Rating: ***
Tags: Fiction, Rich people, Literary, Family Life, Sagas, Families, New York (N.Y.), Lang:en
Summary
Starred Review. Dee's four prior novels (
Palladio; etc.) cast an intelligent, calculating eye
on the culturally topical, which sparked comparisons to the
writings of Updike, DeLillo and Franzen. The wedding of Adam
and Cynthia Morey, a young and charming couple who quickly
expand into a brood of four, begins Dee's fifth. Adam and
Cynthia's nuanced personalities and playful, sincere exchanges
form the novel's empathic backbone as Adam begins to profit
immensely from risky side ventures while working for a hedge
fund. Dee establishes a trust with his readers that allows
Adam's murky business ethics to escape the spotlight of
outright moral scrutiny, and by showing how Adam endangers his
privilege—while his children endanger their own
lives—Dee reveals how risk is a kind of numbing balm.
April, Adam's daughter, responds to the boredom of material
comfort by resorting to drug-induced self-effacement. The novel
climaxes as the children face the possibility of their own
death, though lucidity after mortal danger is fleeting: I can
feel myself forgetting what it feels like to feel, April says.
Dee notably spurns flat portraits of greed, instead letting the
characters' self-awareness and self-forgetfulness stand on
their own to create an appealing portrait of a world won by
risk.
(Jan.)
In his previous four novels, Dee has dramatized peculiarly
American forms of absurdity and moral bankruptcy with
search-and-destroy precision and calculated understatement.
That approach serves him well in this ensnaring tale of
alienating wealth, in which Dee breaks fresh artistic ground
with the sheer beauty and quiet poignancy of his prose.
Picture-perfect and ferociously confident and ambitious Adam
and Cynthia marry right out of college and quickly have
children, April and Jonas. Adam excels at a private equity firm
in Manhattan, but, impatient for the big money, he also
launches a high-stakes insider-trading venture. The gleaming
Moreys become so impossibly rich they don’t seem quite
human to others, and, of course, money doesn’t preclude
suffering. Dee deftly avoids cliché as Adam and Cynthia go
against type by being fiercely loyal to each other, April takes
desperate risks, and Jonas, the brightest and most creative of
the clan, embarks on an inquiry into outsider art that lands
him in a strange and terrifying predicament. A suspenseful,
melancholy, and acidly funny tale about self, family,
entitlement, and life’s mysteries and inevitabilities.
--Donna SeamanFrom Publishers Weekly
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