two first and then tagged the other as she made a run for the door. Then backed into the hal and opened up on the SIS guys as they came in."

"Yeah. Looks that way."

"I'm going to check the rest of the place out."

Bosch continued down the hal and looked through open doors into empty offices. There were nameplates on the wal outside the doors and he was reminded that Royce's associate was named Denise Graydon.

The hal way ended at a break room, where there was a kitchenette with a refrigerator and a microwave. There was another communal table here. And an exit door that was three inches ajar.

Bosch used his elbow to push the door open. He stepped into an al ey lined with trash bins. He looked both ways and saw a pay parking lot a half block down to his right. He assumed it was the lot where Jessup had parked his car and had gone to retrieve the gun.

He went back inside and this time took a longer look in each of the offices. He knew from experience that he was treading in a gray area here. This was a law office, and whether the lawyers were dead or not, their clients were stil entitled to privacy and attorney-client privilege. Bosch touched nothing and opened no drawer or file. He simply moved his eyes over the surface of things, seeing and reading what was in plain sight.

When he was in Revel e's office he was joined by McPherson.

"What are you doing?"

"Just looking."

"We might have a problem going into any of their offices. As an officer of the court I can't--"

"Then wait outside. Like I said, I'm just looking. I am making sure the premises are secure."

"Whatever. I'l be out front. The media's al over the place out there now. It's a circus."

Bosch was leaning over Revel e's desk. He didn't look up.

"Good for them."

McPherson left the room at the same moment Bosch read something off a legal pad that was on top of a stack of files on the side of the desk near the phone.

"Maggie? Come back here."

She returned.

"Take a look at this."

McPherson came around the desk and bent over to read the notes on the top page of the pad. The page was covered with what looked like random notes, phone numbers and names. Some were circled, others scratched out. It looked like a pad Revel e jotted on while on the phone.

"What?" McPherson asked.

Without touching the pad, Bosch pointed to a notation in the bottom right corner. Al it said was Checkers--804. But that was enough.

"Shit!" McPherson said. "Sarah isn't even registered under her name. How did Revel e get this?"

"She must've fol owed us back after court, paid somebody for the room number. We have to assume that Jessup has this information."

Bosch pul ed his phone and cal ed Mickey Hal er on speed dial.

"It's Bosch. You stil have Sarah with you?"

"Yes, she's here in court. We're waiting for the judge."

"Look, don't scare her but she can't go back to the hotel."

"Al right. How come?"

"Because there's an indication here that Jessup has that location. We'l be setting up on it."

"What do I do, then?"

"I'l be sending a protection team to the court--for both of you. They'l know what to do."

"They can cover her. I don't need it."

"That'l be your choice. My advice is you take it."

He closed the phone and looked at McPherson.

"I gotta get a protection team over there. I want you to take my car and get my daughter and your daughter and go somewhere safe. You cal me then and I'l send a team to you, too."

"My car's two blocks from here. I can just--"

"That'l waste too much time. Take mine and go now. I'l cal the school and tel them you're coming for Maddie."

"Okay."

"Thank you. Cal me when you have--"

They heard shouting from the front of the office suite. Angry male voices. Bosch knew they came from the friends of Manny Branson. They were seeing their fal en comrade on the floor and getting fueled with outrage and the scent of blood for the hunt.

"Let's go," he said.

They moved back through the suite to the front. Bosch saw Wright standing just outside the front door, consoling two SIS men with angry, tear-streaked faces. Bosch made his way around Branson's body and out the door. He tapped Wright on the elbow.

"I need a moment, Lieutenant."

Wright broke away from his two men and fol owed. Bosch walked a few yards to where they could speak privately. But he need not have worried about being overheard. In the sky above, there were at least four media choppers circling over the crime scene and laying down a layer of camouflage sound that would make any conversation on the block private.

"I need two of your best men," Bosch said, leaning toward Wright's ear.

"Okay. What do you have going?"

"There's a note on the desk of one of the victims. It's the hotel and room number of our prime witness. We have to assume our shooter has that information. The slaughter inside there indicates he's taking out the people associated with the trial. The people he thinks did him wrong. That's a long list but I think our witness would be at the top of it."

"Got it. You want to set up at the hotel."

Bosch nodded.

"Yeah. One man outside, one inside and me in the room. We wait and see if he shows."

Wright shook his head.

"We use four. Two inside and two outside. But forget waiting in the room, because Jessup wil never get by the surveil ance. Instead, you and I find a viewpoint up high and set up the command post. That's the right way to do it."

Bosch nodded.

"Okay, let's go."

"Except there's one thing."

"What's that?"

"If I bring you in on this, then you stay back. My people take him down."

Bosch studied him for a moment, trying to read everything hidden in what he was saying.

"There are questions," Bosch said. "About Franklin Canyon and the other places. I need to talk to Jessup."

Wright looked over Bosch's shoulder and back toward the front door of Royce and Associates.

"Detective, one of my best people is dead on the floor in there. I'm not guaranteeing you anything. You understand?"

Bosch paused and then nodded.

"I understand."

Forty-one

Thursday, April 8, 1:50 P.M.

There was more media in the courtroom than there had been at any other point of the trial. The first two rows of the galery were shoulder-to-shoulder with reporters and cameramen. The rest of the rows were fil ed with courthouse personnel and lawyers who had heard what had happened to Clive Royce.

Sarah Gleason sat in a row by the courtroom deputy's desk. It was marked as reserved for law enforcement officers but the deputy put her there so the reporters couldn't get to her. Meantime, I sat at the prosecution table waiting for the judge like a man on a desert island. No Maggie. No Bosch. Nobody at the defense table. I was alone.

"Mickey," someone whispered from behind me.

I turned to see Kate Salters from the Times leaning across the railing.

"I can't talk now. I have to figure out what to say here."

"But do you think your total destruction of this morning's witness is what could have--?"

I was saved by the judge. Breitman entered the courtroom and bounded up to the bench and took her seat. Salters took hers and the question I wanted to avoid for the rest of my life remained unasked--at least for the moment.

"We are back on the record in California versus Jessup. Michael Hal er is present for the People. But the jury is not present, nor is defense counsel or the defendant. I am aware through unconfirmed media reports of what has transpired in the last ninety minutes at Mr. Royce's office. Can you add anything to what I have seen and heard on television, Mr. Hal er?"

I stood up to address the court.

"Your Honor, I don't know what they are putting out to the media at the moment, but I can confirm that Mr. Royce and his cocounsel on this case, Ms.

Graydon, were shot and kil ed in their offices at lunchtime. Karen Revel e is also dead, as wel as a police officer who responded to the shooting. The suspect in the shooting has been identified as Jason Jessup. He remains at large."

Judging by the murmur from the gal ery behind me, those basic facts had probably been speculated upon but not yet confirmed to the media.

"This is, indeed, very sad news," Breitman said.

"Yes, Your Honor," I said. "Very sad."

"But I think at this moment we need to put aside our emotions and act careful y here. The issue is, how do we proceed with this case? I am pretty sure I know the answer to that question but am wil ing to listen to counsel before ruling. Do you wish to be heard, Mr. Hal er?"

"Yes, I do, Judge. I ask the court to recess the trial for the remainder of the day and sequester the jury while we await further information. I also ask that you revoke Mr. Jessup's pretrial release and issue a capias for his arrest."

The judge considered these requests for a long moment before responding.

"I wil grant the motion revoking the defendant's release and issue the capias. But I don't see the need to sequester the jury. Regrettably, I see no alternative to a mistrial here, Mr. Hal er."

I knew that would be her first thought. I had been considering my response since the moment I had returned to the courthouse.

"The People object to a mistrial, Judge. The law is clear that Mr. Jessup waives his right to be present at these proceedings by voluntarily absenting himself from them. According to what the defense represented earlier, he was scheduled to be the last witness today. But he has obviously decided not to testify. So, taking al of this into--"

"Mr. Hal er, I am going to have to stop you right there. I think you are missing one part of the equation and I am afraid the horse is already out of the barn.

You may recal that Deputy Solantz was assigned lunch duty with our jurors after we had the issue of tardiness on Monday."

"Yes."

"Wel , lunch for eighteen in downtown Los Angeles is a tal order. Deputy Solantz arranged for the group to travel by bus together and eat each day at Clifton's Cafeteria. There are TVs in the restaurant but Deputy Solantz always keeps them off the local channels. Unfortunately, one TV was on CNN today when the network chose to go live with what was occurring at Mr. Royce's office. Several jurors saw the live report and got the gist of what was happening before Deputy Solantz managed to kil the feed. As you can imagine, Deputy Solantz is not very happy with himself at the moment, and neither am I."

I turned and looked over at the courtroom deputy's desk. Solantz had his eyes down in humiliation. I looked back at the judge and I knew I was dead in the water.

"Needless to say, your suggestion of sequestering the jury was a good one, just a little late. Therefore, and after taking al things into consideration, I find that the jury in this trial has been prejudiced by events which have occurred outside of the court. I intend to declare a mistrial and continue this case until such time as Mr. Jessup has been brought again before this court."

She paused for a moment to see if I had an objection but I had nothing. I knew what she was doing was right and inevitable.

"Let's bring in the jury now," she said.

Soon the jurors were filing into the box, many of them glancing over at the empty defense table.

When everyone was in place, the judge went on the record and turned her chair directly to the jurors. In a subdued tone she addressed them.

"Ladies and gentlemen of the jury, I must inform you that because of factors that are not ful y clear to you but wil soon become so, I have declared a mistrial in the case of California versus Jason Jessup. I do this with great regret because al of us here have invested a great deal of time and effort in these proceedings."

She paused and studied the confused faces in front of her.

"No one likes to invest so much time without seeing the case through to a result. I am sorry for this. But I do thank you for your duty. You were al dependable and for the most part on time every day. I also watched you closely during the testimony and you were al attentive. The court cannot thank you enough. You are dismissed now from this courtroom and discharged from jury duty. You may al go home."

The jurors slowly filed back into the jury room, many taking a last look back at the courtroom. Once they were gone the judge turned back to me.

"Mr. Hal er, for what it's worth, I thought you acquitted yourself quite wel as a prosecutor. I am sorry it ended this way but you are welcome back to this court anytime and on either side of the aisle."

"Thank you, Judge. I appreciate that. I had a lot of help."

"Then I commend your whole team as wel ."

With that, the judge stood and left the bench. I sat there for a long time, listening to the gal ery clear out behind me and thinking about what Breitman had said at the end. I wondered how and why such a good job in court had resulted in such a horrible thing happening in Clive Royce's office.

"Mr. Hal er?"

I turned, expecting it to be a reporter. But it was two uniformed police officers.

"Detective Bosch sent us. We are here to take you and Ms. Gleason into protective custody."

"Only Ms. Gleason and she's right here."

Sarah was waiting on the bench next to Deputy Solantz's desk.

"Sarah, these officers are going to take care of you until Jason Jessup is in custody or..."

I didn't need to finish. Sarah got up and walked over to us.

"So there's no more trial?" she asked.

"Right. The judge declared a mistrial. That means if Jessup is caught, we would have to start over. With a new jury."

She nodded and looked a little dumbfounded. I had seen the look on the faces of many people who venture naively into the justice system. They leave the courthouse wondering what just happened. Sarah Gleason would be no different.

"You should go with these men now, Sarah. We'l be in touch as soon as we know what happens next."

She just nodded and they headed for the door.

I waited a while, alone in the courtroom, and then headed out to the hal way myself. I saw several of the jurors being interviewed by the reporters. I could've watched but at the moment I wasn't interested in what anybody had to say about the case. Not anymore.

Kate Salters saw me and broke away from one of the clusters.

"Mickey, can we talk now?"

"I don't feel like talking. Cal me tomorrow."

"The story's today, Mick."

"I don't care."

I pushed by her in the direction of the elevators.

"Where are you going?"

I didn't answer. I got to the elevators and jumped through the open doors of a waiting car. I moved into the rear corner and saw a woman standing by the panel. She asked me the same question as Salters.

"Where are you going?"

"Home," I said.

She pushed the button marked G and we went down.

PART FIVE

--The Takedown

Forty-two

Thursday, April 8, 4:40 P.M.

Bosch was stationed with Wright in a borrowed office across the street from the Checkers Hotel. It was the command post, and although no one thought Jessup would be stupid enough to walk in the front door of the hotel, the position gave them a good view of the entire property as wel as two of the other surveil ance positions.

"I don't know," Wright said, staring out the window. "This guy is smart, right?"

"I guess so," Bosch said.

"Then I don't see him making this move, you know? He'd have already been here if he was. He's probably halfway to Mexico by now and we're sitting here watching a hotel."

"Maybe."

"If I were him, I'd get down there and lie low. Try to spend as many days on the beach as I could before they found me and put me back in the Q."

Bosch's phone began to buzz and he saw that it was his daughter.

"I'm going to step out to take this," he said to Wright. "You got it covered here?"

"I've got it."

Bosch answered the phone as he left the office for the hal way.

"Hey, Mads. Everything al right?"

"There's a police car outside now."

"Yeah, I know. I sent it there. Just an added precaution."

They had talked an hour earlier after Maggie McPherson had gotten them safely to a friend's home in Porter Ranch. He had told his daughter about Jessup being out there and what had happened at Royce's office. She didn't know about Jessup's nocturnal visit to their house two weeks earlier.

"So they didn't catch that guy yet?"

"We're working on it and I'm in the middle of stuff here. Stay close to Aunt Maggie and stay safe. I'l come get you as soon as this is over."

"Okay. Here, Aunt Maggie wants to talk to you."

McPherson took the phone.

"Harry, what's the latest?"

"Same as before. We're out looking for him and sitting on al the known locations. I'm with Wright at Sarah's hotel."

"Be careful."

"Speaking of that, where's Mickey? He turned down protection."

"He's at home right now but said he's coming up here."

"Okay, sounds good. I'l talk to you later."

"Keep us posted."

"I wil ."

Bosch closed the phone and went back into the office. Wright was stil at the window.

"I think we're wasting our time and should shut this down," he said.

"Why? What's going on?"

"Just came over the radio. They found the car Jessup was using. In Venice. He's nowhere near here, Bosch."

Bosch knew that dumping the car in Venice could merely be a misdirection. Drive out to the beach, leave the car and then double back in a cab to downtown. Nonetheless, he found himself reluctantly agreeing with Wright. They were spinning their wheels here.

"Damn it," he said.

"Don't worry. We'l get him. I'm keeping one team here and one on your house. Everybody else I'm moving down into Venice."

"And the Santa Monica Pier?"

"Already covered. Got a couple teams on the beach and nobody's gone in or out of that location."

Wright went on the SIS band on the radio and started redeploying his men. As Bosch listened he paced the room, trying to figure Jessup out. After a while he stepped back out to the hal way so as not to disturb Wright's radio choreography and cal ed Larry Gandle, his boss at RHD.

"It's Bosch. Just checking in."

"You stil at the hotel?"

"Yeah, but we're about to clear and head to the beach. I guess you heard they found the car."

"Yeah, I was just there."

Bosch was surprised. With four victims at Royce's office, he thought Gandle would stil be at the murder scene.

"The car's clean," Gandle said. "Jessup stil has the weapon."

"Where are you now?" Bosch asked.

"On Speedway," Gandle said. "We just hit the room Jessup was using. Took a while to get the search warrant."

"Anything there?"

"Not so far. This fucking guy, you see him in court wearing a suit and you think... I don't know what you think, but the reality was, he was living like an animal."

"What do you mean?"

"There are empty cans al over the place, food stil rotting in them. Food rotting on the counter, trash everywhere. He hung blankets over the windows to black it out like a cave. He made it like a prison cel . He was even writing on the wal s."

Al at once it hit him. Bosch knew who Jessup had prepared the dungeon under the pier for.

"What kind of food?" he asked.

"What?" Gandle asked.

"The canned food. What kind of food?"

"I don't know, fruits and peaches--al kinds of stuff you can get fresh in any store you walk into. But he had it in cans. Like prison."

"Thanks, Lieutenant."

Bosch closed the phone and walked quickly back into the office. Wright was off the radio now.

"Did your people go under the pier and check the storage room or just set up surveil ance?"

"It's a loose surveil ance."

"Meaning they didn't check it out?"

"They checked the perimeter. There was no sign that anybody went under the wal . So they backed out and set up."

"Jessup's there. They missed him."

"How do you know?"

"I just know. Let's go."

Forty-three

Thursday, April 8, 6:35 P.M.

I stood at the picture window at the end of my living room and looked out at the city with the sun dropping behind it. Jessup was out there someplace.

Like a rabid animal he would be hunted, cornered and, I had no doubt, put down. It was the inevitable conclusion to his play.

Jessup was legal y to blame but I couldn't help but think about my own culpability in these dark matters. Not in any legal sense, but in a private, internal sense. I had to question whether consciously or not I had set al of this in motion on the day I sat with Gabriel Wil iams and agreed to cross a line in the courtroom as wel as within myself. Maybe by al owing Jessup his freedom I had determined his fate as wel as that of Royce and the others. I was a defense attorney, not a prosecutor. I stood for the underdog, not for the state. Maybe I had taken the steps and made the maneuvers so that there would never be a verdict and I would not have to live with it on my record and conscience.

Such were the musings of a guilty man. But they didn't last long. My phone buzzed and I pul ed it from my pocket without looking away from my view of the city.

"Hal er."

"It's me. I thought you were coming up here."

Maggie McFierce.

"Soon. I'm just finishing up here. Everything al right?"

"For me, yes. But probably not for Jessup. Are you watching the TV news?"

"No, what are they showing?"

"They've evacuated the Santa Monica Pier. Channel Five has a chopper over it. They're not confirming that it's related to Jessup but they said that LAPD's SIS unit sought an okay from SMPD to conduct a fugitive apprehension. They're on the beach moving in."

"The dungeon? Did Jessup grab somebody?"

"If he did, they're not saying."

"Did you cal Harry?"

"I just tried but he didn't pick up. I think he's probably down there on the beach."

I broke away from the window and grabbed the television remote off the coffee table. I snapped on the TV and punched in Channel 5.

"I have it on here," I told Maggie.

On the screen was an aerial view of the pier and the surrounding beach. It looked like there were men on the beach and they were advancing on the pier's underside from both the north and south.

"I think you're right," I said. "It's gotta be him. The dungeon he made down there was actual y for himself. Like a safe house he could run to."

"Like the prison cel he was used to. I wonder if he knows they're coming in on him. Maybe he hears the helicopters."

"Harry said the waves under there are so loud you couldn't even hear a gunshot."

"Wel , we might be about to find that out."

We watched in silence for a few moments before I spoke.

"Maggie, are the girls watching this?"

"God, no! They're playing video games in the other room."

"Good."

They watched in silence. The newscaster's voice echoing over the line as he inanely described what was on the screen. After a while Maggie asked the question that had probably been on her mind al afternoon.

"Did you think it would come to this, Hal er?"

"No, did you?"

"No, never. I guess I thought everything would sort of be contained in the courtroom. Like it always is."

"Yeah."

"At least Jessup saved us the indignity of the verdict."

"What do you mean? We had him and he knew it."

"You didn't watch any of the juror interviews, did you?"

"What, on TV?"

"Yeah, juror number ten is on every channel saying he would've voted not guilty."

"You mean Kirns?"

"Yeah, the alternate that got moved into the box. Everybody else interviewed said guilty, guilty, guilty. But Kirns said not guilty, that we hadn't convinced him. He would've hung the jury, Hal er, and you know Wil iams wouldn't have signed on for round two. Jessup would've walked."

I considered this and could only shake my head. Everything was for nothing. Al it took was one juror with a grudge against society, and Jessup would've walked. I looked up from the TV screen and out toward the western horizon to the distance, where I knew Santa Monica hugged the edge of the Pacific. I thought I could see the media choppers circling.

"I wonder if Jessup wil ever know that," I said.

Forty-four

Thursday, April 8, 6:55 P.M.

The sun was dropping low over the Pacific and burning a briliant green path across the surface. Bosch stood close to Wright on the beach, a hundred yards south of the pier. They were both looking down at the 5 x 5 video screen contained in a front pack strapped to Wright's chest. He was commanding the SIS takedown of Jason Jessup. On the screen was a murky image of the dimly lit storage facility under the pier. Bosch had been given ears but no mike. He could hear the operation's communications but could not contribute to them. Anything he had to say would have to go through Wright.

The voices over the com were hard to hear because of the background sound of waves crashing beneath the pier.

"This is Five, we're in."

"Steady the visual," Wright commanded.

The focus on the video tightened and Bosch could see that the camera was aimed at the individual storage rooms at the rear of the pier facility.

"This one."

He pointed to the door he had seen Jessup go through.

"Okay," Wright said. "Our target is the second door from the right. Repeat, second door from the right. Move in and take positions."

The video moved in a herky-jerky fashion to a new position. Now the camera was even closer.

"Three and Four are--"

The rest was wiped out by the sound of a crashing wave.

"Three and Four, say again," Wright said.

"Three, Four in position."

"Hold until my go. Topside, you ready?"

"Topside ready."

On the upper level of the evacuated pier there was another team, which had placed smal explosives at the corners of the trapdoor above the storage corral where they believed Jessup was holed up. On Wright's command the SIS teams would blow the trapdoor and move in from above and below.

Wright wrapped his hand around the mike that ran along his jawline and looked at Bosch.

"You ready for this?"

"Ready."

Wright released his grip and gave the command to his teams.

"Okay, let's give him a chance," he said. "Three, you have the speaker up?"

"That's a go on the speaker. You're hot in three, two... one."

Wright spoke, trying to convince a man hidden in a dark room a hundred yards away to give himself up.

"Jason Jessup. This is Lieutenant Stephen Wright of the Los Angeles Police Department. Your position is surrounded top and bottom. Step out with your hands behind your head, fingers laced. Move forward to the waiting officers. If you deviate from this order you wil be shot."

Bosch pul ed his earplugs out and listened. He could hear the muffled sound of Wright's words coming from under the pier. There was no doubt that Jessup could hear the order if he was under there.

"You have one minute," Wright said as his final communication to Jessup.

The lieutenant checked his watch and they waited. At the thirty-second mark Wright checked with his men under the pier.

"Anything?"

"This is Three. I got nothing."

"Four, clear."

Wright gave Bosch a wishful look, like he had hoped it wouldn't come to this.

"Okay, on my mark we go. Keep tight and no crossfire. Topside, if you shoot, you make sure you know who you--"

There was movement on the video screen. A door to one of the storage corrals flung open, but not the door they were focused on. The camera made a jerking motion left as it redirected its aim. Bosch saw Jessup emerge from the darkness behind the open door. His arms came up and together as he dropped into a combat pose.

"Gun!" Wright yel ed.

The barrage of gunfire that fol owed lasted no more than ten seconds. But in that time at least four officers under the pier emptied their weapons. The crescendo was punctuated by the unneeded detonation from the topside. By then Bosch had already seen Jessup go down in the gunfire. Like a man in front of a firing squad, his body seemed at first to be held upright by the force of multiple impacts from multiple angles. Then gravity set in and he fel to the sand.

After a few moments of silence, Wright was back on the com.

"Everybody safe? Count off."

Al officers under and on top of the pier reported in safe.

"Check the suspect."

In the video Bosch saw two officers approach Jessup's body. One checked for a pulse while the other held his aim on the dead man.

"He's ten-seven."

"Secure the weapon."

"Got it."

Wright kil ed the video and looked at Bosch.

"And that's that," he said.

"Yeah."

"I'm sorry you didn't get your answers."

"Me, too."

They started walking up the beach to the pier. Wright checked his watch and went on the com, announcing the official time of the shooting as 7:18 P.M.

Bosch looked off across the ocean to his left. The sun was now gone.

PART SIX

--All That Remains

Forty-five

Friday, April 9, 2:20 P.M.

Harry Bosch and I sat on opposite sides of a picnic table, watching the ME's disinterment team dig. They were on the third excavation, working beneath the tree where Jason Jessup had lit a candle in Franklin Canyon.

I didn't have to be there but wanted to be. I was hoping for further evidence of Jason Jessup's vil ainy, as though that might make it easier to accept what had happened.

But so far, in three excavations, they had found nothing. The team moved slowly, stripping away the dirt one inch at a time and sifting and analyzing every ounce of soil they removed. We had been here al morning and my hope had waned into a cold cynicism about what Jessup had been doing up here on the nights he was fol owed.

A white canvas sheet had been strung from the tree to two poles planted outside the search zone. This shielded the diggers from the sun as wel as from the view of the media helicopters above. Someone had leaked word of the search.

Bosch had the stack of files from the missing persons cases on the table. He was ready to go with records and descriptors of the missing girls should any human remains be found. I had simply come armed with the morning's newspaper and I read the front-page story now for a second time. The report on the events of the day before was the lead story in the Times and was accompanied by a color photo of two SIS officers pointing their weapons into the open trapdoor on the Santa Monica Pier. The story was also accompanied by a front-page sidebar story on the SIS. Headline: ANOTHER CASE, ANOTHER SHOOTING, SIS's BLOODY HISTORY.

I had the feeling this would be a story with legs. So far, no one in the media had found out that the SIS knew Jessup had obtained a gun. When that got out--and I was sure it would--there would no doubt be a firestorm of controversy, further investigations and police commission inquiries. The chief question being: Once it was established that it was likely that this man had a weapon, why was he al owed to remain free?

It al made me glad I was no longer even temporarily in the employ of the state. In the bureaucratic arena, those kinds of questions and their answers have the tendency to separate people from their jobs.

I needed not worry about the outcome of such inquiries for my livelihood. I would be returning to my office--the backseat of my Lincoln Town Car. I was going back to being private counsel for the defense. The lines were cleaner there, the mission clearer.

"Is Maggie McFierce coming?" Bosch asked.

I put the paper down on the table.

"No, Wil iams sent her back to Van Nuys. Her part in the case is over."

"Why isn't Wil iams moving her downtown?"

"The deal was that we had to get a conviction for her to get downtown. We didn't."

I gestured to the newspaper.

"And we weren't going to get one. This one holdout juror is tel ing anybody who'l listen that he would've voted not guilty. So I guess you can say Gabriel Wil iams is a man who keeps his word. Maggie's going nowhere fast."

That's how it worked in the nexus of politics and jurisprudence. And that's why I couldn't wait to go back to defending the damned.

We sat in silence for a while after that and I thought about my ex-wife and how my efforts to help her and promote her had failed so miserably. I wondered if she would begrudge me the effort. I surely hoped not. It would be hard for me to live in a world where Maggie McFierce despised me.

"They found something," Bosch said.

I looked up from my thoughts and focused. One of the diggers was using a pair of tweezers to put something from the dirt into a plastic evidence bag.

Soon she stood up and headed toward us with the bag. She was Kathy Kohl, the ME's forensic archaeologist.

She handed Bosch the bag and he held it up to look. I could see that it contained a silver bracelet.

"No bones," Kohl said. "Just that. We're at thirty-two inches down and it's rare that you find a murder interment much further down than that. So this one's looking like the other two. You want us to keep digging?"

Bosch glanced at the bracelet in the bag and looked up at Kohl.

"How about another foot? That going to be a problem?"

"A day in the field beats a day in the lab anytime. You want us to keep digging, we'l keep digging."

"Thanks, Doc."

"You got it."

She went back to the excavation pit and Bosch handed the evidence bag to me to examine. It contained a charm bracelet. There were clots of dirt in the links and its charms. I could make out a tennis racket and an airplane.

"Do you recognize it?" I asked. "From one of the missing girls?"

He gestured to the stack of files on the table.

"No. I don't remember anything about a charm bracelet in the lists."

"It could've just been lost up here by somebody."

"Thirty-two inches down in the dirt?"

"So you think Jessup buried it, then?"

"Maybe. I'd hate to come away from this empty-handed. The guy had to have come up here for a reason. If he didn't bury them here, then maybe this was the kil spot. I don't know."

I handed the bag back to him.

"I think you're being too optimistic, Harry. That's not like you."

"Wel , then what the hel do you think Jessup was doing up here al those nights?"

"I think he and Royce were playing us."

"Royce? What are you talking about?"

"We were had, Harry. Face it."

Bosch held the evidence bag up again and shook it to loosen the dirt.

"It was a classic misdirection," I said. "The first rule of a good defense is a good offense. You attack your own case before you ever get to court. You find its weaknesses and if you can't fix them, then you find ways of deflecting attention away from them."

"Okay."

"The biggest weakness to the defense's case was Eddie Roman. Royce was going to put a liar and a drug addict on the stand. He knew that given enough time, you would either find Roman or find out things about him or both. He needed to deflect. Keep you occupied with things outside the case at hand."

"You're saying he knew we were fol owing Jessup?"

"He could've easily guessed it. I put up no real opposition to his request for an OR release. That was unusual and probably got Royce thinking. So he sent Jessup out at night to see if there was a tail. As we already considered before, he probably even sent Jessup to your house to see if he would engage a response and confirm surveil ance. When it didn't, when it got no response, Royce probably thought he was wrong and dropped it. After that, Jessup stopped coming up here at night."

"And he probably thought he was in the clear to go build his dungeon under the pier."

"It makes sense. Doesn't it?"

Bosch took a long time to answer. He put his hand on top of the stack of files.

"So what about al these missing girls?" he asked. "It's al just coincidence?"

"I don't know," I said. "We may never know now. Al we know is that they're stil missing and if Jessup was involved, then that secret probably died with him yesterday."

Bosch stood up, a troubled look on his face. He was stil holding the evidence bag.

"I'm sorry, Harry."

"Yeah, me, too."

"Where do you go from here?"

Bosch shrugged.

"The next case. My name goes back into the rotation. What about you?"

I splayed my hands and smiled.

"You know what I do."

"You sure about that? You made a damn good prosecutor."

"Yeah, wel , thanks for that, but you gotta do what you gotta do. Besides, they'd never let me back on that side of the aisle. Not after this."

"What do you mean?"

"They're going to need somebody to blame for al of this and it's going to be me. I was the one who let Jessup out. You watch. The cops, the Times, even Gabriel Wil iams wil eventual y bring it around to me. But that's okay, as long as they leave Maggie alone. I know my place in the world and I'm going to go back to it."

Bosch nodded because there was nothing else to say. He shook the bag with the charm bracelet again and worked it with his fingers, removing more dirt from its surfaces. He then held it up to study closely and I could tel he saw something.

"What is it?"

His face changed. He was keying on one of the charms, rubbing dirt off it through the plastic bag. He then handed it to me.

"Take a look. What is that?"

The charm was stil tarnished and dirty. It was a square piece of silver less than a half inch wide. On one side there was a tiny swivel at center and on the other what looked like a bowl or a cup.

"Looks like a teacup on a square plate," I suggested. "I don't know."

"No, turn it over. That's the bottom."

I did and I saw what he saw.

"It's one of those... a mortarboard. A graduation cap and this swivel on the top was for the tassel."

"Yeah. The tassel's missing, probably stil in the dirt."

"Okay, so what's it mean?"

Bosch sat back down and quickly started looking through the files.

"You don't remember? The first girl I showed you and Maggie. Valerie Schlicter. She disappeared a month after graduating from Riverside High."

"Okay, so you think..."

Bosch found the file and opened it. It was thin. There were three photos of Valerie Schlicter, including one of her in her graduation cap and gown. He quickly scanned the few documents that were in the file.

"Nothing here about a charm bracelet," he said.

"Because it probably wasn't hers," I said. "This is a long shot, don't you think?"

He acted as though I had said nothing, his mind shutting out any opposing response.

"I'm going to have to go out there. She had a mother and a brother. See who's stil around and can look at this thing."

"Harry, you sure you--"

"You think I have a choice?"

He stood back up, took the evidence bag back from me and gathered up the files. I could almost hear the adrenaline buzzing through his veins. A dog with a bone. It was time for Bosch to go. He had a long shot in his hand but it was better than no shot. It would keep him moving.

I got up, too, and fol owed him to the excavation. He told Kohl that he had to go check out the bracelet. He told her to cal him if anything else was found in the hole.

We moved to the gravel parking lot, Bosch walking quickly and not looking back to see if I was stil with him. We had driven separately to the dig.

"Hey," I cal ed to him. "Wait up!"

He stopped in the middle of the lot.

"What?"

"Technical y, I'm stil the prosecutor assigned to Jessup. So before you go rushing off, tel me what the thinking is here. He buried the bracelet here but not her? Does that even make sense?"

"Nothing makes sense until I ID the bracelet. If somebody tel s me it was hers, then we try to figure it out. Remember, when Jessup was up here, we couldn't get close to him. It was too risky. So we don't know exactly what he was doing. He could've been looking for this."

"Okay, I can maybe see that."

"I gotta go."

He continued on to his car. It was parked next to my Lincoln. I cal ed after him.

"Let me know, okay?"

He looked back at me when he got to his car.

"Yeah," he said. "I wil ."

He then dropped into the car and I heard it roar to life. Bosch drove like he walked, pul ing out quickly and throwing dust and gravel into the air. A man on a mission. I got in the Lincoln and fol owed him out of the park and up to Mulhol and Drive. After that, I lost him on the curving road ahead.

Acknowledgments

The author wishes to thank several people for their help in the research and writing of this book. They include Asya Muchnick, Michael Pietsch, Pamela Marshal , Bil Massey, Jane Davis, Shannon Byrne, Daniel Daly, Roger Mil s, Rick Jackson, Tim Marcia, David Lambkin, Dennis Wojciechowski, John Houghton, Judge Judith Champagne, Terril Lee Lankford, John Lewin, Jay Stein, Philip Spitzer, and Linda Connel y.

The author also greatly benefited from reading Defending the Damned: Inside a Dark Corner of the Criminal Justice System by Kevin Davis.

About the Author

Michael Connelly is a former journalist and the author of the #1 bestsel ers The Scarecrow, The Brass Verdict, and The Lincoln Lawyer, the bestsel ing series of Harry Bosch novels, and the bestsel ing novels Chasing the Dime, Void Moon, Blood Work, and The Poet. Crime Beat, a col ection of his journalism, was also a New York Times bestsel er. He spends his time in California and Florida.

Table of Contents

Also by Michael Connel y

Copyright

PART ONE: The Perp Walk

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

Twelve

Thirteen

PART TWO: The Labyrinth

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Twenty-one

Twenty-two

Twenty-three

Twenty-four

PART THREE: To Seek a True and Just Verdict

Twenty-five

Twenty-six

Twenty-seven

Twenty-eight

Twenty-nine

Thirty

Thirty-one

Thirty-two

Thirty-three

Thirty-four

Thirty-five

Thirty-six

PART FOUR: The Silent Witness

Thirty-seven

Thirty-eight

Thirty-nine

Forty

Forty-one

PART FIVE: The Takedown

Forty-two

Forty-three

Forty-four

PART SIX: Al That Remains

Forty-five

Acknowledgments

About the Author

Table of Contents

PART ONE

PART TWO

PART THREE

PART FOUR

PART FIVE

PART SIX