Rating: Not rated
Tags: Juvenile Fiction, Sports, Lang:en
Summary
For Hutch, shortstop has always been home. It's where his
father once played professionally, before injuries relegated
him to watching games on TV instead of playing them. And it's
where Hutch himself has always played and starred. Until now.
The arrival of Darryl "D-Will" Williams, the top shortstop
prospect from Florida since A-Rod, means Hutch is displaced, in
more ways than one. Second base feels like second fiddle, and
when he sees his father giving fielding tips to D-Will--the
same father who can't be bothered to show up to watch his son
play--Hutch feels betrayed. With the summer league championship
on the line, just how far is Hutch willing to bend to be a good
teammate? Mike Lupica returns to the big field for the first
time since his #1 New York Times bestseller Heat and delivers a
feel-good home run, showing how love of the game is a language
fathers and sons speak from the heart. Q&A with Mike Lupica
Q: Where did the idea for The Big Field come from? A: If it has
one starting point, it was when Alex Rodriguez came to the
Yankees and left shortstop to play third base. It wasn't so
much that Rodriguez was the best all-around player in baseball
at the time. It was that I knew he'd always thought of himself
as a shortstop. I'm not sure he still doesn't think of himself
as a shortstop. And suddenly he was a third baseman. Hutch
isn't the best player in this book; Darryl Williams is. But
Hutch had been a shortstop his whole life, it defined him as a
ballplayer, and now because of the presence of Darryl on their
American Legion team, he has to go to second base. It's the
starting off point in a book that is ultimately about fathers
and sons. But it's about a player having to leave his best
position for the good of his team. Q: In The Big Field, the
emotional heart of the story is Keith "Hutch" Hutchinson's
relationship with his father, a washed-up ballplayer and former
boy phenomenon who never advanced past the minor leagues and
who completely soured on the game, setting the stage for a
distant relationship with his son. Why did you decide to focus
on the father-son dynamic in this novel? A: Sometimes with
fathers and sons, when they can't communicate, they fall back
on sports. It is like some universal language for fathers and
sons. But at the start of The Big Field, Hutch and his dad
don't even have that. And their journey, both of them, and I
think it's a great journey, is finding that language again,
finding a bond they never really lost. And finding each other.
Q: Can you offer any advice for aspiring sports writers? A:
Read the best guys, in books and newspapers and magazines. And
then find ways to write. Write for the school paper, write
anywhere you can, but write. I believe strongly that if you
have the talent and the spirit, somebody will find you. Q: When
writing a young character do you find yourself looking back to
yourself at that age? Or your children? A: I look back to
myself, and remember how important sports were to me, the
fellowship, just the sheer fun of having a game with my buddies
even if it wasn't organized. I tell people all the time that I
still go to games thinking I might see something I've never
seen before. I still have that feeling. But more than that, I
see sports through the eyes of my children, too. See what they
think is good, or cool, or worth watching. See what excites
them. They've made me smarter about sports, they really have.
But then that always happens when you hang around smart people.
Q: Have you started working on your next book? Can you give us
a sneak peak? A: My next book is already finished. It's about a
young foster child, and his love for baseball. He's a catcher.
And I think you're going to like him. The book is called "Safe
at Home." The book I'm writing right now is my first soccer
book. That's all I'm going to tell you!