Rating: ****
Tags: Fiction, General, Twins, Suspense, Suspense fiction, Literary, Historical, Romance, North Carolina, Love Stories, North Carolina - History - 20th Century, North Carolina - Rural Conditions, Lang:en
Summary
The extraordinary author of
Cold Mountain and
Thirteen Moons returns with a dazzling new novel of
suspense and love set in small-town North Carolina in the early
1960s.
Amazon Best Books of the Month, October 2011:
A woman living in an abandoned rural lodge is suddenly forced
to raise her dead sister's two wild young children. Neither of
them has spoken a word since witnessing their mother's brutal
murder, and they’ve developed a fondness for breaking
things and starting fires. These mute, trouble-making kids are
among Charles Frazier’s finest characters. And when their
ne'er-do-well father is acquitted and released from jail, the
action in this lush and lively novel flares. With sharp
dialogue, unexpected humor, and a powerful ability to depict
the scents and sounds of loamy Carolina backwoods, while toying
with fire and water as his themes, Frazier has crafted an
impressive story, proving that
Cold Mountain was no fluke.
--Neal Thompson
A Letter from Author Charles Frazier
Lost in the woods. A dangerous phrase, but also with a
resonance of folktale. Hansel and Gretel with their bread
crumbs. Jack alone, roaming the lovely, dark, and deep southern
mountains. So, young people and old people being lost in the
woods has always been interesting to me for those reasons. And
also because it happens all the time still. Back when I was a kid, eight or ten, my friends and I lived
with a mountain in our backyards. We stayed off it in summer.
Too hot and snaky. But in the cool seasons, we roamed freely.
We carried bb guns in the fall and rode our sleds down old
logging roads in winter. We often got lost. But we knew that
downhill was the way out, the way home. When I grew up and went
into bigger mountains, you couldn’t always be so sure. I
remember being lost in Bolivia. Or let’s say that I grew
increasingly uncertain whether I was still on the trail or not.
That’s the point where you ought to sit down and drink
some water and consult your maps and compass very carefully and
calmly. I kept walking. At some point, it became a matter of
rigging ropes to swing a heavy pack over a scary white
watercourse. I ended up at a dropoff. Down far below, upper
reaches of the Amazon basin stretched hazy green into the
distance. Downhill did not at all seem like the way home. You’ll just have to trust me that this has something
to do with my new novel, but to go into it much would risk
spoilers. I’ll just say that early on in the writing of
Nightwoods, Luce and the children were meant to be fairly minor
characters, but I kept finding myself coming back to them,
wanting to know more about them until they became the heart of
the story. Some of my wanting to focus on them was surely
influenced by several cases of kids lost in the woods in areas
where I’m typically jogging and mountain biking alone at
least a hundred days a year. It’s part of my writing
process, though I hardly ever think about work while I’m
in the woods. But I do keep obsessive count of how many miles a
day I go and how many words I write, lots of numbers on 3x5
notecards. All those days watching the micro changes of seasons
can’t help but become part of the texture of what I
write, and those lost kids, too.
Praise for
Nightwoods:
"Nightwoods is no typical thriller….its
dazzling sentences are so meticulously constructed that you
find yourself rereading them, trying to unpack their
magic...the unhurried, poetic suspense is both difficult to
bear and
IMPOSSIBLE TO SHAKE."--
Entertainment Weekly
“
FANTASTIC ... an Appalachian Gothic with a
low-level fever that runs alternately warm and chilling.”
—
The Washington Post
“
No writer today crafts more exquisite sentences than
Charles Frazier.” —
USA Today
“
ASTUTE AND COMPASSIONATE . . .a virtuoso
construction . . . with wickedly wry dialogue reminiscent of
the best of Charles Portis, Larry Brown, and Cormac
McCarthy.” —
The Boston Globe
“
HIS BEST BOOK TO DATE. Frazier’s
exquisitely efficient style is matched by some finely tuned
suspense.” —
The Times (London)
“
Frazier has taken a fast-paced genre and subverted it
at every turn, offering a closer look at the nature of
good and evil and how those forces ebb and flow over
time.” —
Atlanta Journal Constitution
"...[A] taut narrative of love and suspense, told against a
gritty background of bootlegging and violence. The characters
are rich and unforgettable, and the prose almost lyrical.
This is Charles Frazier at his best. ...Just
mention a new novel by the
Cold Mountain author, and a line will start forming."
"...[
T]hink Thunder Road meets Night of the Hunter meets old
murder ballads. This is a suspenseful noir nightmare,
complete with bootleggers and switchblades."
Charles Frazier puts his remarkable gifts in the service of a
lean, taut narrative while losing none of the transcendent
prose, virtuosic storytelling, and insight into human nature
that have made him one of the most beloved and celebrated
authors in the world. Now, with his brilliant portrait of Luce,
a young woman who inherits her murdered sister’s troubled
twins, Frazier has created his most memorable heroine.
Before the children, Luce was content with the reimbursements
of the rich Appalachian landscape, choosing to live apart from
the small community around her. But the coming of the children
changes everything, cracking open her solitary life in
difficult, hopeful, dangerous ways.
Charles Frazier is known for his historical literary odysseys,
and for making figures in the past come vividly to life. Set in
the twentieth century,
Nightwoods resonates with the timelessness of a great
work of art.Amazon.com Review
Review
—
Booklist
—
The Daily Beast
“
The story makes the book more than worthwhile,
and the writing is as good as anything Frazier has created so
far. …[G]ripping story and engaging characters.”
—
Fredericksburg Free Lance-Star
“[E]ngages your deep interest.... The book’s
ending is
masterful, gratifying suspense-seekers as well
as readers who like things working on many levels.”
—
Asheville Citizen-Times
“
The characters are expertly molded from the
very land they inhabit, calling attention to the shallowness of
the grave in which our more violent past is buried.”
—
BookPage
PRAISE FOR CHARLES FRAZIER
Cold Mountain
“Natural-born storytellers come along only rarely.
Charles Frazier joins the ranks of that elite cadre on the
first page of his astonishing debut.”—
Newsweek
“Prose filled with grace notes and trenchant asides . . .
a Whitmanesque foray into America: into its hugeness, its
freshness, its scope and its soul . . . such a memorable
book.”—
The New York Times Book Review
“A rare and extraordinary book . . . heart-stopping . . .
spellbinding.”—
San Francisco Chronicle
Thirteen Moons
“A boisterous, confident novel that draws from the epic
tradition: It tips its hat to
Don Quixote as well as Twain and Melville, and it
boldly sets out to capture a broad swatch of America’s
story in the mid-nineteenth century.”—
The Boston Globe
“Frazier works on an epic scale, but his genius is in the
details—he has a scholar’s command of the physical
realities of early America and a novelist’s gift for
bringing them to life.”
—Time
“Magical . . . fascinating and moving . . . You will find
much to admire and savor in
Thirteen Moons.”—
USA Today